Shift in stimulus range and the exponent of the power function for loudness

The exponent of the power function for loudness was tracked over the course of 60 trials with one stimulus range and compared to the exponent over the course of 60 subsequent trials with a different stimulus range. Three stimulus sets were used: (1) weak, a short range of relatively soft tones (45-55 dBA); (2) strong, a short range of relatively loud tones (64-74 dBA); and (3) complete, a longer range of soft to loud tones (40-90 dBA). All pairs of stimulus sets were tested, together with three control conditions in which no shift in range occurred. Ten subjects were run in each of the nine groups. For preshift trials, the mean exponent was lowest for the strong stimulus series, highest for the weak series, and at an intermediate value for the complete series. These differences were all significant. Following a shift in stimulus range, the weak series still yielded the highest exponent, but the exponents were not reliably different for the complete and strong series. Postshift exponents also depended significantly on the preshift range experienced by the subjects. These effects were not confined to the period immediately following the shift in range, but persisted for up to 60 trials.     

The slippery context effect in psychophysics: Intensive,extensive, and qualitative continua

When subjects gave magnitude estimates of 500- and 2500-Hz tones at various SPLs, they judged a 500-Hz tone of 60 dB to be as loud as a 2500-Hz tone of 57 dB in one context (low SPLs at 500 Hz, high SPLs at 2500 Hz), but as loud as a 2500-Hz tone at 40 dB in another context (high SPLs at 500 Hz, low at 2500 Hz) (Marks, 1988). Such shifts in matches derived from judgments of multi-dimensionally varying stimuli are termedslippery context effects. The present set of seven experiments showed that slippery effects were absent from judgments of pitch of tones at different loudnesses, duration of tones at different pitches, and length of lines at different colors, though a small effect emerged in judgments of duration of tones and lights. Slippery context effects were substantial when subjects gave magnitude estimates of loudness of 500- and 2500-Hz tones under conditions in which the pitch at each trial either was cued visually beforehand or could be known through the regular stimulus sequence, and with instructions to make absolute magnitude estimates. The results are consistent with the view that slippery context effects occur automatically and “preattentively.”     

The slippery context effect in psychophysics: intensive, extensive, and qualitative continua.

When subjects gave magnitude estimates of 500- and 2500-Hz tones at various SPLs, they judged a 500-Hz tone of 60 dB to be as loud as a 2500-Hz tone of 57 dB in one context (low SPLs at 500 Hz, high SPLs at 2500 Hz), but as loud as a 2500-Hz tone at 40 dB in another context (high SPLs at 500 Hz, low at 2500 Hz) (Marks, 1988). Such shifts in matches derived from judgments of multidimensionally varying stimuli are termed slippery context effects. The present set of seven experiments showed that slippery effects were absent from judgments of pitch of tones at different loudnesses, duration of tones at different pitches, and length of lines at different colors, though a small effect emerged in judgments of duration of tones and lights. Slippery context effects were substantial when subjects gave magnitude estimates of loudness of 500- and 2500-Hz tones under conditions in which the pitch at each trial either was cued visually beforehand or could be known through the regular stimulus sequence, and with instructions to make absolute magnitude estimates. The results are consistent with the view that slippery context effects occur automatically and "preattentively."     

Signal recognition as influenced by presentation schedules

Performance in a recognition task involving two amplitudes of the same tone was investigaled over a wide range of presentation schedules. The task was arranged so that there was no trial-to-trial feedback or other information regarding the relative frequencies of the two tones. The hit and false alarm rates (the proportion of “loud” responses to loud and soft stimuli, respectively) on any given trial were strongly influenced by the stimulus and response on the preceding trial. In general, Ss tended to repeat the last response and were more accurate after a stimulus alternation than after a stimulus repetition. In addition, hit and false alarm rates were inversely related to the presentation probability of the loud tone, in contrast to the direct relation typically found in signal detection experiments and in recognition experiments with trial-to-trial feedback. A mathematical model incorporating three processes (memory, comparison, and decision) was shown to give a good account of these data.     

