Expression of the emotions in the drawing of a man by the child from 5 to 11 years of age]

This study examines the development of children's ability to express emotions in their human figure drawing. Sixty children of 5, 8, and 11 years were asked to draw "a man," and then a "sad", "happy," "angry" and "surprised" man. Expressivity of the drawings was assessed by means of two procedures: a limited choice and a free labelling procedure. Emotionally expressive drawings were then evaluated in terms of the number and the type of graphic cues that were used to express emotion. It was found that children are able to depict happiness and sadness at 8, anger and surprise at 11. With age, children use increasingly numerous and complex graphic cues for each emotion (i.e., facial expression, body position, and contextual cues). Graphic cues for facial expression (e.g., concave mouth, curved eyebrows, wide opened eyes) share strong similarities with specific "action units" described by Ekman and Friesen (1978) in their Facial Action Coding System. Children's ability to depict emotion in their human figure drawing is discussed in relation to perceptual, conceptual, and graphic abilities.     

Sexual ambiguity in children's human figure drawings

Four hundred sixty-one children in grades 5-9 drew a person and indicated the sex of their human figure drawing. A significant number (8%) of children were unable to classify their drawings as to sex; the frequency of uncertainty did not vary with grade or sex of child. Inability to determine the sex of one's own drawing is hypothesized to be a conceptual rather than a perceptual problem, and to reflect uncertainty about the essence of sexual identification.     

Size of human figure drawing and Goodenough-Harris scores of pediatric oncology patients: a pilot study

Human figure drawings of 12 pediatric oncology patients were significantly smaller in height, width, and area than were drawings of 12 school children and 12 pediatric general surgery patients paired for sex and age. The Goodenough-Harris scores of the cancer patients' drawings were also significantly lower than those of both school and general surgery groups. It is hypothesized that anxiety, lowered self-esteem, and the effects of chemotherapy contributed to these findings.     

Effects of eating abnormalities and gender on perceptions of desirable body shape

Men and women differ when choosing the figure drawings that most resemble (a) their own current figures (CURRENT), (b) their ideal figures (IDEAL), and (c) the figure thought most attractive to the opposite sex (OPPOSITE) (Fallon & Rozin, 1985). In the present experiment, women with high Eating Attitude Test (EAT) scores, indicating abnormal eating patterns, choose differently from those with low scores. All women's IDEAL and OPPOSITE figures are thinner than their CURRENT figures, whereas men rate all three nearly identically. Only the high-scoring women choose an IDEAL figure thinner than their OPPOSITE. This suggests that whereas men are satisfied with their figures, women desire to be thinner than they think they are, and women with abnormal eating behaviors desire to be even thinner than what they think men find attractive.     

Naive prediction of pathology from human figure drawings

The present study investigated the degree of accuracy of five groups of judges (elementary school administrators, elementary school secretaries,elementary school teaches, seventh-grade students, and trained personnel in figure drawing interpretation) in inferring pathology in human figure drawings. It was suggested that intuition gained through several years of unsystematic observation of figure drawings played the major role in their interpretation.     

Human figure drawings of adjudicated and nonadjudicated adolescents

We investigated differences between human figure drawings of adjudicated and nonadjudicated adolescents. In addition, the relationship between human figure drawings and crime category (person, property, other, none) was examined for the adjudicated adolescents. Subjects consisted of four groups of adolescents (n = 25 each): adjudicated males, adjudicated females, nonadjudicated males, and nonadjudicated females. Human figure drawings were obtained from all subjects; they were scored using a system that was developed for use with adolescents. Kruskal-Wallis one-way analyses of variance (ANOVAs) were used to assess the effects of adjudication status and gender. There were 11 significant differences between adjudicated and nonadjudicated adolescents and 11 differences among the four groups. Results of Kruskal-Wallis ANOVAs also showed two significant differences among crime categories.     

HUMAN FIGURE DRAWINGS BY NORMAL AND PHYSICALLY HANDICAPPED CHILDREN: DRAW-A-PERSON TEST

N ielsen , H elle H. Human figure drawings by normal and physically handicapped children. Scand. J. Psychol ., 1961, 2 , 129–138.—Cerebral palsied children (spastic hemiplegia and paraplegia) were compared with normal children on nineteen formal variables of Draw-a-Person Test. Contrary to prediction, no differences were found between the experimental and matched control group, but one variable (Extremities lacking) was scored more frequently on hemiplegic than on paraplegic children. A comparison of the two groups showed that a significantly larger number of spastic drawings than normal drawings had a Goodenough IQ that was more than 10 points lower than their Binet IQ. A clinical psychologist, with much experience of figure drawings, sorted the drawings better than chance, only informed about age and IQ of the subject.     

Conception and representation of space in human figure drawings by schizophrenic and normal subjects.

Seventy hospitalized schizophrenic adults, and 71 normal subjects were given a test consisting of six human figure drawings, arranged in a thematic sequence from a self-portrait to a drawing of a person. The structural components of each human figure were scored and analyzed in an attempt to validate their projective character and to examine influence of psychopathology on cognition. Findings indicated similar constructional trends for both groups, with differences particular to sex, rather than a diagnostic category. It was concluded that conception and representation of space and its configurations will not be influenced by psychopathological processes.     

