LANGUAGE AND THE TAO: SOME REFLECTIONS ON INEFFABILITY

Confucius withdrew and told his disciples, "I know a bird can fly; I know a fish can swim; I know animals can run. Creatures that run can be caught in nets; those that swim can be caught in wicker traps; those that fly can be hit by arrows. But the dragon is beyond my knowledge; it ascends into heaven on the clouds and the wind. Today 1 have seen Lao Tzu, and he is like the dragon!"     

REFLECTIONS ON THE LEGACY AND FUTURE OF THE CONTINENTAL TRADITION WITH REGARD TO THE CRITICAL PHILOSOPHY OF RACE

The legacy and future of continental philosophy with regard to the critical philosophy of race can be seen in prominent canonical philosophical figures, the scholarship of contemporary philosophers, and recent edited collections and book series. The following reflections highlight some (though certainly not all) of the contacts and overlaps between a select number of continental philosophers and the critical philosophy of race. In particular, I consider how the continental tradition has contributed to the development of the critical philosophy of race by offering tools from existentialism, phenomenology, and genealogy to emphasize questions of existence, facticity, lived experience, and historicity as they relate to analyses of race, racism, slavery, and colonialism. 1 I argue that these tools have been used both implicitly and explicitly in the writings of contemporary continental philosophers who theorize about race and that the critical philosophy of race has impacted and expanded continental philosophy in significant ways.     

MICHAEL POLANYI ON ART AND RELIGION: SOME CRITICAL REFLECTIONS ON MEANING

This paper is a critique of the theory of meaning in art and religion that Michael Polanyi developed in his last work entitled Meaning. After giving a brief summary of Polanyi's theory of art, I raise two serious difficulties, not with the theory itself, but with the claims Polanyi makes about the relation of meaning in art to science and religion. Regarding the first difficulty, I argue that Polanyi betrays an earlier insight when in Meaning he attempts to dissociate meaning in art from meaning in science; instead I argue that both science and art are aesthetic enterprises. Regarding the second, I argue that Polanyi's account of religion is an aesthetic reduction, that meaning in religion, at least in the Western tradition, is not so much an aesthetic as it is an existential matter.     

促进发明创造的尝試經驗

中国科学院心理研究所和一机部机械制造与工艺科学研究院的同志和上海华通开关厂合作,在該厂采用发动羣众大搞发明創造的办法,在两个車間利用业余时間,苦干两夜,創造了92付自动半自动冲模,专业車間也在业余时間突击出48付自动模子,大大提高了     

SOME REFLECTIONS ON IAN MCEWAN'S ATONEMENT: ENACTMENT,GUILT, AND REPARATION

Recognizing that enactments have been discussed in psychoanalysis primarily as occurrences in the treatment setting, the author proposes a new application of the term enactments: that it may pertain to the actions of some individuals in their efforts to cope with bad things that they have done to others. That is, enactment can be a substitute‐for‐atonement mechanism. The author illustrates this view of enactment through a discussion of Ian McEwan's novel Atonement (2001), and in particular by examining the behavior and motivations of one of its central characters, Briony Tallis. Included are explorations of the relationships between enactment and guilt and between enactment and reparation.