中国二语学习者英语句子加工的心理机制初探:以主动句为例

操纵不同违例类型（语义单违例、句法单违例、双违例）及不同的违例词位置（句中、句尾）,运用ERPs技术初步探讨了中国大学生二语（英语）学习者英语简单句的心理加工过程。结果发现,中间句法单违例诱发了早期左前负波（ELAN）,句尾句法单违例引发了正波（P600）。句尾语义单违例诱发的负波（N400）波幅显著大于中间语义单违例。即存在违例关键词的位置效应。较之单违例,语义-句法双违例诱发的N400与P600波幅变化呈非对称性。语义-句法双违例句诱发的P600波幅大于句法单违例句;语义-句法双违例引发的N400波幅均小于语义单违例句。这说明句法与语义加工之间存在交互作用,句法加工在很大程度上受到语义加工的影响,句法加工对语义加工的影响较小。     

语义信息复杂度对二语者英语被动句加工的影响

采用英语所独有且非常重要的句法结构——被动语态作为语言材料,选取某些可以在句子中的词汇顺序基本没有变化的情况下转换为汉语句式（汉语“被”字句）的“直译型”被动句以及必须根据其意义进行句式转换方能形成相应的汉语句式（汉语主动句）的“意译型”被动句作为实验材料,探讨了在动词语义复杂条件下二语熟练度（包括晚期中等熟练者和高熟练者）对被动句加工过程的影响。结果表明：高熟练者正确率均高于中等熟练者,说明在动词语义复杂的情况下熟练度依然可以预测英语被动句实时加工的程度和水平。此时,语义违例的正确率最高、反应时最短,句法违例句则与之相反。双违例引发的N400效应显著,正确句和句法违例均未引发负向的N400;高熟练者P600的波幅明显高于中等熟练者,句法违例和双违例引发的P600效应最显著。行为指标支持语言间句法加工相似性效应——直译句反应快、正确率高。ERP数据则得出了与之相反的结果：直译句比意译句诱发出更大的N400效应,意译句则引发了较大的P600。上述结果进一步说明二语熟练度对语言间句法加工相似性效应具有很强的调节作用。     

音乐对语言加工的影响——来自ERP的证据

向音乐人和非音乐人分别同时呈现句末词有无词类范畴违反的句子，和结尾和弦有无和弦句法违反的和弦序列，并采用ERP(event-related potential，事件相关电位)技术观察被试音乐加工对句子加工的影响。结论是，汉语句子和和弦序列的句法整合加工之间似乎共享神经资源。这两种句法整合加工机制性质相同，能相互促进。音乐训练对语言和音乐句法整合加工的神经资源共享性有调节作用。     

汉语句子加工中句法信息与语义信息的交互作用：来自ERP的证据

采用ERP技术考察句子加工过程中句法信息和语义信息交互作用的时间进程。以汉语“把字句”为实验材料,分别比较句法违例句与双重违例句的LAN和P600效应、语义违例句与双重违例句的N400效应。与句法违例句相比,双重违例句的LAN效应的波幅更负,潜伏期更长,皮层分布更广泛;双重违例句的P600效应出现减弱趋势;双重违例句的N400效应的潜伏期显著长于语义违例句。结果表明,在句子加工的各个阶段,句法信息和语义信息呈持续交互作用,支持句子的平行加工模型。     

音乐句法加工的认知机制与音乐结构的影响模式

音乐和语言是人类最重要的两种交流系统。与语言一样, 音符的排列和组织也是建立在一定的句法规则之上。尽管现有研究发现听众具有感知音乐句法的能力, 音乐句法加工的认知机制以及影响因素仍不清楚。基于此, 拟深入探究预期和整合在音乐音高句法加工中的作用, 以及音乐层级结构和时间结构对音高句法加工的影响。以期进一步揭示音乐句法加工的本质, 为音乐和语言的比较以及探索人类更一般的交流机制提供实证依据。     

音乐句法的内隐习得及其对图式性期待的影响

音乐句法的习得来源于对音乐图式统计规则的长期抽象,有赖于日常音乐曝光和统计学习能力,其在构建音乐心理词典的过程中发挥着重要作用并影响着音乐图式性期待的形成。音乐句法可在无意识曝光中被内隐习得,而外显的专业训练可能有利于音乐统计学习能力的提升。对ERAN、N5、mCPS等音乐句法相关脑电成分进行研究有助于深入了解音乐句法内隐习得的加工机制。在完整音乐结构背景下,考察各音乐要素习得之间的交互作用,将使音乐学习实验更具生态效度,促进研究成果运用于音乐教学实践。     

失歌症者对音乐和言语音高的加工

音高是音乐和言语领域中一个重要维度。失歌症是一种对音乐音高加工的障碍。探讨失歌症者对音乐和言语音高的加工有助于揭示音乐和言语音高加工是否共享特定的认知和神经机制。已有研究结果表明, 失歌症者对音乐音高加工存在障碍, 这种音高障碍在一定程度上影响到言语音高加工。同时, 声调语言背景无法弥补失歌症者的音高障碍。这些研究结果支持了资源－共享框架(resource-sharing framework), 即音乐和语言共享特定的认知和神经机制(Patel, 2003, 2008, in press), 并可能在一定程度上为失语症临床治疗提供借鉴。     

