Moral Parochialism and the Limits of Impartiality

One of the central problems of contemporary political and moral thought is how to reconcile the cultural and social roots of morality with its objectivity or rational warrant, whether in the personal or political sphere. David Golemboski's reconstruction of Adam Smith's impartial spectator (European Journal of Political Theory, onlinefirst February 23rd 2015) provides a useful first approximation to this problem. What interests me is not whether Golemboski's critique of Smith's impartial spectator hits the mark, but rather, to what extent Golemboski's reconstruction of Smith's impartial spectator succeeds at addressing the problem of moral parochialism, as Golemboski claims. I shall argue in what follows that upon examination, Golemboski's reconstructed impartial spectator, far from resolving the problem of moral parochialism, actually exposes the limits of the value of impartiality as a resource for overcoming parochial prejudice, and the necessity of framing the problem of parochialism less as a matter of social and cultural bias than as a matter of the conditions of possibility of sound moral judgment.     

Moralism and Morally Accountable Beings

abstract In this paper I consider the nature of the purported vice of moralism by examining two examples that, I suggest, exemplify this vice: the first from Nathaniel Hawthorne's The Scarlet Letter; the second from David Owen's account of his experience as European negotiator between the warring parties in the former Yugoslavia. I argue that in different ways both these examples show the kind of human weakness or failure that is involved in the most extreme version of moralism, a weakness that involves an inability to see or acknowledge those one seeks to judge as real, morally accountable, human beings.     

RUDOLPH OTTO'S IDEA OF THE HOLY: A REAPPRAISAL

This paper explores the ambiguity in Rudolph Otto's discussion of the mysterium tremendum in order to address a broader set of difficulties in The Idea of the Holy (1917). In doing so, I outline two common criticisms of Otto's position. The first attacks Otto for not providing a secure transition from the numinous experience of terror to the holy experience of faith. The second attacks Otto for upholding a kind of theistic dualism, which seemingly puts his thought at odds with mysticism. Rather than reconstruct Otto's argument in favour of theism, I maintain that numinous experience, while still a form of otherness or alterity, is best characterized as the breakdown of subject‐object dualism. I further suggest that this breakdown is best understood in non‐theistic terms. For examples of the latter, I briefly turn to Jean‐Luc Marion's notion of saturated phenomena.     

A Theory of Tragic Experience According to Hegel

Abstract: Hegel's theory of tragedy is often considered to be primarily a theory of the objective powers involved in tragic conflicts—for Hegel, these are paradigmatically competing ethical notions—and of the rationality which underlies and drives such conflicts. Such a view follows naturally from a close reading of Hegel's discussion of classical Greek tragedy in his Lectures on Aesthetics. However, this view gives rise to the question of whether Hegel's theory of tragedy can account for the significance of tragic experience, in particular the experience of tragic suffering; it has been argued repeatedly that it cannot. In contrast, I want to suggest in this paper that a theory of tragic experience can be derived from Hegel's Phenomenology of Spirit. This Hegelian theory of tragic experience, I argue, should be understood as complementing rather than challenging Hegel's theory of objective tragic conflict.     

“ONCE UPON A TIME THERE WAS AN S.S. OFFICER”: THE HOLOCAUST BETWEEN HISTORY AND FICTION IN ELSA MORANTE'S LA STORIA

The twentieth-century Italian Jewish novelist Elsa Morante's La Storia, published in 1974, is rarely included in the canon of Holocaust literature today, yet contains considerable content regarding the Italian experience of the Holocaust. In this essay I examine how Morante's proclaimed artistic principles, in particular her notion of “verità poetica”, “poetic truth”, and “storia”, “history” or “story”, affect her depiction of the Holocaust. I also trace what I term an “anxiety of absence” in La Storia, which I believe explains not only Morante's use of characters who are unreliable witnesses to the Holocaust as it unfolds in Rome, but also explains her ultimate swerve away from her artistic ideals and her problematic use of historical sources.     

The Orsino complex: Men who love themselves as love objects

Abstract

The Duke Orsino, in Shakespeare's Twelfth Night, is cited as the archetypal embodiment of a psychological complex which, it is argued, may affect many men in modern patriarchal societies. This condition named the ‘Orsino complex’ is characterized by the subject's experience of being in love with himself as a love object. It is the consequence of the subject's very early experience of his mother's dual psychological reactions to him as a male child. The first of these, and the more significant, I have called maternal phallic projection, while the second I term maternal withdrawal. I also consider the influence of the father upon this complex.

