Eye position affects audio-visual fusion in darkness

We investigated the frame of reference involved in audio-visual (AV) fusion over space. This multisensory phenomenon refers to the perception of unity resulting from visual and auditory stimuli despite their potential spatial disparity. The extent of this illusion depends on the eccentricity in azimuth of the bimodal stimulus (Godfroy et al, 2003 Perception 32 1233-1245). In a previous study, conducted in a luminous environment, Roumes et al 2004 (Perception 33 Supplement, 142) have shown that variation of AV fusion is gaze-dependent. Here we examine the contribution of ego- or allocentric visual cues by conducting the experiment in total darkness. Auditory and visual stimuli were displayed in synchrony with various spatial disparities. Subjects had to judge their unity ('fusion' or 'no fusion'). Results showed that AV fusion in darkness remains gaze-dependent despite the lack of any allocentric cues and confirmed the hypothesis that the reference frame of the bimodal space is neither head-centred nor eye-centred.     

Multisensory cues capture spatial attention regardless of perceptual load

We compared the ability of auditory, visual, and audiovisual (bimodal) exogenous cues to capture visuo-spatial attention under conditions of no load versus high perceptual load. Participants had to discriminate the elevation (up vs. down) of visual targets preceded by either unimodal or bimodal cues under conditions of high perceptual load (in which they had to monitor a rapidly presented central stream of visual letters for occasionally presented target digits) or no perceptual load (in which the central stream was replaced by a fixation point). The results of 3 experiments showed that all 3 cues captured visuo-spatial attention in the no-load condition. By contrast, only the bimodal cues captured visuo-spatial attention in the high-load condition, indicating for the first time that multisensory integration can play a key role in disengaging spatial attention from a concurrent perceptually demanding stimulus.     

Multisensory-mediated auditory localization

Multisensory integration is a powerful mechanism for maximizing sensitivity to sensory events. We examined its effects on auditory localization in healthy human subjects. The specific objective was to test whether the relative intensity and location of a seemingly irrelevant visual stimulus would influence auditory localization in accordance with the inverse effectiveness and spatial rules of multisensory integration that have been developed from neurophysiological studies with animals [Stein and Meredith, 1993 The Merging of the Senses (Cambridge, MA: MIT Press)]. Subjects were asked to localize a sound in one condition in which a neutral visual stimulus was either above threshold (supra-threshold) or at threshold. In both cases the spatial disparity of the visual and auditory stimuli was systematically varied. The results reveal that stimulus salience is a critical factor in determining the effect of a neutral visual cue on auditory localization. Visual bias and, hence, perceptual translocation of the auditory stimulus appeared when the visual stimulus was supra-threshold, regardless of its location. However, this was not the case when the visual stimulus was at threshold. In this case, the influence of the visual cue was apparent only when the two cues were spatially coincident and resulted in an enhancement of stimulus localization. These data suggest that the brain uses multiple strategies to integrate multisensory information.     

Capturing spatial attention with multisensory cues

We assessed the influence of multisensory interactions on the exogenous orienting of spatial attention by comparing the ability of auditory, tactile, and audiotactile exogenous cues to capture visuospatial attention under conditions of no perceptual load versus high perceptual load. In Experiment 1, participants discriminated the elevation of visual targets preceded by either unimodal or bimodal cues under conditions of either a high perceptual load (involving the monitoring of a rapidly presented central stream of visual letters for occasionally presented target digits) or no perceptual load (when the central stream was replaced by a fixation point). All of the cues captured spatial attention in the no-load condition, whereas only the bimodal cues captured visuospatial attention in the highload condition. In Experiment 2, we ruled out the possibility that the presentation of any changing stimulus at fixation (i.e., a passively monitored stream of letters) would eliminate exogenous orienting, which instead appears to be a consequence of high perceptual load conditions (Experiment 1). These results demonstrate that multisensory cues capture spatial attention more effectively than unimodal cues under conditions of concurrent perceptual load.     

