Renaissance Liturgical Reforms: Reflections on Intentions and Methods

Abstract

One of the hallmarks of the Renaissance was the concern with authenticity, and a concern with ad fontes texts. This is illustrated in the liturgical revisions which where planned for the Breviary, culminating in the edition prepared by Cardinal Quignon, and in the methods employed by Thomas Cranmer in his compilation of the Book of Common Prayer. This paper looks more closely at these attempts at Renaissance liturgical reform.     

Conversing on Love: Text and Subtext in Tullia d'Aragona's Dialogo della Infinità d'Amore

Few philosophical topics are as intertwined with gender questions as the topic of love, which moved center‐stage in the diverse literary and philosophical productions of the Renaissance. Situated in the rich cultural environment of Cinquecento, Italy, Tullia d'Aragona's Dialogo della Infinita d'Amore offers not only a unique contribution to Renaissance theories of love, but also forces a reexamination of the aims and methods of communication, and provokes a reflection on philosophy's very own (male) self‐conception.     

Calvin and Farel The Dynamics of Legitimation in Early Calvinism

Abstract

On account of its emphasis on the promotion of humanistic learning, Corpus Christi College, Oxford, established in 1517 by Bishop Richard Fox of Winchester, has been hailed as a pioneering Renaissance institution whose aims and ideals originate in the world of Italian humanist education of the fifteenth century. Partly through an examination of the apian metaphor employed by Fox to describe his college, this article seeks to re-examine these claims. It will be argued that Corpus's cultural pedigree is more complex and mixed than has hitherto been appreciated, deriving as much from medieval monasticism as from Italian humanism. Both these elements unwittingly equipped the institution to adapt relatively easily to the political changes of the 1530s. The article draws on these arguments not only to cast some doubts on Corpus's status as a Renaissance college, but also to question the ways in which the early English Renaissance in general—but particularly its humanistic element—fits into a European Renaissance based on Italianate historiographical models.     

Peirce on Education: Nurturing the First Rule of Reason

Through an exegetic reading of Peirce’s minor texts on higher education, I find that Peirce’s conception of a “Liberal Education” is close to the Herbartian conception of Bildung. Peirce calls for a general education with the ambition of qualifying critical thinkers with the capacity to go beyond the strict rules and narrow borders of the artes liberales, – the different subject matters or sciences taught at a university. Thus, Peirce’s conception of a liberal education is closely linked to his interpretation of common sense – or sensis communis – as a critical commonsensism. To him, it is urgent to educate and nurture “the first rule of reason,” described as a will to learn, a curiosity, a dissatisfaction of what you already incline to think, and an intense desire to find things out. The nurturing of this “first rule of reason” is thus about educating an intellectual community of critical thinkers who are able to question authoritative beliefs, knowing how to debunk them, and how to turn away from obiter dictum.     

“Make no provision for the flesh”: recognizing the incarnation in and after Augustine

This article argues for the importance of the intelligibility of the sexed body to incarnational theology. Building on Mark Jordan's reading of Augustine, I focus on the paradox of the incarnation as both the bodily sign (signa) of God and God Godself as the thing that the sign signifies (res). Through an analysis of the debates around Leo Steinberg's work on the meaning of Christ's genitals in Renaissance art, I explore the ways in which depicting the incarnation is a paradoxical exercise of depicting God's fully human body. I argue that attention to the paradox of the incarnation as both sign and thing can disrupt ideologies of sexual difference that force bodies to be intelligible as unambiguously sexed, while the question of sexual difference can work within incarnational theology to disturb the equivalence of full humanity and unambiguous maleness.     

Educating pain

Abstract

In times in which we ask ourselves how political cruelty and torments can be forgotten, Nietzsche’s pleadoyer for pain to serve the purpose of education, surprises. What might sound like a mere provocation, rather lies at the heart of the Nietzschean philosophy. As is pointed out, Nietzsche’s contention that pain is the most powerful aid to mnemonics, originates from his philosophy of pain as the main condition of all forms of creation. The title “educating (bilden) pain” expresses Nietzsche’s advocacy of an education towards pain as the dynamo of creation. In this paper I explore how Nietzsche’s notion of pain is linked to two concepts of Bildung. In the first part I investigate the relation between pain and “Bildung” in the sense of “creation”, and in the second part I link this to the relation between pain and “Bildung” in the sense of “education”. By these means, I try to answer the question: how far can pain, which is seen as the condition of creation, be linked to conditions of education.     

Multidisciplinary creativity: the case of Herbert A. Simon

In the twentieth century, no person epitomized more dramatically the “Renaissance mind” than Herbert A. Simon (1916–2001). In aworking life spanning over 60 years, Simon made seminal contributions to administrative theory, axiomatic foundations of physics, economics, sociology, econometrics, cognitive psychology, logic of scientific discovery, and artificial intelligence. Simon's life of the mind, thus, affords nothing less than a “laboratory” in which to observe and examine at close quarters the phenomenon of multidisciplinary creativity. In this paper, we attempt to shed some light on the nature of Simon's creativity and the nature of his particular Renaissance mind. In particular, we have attempted here to articulate the cognitive style underlying Simon's multidisciplinary creativity.     