Perceptual effects of preceding nonspeech rate on temporal properties of speech categories

The rate of context speech can influence phonetic perception. This study investigated the bounds of rate dependence by observing the influence of nonspeech precursor rate on speech categorization. Three experiments tested the effects of pure-tone precursor presentation rate on the perception of a [ba]-[wa] series defined by duration-varying formant transitions that shared critical temporal and spectral characteristics with the tones. Results showed small but consistent shifts in the stop-continuant boundary distinguishing [ba] and [wa] syllables as a function of the rate of precursor tones, across various manipulations in the amplitude of the tones. The effect of the tone precursors extended to the entire graded structure of the [w] category, as estimated by category goodness judgments. These results suggest a role for durational contrast in rate-dependent speech categorization.     

Does stimulus context affect loudness or only loudness judgments?

Marks (1988) reported that when equal-loudness matches were inferred from magnitude estimates of loudness for tones of two different frequencies, the matches were affected by changes in the stimulus intensity range at both frequencies. Marks interpreted these results as reflecting the operation of response biases in the subjects' estimates; that is, the effect of range was to alter subjects' judgments but not necessarily the perception of loudness itself. We investigated this effect by having subjects choose which of two tone pairs defined the larger loudness interval. By using tones of two frequencies, and varying their respective intensity ranges, we reproduced Marks' result in a procedure devoid of numerical responses. When the tones at one frequency are all soft, but the tones at the other frequency are not all soft, cross-frequency loudness matches are different from those obtained with other intensity range combinations. This suggests that stimulus range affects the perception of loudness in addition to whatever effects it may have on numerical judgments of loudness.     

Reevaluating the role of the medial prefrontal cortex in delay eyeblink conditioning

It has been proposed that the medial prefrontal cortex (mPFC) is not necessary for delay eyeblink conditioning (DEC). Here, we investigated the involvement of the mPFC in DEC with a soft or loud tone as the conditioned stimulus (CS) by using electrolytic lesions or muscimol inactivation of guinea pig mPFC. Interestingly, when a soft tone was used as a CS, electrolytic lesions of the mPFC significantly retarded acquisition of the conditioned response (CR), and muscimol infusions into mPFC distinctly inhibited the acquisition and expression of CR, but had no significant effect on consolidation of well-learned CR. In contrast, both electrolytic lesions and muscimol inactivation of mPFC produced no significant deficits in the CR when a loud tone was used as the CS, or in the unconditioned response (UR) when a soft or loud tone was used as the CS. These results demonstrate that the mPFC is essential for the DEC with the soft tone CS but not for the DEC with the loud tone CS.     

Semantic memory: Searching for attributes vs searching for names

The purpose of this experiment was to determine whether searching for a word that has a particular attribute (a fruit that is yellow) involves a different process than searching for a word whose name has a particular form (a fruit whose name begins with "p"). Ss saw category nouns paired with adjectives or letter restrictors presented on a series of blocked trials and a series of mixed trials. The Ss had to produce a word that fell in the space defined by the noun and the restricting adjective or letter. RT was fastest when trials were blocked and when a letter followed the presentation of the noun. This finding suggested the existence of two retrieval plans that can be executed when S has knowledge of the forthcoming type of item.     

On cross-modal similarity: auditory-visual interactions in speeded discrimination

A series of four experiments explored how cross-modal similarities between sensory attributes in vision and hearing reveal themselves in speeded, two-stimulus discrimination. When subjects responded differentially to stimuli on one modality, speed and accuracy of response were greater on trials accompanied by informationally irrelevant "matching" versus "mismatching" stimuli from the other modality. Cross-modal interactions appeared in (a) responses to dim/bright lights and to dark/light colors accompanied by low-pitched/high-pitched tones; (b) responses to low-pitched/high-pitched tones accompanied by dim/bright lights or by dark/light colors; (c) responses to dim/bright lights, but not to dark/light colors, accompanied by soft/loud sounds; and (d) responses to rounded/sharp forms accompanied by low-pitched/high-pitched tones. These results concur with findings on cross-modal perception, synesthesia, and synesthetic metaphor, which reveal similarities between pitch and brightness, pitch and lightness, loudness and brightness, and pitch and form. The cross-modal interactions in response speed and accuracy may take place at a sensory/perceptual level of processing or after sensory stimuli are encoded semantically.     

