Microgenesis of the length perception of paired lines

The changes in perception associated with exposure time are probably continuous in the microgenetic process, as is demonstrated by such phenomena as intensity change in illusions, adaptation and normalization, practice effect, aftereffects, etc. The simultaneous contrast and assimilation in the perception of length of paired lines were measured by controlling the exposure duration or repetition. In the tachistoscopic experiment, the greatest contrast appeared at an early stage of microgenesis. In the repeated presentation experiment, the perception changed from contrast to assimilation on the expanded stage of microgenesis. These changes in perception are assumed to be the results of the differentiation of set that progresses in the microgenetic process. In the fixed-set experiment, the differentiation of set was reflected in the intensity of the aftereffect. The changes in the aftereffect and the transformation into the assimilation coincided with each other when the exposure time was varied. An expansion of the conception of perceptual microgenesis to a wider range of perceptual variability is accordingly proposed.     

面孔的表情优先于性别信息加工：来自直接比较的证据

为了探讨面孔知觉时表情或性别信息加工优先性的问题,要求被试对不同时长窗口中呈现的一系列面孔刺激的性别或者表情做出判断。两类任务的排列设置分为完全随机（实验一、二）和随机区组（实验三）。结果一致发现在面孔刺激呈现时间为12ms和50ms时,面孔表情信息识别比面孔性别信息识别更准确。由此推论,面孔知觉中面孔表情信息加工优先于面孔性别信息加工。     

A dot that went for a walk: People prefer lines drawn with human-like kinematics

A dominant theory of embodied aesthetic experience (Freedberg & Gallese, 2007, Trends in Cognitive Sciences, 11, 197) posits that the appreciation of visual art is linked to the artist’s movements when creating the artwork, yet a direct link between the kinematics of drawing actions and the aesthetics of drawing outcomes has not been experimentally demonstrated. Across four experiments, we measured aesthetic responses of students from arts and non-arts backgrounds to drawing movements generated from computational models of human writing. Experiment 1 demonstrated that human-like drawing movements with bell-shaped velocity profiles (Sigma Lognormal [SL] and Minimum Jerk [MJ]) are perceived as more natural and pleasant than movements with a uniform profile, and in both Experiments 1 and 2 movements that were perceived as more natural were also preferred. Experiment 3 showed that this effect persists if lower-level dynamic stimulus features are fully matched across experimental and control conditions. Furthermore, aesthetic preference for human-like movements were associated with greater perceptual fluency in Experiment 3, evidenced by unbiased estimations of the duration of natural movements. In Experiment 4, line drawings with visual features consistent with the dynamics of natural, human-like movements were preferred, but only by art students. Our findings directly link the aesthetics of human action to the visual aesthetics of drawings, but highlight the importance of incorporating artistic expertise into embodied accounts of aesthetic experience.     

Visual discrimination of vowel duration

Discrimination of vowel duration was explored with regard to discrimination threshold, error bias, and effects of modality and consonant context. A total of 122 normal-hearing participants were presented with disyllabic-like items such as /lal-lal/ or /mam-mam/ in which the lengths of the vowels were systematically varied and were asked to judge whether the first or second vowel was longer. Presentation was either visual, auditory, or audiovisual. Vowel duration differences varied in 24 steps: 12 with a longer first /a/ and 12 with a longer last /a/ (range: ±33–400 ms). Results: 50% JNDs were smaller than the lowest tested step size (33 ms); 75% JNDs were in the 33–66 ms range for all conditions but V /lal/, with a 75% JND at 66–100 ms. Errors were greatest for visual presentation and for /lal-lal/ tokens. There was an error bias towards reporting the first vowel as longer, and this was strongest for /mam-mam/ and when both vowels were short, possibly reflecting a sublinguistic processing strategy.     

