The shield of pallas: The virtual contemplation of the human soul: The aesthetic of Fr. Arthur Little S.J. (1887–1949)

This paper explores the extreme but well-argued-for thesis that the indirect object of an aesthetic experience of serious art is the human soul of the person having the experience. The author of the thesis was Fr. Arthur Little S.J. a mid twentieth-century Irishman, professional philosopher and philosophical popularizer. The paper treats Little’s thesis seriously: comparisons are drawn with Kant, which may be of interest even to those hostile to Little’s central assertion. Little makes a brilliant analysis of a ‘free-beauty’, making the sharpest contrast between this and the most serious art, tragedy. Tragedy, Little holds Kant not able to cope with. One agrees. The people who cry before my pictures are having the same religious experience I had when I painted them. Mark Rothko This book is a development of a series of lectures given to the Study Club of the Central Catholic Library in Dublin. The view of art that it proposes is, for reasons explained in the book, more exactly called Aristotelean than Thomistic. But where it has been necessary to base conclusions in aesthetics on philosophical presuppositions outside of that science the philosophy presupposed will be Thomism. Even so, however, the Thomistic doctrine, that must be accepted by anyone who will assent to the book’s thesis, is consistent with most philosophical positions that are not openly or latently materialistic. Anyone who believein the spirituality of the soul can accept that thesis… Arthur Little S.J.     

Imagining the Truth. Discussion of Prince's “The Self in Pain: The Paradox of Memory. The Paradox of Testimony”

The discussion highlights the significant role played by imagination in representing the horrors that resist representation. It is Dr. Tylim's position that imagination assists patient and analyst in overcoming the limitations of memory. Imagination is the gateway to truth. In working with survivors, the therapeutic encounter may become a stage where unspeakable experiences attain presence in their absence. The silence or the gaps are then the victim's testimony.     

Witnessing and Passing. Discussion of Prince's “The Self in Pain: The Paradox of Memory. The Paradox of Testimony”

The author indicates that she has two voices. One voice speaks to the patient's loneliness and detachment and her expectation to not be seen, believed, or acknowledged. This voice, housing the knowledge that events that remain unprocessed continue to have an impact, wants Dr. Prince to risk intrusion and preemption. This voice believes that it is worth it. The author's other voice considers bottomless wounds and speaks to the patient's need to build up healthy aspects of personality that is necessary to do the holocaust work. This voice holds that this is not the time for Dr. Prince to witness what happened to the patient, what the perpetrators of massive crimes did to her or what the onlookers saw and chose not to do. This voice says that the patients lead should be followed. The author elaborates on her two voices and indicates what she would have done had she been working with the patient.     

T. G. Masaryk’s The Spirit of Russia: between Positivism,Axiology and Orientalism

The article discusses Masaryk’s work The Spirit of Russia. In terms of methodology, The Spirit of Russia is based in Positivism, in a faith in progress and a forward-looking orientation of European development. At the same time, however, it also displays certain axiological positions that condemn conservative, monarchist or religious ideas present in Russian thought. Masaryk is critical of Russian spirituality and traditional elements of Orthodox devotion. The Orthodox faith in his view represents an antipode to progress, being non-European in character. Russia itself is presented as split internally into a progressive, European tendency, and a stagnant traditionalist segment. Masaryk’s view of Russia bears some traits of Orientalism, in particular the notion of the superiority of the European West over traditionalist Russia and the negative aspects of its traditional cultural and religious forms. He also anticipates the notion of internal colonialism within Russia itself.

     

Marburg ca. 1900–1925: The Treffpunkt of Theology,Philosophy, and New Testament

ABSTRACT

Many of the intellectual giants in the areas of theology, philosophy, and New Testament were faculty members at the Philips University of Marburg during the early decades of the twentieth century. This article chronicles briefly the careers of faculty members of Marburg and their contributions in the fields of theology (Wilhelm Herrmann, Rudolf Otto, Paul Tillich), philosophy (the Neo-Kantians Hermann Cohen and Paul Natorp, and Martin Heidegger), and New Testament (Rudolf Bultmann) during that period of time.     

A Review of: “The Secret Garden: Temenos For Individuation. 2004.”

abstract

Moulin Rouge. Written by Craig Pearce and Baz Luhrmann. Directed by Baz Luhrmann