基于ERP的二语句子加工过程的认知神经机制研究进展及其启示

二语句子加工认知神经机制的研究尚处于验证和探索阶段,基本上还集中于对一语和二语的语义违例与句法违例反应的比较,更缺乏动态的二语句子加工认知神经机制的研究。仅就二语语义加工而言,所得结果充满矛盾,这可能与二语习得年龄有关。就二语句法加工研究而言,二语学习者显示出依赖于二语学习年龄的不同模式。同时,二语的句法加工过程依赖于二语和一语的相似性与相异性。其深层原因可能意味着存在一语和二语之间的句法通达问题。为此,应当系统考察语义通达程度和句法通达程度的系统变化对二语加工加工可能会造成怎样的影响,同时应开展以某种语言（如汉语）的母语者其二语（如英语）句子加工认知神经机制和以前者的二语（如英语）母语者为被试开展以前者的母语（如汉语）为二语的句子加工认知神经机制的比较研究。     

基于语义错觉效应的句子加工探索

“语义错觉效应”是指读者在加工某些语义违例句子时,会暂时性地产生语义合理错觉,而只有通过继续加工或者再加工才能辨别出错误的现象,在脑电成分上表现为没有出现N400效应,却出现P600效应。“语义错觉效应”对传统的句子加工理论模型以及N400和P600的特异性功能意义提出了质疑。研究者在讨论此效应的基础上提出了多个句子加工模型,各模型对语义和句法加工的过程进行了探索,对语义和句法通道的关系做出了新的阐述,并对N400和P600的功能意义做出了新的解读。目前研究对N400功能的解释存在语义整合观和词汇激活观的分歧,而对P600功能的解释则从传统的句法功能转换到了更宽泛的加工过程。未来研究应关注词汇语义关系和跨语言差异,以期进一步揭示句子加工的认知及神经机制。     

晚期汉-英二语者英语被动句句法加工的ERP研究*

选取二语中等熟练者和高熟练者两类中国大学生被试,共40人(27女,13男),年龄为20~29岁,平均年龄23.88岁。采用ERP技术,以直译型英语被动句和意译型英语被动句作为实验材料,通过比较无违例、―句法违例句1‖(动词过去分词形式错误)、―句法违例句2‖(动词过去分词错误用为动词原形而造成的句法违例)以及―句法违例句3‖(动词过去分词误用为动词现在分词形式)条件下的行为数据和ERP多维数据变化的基础上,探讨了二语熟练度和语言间句法结构相似性对汉-英双语者英语被动句句法加工过程的影响。结果表明：高熟练者的反应时和正确率整体上优于中等熟练者;难易度不同的句法错误信息会直接影响被动句的加工,对明显有错误的句法信息的反应速度最快,―正确的局部句法信息‖反应时最长。对明显有错误的句法信息的正确反应率最高,最根本的句法结构的错误信息最低。最根本的句法结构的错误信息引发的P600最大,无违例条件引发的P600最小;高熟练者对最根本的句法结构的错误信息引发最大的P600效应,中等熟练者的P600效应未受不同句法错误信息的影响。行为指标支持句法加工相似性效应——直译句反应快、正确率高;意译句反应慢、正确率低。并且此效应在中等熟练者身上表现更加明显。但是脑神经活动模式未表现出句法结构相似性效应,说明二语熟练度在英语被动句加工中具有更为显著的作用。     

音乐之脑

回顾并总结了近年来对音乐认知神经基础的研究结果,包括人类感知乐曲的音高、理解音乐的结构和意义中的脑基础,音乐家和普通人在音乐认知上的脑功能差异,以及东西方听众在聆听本土和非本土音乐时的脑活动差异,并对国内利用脑功能成像技术和事件相关电位技术研究音乐认知的前景作出展望     

Relationship between expressive language ability and rhythm perception, pitch perception, vocal range, and vocal midpoint among mentally retarded adults

This study investigated the relationship between expressive language ability and rhythm perception, pitch perception, vocal range, and vocal midpoint for 28 mentally retarded adults. A standardized speech test determined language scores, a standardized music test assessed rhythm and pitch perception, and vocalization determined vocal range and midpoint. Multiple correlation and multiple linear regression analyses indicated a significant correlation between expressive language ability and rhythm perception. Further research with music tests more appropriate for mentally retarded adults is recommended.     