Perceptual dominance during lipreading

Two experiments were pedormed under visual-only and visual-auditory discrepancy conditions (dubs) to assess observers’ abilities to read speech information on a face. In the first experiment, identification and multiple choice testing were used. In addition, the relation between visual and auditory phonetic information was manipulated and related to perceptual bias. In the second experiment, the “compellingness” of the visual-auditory discrepancy as a single speech event was manipulated. Subjects also rated the confidence they had that their perception of the lipped word was accurate. Results indicated that competing visual information exerted little effect on auditory speech recognition, but visual speech recognition was substantially interfered with when discrepant auditory information was present. The extent of auditory bias was found to be related to the abilities of observers to read speech under nondiscrepancy conditions, the magnitude of the visual-auditory discrepancy, and the compellingheSS of the visual-auditory discrepancy as a single event. Auditory bias during speech was found to be a moderately compelling conscious experience, and not simply a case of confused responding or guessing. Results were discussed in terms of current models of perceptual dominance and related to results from modality discordance during space perception.     

Audition dominates vision in duration perception irrespective of salience,attention, and temporal discriminability

Whereas the visual modality tends to dominate over the auditory modality in bimodal spatial perception, the auditory modality tends to dominate over the visual modality in bimodal temporal perception. Recent results suggest that the visual modality dominates bimodal spatial perception because spatial discriminability is typically greater for the visual than for the auditory modality; accordingly, visual dominance is eliminated or reversed when visual-spatial discriminability is reduced by degrading visual stimuli to be equivalent or inferior to auditory spatial discriminability. Thus, for spatial perception, the modality that provides greater discriminability dominates. Here, we ask whether auditory dominance in duration perception is similarly explained by factors that influence the relative quality of auditory and visual signals. In contrast to the spatial results, the auditory modality dominated over the visual modality in bimodal duration perception even when the auditory signal was clearly weaker, when the auditory signal was ignored (i.e., the visual signal was selectively attended), and when the temporal discriminability was equivalent for the auditory and visual signals. Thus, unlike spatial perception, where the modality carrying more discriminable signals dominates, duration perception seems to be mandatorily linked to auditory processing under most circumstances.     

Deployment of spatial attention to words in central and peripheral vision

Four perceptual identification experiments examined the influence of spatial cues on the recognition of words presented in central vision (with fixation on either the first or last letter of the target word) and in peripheral vision (displaced left or right of a central fixation point). Stimulus location had a strong effect on word identification accuracy in both central and peripheral vision, showing a strong right visual field superiority that did not depend on eccentricity. Valid spatial cues improved word identification for peripherally presented targets but were largely ineffective for centrally presented targets. Effects of spatial cuing interacted with visual field effects in Experiment 1, with valid cues reducing the right visual field superiority for peripherally located targets, but this interaction was shown to depend on the type of neutral cue. These results provide further support for the role of attentional factors in visual field asymmetries obtained with targets in peripheral vision but not with centrally presented targets.     

The role of crossmodal competition and dimensional overlap in crossmodal attention switching

Crossmodal selective attention was investigated in a cued task switching paradigm using bimodal visual and auditory stimulation. A cue indicated the imperative modality. Three levels of spatial S–R associations were established following perceptual (location), structural (numerical), and conceptual (verbal) set-level compatibility. In Experiment 1, participants switched attention between the auditory and visual modality either with a spatial-location or spatial-numerical stimulus set. In the spatial-location set, participants performed a localization judgment on left vs. right presented stimuli, whereas the spatial-numerical set required a magnitude judgment about a visually or auditorily presented number word. Single-modality blocks with unimodal stimuli were included as a control condition. In Experiment 2, the spatial-numerical stimulus set was replaced by a spatial-verbal stimulus set using direction words (e.g., “left”). RT data showed modality switch costs, which were asymmetric across modalities in the spatial-numerical and spatial-verbal stimulus set (i.e., larger for auditory than for visual stimuli), and congruency effects, which were asymmetric primarily in the spatial-location stimulus set (i.e., larger for auditory than for visual stimuli). This pattern of effects suggests task-dependent visual dominance.     