Priming and implicit recognition depend on similar temporal changes in perceptual representations

Previous studies have reported that longer stimulus presentation decreases the magnitude of priming. In the present study, we used meaningless kaleidoscope images, which were reported to minimize conceptual processing, to investigate the mechanism of the phenomenon. We assessed the impact of stimulus duration on perceptual priming (Experiment 1) and implicit recognition memory (Experiment 2). Both the magnitude of priming and the accuracy of implicit recognition were lower with the longer stimulus presentation (350 ms) compared with the shorter presentation (250 ms). This coincidence of temporal dynamics between priming and implicit recognition suggests similar underlying memory mechanisms. In both cases, the decrease of performance with longer presentation can be explained by either changes in perceptual processes or interference from explicit memory retrieval.     

Conscious and nonconscious discrimination of facial expressions

Abrupt discontinuities in recognizing categories of emotion are found for the labelling of consciously perceived facial expressions. This has been taken to imply that, at a conscious level, we perceive facial expressions categorically. We investigated whether the abrupt discontinuities found in categorization for conscious recognition would be replaced by a graded transition for subthreshold stimuli. Fifteen volunteers participated in two experiments, in which participants viewed faces morphed from 100% fear to 100% disgust along seven increments. In Experiment A, target faces were presented for 30 ms, in Experiment B for 170 ms. Participants made two-alternative forced-choice decisions between fear and disgust. Results for the 30 ms presentation time indicated a significant linear trend between degree of morphing and classification of the images. Results for 170 ms presentation time followed the higher order function found in studies of categorical perception. These results provide preliminary evidence for separate processes underlying conscious and nonconscious perception of facial expressions of emotion.     

Good continuation affects discrimination of visual pattern information in young infants

A familiarization-novelty preference procedure was used to determine whether 3- to 4-month-old and 6- to 7-month-old infants utilize the Gestalt principle of good continuation to organize visual patterns. The study involved presentation of a target item (i.e., a square or diamond) either in-line or off-line with a set of distractor items (i.e., circles). Infants in both age groups responded to a change in the target element in the off-line, but not in the in-line, condition. The results suggest that infants organize visual pattern information in accord with the principle of good continuation. Implications of this finding for models of the ontogenesis and microgenesis of object perception in infants and adults are discussed.     

A comparison of masking by visual and transcranial magnetic stimulation: implications for the study of conscious and unconscious visual processing

Visual stimuli as well as transcranial magnetic stimulation (TMS) can be used: (1) to suppress the visibility of a target and (2) to recover the visibility of a target that has been suppressed by another mask. Both types of stimulation thus provide useful methods for studying the microgenesis of object perception. We first review evidence of similarities between the processes by which a TMS mask and a visual mask can either suppress the visibility of targets or recover such suppressed visibility. However, we then also point out a significant difference that has important implications for the study of the time course of unconscious and conscious visual information processing and for theoretical accounts of the processes involved. We present evidence and arguments showing: (a) that visual masking techniques, by revealing more detailed aspects of target masking and target recovery, support a theoretical approach to visual masking and visual perception that must take into account activities in two separate neural channels or processing streams and, as a corollary, (b) that at the current stage of methodological sophistication visual masks, by acting in more highly specifiable ways on these pathways, provide information about the microgenesis of form perception not available with TMS masks.     

Beauty in the blink of an eye: The time course of aesthetic experiences

Under normal circumstances, perception runs very fast and seemingly automatic. In just a few ms, we go from sensory features to perceiving objects. This fast time course does not only apply to general perceptual aspects but also to what we call higher-level judgements. Inspired by the study on ‘very first impressions’ by Bar, Neta, and Linz (2006, Emotion, 6 , 269) the current research examined the speed and time course of three aspects of the aesthetic experience, namely beauty, specialness, and impressiveness. Participants were presented with 54 reproductions of paintings that covered a wide variety of artistic styles and contents. Presentation times were 10, 50, 100 and 500 ms in Experiment 1 and 20, 30 and 40 ms in Experiment 2. Our results not only show that consistent aesthetic judgements can be formed based on very brief glances of information, but that this speed of aesthetic impression formation also differs between different aesthetic judgements. Apparently, impressiveness judgements require longer exposure times than impressions of beauty or specialness. The results provide important evidence for our understanding of the time course of aesthetic experiences.     