音乐知觉的神经基础研究

音乐知觉涉及基于声音分析、听觉记忆、听觉场景分析、以及音乐的句法和语义加工的复杂的脑神经活动。同时,音乐知觉还潜在的影响情绪、自主神经系统、荷尔蒙以及免疫系统,并激活(前)运动表象。在过去的几年里,音乐加工及其神经关联方面的研究已取得了飞速的进展,主要体现为音乐知觉的神经认知模型、音乐的句法和语义加工、音乐和机体反应等领域的研究。     

Impaired processing of prosodic and musical patterns after right hemisphere damage

The distinction between the processing of musical information and segmental speech information (i.e., consonants and vowels) has been much explored. In contrast, the relationship between the processing of music and prosodic speech information (e.g., intonation) has been largely ignored. We report an assessment of prosodic perception for an amateur musician, KB, who became amusic following a right-hemisphere stroke. Relative to matched controls, KB's segmental speech perception was preserved. However, KB was unable to discriminate pitch or rhythm patterns in linguistic or musical stimuli. He was also impaired on prosodic perception tasks (e.g., discriminating statements from questions). Results are discussed in terms of common neural mechanisms that may underlie the processing of some aspects of both music and speech prosody.     

语言和音乐层级结构的加工

语言和音乐在呈现过程中, 小单元相互结合组成更大的单元, 最终形成层级结构。已有研究表明, 听者能够将连续的语流和音乐切分成层级结构, 并在大脑中形成层级表征。在感知基础之上, 听者还能将新出现的语言和音乐事件整合到层级结构之中, 形成连贯理解, 最终顺利地完成交流过程。未来研究应剖析边界线索在层级结构感知中的作用, 考察不同层级整合过程的影响因素, 进一步探索语言和音乐层级结构加工的关系。     

绝对音高者对音乐的加工及其神经机制

绝对音高感是一种特殊的音高命名能力。通过论述绝对音高能力与音乐加工的关系,发现绝对音高者具有对音高、音程和旋律的加工优势,但他们对相对音高的加工存在劣势。同时,与非绝对音高者相比,绝对音高者大脑结构和功能都表现出特殊性。未来研究应进一步厘清音乐训练对绝对音高者音乐加工的影响。     

Towards a neural basis of music perception

Music perception involves complex brain functions underlying acoustic analysis, auditory memory, auditory scene analysis, and processing of musical syntax and semantics. Moreover, music perception potentially affects emotion, influences the autonomic nervous system, the hormonal and immune systems, and activates (pre)motor representations. During the past few years, research activities on different aspects of music processing and their neural correlates have rapidly progressed. This article provides an overview of recent developments and a framework for the perceptual side of music processing. This framework lays out a model of the cognitive modules involved in music perception, and incorporates information about the time course of activity of some of these modules, as well as research findings about where in the brain these modules might be located.     

Norming the odd: Creation,norming, and validation of a stimulus set for the study of incongruities across music and language

Research into similarities between music and language processing is currently experiencing a strong renewed interest. Recent methodological advances have led to neuroimaging studies presenting striking similarities between neural patterns associated with the processing of music and language—notably, in the study of participants’ responses to elements that are incongruous with their musical or linguistic context. Responding to a call for greater systematicity by leading researchers in the field of music and language psychology, this article describes the creation, selection, and validation of a set of auditory stimuli in which both congruence and resolution were manipulated in equivalent ways across harmony, rhythm, semantics, and syntax. Three conditions were created by changing the contexts preceding and following musical and linguistic incongruities originally used for effect by authors and composers: Stimuli in the incongruous–resolved condition reproduced the original incongruity and resolution into the same context; stimuli in the incongruous–unresolved condition reproduced the incongruity but continued postincongruity with a new context dictated by the incongruity; and stimuli in the congruous condition presented the same element of interest, but the entire context was adapted to match it so that it was no longer incongruous. The manipulations described in this article rendered unrecognizable the original incongruities from which the stimuli were adapted, while maintaining ecological validity. The norming procedure and validation study resulted in a significant increase in perceived oddity from congruous to incongruous–resolved and from incongruous–resolved to incongruous–unresolved in all four components of music and language, making this set of stimuli a theoretically grounded and empirically validated resource for this growing area of research.     

Enhanced music sensitivity in 9-month-old bilingual infants

This study explores the influence of bilingualism on the cognitive processing of language and music. Specifically, we investigate how infants learning a non-tone language perceive linguistic and musical pitch and how bilingualism affects cross-domain pitch perception. Dutch monolingual and bilingual infants of 8–9 months participated in the study. All infants had Dutch as one of the first languages. The other first languages, varying among bilingual families, were not tone or pitch accent languages. In two experiments, infants were tested on the discrimination of a lexical (N = 42) or a violin (N = 48) pitch contrast via a visual habituation paradigm. The two contrasts shared identical pitch contours but differed in timbre. Non-tone language learning infants did not discriminate the lexical contrast regardless of their ambient language environment. When perceiving the violin contrast, bilingual but not monolingual infants demonstrated robust discrimination. We attribute bilingual infants’ heightened sensitivity in the musical domain to the enhanced acoustic sensitivity stemming from a bilingual environment. The distinct perceptual patterns between language and music and the influence of acoustic salience on perception suggest processing diversion and association in the first year of life. Results indicate that the perception of music may entail both shared neural network with language processing, and unique neural network that is distinct from other cognitive functions.