Education for democracy

Abstract

This article takes it cue from John Dewey and his views on the interrelationship between democracy and education. The basic premise is that education and democracy are inextricably linked and that in a free society the link is severed only at our peril. Education must be both public and democratic if we wish to preserve our democracy’s public spaces. We should resist calls for ‘excellence’ if this means educating only ‘the best’ and excluding those most likely to fail. On the other hand, we should likewise resist the tendency to jettison excellence (or just plain competence) in the name of educational equality.     

Humanismo Del Diecisiete En La Postmodernidad Del Veintiuno

It would be possible to be affirmed that the most of the educational goals that modernity assumes, they settled down from the Renaissance. The postmodern age, in its critic to the modern period, demands the recovery of some losses. At the time of fast changes as it happens in the Renaissance, the Humanism originates a fruitful debate. According to the authors protagonists, the controversy became a dialogue plenty of common questions to which we find in the contemporary discussion. The reflection on the thought of one of the most representative and well-known authors, Comenio, it serves to think on the encounter of traditions in Philosophy of Education. He is a thinker who supplies the basis for his educational practice on a Philosophy of education and projects a reform to confront some problems that in the essential are repeated today.      

Creativity and genius as epistemic virtues: Kant and early post-Kantians on the teachability of epistemic virtue

There is a classical paradox in education that also affects the epistemic virtues: the paradox inherent in the demand to develop general strategies for training persons to be free and creative individuals. This problem becomes particularly salient with respect to the epistemic virtue of creativity, the more so if we consider a radical form of creativity, namely, genius. This paper explores a historical constellation in which rigorous claims about the standards for knowledge and morality were developed, along with a highly influential notion of genius: the philosophy of Kant and of immediate post-Kantian philosophers. The paper shows how in this historical moment came together a new notion of “science,” a theory of “genius” and of virtues, and an analysis of the promises and difficulties inherent in educating a virtuous or creative individual. In this constellation of ideas, there also emerges a potentially fruitful account of how to teach intellectual creativity.     

‘The Russian Silver Age’: invention or intention? Review of Vyacheslav P. Shestakov: Russkii Serebrjanyi vek: zapozdavshii renessans [The Russian Silver Age: The belated Renaissance] St. Petersburg,Aleteia, 2017, 218 pp,ISBN: 978-5-906980-06-9

In his book, Vyacheslav P. Shestakov conducts a theoretical reconstruction of the concept of the ‘Silver Age’ of Russian culture. He highlights three typical features that this phenomenon has in common with the European Renaissance: Hellenism, aestheticism and eroticism. In an effort to disprove Omry Ronen’s claim that the Silver Age was an unsuccessful invention of literary scholars, Shestakov calls the Silver Age “a certain intention, viz. a project of the future.” The monograph includes sections on Russian philosophy, painting and ballet.

     

Effluvia,Action at a Distance,and the Challenge of the Third Causal Model

In the early modern age, two causal models are clearly identifiable: action at a distance—a typical Renaissance paradigm, widespread among thinkers involved in natural magic and seventeenth-century Neoplatonists—and action by contact, on which both the Aristotelians (including the Jesuits) and the Cartesians agreed. Pierre Gassendi too seems to endorse the motto: ‘Nihil agit in distans nisi prius agit in medium’ [Nothing acts at a distance unless it acts through a medium]. In this essay, it will be shown that a third causal model exists, according to which material bodies are surrounded by ‘atmospheres’ of effluvia or qualities, which spread within a circumscribed ‘sphere of activity’, whose extension is peculiar to each body. In particular, it will be shown: (1) what the third causal model was like, from an ontological point of view, that is, how it centred on the concepts of effluvium and spiritus, or qualitas; (2) what this model was like, from a gnoseological point of view; (3) how it was theorized by three physicians—Girolamo Fracastoro, Daniel Sennert, and Sylvester Rattray; it stood on Gassendi’s qualitative corpuscularianism, and was exemplarily utilized by Robert Boyle.     

Humanisation and education: Issues for school reform

The humanisation of education is one of the three leitmotifs in a recent Soviet planning document A Conception of General Education. It is suggested that Western education systems also need to be humanised, although not so radically as the Soviet, by the removal of obstacles to educating pupils as members of a liberal democratic society. A future joint research agenda between East and West should concentrate on (a) improving mutual understanding of this goal, (b) clarifying conceptual obstacles, and (c) reflecting on means of realising it. Specific proposals are put forward under all three headings.Invited paper presented at International Conference on Philosophy of Education organised by U.S.S.R. Academy of Pedagogical Sciences, Gagra, Georgia, October 12–22, 1990.     