Perceived duration decreases with increasing eccentricity

Previous studies examining the influence of stimulus location on temporal perception yield inhomogeneous and contradicting results. Therefore, the aim of the present study is to soundly examine the effect of stimulus eccentricity. In a series of five experiments, subjects compared the duration of foveal disks to disks presented at different retinal eccentricities on the horizontal meridian. The results show that the perceived duration of a visual stimulus declines with increasing eccentricity. The effect was replicated with various stimulus orders (Experiments 1–3), as well as with cortically magnified stimuli (Experiments 4–5), ruling out that the effect was merely caused by different cortical representation sizes. The apparent decreasing duration of stimuli with increasing eccentricity is discussed with respect to current models of time perception, the possible influence of visual attention and respective underlying physiological characteristics of the visual system.     

Auditory, tactile, and multisensory cues facilitate search for dynamic visual stimuli

Presenting an auditory or tactile cue in temporal synchrony with a change in the color of a visual target can facilitate participants’ visual search performance. In the present study, we compared the magnitude of unimodal auditory, vibrotactile, and bimodal (i.e., multisensory) cuing benefits when the nonvisual cues were presented in temporal synchrony with the changing of the target’s color (Experiments 1 and 2). The target (a horizontal or vertical line segment) was presented among a number of distractors (tilted line segments) that also changed color at various times. In Experiments 3 and 4, the cues were also made spatially informative with regard to the location of the visual target. The unimodal and bimodal cues gave rise to an equivalent (significant) facilitation of participants’ visual search performance relative to a no-cue baseline condition. Making the unimodal auditory and vibrotactile cues spatially informative produced further performance improvements (on validly cued trials), as compared with cues that were spatially uninformative or otherwise spatially invalid. A final experiment was conducted in order to determine whether cue location (close to versus far from the visual display) would influence participants’ visual search performance. Auditory cues presented close to the visual search display were found to produce significantly better performance than cues presented over headphones. Taken together, these results have implications for the design of nonvisual and multisensory warning signals used in complex visual displays.     

On the disruption of visual memory: Interference produced by visual report cues

Report of single letters from centrally-fixated, seven-letter, target rows was probed by either auditory or visual cues. The target rows were presented for 100 ms, and the report cues were single digits which indicated the spatial location of a letter. In three separate experiments, report was always better with the auditory cues. The advantage for the auditory cues was maintained both when target rows were masked by a patterned stimulus and when the auditory cues were presented 500 ms later than comparable visual cues. The results indicate that visual cues produce modality-specific interference which operates at a level of processing beyond iconic representation.     

Perceptual load influences auditory space perception in the ventriloquist aftereffect

A period of exposure to trains of simultaneous but spatially offset auditory and visual stimuli can induce a temporary shift in the perception of sound location. This phenomenon, known as the ‘ventriloquist aftereffect’, reflects a realignment of auditory and visual spatial representations such that they approach perceptual alignment despite their physical spatial discordance. Such dynamic changes to sensory representations are likely to underlie the brain’s ability to accommodate inter-sensory discordance produced by sensory errors (particularly in sound localization) and variability in sensory transduction. It is currently unknown, however, whether these plastic changes induced by adaptation to spatially disparate inputs occurs automatically or whether they are dependent on selectively attending to the visual or auditory stimuli. Here, we demonstrate that robust auditory spatial aftereffects can be induced even in the presence of a competing visual stimulus. Importantly, we found that when attention is directed to the competing stimuli, the pattern of aftereffects is altered. These results indicate that attention can modulate the ventriloquist aftereffect.     

High-intensity sound increases the size of visually perceived objects

The effect of audiovisual interactions on size perception has yet to be examined, despite its fundamental importance in daily life. Previous studies have reported that object length can be estimated solely on the basis of the sounds produced when an object is dropped. Moreover, it has been shown that people typically and easily perceive the correspondence between object sizes and sound intensities. It is therefore possible that auditory stimuli may act as cues for object size, thereby altering the visual perception of size. Thus, in the present study we examined the effects of auditory stimuli on the visual perception of size. Specifically, we investigated the effects of the sound intensity of auditory stimuli, the temporal window of audiovisual interactions, and the effects of the retinal eccentricity of visual stimuli. The results indicated that high-intensity auditory stimuli increased visually perceived object size, and that this effect was especially strong in the peripheral visual field. Additional consideration indicated that this effect on the visual perception of size is induced when the cue reliability is relatively higher for the auditory than for the visual stimuli. In addition, we further suggest that the cue reliabilities of visual and auditory stimuli relate to retinal eccentricity and sound intensity, respectively.     