Slippery context effect and critical bands.

This article explored the slippery context effect: When Ss judge the loudness of tones that differ in sound frequency as well as intensity, stimulus context (relative intensity levels at the 2 frequencies) can strongly influence the levels that are judged equally loud. It is shown that the size of the slippery context effect depends on the frequency difference between the tones: Small frequency differences (less than a critical bandwidth) produced essentially no slippery effect; much larger differences produced substantial effects. These results are consistent with a model postulating the existence of a central attentional or preattentive "filter-like" process whose weighting coefficients represent the size of the absolute as opposed to the relative (contextual) component of loudness perception and judgment.     

The stimulus range effect: Evidence for top-down control of sensory intensity in audition

The influence of intensity range on the perceived magnitude of a stimulus is well documented and usually attributed to response biases. Recent studies, however, have suggested that the range effect might be sensory in origin. To test this notion, we had one set of subjects compare loudness intervals in three conditions : a broad-range condition (15 tones, 23–95 dB SPL), a soft shortrange condition (the lowest 10 tones from the broad-range condition), and a loud short-range condition (the highest 10 tones). Nonmetric scaling showed that the broad-range and loud short-range conditionshad identical loudness functions, However, the second derivative of the loudness function was larger for the soft short-range condition than fox the broad-range condition. This pattern of results is consistent with the notion of a nonlinear ampler whose gain and degree of nonlinearity are adjusted under top-down control, so as to prevent distortion and increase discriminabztity.     

Mixed-method mixed-modality psychophysical scaling

Four experiments are reported in which the direct psychophysical scaling methods of magnitude estimation, category judgment, and cross-modality matching were mixed in the same series of trials, both with a single stimulus modality and in a mixed-modality situation. The mixed-method scaling situation gave results consistent with those obtained when methods are used alone, and it has several advantages. Interactions between the methods were consistent with the idea that judgments made under all three are mediated by a primitive process of categorization that is influenced by heuristics used to achieve a single category identity for each stimulus.     

Switching attention between the ears to monitor tones Nigel Harvey

Alternating dichotic presentation of tones was compared with monaural presentation in two different perceptual tasks. When Ss were asked to detect higher frequency target tones in fists of six background tones, they missed less than 5%. However, when the presentation was fast (10/sec) and the tones alternated dichotically, Ss reported “hearing” only three or four tones. In two further experiments, Ss were asked to judge the number of tones or to report their spatial and temporal positions; these tasks were much less accurately performed, for the dichotic lists, than the target detection task. The differing effects of switching rate on these tasks are discussed in relation to the types of processing they require.     

Visual and tactual form complexity:A psychophysical approach to perceptual equivalence

Equivalence of two modalities for processing form-complexity information was investigated by obtaining category judgments of the complexity of 100 random forms from 40 Ss who explored the forms visually and 40 Ss who explored them tactually. Intercorrelations of judgments and multiple regression analyses with form measures indicate that information was used in the same fashion independent of input modality. Latencies were interpreted as reflecting information gaining and processing capabilities.     