Neither Human nor Cyborg: I Am a Bitch and a Molecular Swarm. Proprioception,Body Intelligence and Microsexual Conviviality

Abstract

The essay proposes a critique of a dominant model for structuring perception based on a fixed point of vision and stemming from Renaissance perspective, which grounds a sociality based on categorical splits. The essay proposes a new theory of movement and perception grounded on proprioception (the internal sense of movement of the body) linked to a new field-theory of movement. Finally, the essay proposes techniques and improvization practices to enact modes of relation and sociality grounded on this new account of movement and perception, associated to a co-sensing ethics proposing a series of meta-species, mestiza, neurodiverse, microsexual and swarming becomings.     

Rational emotive behaviour therapy in high schools to educate in mental health and empower youth health. A randomized controlled study of a brief intervention

Rational emotive behaviour therapy (REBT) is effective in reducing distress in several target groups. No other study has tested the mental health effects on adolescents in a high school setting while expanding a Cognitive Behaviour-based therapy, REBT, into the concept of mental health literacy. The format of the ABC model, which is an important element of REBT, functioned as a working manual in and between three sessions. This study tested whether knowledge and practical use of the ABC model increased self-esteem and hope, and reduced symptoms of anxiety and depression, and dysfunctional thinking. Sixty-two high school students with subclinical levels of anxiety and depression were randomly allocated into three groups; three individual REBT sessions, or three individual attentional placebo (ATP) sessions or no sessions (control). However, dysfunctional thinking, self-esteem and hope were not measured in the control group. Repeated measures with ANOVA and t-tests were conducted. Both REBT and ATP significantly reduced symptoms of anxiety and depression, but only REBT was significantly different from the control group at the six-month follow-up. Only REBT significantly reduced dysfunctional thinking, and both REBT and ATP significantly increased self-esteem and hope. REBT had both an immediate and a long-term effect. The findings show the potential positive effects of educating well-documented psychological techniques as ordinary education in school. Further research might contribute to decide whether or not to change the school system by enclosing mental health literacy classes for all students.     

Francisco López de Gómara's Humanist Reframing of the Missionary Project on Cozumel

Abstract

This article examines the rhetorical strategy and discursive practices employed by Francisco Lopez de Gomara in his Conquest of Mexico. It focuses specifically on the historian's treatment of events on the Island of Cozumel prior to Cortes' invasion of the mainland. The article interprets Gomara's Cozumel story, “the first encounter,” as a typological figure of speech. The political goals of empire, conversion and material gain are subsumed in a rhetorical vision of the New World. Cozumel is the promise. The historian frames the conquest of Mexico, the fulfillment that Cozumel heralded as a humanist project, and the New World as a work of Renaissance lay culture. The principal weapon of conquest and reconstruction is language. Wielded by Cortes and his historian, it functions to construct and communicate a rhetorical vision of a New World that incorporates the best of Europe and America even while it decries human rights abuses on both sides.     

Cantus Planus in the Reformation

Abstract

This essay explores the reform of cantus planus (the medieval practice of plainchant) which lies at the core of the liturgical and musical Reformation though has not yet received due attention. The Renaissance humanists’ critique of cantus planus is based on their conception of ancient ecclesiastical chant built upon the union of music and speech, viz., the ‘modulated recitation‘. The syllabic declamation and the quantitative metres of ancient Greek music were of essential importance to the humanists’ reforming programme of cantus planus. This centred on the matter of the intelligibility of the text in liturgical music. The essay illustrates the humanist characteristic of the Reformation chants, examining ways in which the classical paradigm of music was reconfigured in the new chant compositions.     

Arousal,positive and negative affect,and preference for Renaissance and 20th-century paintings

Treatments expected to raise the level of arousal and induce different degrees of positive and negative affect were paired on some trials with Renaissance or 20th-century paintings, whereas no paintings were shown on other trials. The design was within-subjects (24 females); the dependent measures were skin conductance (SC) and the preference for paintings. All treatments, including the paintings/no paintings factor, raised SC over the base-line, and the pattern was essentially additive. The perceived failure to attain control over aversive auditory stimulation (resulting in negative affect) raised SC to a higher level than did the unavoidable aversive stimulation (minimal affect) or monetary gains (positive affect). Paintings paired with affect (positiveor negative) were rated as more pleasing than were those paired with no affect. The Renaissance works were preferred to the 20th-century works when negative affect was induced, whereas the opposite was true in the case of positive affect. The collative-motivation model could not account for the fact that pleasingness of paintings was not related to SC by an inverted-U function. The contiguity model could not explain the considerable rated pleasingness of paintings paired with negative affect. In contrast, there was considerable support for a more comprehensive hypothesis (distraction/soothingness) based on attentional and affective considerations, and the differential cognitive labeling of fluctuations of arousal.This research was supported by Grant GS-42802 from the National Science Foundation to VJK. Some of the findings were presented at the 6th International Colloquium of Empirical Aesthetics, and the 21st International Congress of Psychology, both held during July 1976 in Paris, France.