Sex differences in audiovisual discrimination learning by Bengalese finches (Lonchura striata var. domestica)

Both visual and auditory information are important for songbirds, especially in developmental and sexual contexts. To investigate bimodal cognition in songbirds, the authors conducted audiovisual discrimination training in Bengalese finches. The authors used two types of stimulus: an "artificial stimulus," which is a combination of simple figures and sound, and a "biological stimulus," consisting of video images of singing males along with their songs. The authors found that while both sexes predominantly used visual cues in the discrimination tasks, males tended to be more dependent on auditory information for the biological stimulus. Female responses were always dependent on the visual stimulus for both stimulus types. Only males changed their discrimination strategy according to stimulus type. Although males used both visual and auditory cues for the biological stimulus, they responded to the artificial stimulus depending only on visual information, as the females did. These findings suggest a sex difference in innate auditory sensitivity.     

A comparison of auditory and visual apparent motion presented individually and with crossmodal moving distractors

Unimodal auditory and visual apparent motion (AM) and bimodal audiovisual AM were investigated to determine the effects of crossmodal integration on motion perception and direction-of-motion discrimination in each modality. To determine the optimal stimulus onset asynchrony (SOA) ranges for motion perception and direction discrimination, we initially measured unimodal visual and auditory AMs using one of four durations (50, 100, 200, or 400 ms) and ten SOAs (40-450 ms). In the bimodal conditions, auditory and visual AM were measured in the presence of temporally synchronous, spatially displaced distractors that were either congruent (moving in the same direction) or conflicting (moving in the opposite direction) with respect to target motion. Participants reported whether continuous motion was perceived and its direction. With unimodal auditory and visual AM, motion perception was affected differently by stimulus duration and SOA in the two modalities, while the opposite was observed for direction of motion. In the bimodal audiovisual AM condition, discriminating the direction of motion was affected only in the case of an auditory target. The perceived direction of auditory but not visual AM was reduced to chance levels when the crossmodal distractor direction was conflicting. Conversely, motion perception was unaffected by the distractor direction and, in some cases, the mere presence of a distractor facilitated movement perception.     

Development of multisensory spatial integration and perception in humans

Previous studies have shown that adults respond faster and more reliably to bimodal compared to unimodal localization cues. The current study investigated for the first time the development of audiovisual (A-V) integration in spatial localization behavior in infants between 1 and 10 months of age. We observed infants' head and eye movements in response to auditory, visual, or both kinds of stimuli presented either 25 degrees or 45 degrees to the right or left of midline. Infants under 8 months of age intermittently showed response latencies significantly faster toward audiovisual targets than toward either auditory or visual targets alone They did so, however, without exhibiting a reliable violation of the Race Model, suggesting that probability summation alone could explain the faster bimodal response. In contrast, infants between 8 and 10 months of age exhibited bimodal response latencies significantly faster than unimodal latencies for both eccentricity conditions and their latencies violated the Race Model at 25 degrees eccentricity. In addition to this main finding, we found age-dependent eccentricity and modality effects on response latencies. Together, these findings suggest that audiovisual integration emerges late in the first year of life and are consistent with neurophysiological findings from multisensory sites in the superior colliculus of infant monkeys showing that multisensory enhancement of responsiveness is not present at birth but emerges later in life.     

Discrepant visual speech facilitates covert selective listening in "cocktail party" conditions

The presence of congruent visual speech information facilitates the identification of auditory speech, while the addition of incongruent visual speech information often impairs accuracy. This latter arrangement occurs naturally when one is being directly addressed in conversation but listens to a different speaker. Under these conditions, performance may diminish since: (a) one is bereft of the facilitative effects of the corresponding lip motion and (b) one becomes subject to visual distortion by incongruent visual speech; by contrast, speech intelligibility may be improved due to (c) bimodal localization of the central unattended stimulus. Participants were exposed to centrally presented visual and auditory speech while attending to a peripheral speech stream. In some trials, the lip movements of the central visual stimulus matched the unattended speech stream; in others, the lip movements matched the attended peripheral speech. Accuracy for the peripheral stimulus was nearly one standard deviation greater with incongruent visual information, compared to the congruent condition which provided bimodal pattern recognition cues. Likely, the bimodal localization of the central stimulus further differentiated the stimuli and thus facilitated intelligibility. Results are discussed with regard to similar findings in an investigation of the ventriloquist effect, and the relative strength of localization and speech cues in covert listening.     