Repeated magnitude estimations with a variable standard: Sequential effects and other properties

Twelve Ss made magnitude estimations of the loudness of each one of a sequence of pure tones according to the rule R(N) = R(N - 1) · [S(N)/S(N - 1)], where R(N) is the response on Trial N, R(N - 1) is the response on Trial N - 1, and S(N)/S(N - 1) is the judged ratio of the “loudness” of the pure tone presented on Trial N to that of the pure tone presented on Trial N - 1. It was found that these magnitude estimations were assimilated toward the immediately preceding stimuli as far as five trials back in the sequence of stimuli. In addition, ratio judgments were consistently asymmetric and the data displayed a form of “time order error.” In all cases, there are similar effects displayed in category judgment data. These and other data imply that at least some kinds of magnitude estimations may involve a judgment of the “difference” or “distance” between pairs of stimuli as a first step in the production of the response required by the judgment situation.     

A model of top-down gain control in the auditory system

To evaluate a model of top-down gain control in the auditory system, 6 participants were asked to identify 1-kHz pure tones differing only in intensity. There were three 20-session conditions: (1) four soft tones (25, 30, 35, and 40 dB SPL) in the set; (2) those four soft tones plus a 50-dB SPL tone; and (3) the four soft tones plus an 80-dB SPL tone. The results were well described by a top-down, nonlinear gain-control system in which the amplifier’s gain depended on the highest intensity in the stimulus set. Individual participants’ identification judgments were generally compatible with an equal-variance signal-detection model in which the mean locations of the distribution of effects along the decision axis were determined by the operation of this nonlinear amplification system.     

The role of gross locomotor restriction in the acquisition of motor and cardiac conditional discrimination in the dog

The effects of gross locomotor restriction and lack of restriction, respectively, on the acquisition of a motor and cardiac discrimination task was investigated. Litter-mate dogs were used in a counterbalanced design involving two treatment conditions (free and restrained) and two discrimination learning problems. Each learning problem included eight daily training sessions with 10 CS+ tones and ten CS—tones presented randomly. The US was a shock to the left foreleg. Degree of foot flexion and percentage change in heart rate in response to CS tones were recorded. Dogs subjected initially to the free condition manifested a superior and more rapid motor and cardiac discrimination than Ss initially restrained. The free condition was not as facilitatory when presented to Ss which first had been exposed to the restraint condition. The results are discussed in terms of activation and negative transfer.     

Consensus at zero acquaintance: replication, behavioral cues, and stability.

That observers tend to agree in their ratings of a target even if they have never interacted with that target has been called consensus at zero acquaintance. The basic finding that consensus is highest for judgments concerning a target's degree of extraversion (EV) and somewhat weaker for judgments of conscientiousness is replicated. Several potential observable cues that might be used by judges when rating targets are examined. The finding that ratings of physical attractiveness correlate with judgments of EV is replicated. In Study 1, rapid body movements and smiling were also found to correlate with EV judgments. The level of consensus declined when initially unacquainted Ss interacted one-on-one (Study 2), but did not decline--and even increased--when Ss interacted in a group (Study 3). Ss judged as extraverted at zero acquaintance were also seen as extraverted after interacting with others.     

Stimulus context and absolute magnitude estimation: a study of individual differences

The effect of stimulus context on absolute-magnitude-estimation (AME) judgments was examined by determining whether the loudness judgment of a tone is influenced by the intensities of other tones presented within the session. A group of 18 subjects was tested in separate sessions in which they judged stimuli within either a low (10-60 dB SL) or a high (40-90 dB SL) range of intensities. Examination of the results of individual subjects revealed that judgments of stimuli common to the two ranges were, in most subjects, unaffected or only slightly affected by the position of the range. The judgments of 2 subjects who failed to follow the instructions, however, showed very large context effects due to changing the stimulus range. The results of a second experiment, in which 22 subjects judged the loudness of tones within either a narrow (35-65 dB SL) or a wide (20-80 dB SL) range, revealed that, in all but 1 subject, the width of the range had no systematic effect on the loudness judgments of stimuli common to both ranges. This was also true 1 month later when 16 of the subjects returned to the laboratory to judge the loudness of tones within an even wider range of 10-90 dB SL. It was concluded that AME judgments are relatively insensitive to the potential biasing influences of stimulus context.