Sex differences in the preferences for specific female body shapes

The purpose of this study was to examine the somatic preferences of males and females for detailed anatomical drawings of female stimulus figures to examine their ability to predict the preferences for members of the opposite sex. The figures were systematically varied on three dimensions (bust, waist, and hips), with three sizes of each (small, medium, and large). The 12 figures were rated by 100 male and female subjects on a 7-point bipolar construct scale, ranging from extremely attractive to extremely unattractive. This was done both for the subjects' personal perceptions and for their predicted ratings of the opposite sex. Multivariate and univariate analyses yielded several sex, rating-perceptive (self vs. other), figure shape differences and interactions. Male subjects displayed a preference for large busts and hourglass shapes, which are accurately predicted by the females. Males predicted that females would rate slimmer figure highly, and females predicted that males would rate larger figures highly. The results are considered in light of related research in this area.     

Developmental analysis of human figure drawings in adolescence, young adulthood, and middle age.

Analyzed 195 human figure drawings (HFDs) of adolescents, young adults, and middle-aged adults in terms of developmental differences in anxiety signs, grouped into aggressive-hostile and insecure-labile categories, and according to sex-role stereotype, as measured by the Broverman Sex-role Stereotype Scale. Adolescent males and females were significantly more likely to obtain more anxiety signs than the two adult groups, although young adults and middle-aged adults did not differ from one another in HFD performance. The most reliable sex difference was that males reveal significantly more aggressive-hostile indices in the HFDs relative to females; no significant sex differences were obtained for number of insecure-labile indices. The degree to which one has adopted a conventional sex-role stereotype was not predictive of anxiety sign differences in HFD performance for either sex or for any age group.     

Body image of obese adolescent girls in a high school and clinical setting

There have been many investigations of body image in cases of anorexia nervosa in adolescent females. However, there has been limited research with normal adolescent girls who happen to be overweight. In this study, 27 girls found to be obese (at least 20 percent above average body weight for age, sex and height) among 203 girls in home economics classes of four suburban high schools were compared to 20 girls seeking help for their obesity on an outpatient basis in hospital-affiliated programs for weight reduction in a nearby city. The two groups were assessed and compared regarding body image factors. The clinical subjects showed a significantly greater difference in their selection of outline drawings of the female figure perceived to represent their actual as compared to ideal body sizes. No significant difference was found in articulation of body concept as revealed in human figure drawings judged according to Witkin's Articulation of Body Concept (ABC) Scale, and in the mean number of uncomplimentary adjectives used to describe present appearance. However, the difference between the mean scores of the two groups in the latter two variables, when submitted to t tests, were shown to approach significance (.017 less than p less than .05).     

Rorschach Variables and Big Five Scales as Predictors of Military Training Completion: A Replication Study of the Selection of Candidates to the Naval Special Forces in Norway

Thirty-nine undergraduate male college students drew five figures — an automobile, a clothed male, a clothed female, a nude male, a nude female — while a continuous record of their GSR activation was obtained. Analysis of GSR data showed that activation differed significantly from the relatively neutral but equally difficult drawing (i.e., the automobile). Nude figure drawings differed significantly in GSR activation from clothed figure drawings. GSR responses of largest amplitude showed significant shifts from the largest responses occurring to secondary sexual bodily areas in the clothed drawings to primary sexual areas in the nude drawings. Only the clothed male and the nude male drawings differed significantly between groups judged different in psychosexual adjustment.     

Children's drawings of significant figures for a peer or an adult audience

The present study assessed if children would present different information in their drawings of emotion eliciting stimuli when they believed that an adult or a child audience would view their drawings. Seventy‐five 6‐year‐olds (44 boys and 31 girls) were allocated to three groups: the reference group, the child audience group and the adult audience group. All children completed a drawing session where they first drew a neutral uncharacterised figure, followed by drawings of a sad and a happy figure in counterbalanced order. Findings demonstrated that children did consider who would be viewing their drawings when communicating emotional affect and included different features within their drawings. In particular, almost all happy drawings included a smile, but only those drawings where an audience was specified included a wave, and only the adult drawings included flower giving. Within the sad drawings tears and frowns were drawn regardless of audience type, whereas stomping was more likely to be portrayed in drawings with a child audience and thumbs down were more likely to be portrayed in drawings with adult audiences. The findings are discussed in terms of the need to further examine communicative aspects of children's drawings. Copyright © 2011 John Wiley & Sons, Ltd.     

Social Emotions in Children's Human Figure Drawings: Drawing Shame,Pride and Jealousy

The study examines children's ability to convey social – as opposed to basic – emotions in their human figure drawings. One hundred children aged 4‐, 6‐ and 8‐years were asked to draw a person experiencing shame, pride, jealousy, happiness, sadness and fear as well as a baseline figure ‘feeling nothing’. Drawings were rated in terms of (i) overall emotional expressiveness and (ii) variety and types (face, body/posture and context) of graphic cues used to convey emotion. The effect of age on overall expressiveness and use of these graphic cues was also investigated. The results showed that drawings depicting social emotions were rated as less expressive and presented fewer graphic cues than those conveying basic emotions. Children's developing ability to depict pride, shame and jealousy was largely driven by an increased use of contextual cues in their human figure drawings. As regards the effect of age, it was found that 6‐ and 8‐years old produced more expressive drawings containing a larger range of graphic cues than the 4‐year olds. Copyright © 2015 John Wiley & Sons, Ltd.     

