Negative Affect and Health: The Importance of Being Earnest

Research on emotion and health has tended to focus on the negative consequences of “negative” emotions. An emerging literature has begun to explore the positive aspects of negative affect, suggesting that emotion be treated in a more differentiated way by recognising the components and intensity that can promote or harm health. For example, short bursts of emotion-associated sympathetic activation can stimulate parts of the immune system, whereas more chronic activation can cause “wear and tear” on the cardiovascular system. Anxiety and guilt have been associated with preventive health behaviours and care-seeking, whereas distress and depression increase symptom sensitivity, accuracy of illness perception, and can facilitate care-seeking and receipt of support. However, intense and chronic negative affects may lead individuals to engage in risky health behaviours, such as substance abuse, overeating, and high risk sex, as a coping mechanism to regulate negative emotion. They may also undermine social support systems, leading to a self-perpetuating cycle of conflict and isolation. Future research must address the parameters defining “healthy” and “unhealthy” negative emotion.     

一种对存在不惑的形而上学

从理解世界到理解意识,再到理解语言,形而上学的线索走的是一条唯心论道路。胡塞尔试图论证的不仅是主观性能够构造出客观性,而且只有在主观性之中才能够构造出客观性;于是,存在的客     

The Cultural Definition of Art

Most modern definitions of art fail to successfully address the issue of the ever‐changing nature of art, and rarely even attempt to provide an account that would be valid in more than just the modern Western context. This article develops a new theory that preserves the advantages of its predecessors, solves or avoids their problems, and has a scope wide enough to account for art of different times and cultures. It argues that an object is art in a given context iff some person(s) culturally competent in this context have afforded it the status of a candidate for appreciation for reasons considered good in this context. This weakly institutional view is supplemented by auxiliary definitions explaining the notions of cultural contexts, competence, and good reasons for affording the status. The relativisation to contexts brings increased explanatory power and scope, and the ability to account for the diversity of art.     

Heidegger,Analytic Metaphysics,and the Being of Beings

This essay begins with an outline of the early Heidegger's distinction between beings and the Being1 of those beings, followed by a discussion of Heideggerian teleology. It then turns to contemporary analytic metaphysics to suggest that analytic metaphysics concerns itself wholly with beings and does not recognize distinct forms of questioning concerning what Heidegger calls Being . This difference having been clarified, studies of identity and individuation in the analytic tradition are examined and it is demonstrated that such inquiries have far more in common with Heidegger than one might initially suspect. Indeed, it turns out that much of what the early Heidegger says about Being is tacitly presupposed by the workings of certain being-centric metaphysical projects in the analytic tradition. The discussion concludes with the suggestion that the central difference between the two projects should be understood as one of emphasis and that Heidegger's discussion of Being and a realist metaphysics in the analytic tradition can complement each other as aspects of a broader, more unified philosophical inquiry.     

Heidegger,Art, and the Overcoming of Metaphysics

In this paper, I advance a new interpretation of Heidegger's reflections on art as we find them in his essay, ‘The Origin of the Work of Art’. I begin, in Section 1, by uncovering the fundamental concern that motivates Heidegger's essay. I show that Heidegger's reflections on art are part of his attempt to uncover a path beyond the history of metaphysics. I then suggest, in Section 2, that while Heidegger does think that art may allow for the overcoming of metaphysics, recent interpreters [Dreyfus ( 2005 ), Thomson ( 2011 ), and Young ( 2001 )] have mistook the kind of art that Heidegger has in mind here. The kind of art that can allow for the overcoming of metaphysics, I argue, is not art that simply thematizes and/or reconfigures cultural worlds (as these interpreters have argued). It is instead what Heidegger calls ‘primal poesy’. After discussing the nature of primal poesy, I show in more detail how this kind of art may be capable of getting us beyond the history of metaphysics in Section 3. Finally, in Section 4, I reconsider the more common reading of ‘The Origin of the Work of Art’ in light of the interpretation I've offered in Sections 2 and 3.     

Being Narrow While Being Broad: The Importance of Construct Specificity and Theoretical Generality

This article considers Gunderson et al.’s (2011) analysis of the intergenerational transmission of mathematics attitudes in light of broader knowledge about the nature of attitudes. It makes two primary points. First, many of the constructs that Gunderson et al. include under the umbrella of “attitude” are theoretically and psychometrically distinct. Researchers who follow the agenda laid out by Gunderson et al. should take care to carefully define their constructs. Second, using the literature on the intergenerational transmission of implicit attitudes as a starting point, this commentary explores specific ways in which children’s mathematics attitudes may arise as a function of their parents’ and teachers’ attitudes.     

卫生保健需要的重要性与意义

卫生保健需要在卫生计划和资源配置中的作用日益受到重视。卫生保健需要是有层次的,相对的,因确定者,不同个体以及时间而异,科学,全面地认识和测量卫生保健需要,分析其与卫生服务需求和提供的关系,是更好的满足整个人群的卫生保健需要,使需要,需求和提供三者相匹配的基本前提,才能确保实现充分利用有发的资源,更经济,有效地提供卫生服务,保障和促进人群健康的宗旨。     

The Importance of Being Actual: Some Reasons for and Against Procreation

In 'Axiological Actualism' Josh Parsons attempts to defend both the intuition that the anticipated welfare of a person cannot constitute a reason to bring him or her into being and the intuition that such considerations can constitute a reason not to. The former, 'basic' intuition he defends by an appeal to the belief that 'ethical theory should refrain from assigning levels of welfare … or anything of the sort to merely possible people'. The latter, 'converse' intuition he defends by an appeal to prudential considerations. I argue that Parsons's attempts to defend these intuitions are unpersuasive. On the one hand, and notwithstanding his attempts to demonstrate the contrary, the basic intuition is undermined by the claim that an actual person could have been worse off if she had never existed. On the other, his grounding of the converse intuition in prudential considerations runs counter to the ought implies can dictum and is also highly counterintuitive.     

Art beyond Morality and Metaphysics: Late Joseon Korean Aesthetics

In the history of Chinese philosophy, Mozi calls music a “waste of resources,” considering it an aristocratic extravagance that does not benefit the everyday people. In its defense, Confucians highlight music's moral and metaphysical qualities, arguing that music aids in moral cultivation and that music's form mimics the structure of reality. The aim of this article is to show that Korean philosophers provide yet another reason to think music is important. Music, and art in general, was used to express a national identity at a time Korean philosophers were beginning to develop their own aesthetic consciousness in the seventeenth and eighteenth centuries. A cultural movement called Joseonpoong (???), “Joseon wind,” marked a shift away from Sinocentrism and toward Korea's own unique values and practices. The new attempt to justify art's value apart from its relationship to morality or metaphysics set Joseon thinkers apart from their Chinese predecessors. Using art for identity expression allowed the Koreans to reconceive art's value while Sinocentric cosmological and cultural views were being challenged with the introduction of Western knowledge. Art also became a tool for reversing hermeneutic injustice as new artistic practices and standards allowed the Koreans to meaningfully engage with previously neglected aspects of their lived lives.     

Theology,Metaphysics, and Realism about Truth

This essay examines the theological grounds for rejecting metaphysics and the correspondence theory of truth, and argues that while there are good grounds for rejecting a certain kind of metaphysically oriented theology, metaphysics per se is neither objectionable nor avoidable in Christian theology. In the process, it also defends a realist conception of truth against some recent theological criticisms, and argues that a commitment to a modest version of metaphysical realism and realism about truth is not only philosophically tenable, but also theologically preferable to non‐realist views.