THE PHENOMENOLOGY OF MATHEMATICAL BEAUTY

It has been observed that whereas painters and musicians are likely to be embarrassed by references to the beauty in their work, mathematicians instead like to engage in discussions of the beauty of mathematics. Professional artists are more likely to stress the technical rather than the aesthetic aspects of their work. Mathematicians, instead, are fond of passing judgment on the beauty of their favored pieces of mathematics. Even a cursory observation shows that the characteristics of mathematical beauty are at variance with those of artistic beauty. For example, courses in art appreciation are fairly common; it is however unthinkable to find any mathematical beauty appreciation courses taught anywhere. The purpose of the present paper is to try to uncover the sense of the term beauty as it is currently used by mathematicians.     

需要的系统观与自我社会价值实现说

自我实现是马斯洛需要理论的一个关键概念。此文探究了弗洛伊德的精神分析说、阿德勒的社会情感说及马斯洛的自我实现的需要说,建议用系统理论研究需要问题,并进一步提出需要的自我社会价值实现说。     

TAKING STOCK OF PHENOMENOLOGY FUTURES

In this paper, I review recent contributions of phenomenology to a variety of disciplines, including the cognitive sciences and psychiatry, and explore (1) controversies about phenomenological methods and naturalization; (2) relations between phenomenology and the enactive and extended mind approaches; and (3) the promise of phenomenology for addressing a number of controversial philosophical issues.     

A POSITIVE PHENOMENOLOGY: THE STRUCTURE OF MAURICE BLONDEL'S EARLY PHILOSOPHY

Given recent developments in Franco‐German phenomenology with its so‐called ‘theological turn’, there has been a concomitant renewal of interest in Maurice Blondel's thought. In this paper I consider the phenomenological structure of Blondel's early philosophy. Blondel defended and published his controversial thesis in 1893 and with this work presented a highly original phenomenology that was deeply indebted to the positive tradition and yet went beyond this same tradition to include even religious practice as part of its inquiry. Keen to engage the rationalist philosophers of the French academy, Blondel proposed a phenomenological project that was geared to engage the critical spirit of an age that was already deemed to be post‐metaphysical. It is in clarifying the manner in which Blondel conceives such a positive phenomenology that I indicate how his thought may contribute to contemporary debates in the phenomenology of religion.