While this paper remains speculative in its present form—that is, its central thesis is based on fictional and not on clinical material—it might, I hope, assist all of us working psychodynamically in understanding further some of the severe problems that male clients present in their relationships with women, as well as directing further research into the complexities of gender identity in contemporary society.     

Making sense of Smith on sympathy and approbation: other-oriented sympathy as a psychological and normative achievement

ABSTRACT

Two problems seem to plague Adam Smith’s account of sympathy and approbation in The Theory of Moral Sentiments (TMS). First, Smith’s account of sympathy at the beginning of TMS appears to be inconsistent with the account of sympathy at the end of TMS. In particular, it seems that Smith did not appreciate the distinction between ‘self-oriented sympathy’ and ‘other-oriented sympathy’, that is, between imagining being oneself in the actor’s situation and imagining being the actor in the actor’s situation. Second, Smith’s account of approbation, according to which a sentiment of approval arises when there is recognition of concordance between the spectator’s sympathetic passion and the actor’s original passion, seems to face the following problem: since the spectator attains both his own sympathetic passion and the actor’s original passion by sympathizing with the actor, the sympathetic passion of the spectator and the original passion of the actor will necessarily be identical. Therefore, Smith’s account of approbation requires that the spectator utilize both self-oriented and other-oriented sympathy (‘the double-sympathy model of approbation’). I offer a novel developmental account of sympathy in TMS that renders Smith’s account of sympathy consistent and allows for the utilization of the double-sympathy model of approbation.     

Adorno on Kant,Freedom and Determinism

Abstract: In this paper I argue that Adorno's metacritique of freedom in Negative Dialectics and related texts remains fruitful today. I begin with some background on Adorno's conception of ‘metacritique’ and on Kant's conception of freedom, as I understand it. Next, I discuss Adorno's analysis of the experiential content of Kantian freedom, according to which Kant has reified the particular social experience of the early modern bourgeoisie in his conception of unconditioned freedom. Adorno argues against this conception of freedom and suggests that freedom is always conditioned by our embodiment and by our social and historical situation. Finally, I turn to Adorno's criticism of Kant's discussion of freedom and determinism in the Critique of Pure Reason and argue that while his philosophical argument against Kant fails, his metacritical argument remains suggestive. Scepticism about freedom arises when the standpoint of theoretical reason encroaches upon the standpoint of practical reason and assimilates persons to things.     

The Representation of an Action: Tragedy between Kant and Hegel

Hegel's theory of tragedy has polarized critics. In the past, many philosophers have claimed that Hegel's theory of tragedy removes Kant's critical insights and returns to pre‐critical metaphysics. More recently, several have argued that Hegel does not break faith with tragic experience but allows philosophy to be transformed by tragedy. In this paper I examine the strength of this revised position. First I show that it identifies Hegel's insightful critique of Kant's theoretical assumptions. Yet I then argue that it fails to note the practical importance of Kant's separation of knowledge and aesthetics. I propose an alternative approach to tragedy that builds from the revised view and yet maintains the autonomy of aesthetics. Tragedy represents an action, a set of events that are internally unified and yet cannot be reduced to theory. This is to say that tragedy confronts us with an aesthetic sphere of making and doing that, while constrained, is incessantly open and free.     

Women and Natural Hierarchy in Aristotle

In this paper, I examine the frame of reference in Aristotle's Politics within which he makes claims about women and their place in his conception of politics.     

Embodied female experience through the lens of imagination

Abstract: In 1971, I made a film entitled Self Portrait of a Nude Model Turned Cinematographer in which I explore the objectifying ‘male’ gaze on my body in contrast to the subjective lived experience of my body. The film was a radical challenge to the gaze that objectifies woman – and thus imprisons her – which had hitherto dominated narrative cinema. Since the objectification of women has largely excluded us from the privileged phallogocentric discourses, in this paper I hope to bring into the psychoanalytic dialogue a woman's lived experience. I will approach this by exploring how remembering this film has become a personally transformative experience as I look back on it through the lens of postmodern and feminist discourses that have emerged since it was made. In addition, I will explore how this process of imaginatively looking back on an artistic creation to generate new discourses in the present is similar to the transformative process of analysis. Lastly, I will present a clinical example, where my embodied countertransference response to a patient's subjection to the objectifying male gaze opens space for a new discourse about her body to emerge.     