通道呈现方式与感知学习风格的匹配性对粤-普双言切换代价的影响

选取不同感知学习风格的熟练粤-普双言者被试, 比较在不同通道呈现方式下他们刺激命名任务的表现, 由此考察感知学习风格与通道呈现方式的匹配性对熟练双言者双言切换代价的影响。结果发现, 被试在视觉线索呈现条件下要比在听觉线索条件下的切换代价小; 当感知学习风格与通道呈现方式匹配时, 双言切换代价更低。表明感知学习风格与通道呈现方式的匹配性对于双言切换代价有调节作用。     

数目及其呈现方式在不同范围内对时间知觉的影响

采用时间比较法,考察数目及其呈现方式对时间知觉的影响。任务中,首先呈现标准时距,此时变化刺激的数目或呈现方式,然后呈现比较时距,被试的任务是判断比较时距比标准时距长还是短。实验1和实验2分别采用1秒内和1秒以上的时间,结果发现： 1秒内的时间加工中,刺激一个一个连续呈现时,小数引起标准时距的低估,大数导致标准时距的高估,而同时呈现时,刺激的数目对知觉到的时间无影响;数目及其呈现方式影响计时的准确性,而对计时的变异性和敏感性无影响。时间在1秒以上,同时呈现和连续呈现条件下,刺激的数目影响知觉到的时间;计时的     

Attentional allocation during the perception of scenes

Semantic influences on attention during the 1st fixation on a scene were explored in 3 experiments. Subjects viewed briefly presented scenes; following scene presentation, a spatial probe was presented at the location of an object whose identity was consistent or inconsistent with the scene category. Responses to the probe served as an index of attention. The results of Experiment 1 suggest that within approximately 150 ms of scene onset, subjects attend preferentially to inconsistent objects. The results of Experiment 2, in which additional scene durations were used, confirm the presence of an inconsistent-object advantage that emerges within approximately 150 ms. Finally, the results of Experiment 3 demonstrate that the inconsistent-object advantage does not reflect strategic allocation of attention to likely probe locations. Implications of the results for scene perception and exploration are discussed.     

The relativity of time perception produced by facial emotion stimuli

We systematically examined the impact of emotional stimuli on time perception in a temporal reproduction paradigm where participants reproduced the duration of a facial emotion stimulus using an oval-shape stimulus or vice versa. Experiment 1 asked participants to reproduce the duration of an angry face (or the oval) presented for 2,000 ms. Experiment 2 included a range of emotional expressions (happy, sad, angry, and neutral faces as well as the oval stimulus) presented for different durations (500, 1,500, and 2,000 ms). We found that participants over-reproduced the durations of happy and sad faces using the oval stimulus. By contrast, there was a trend of under-reproduction when the duration of the oval stimulus was reproduced using the angry face. We suggest that increased attention to a facial emotion produces the relativity of time perception.     

Can false memories be created through nonconscious processes?

Presentation times of study words presented in the Deese/Roediger and McDermott (DRM) paradigm varied from 20 to 2000 ms per word in an attempt to replicate the false memory effect following extremely short presentations reported by. Both in a within-subjects design (Experiment 1) and in a between-subjects design (Experiment 2) subjects showed memory for studied words as well as a false memory effect for related critical lures in the 2000-ms condition. However, in the conditions with shorter presentation times (20 ms in Experiment 1; 20 and 40 ms in Experiment 2) no memory for studied words, nor a false memory effect was found. We argue that there is at present no strong evidence supporting the claim for a nonconscious basis of the false memory effect.     