Influence of auditory and audiovisual stimuli on the right–left prevalence effect

When auditory stimuli are used in two-dimensional spatial compatibility tasks, where the stimulus and response configurations vary along the horizontal and vertical dimensions simultaneously, a right–left prevalence effect occurs in which horizontal compatibility dominates over vertical compatibility. The right–left prevalence effects obtained with auditory stimuli are typically larger than that obtained with visual stimuli even though less attention should be demanded from the horizontal dimension in auditory processing. In the present study, we examined whether auditory or visual dominance occurs when the two-dimensional stimuli are audiovisual, as well as whether there will be cross-modal facilitation of response selection for the horizontal and vertical dimensions. We also examined whether there is an additional benefit of adding a pitch dimension to the auditory stimulus to facilitate vertical coding through use of the spatial-musical association of response codes (SMARC) effect, where pitch is coded in terms of height in space. In Experiment 1, we found a larger right–left prevalence effect for unimodal auditory than visual stimuli. Neutral, non-pitch coded, audiovisual stimuli did not result in cross-modal facilitation, but did show evidence of visual dominance. The right–left prevalence effect was eliminated in the presence of SMARC audiovisual stimuli, but the effect influenced horizontal rather than vertical coding. Experiment 2 showed that the influence of the pitch dimension was not in terms of influencing response selection on a trial-to-trial basis, but in terms of altering the salience of the task environment. Taken together, these findings indicate that in the absence of salient vertical cues, auditory and audiovisual stimuli tend to be coded along the horizontal dimension and vision tends to dominate audition in this two-dimensional spatial stimulus–response task.     

Crossmodal interactions in the perception of expressivity in musical performance

In musical performance, bodily gestures play an important role in communicating expressive intentions to audiences. Although previous studies have demonstrated that visual information can have an effect on the perceived expressivity of musical performances, the investigation of audiovisual interactions has been held back by the technical difficulties associated with the generation of controlled, mismatching stimuli. With the present study, we aimed to address this issue by utilizing a novel method in order to generate controlled, balanced stimuli that comprised both matching and mismatching bimodal combinations of different expressive intentions. The aim of Experiment 1 was to investigate the relative contributions of auditory and visual kinematic cues in the perceived expressivity of piano performances, and in Experiment 2 we explored possible crossmodal interactions in the perception of auditory and visual expressivity. The results revealed that although both auditory and visual kinematic cues contribute significantly to the perception of overall expressivity, the effect of visual kinematic cues appears to be somewhat stronger. These results also provide preliminary evidence of crossmodal interactions in the perception of auditory and visual expressivity. In certain performance conditions, visual cues had an effect on the ratings of auditory expressivity, and auditory cues had a small effect on the ratings of visual expressivity.     

“有声有色”的触觉体验：来自多感觉通道整合的线索

虚拟现实技术通过提供视觉、听觉和触觉等信息为用户创造身临其境的感知体验, 其中触觉反馈面临诸多技术瓶颈使得虚拟现实中的自然交互受限。基于多感官错觉的伪触觉技术可以借助其他通道的信息强化和丰富触觉感受, 是目前虚拟现实环境中优化触觉体验的有效途径。本文聚焦于触觉中最重要的维度之一——粗糙度, 试图为解决虚拟现实中触觉反馈的受限问题提供新思路。探讨了粗糙度感知中, 视、听、触多感觉通道整合的关系, 分析了视觉线索(表面纹理密度、表面光影、控制显示比)和听觉线索(音调/频率、响度)如何影响触觉粗糙度感知, 总结了当下调控这些因素来改变粗糙度感知的方法。最后, 探讨了使用伪触觉反馈技术时, 虚拟现实环境中视、听、触觉信息在呈现效果、感知整合等方面与真实世界相比可能存在的差异, 提出可借鉴的改善触觉体验的适用方法和未来待研究的方向。