Screening of intellectual maturity: exploring South African preschoolers' scores on the Goodenough-Harris Drawing Test and teachers' assessment

The present study explored the relationship between South African preschool children's intelligence scores achieved on the Goodenough-Harris Drawing Test (GHD), and the accuracy of teachers' ratings of the human-figure drawings and teachers' general perceptions of children's intellectual maturity. The GHD was administered individually to 30 boys and 30 girls between the ages of 4 and 6 years (M = 4.5. SD = 0.7) from a multicultural (Black, Colored, and White) preschool near the Cape, South Africa. The three class teachers of these preschoolers provided the ratings and perceptions of each child's intellectual maturity. Results indicated that the teachers' assessments of children's intellectual maturity were fairly similar to the formal measures of children's intellectual maturity using human figure drawings and their own perceptions. It appears that teacher ratings of drawings could be relied upon as a means of assessment. General perceptions of children's intellectual maturity should not be solely relied upon, but instead these perceptions should be used as an aid for enhancing the teachers' assessment of children's intellectual maturity in addition to the rating of human figure drawings.     

The Representation of the Body Self in Human Figure Drawings

The matching of 25 frontal drawings of the female human figure with 25 frontal photographs of the college women who drew the figures was attempted by 30 male graduate psychology students and 30 women religious graduate students of art. The drawings and photos were arranged in envelopes according to a balanced lattice design, and presented to each of the judges in different envelopes in an order determined by randomized latin squares. Both groups matched the drawings with the photographs of the same Ss at significantly higher than chance expectancy (p<.01). These findings suggest that this matching technique may be of some value in testing the hypothesis of objective body self projection in human figure drawings.     

Should human figure drawings be admitted into court?

In recent years, there has been debate about the validity of figure drawings, although surveys of clinicians in both general and forensic practice still find them to be one of the most widely used tests of personality functioning. Using both Heilbrun's (1992) guidelines for the use of psychological tests in a forensic evaluation and the U.S. Supreme Court's Daubert v. Merrell Dow Pharmaceuticals, Inc. (1993) criteria for the admission of scientific evidence, I examine the admissibility of human figure drawings in court. The results suggest that the most commonly used methods for interpreting human figure drawings fall short of meeting the standards for admissibility. The use of overall rating scales, although weak in validity, appear to minimally meet these standards.     

VALUES EXPRESSED IN NIGERIAN CHILDREN'S DRAWINGS*

Five hundred and sixty-five human figure drawings by 8 to 11 year old Nigerian boys and girls are analyzed in terms of depiction of dress, physical features, work activities, facial expression and social roles. These drawings are assumed to project the social values of present-day Nigerian society. The analysis indicates a dominant preference for modern dress, attachment to own-group physical features, and choice of family relatives as subjects of the drawing. In addition, more men than women are drawn as engaged in work, and more women than men are shown with smiling faces. Reasons for drawing a particular person include kindness of the person towards the respondent, his/her wealth, qualities of character, possession of certain skills and attractive features. The results seem to indicate transition from some of Nigeria's traditional values and an attempt at readjustment in a rapidly changing society.     

Rorschach Indices of Perceptual and Conceptual Disorganization

Figure drawings were obtained from 97 preadolescent males who differed in self and behavioral assessments of self-esteem. These subjects had been selected from a much larger sample and represented five different types of self-esteem. The figure drawings were scored for 15 variables, dealing with formal characteristics, content, and global-interpretations of the total drawings. Five significant differences were obtained, with the content and global-interpretative categories proving more differentiating between self-esteem groups than did the formal characteristics. Behavioral expressions of self-esteem were more associated with figure drawing characteristics than were subjective evaluations. Discussion focuses on the nature of self-concept and self-esteem in children as a sensorimotor rather than symbolic expression.     

Using the Bender-Gestalt test to predict graphomotor dimensions of the Draw-A-Person test

The investigators examined four correlated aspects of the Bender-Gestalt and the Draw-A-Person tests. Subjects were 41 boys and 14 girls classified as seriously emotionally disturbed or seriously behavior disordered by their school system in southwest Georgia. Each subject's Bender-Gestalt and human figure drawings were placed on a digitizing pad and encoded to provide information relative to the width, height, average point of location on the fourth quadrant abscissa and ordinate of each drawing. The widths of Bender Figures 2 and 8 correlated significantly with the widths of human drawings; the heights of Figures A, 5, and 7 were significantly correlated with the heights of the human drawings. Bender Figure 1 was significantly correlated with average points of location on the abscissa of human figure drawings (distance from the left margin of the page), but correlations between the average points of location from the top of the page were nonsignificant. Comparison of these results with data from other samples might refine diagnosis.