The dynamic-stimulus advantage of visual symmetry perception

It has been speculated that visual symmetry perception from dynamic stimuli involves mechanisms different from those for static stimuli. However, previous studies found no evidence that dynamic stimuli lead to active temporal processing and improve symmetry detection. In this study, four psychophysical experiments investigated temporal processing in symmetry perception using both dynamic and static stimulus presentations of dot patterns. In Experiment 1, rapid successive presentations of symmetric patterns (e.g., 16 patterns per 853 ms) produced more accurate discrimination of orientations of symmetry axes than static stimuli (single pattern presented through 853 ms). In Experiments 2-4, we confirmed that the dynamic-stimulus advantage depended upon presentation of a large number of unique patterns within a brief period (853 ms) in the dynamic conditions. Evidently, human vision takes advantage of temporal processing for symmetry perception from dynamic stimuli.     

Effects of time-order, interstimulus interval, and feedback in duration discrimination of noise bursts in the 50- and 1000-ms ranges

Participants compared durations of paired white-noise bursts, with interstimulus interval (ISI) 100, 300, 900, or 2700 ms, presented in the order standard (St)-comparison (Co) or Co-St. St was 50 or 1000 ms, and 75% difference thresholds for "longer" and "shorter" judgments were estimated. In Experiment 1 feedback was given; in Experiment 2, with ISIs 900 and 2700 ms, there was no feedback. For St=1000 ms, the just noticeable difference (JND) in noise duration was generally smaller with the order St-Co than with Co-St; for St=50 ms, the JND relation was the opposite. JNDs increased with shorter ISIs. Time-order errors were positive for St=50 ms and negative for St=1000 ms, and approached zero for longer ISIs. Using Hellstr?m's sensation-weighting (SW) model, the ratio of the stimulus weights for the first and second burst was estimated; this ratio was generally >1 for St=50 ms and <1 for St=1000 ms. JNDs were smaller with feedback than without; the greatest reduction was found for St=1000 ms and an ISI of 2700 ms with the order Co-St, possibly because feedback increased participants' attention to the first stimulus. These results demonstrate the sensitivity of discrimination measures for long as well as brief durations to the factors of ISI, presentation order, and feedback. They also suggest different modes of stimulus processing for short and long durations.     

Young infants readily use proximity to organize visual pattern information

Four experiments relying on novelty and spontaneous preference procedures were performed to determine whether 3-4-month-old infants utilize the Gestalt principle of proximity to organize visual pattern information. In Experiment 1, infants familiarized with arrays of elements that could be organized into either columns or rows were tested for their preference between vertical and horizontal bars. The infants preferred the novel organization of bars. Experiments 2 and 3 showed that the novelty preference could not be attributed to an a priori preference or an inability to discriminate between the elements comprising the patterns. Experiment 4 replicated the results of Experiment 1 in a bars --> elements version of the task, indicating that extended exposure is not necessary for infants to organize based on proximity. The results suggest that infants readily organize visual pattern information in accord with proximity. Implications of this finding for models of the ontogenesis and microgenesis of object perception in infants and adults are discussed.     

不同时距条件下面孔表情知觉的时间整合效应

通过把面孔表情分割成三部分,按照不同的时间间隔以及不同的呈现时间相继呈现,考察了被试对面孔表情的时间整合效果,以此探讨时间整合的加工过程和影响因素。结果发现：（1）面孔表情的时间整合效果受时间结构和刺激材料的影响。（2）分离呈现的面孔表情能否进行时间整合与SOA的大小有关。（3）面孔表情的时间整合存在类型差异。（4）面孔表情的时间整合是在一个有限的视觉缓冲器内进行的,图像记忆和长时记忆与面孔表情的时间整合过程关系密切。     

数字加工任务影响时距知觉的数字效应

本研究采用复制时距和数字加工双任务,探讨数字大小影响时距知觉的机制。实验首先呈现不同时距的圆点,然后让被试按键复制圆点呈现的时距,与此同时,对屏幕上出现的数字进行命名(实验1)、奇偶数判断(实验2)、大小判断(实验3)。实验结果发现对数字进行奇偶数判断时,数字大小对时距知觉没有影响;进行数字命名和大小判断任务时,数字大小对时距知觉都产生了影响,并且时距不同,数字大小对时距知觉的影响也不同。该结果表明时距知觉的数字效应与数字加工任务和时距长短有关,呈现出动态变化的过程。