Personality differences between established and less-established male and female creative artists

Past research on personality constructs of creative individuals has focused on men rather than women and has neglected the essentially social aspect of being considered creative. Therefore, personality variables of 60 male and 60 female creative artists were described using the California Psychological Inventory (CPI). Male and female groups were further divided equally into two subgroups reflecting a difference in degree of social acceptance of their work. Relationships between the four groups were explored by multiple discriminant analysis. The major conclusion noted was that creative females tend to be more like their creative male counterparts, in terms of CPI scale variation, than are males and females in general.     

创造性产品评价中的从众效应

尽管对从众效应已经开展了广泛的研究, 但对于创造性产品的评价是否存在从众效应仍有待探讨。本实验以原创性程度不同的两类创造性产品——“创新产品”和“革新产品” ——为材料, 采用“初次评价-从众诱导-延时再评”的实验程序, 研究了人们在创造性产品的两个基本维度——新颖性和实用性——的感知和评价上是否存在从众效应。结果发现, 两类产品在两个维度的评价上都存在从众效应; 但“创新产品”在实用性维度的评价上比“革新产品”更容易从众。实验进一步比较了被试在做出两个维度的评价时其确定性程度有无差异, 发现被试在对“创新产品”进行实用性评价时所伴随的不确定感较之革新产品更强, 这提示可能是对“创新产品”进行实用性判断时所具有的更大的不确定感导致了从众程度的增加。     

Tradition and originality in the transference: a Coleridgean commentary

Abstract :  Some of S.T. Coleridge's observations about ' the mind's self-experience of itself ' and the nature of faith and trust are discussed in relation to the implicit tensions between 'tradition' (formal structure, received wisdom) and 'originality' (creativity, individuation), especially in the transference. The existential doubts of some analysands may undermine their confidence that their integrity will be fostered by the analytic relationship: so instead the trappings of 'tradition' (e.g. in the case of a trainee the assumption of a professionally endorsed status) may be appropriated as a spurious substitute for 'originality'.
It is argued that an anticipatory 'faith', albeit initially rather cerebral, may be necessary to sustain the analytic endeavour until a more intimate, heartfelt 'trust' can release the potential for individuation. Further consideration is given to the 'analytic attitude' that might best facilitate this process, and to how sensitivity to these dynamics may inform one's reading of the transference.     

Sketches from a design process: creative cognition inferred from intermediate products

Novice designers produced a sequence of sketches while inventing a logo for a novel brand of soft drink. The sketches were scored for the presence of specific objects, their local features and global composition. Self-assessment scores for each sketch and art critics' scores for the end products were collected. It was investigated whether the design evolves in an essentially random fashion or according to an overall heuristic. The results indicated a macrostructure in the evolution of the design, characterized by two stages. For the majority of participants, the first stage is marked by the introduction and modification of novel objects and their local and global aspects; the second stage is characterized by changes in their global composition. The minority that showed the better designs has a different strategy, in which most global changes were made in the beginning. Although participants did not consciously apply these strategies, their self-assessment scores reflect the stages of the process.     

The creative porpoise: training for novel behavior

Two rough-toothed porpoises (Steno bredanensis) were individually trained to emit novel responses, which were not developed by shaping and which were not previously known to occur in the species, by reinforcing a different response to the same set of stimuli in each of a series of training sessions. A technique was developed for transcribing a complex series of behaviors on to a single cumulative record so that the training sessions of the second animal could be fully recorded. Cumulative records are presented for a session in which the criterion that only novel behaviors would be reinforced was abruptly met with four new types of responses, and for typical preceding and subsequent sessions. Some analogous techniques in the training of pigeons, horses, and humans are discussed.     

Androgyny and creativity: a study of the relationship between a balanced sex-role and creative functioning

The relationship between creativity and androgyny was studied in 163 women and men with the Creative Functioning Test (CFT) and the Bem Sex Role Inventory (BSRI). A 2 (femininity: high/low) x 2 (masculinity: high/low) x 2 (sex) ANOVA was conducted on subjects' CFT scores. A significant interaction effect between femininity and masculinity was found showing that subjects high on both femininity and masculinity (androgynous) and low on both scales (undifferentiated) reached higher CFT scores than female-typed and male-typed subjects. Further, a significant three-way interaction including sex of subject indicated that the former two-way interaction was accounted for by men only.     

Personality predictors of creative achievement and lawbreaking behavior

Current Psychology - This article investigates how Big Five personality traits are related to creative achievements and lawbreaking behavior in a large sample (N = 1669) of Polish...     

Comparative study of verbal originality in deaf and hearing children.

Verbal originality scores were obtained from Onomatopoeia and Images, Form 1B, given to 181 deaf and 236 hearing Ss aged 10 to 19 yr. The hearing Ss scored significantly higher than the deaf Ss. Significant main effects for age were found but not for sex. The only significant interaction was found for hearing status and age. Deaf Ss became more productive as age increased, while performance of hearing Ss relative to age fluctuated.     

新颖性寻求对创造性行为表现的影响：语义网络的中介作用

研究采用物品多用途任务、中文复合远距离联想任务和汉语双字词词对相关性判断任务,考察新颖性寻求特质水平对创造性表现的影响,探明语义网络在其中的作用。结果发现：高新颖性寻求个体在物品多用途任务中有更高的新颖性得分,而在中文复合远距离联想任务中与低新颖性寻求个体表现一致;在低相关词对判断时,高新颖性寻求个体反应时更短;低相关词对的判断反应时在新颖性寻求对创造性行为表现的影响中起部分中介作用。结果预示,新颖性寻求特质有利于个体建构形成能快速激活远距离信息的语义网络,进而促进创造性行为表现。     

Dream images as a technique for the study of creative processes

For a group of 12 established artists who participated in 12 discussions it appears that quantitative and qualitative analyses of dream images constitute a useful method. Artists' creative processes can be explored through their dream images.     

Social influence: The role of originality

Two experiments investigated the role of message originality vs. conventionality in social influence. It was hypothesized that subjects would generate more original proposals when confronted with a minority advocating an original viewpoint than when confronted with a conventional minority proposal or with an original majority proposal. In the first experiment, subjects exposed to an original minority paired with a conventional majority produced a wider range and more original proposals than those exposed either to a conventional minority paired with a conventional majority or to a majority source only. The second experiment further demonstrated that the original message induced creative processing only when attributed to a minority source but not when attributed to a majority source. It also showed that the original minority elicited creative processing mainly when paired with a conventional majority, but not when paired with a majority advocating an equally original position. Findings are interpreted in the frame of Nemeth's (1986) minority influence theory.     

Orpheus and Eurydice: a creative agony

The archaic story of the Thracian musician Orpheus and his bride Eurydice is heard first as an ancient myth of marriage and death, wedding and separation. The mixture of expectation and dread in its sentiments is sounded still today in the contemporary wedding songs and funeral laments of the Mediterranean and the Balkans. Similar sequences of engagement and withdrawal, ascent and descent, change and metamorphosis are found in the adventures and vicissitudes of other mythic figures. Its premise of the soul's transmigration and its promise of psychic transformation inspired the religious ruminations and philosophic speculation of many centuries. The shifting keys in the songs of Orpheus and the cries of Eurydice score the shocking emotions of epiphanal moments, the creative 'agon', and a depth psychological passage. With its crescendos and denouements, the Orpheus/Eurydice phenomenon suggests the range of experience as one both engages reality and reaches toward meaning.