Nina Farhi: Leaning on an Annealed Identification: Commentary on Paper by Nina Farhi

In my response to Nina Farhi's paper, I begin my discussion with the concept of a placental space that Farhi develops to represent the psychotic's internal experience of living in a fusion with the Other. Farhi's new concept of an annealed identification provides a useful addition to the psychoanalytic literature to describe the living conditions of a psychotic who is severely entrenched in an unyielding maternal bond. Basing her conceptualizations on Milner's psychotic patient Susan, Farhi also focuses on Milner's discovery that no repressed unconscious existed for her patient Susan. I suggest in my response that Freud's nearly forgotten idea of primal repression and Lacan's idea of maternal jouissance would shed additional light onto the psychotic experience and expand Farhi's notion of an annealed identification with the maternal figure. In addition, I argue for an inclusion of the Third whose presence is so powerfully lacking in the case discussion and in the patient's life.     

The Primary Maternal Oedipal Situation and Female Homoerotic Desire

In this paper, I closely examine classical psychoanalytic theory on the female oedipal complex in order to shed light on same-sex object choice. Given that the mother is the first love object for the girl as well as for the boy, the girl's object relational constellation centrally involves the experience of homoeroticism as well as heteroeroticism. Yet, it remains a question as to whether a mother can see her daughter as a sexual subject; can mother–daughter homoerotic desire be experienced and validated by the mother? That a girl desires her mother is generally not seen or registered by the mother; it remains an unrecognized desire.

I suggest that the obscuring of female desire has to do centrally with the fate of eroticism in the early mother–daughter relationship. I propose relabeling the “negative oedipal complex” in girls as “the primary maternal oedipal situation.” Issues involving invisibility or stigmatization of one's erotic desire likely pose a significant challenge to the self–esteem of many lesbians. It is important in clinical work with lesbian patients to be open to a complex interweaving of developmental experiences, varying with each individual, some of which may have been damaging to, and others strengthening of, female sexuality.     

A Confucian in Buddhist clothing? – Interpreting Nishida’s conception of the good as a realisation of the Mandate of Heaven

ABSTRACT

In this study, I examine the Confucian influence upon An Inquiry into the Good, the first publication of Nishida Kitarō. Nishida’s student Kōsaka Masaaki depicts his mentor’s conception of the good in terms of realising the 'Mandate of Heaven'. Taking this to be indicative of the importance of Confucianism for Nishida’s early thought, I compare his philosophy of pure experience and ethical project of ‘self-realisation’ with corresponding ideas found in the Confucian corpus. I especially focus on the Great Learning and Doctrine of the Mean as interpreted by the Neo-Confucian Wang Yang-Ming. This study builds upon the pioneering work of Michel Dalissier, Dermott Walsh and David Williams on the Kyoto School and Confucianism. My portrayal of Confucianism is indebted to the ‘philosophical’ translations of Roger Ames, David Hall and Henry Rosemont, Jr., which bring into relief the tradition’s ‘relational ontology’ that Graham Parkes teaches is shared by the Kyoto School.     

COMPATIBILISM EVOLVES?: ON SOME VARIETIES OF DENNETT WORTH WANTING

Abstract: I examine the extent to which Dennett's account in Freedom Evolves might be construed as revisionist about free will or should instead be understood as a more traditional kind of compatibilism. I also consider Dennett's views about philosophical work on free agency and its relationship to scientific inquiry, and I argue that extant philosophical work is more relevant to scientific inquiry than Dennett's remarks may suggest.     

The Competitive Perception

This paper aims to define what competitive perception is. Using Dufrenne's phenomenological analysis of the art spectator's experience, namely the concept of aesthetic perception, I will claim that it is useful to apply this phenomenological approach to the experience of watching sport events. I will argue that the concepts of uncertainty and auto teleology, being two main features in sport competition, are helpful to define competitive perception.     

PLEASURE AS THE STANDARD OF VIRTUE IN HUME's MORAL PHILOSOPHY1

Abstract: David Hume provides several accounts of moral virtue, all of which tie virtue to the experience of pleasure in the spectator. Hume believed that the appropriate pleasure for determinations of virtue was pleasure corrected by “the general point of view.” I argue that common ways of spelling this out leave the account open to the charge that it cannot account adequately for mistaken judgments of virtue. I argue that we need to see Hume as offering both a metaphysics and an epistemology of virtue, and that Hume's account of virtue can adequately account for mistakes if he is understood as offering a definition of virtue tied to pleasure, but pleasure understood externally.