沈从文对传统文化的精神体认与审美趋向

作家的创作往往受到其民族传统文化和其生活环境的影响;沈从文作为中国现代文学史上一位独立个体人格小说大师,在他的作品中构筑了一个神秘奇幻的"湘西世界";在沈从文的"湘西世界"里,我们可以深刻地感受到沈从文对传统文化中的湘楚文化、道家文化的精神体认和审美趋向。     

Review Essay Ethnicity, Identity and Nationality in Latin America

This essay surveys recent scholarship on the history of ethnicity in Latin America and the Atlantic World, exploring ways in which Jewish, Japanese and Middle Eastern minorities have transacted nationhood, identity and integration. This historiography of ethnicity offers compelling paths for understanding how transnational identities are negotiated. These include the analysis of patterns of slaveholding by Jewish communities on both sides of the Atlantic and the ways in which these communities understood blackness; the use of memory in understanding experiences of immigration; the relationships between national foreign policy and domestic ethnic politics; and the extent to which the issues of negotiating identity and asserting ethnicity are shared by a variety of immigrant ethnic groups. Together, this body of literature reflects the substantial ways in which ethnic histories interplay with other facets of national histories and with the process of historical analysis.     

What Is an Antique?

Antiques are undoubtedly objects worthy of aesthetic appreciation, but do they have a distinctive aesthetic value in virtue of being antiques? In this article we give an account of what it is to be an antique that gives the thesis that they do have a distinctive aesthetic value a chance of being true and suggests what that distinctive value consists in. After introducing our topic in Section I, in Section II we develop and defend the Adjectival Thesis: the thesis that the concept of being an antique is an adjectival concept. This provides us with the means to formulate our definition, which we do in Section III. In Section IV we further explicate and defend our definition. In Section V we conclude by briefly saying where we think our definition could be improved, by making a few comments about the aesthetics of antiques and by stating an interesting consequence of our definition: that it is not analytic that antiques are old.     

Ethnic diversity and cohesion in interdependent youth sport contexts

Team sports are a group environment in which individuals from various backgrounds often come together in pursuit of a common goal. Building on the findings of recent research that examined the effects of ethnic diversity in professional and intercollegiate sport contexts, we examined the association between ethnic diversity and youth athletes' perceptions of cohesion in interdependent sport teams (e.g., soccer), and tested ethnic identity as a moderator of this relationship. Multilevel analysis of data from 272 youth athletes nested within 24 teams revealed that ethnic diversity negatively predicted both task and social dimensions of cohesion, but ethnic identity did not emerge as a moderating variable. These findings are divergent from recent work that examined similar relationships in intercollegiate contexts. This highlights the complexity, and the importance, of examining the effects of ethnic diversity on team functioning-oriented variables at different levels of sport competition. Although replication studies are necessary to understand the reliability of the current findings, our study provides insight into the effects of ethnic diversity in youth sport and emphasizes pertinent developmental processes (e.g., identity formation) that scholars should take into consideration in future research.     

Playing Princess: Preschool Girls’ Interpretations of Gender Stereotypes in Disney Princess Media

Through their 11 official princesses, Disney circulates powerful and consistent messages regarding gender norms and roles. Inspired by the princesses’ ubiquity in the lives of young girls, we examined how preschool girls interpreted gender-role stereotypes in Disney Princess media both through their pretend play behaviors and their discussions of the princesses. Participants included 31 3- to 5-year-old girls who represented an array of racial/ethnic and socioeconomic backgrounds and who came from four classes at two preschools in rural New England. Data collected from a variety of methods, including pretend play observations, semi-structured interviews, and parent questionnaires revealed participants’ stereotypical beliefs about the princesses and their adherence to gendered behaviors when enacting the princesses. Thematic analyses identified four themes that defined the participants’ princess play: beauty, focus on clothing and accessories, princess body movements, and exclusion of boys. The implications of gendered princess play are discussed in relation to the social cognitive theory of gender development and differentiation. Based on the outcomes of our study, parents and educators might reconsider the type and amount of media they provide their children, acknowledging the effects of these images on their children’s behaviors and understandings of gender.     

On Culinary Authenticity

Recent discussions of culinary authenticity have focused on the problematic sociopolitical implications of Euro‐Americans seeking authenticity in food perceived as ethnic. This article seeks to rehabilitate the concept of culinary authenticity. First, the author relates the issue of culinary authenticity to other philosophical debates concerning authenticity, arguing that the concept of authenticity is value‐neutral. Second, a general theory of culinary authenticity making use of the theoretical apparatus of Kendall Walton's “Categories of Art” is developed and defended against objections. Third, a variety of reasons that authenticity is valued are discussed, with an emphasis on aesthetic reasons. Ultimately, the author acknowledges that some ways of valuing culinary authenticity are objectionable but argues that this should not lead us to abandon our interest in authenticity altogether.     

A Theology of the Cross and Ministry in Our Time: How Do You Call a Thing What It Is When You Don't Know What the Thing Is?

Abstract :  This article explores our cultural context and the issues it raises for ministry and theology in our time, especially as it relates to a theology of the cross. By drawing on the work of Jean Baudrillard the article asserts that we live in a time of hyper-reality, when nihilism is ever-present under the thin crust of our entertainment and information-saturated society. In responding to this world, it is argued that a theology of the cross has too often been misappropriated to serve as justification for taking on either the style of a postmodern aesthetic, which provides people a brand in new, hip forms of ministry, or adopting a fundamentalist stance, which provides people with a foundation in a world where it seems there is nowhere stable to stand. By returning to Luther's Heidelberg disputation, it is argued that "calling a thing what it is" in thesis 21 is not a style or foundation, but the invitation to enter (and do theology and ministry) in the nihilism of despair. Therefore, ministry and theology in our time should begin in the nihilism (the nihilism of the crucified Christ).     

《管子》与《蜜蜂的寓言》消费观之比较

在人类消费文化发展史上,有两本书的消费观点格外引人注目。分别是成书于我国先秦时期的《管子》和西方18世纪荷兰经济学家曼得维尔的《蜜蜂的预言》。撇开时间和空间的诸多差异,两书的消费思想竟有惊人的相似之处：它们都在一片尚俭声中主张适度消费,发挥消费对社会生产的积极作用;反对过度节俭,认为奢靡能增加社会财富、提供就业机会;两书虽是它们所处时代论述消费问题的开天辟地之作,却并未受重视,反而对后人产生了深远影响。     

隐喻的具身性与文化性

自从Lakoff和Johnson在《Philosophy in the Flesh —The Embodied Mind and Its Challenge to Western Thought》一书中将认知科学划分为第一代认知科学与第二代认知科学以来,隐喻成为了心理学家、语言学家和哲学家研究的热点领域之一。隐喻的构造基于我们的具身体验,基于我们的文化背景。隐喻的具身性与文化性是相互融合、不可分割的。     

A Culture‐Inclusive,Socially Engaged Agenda for Creativity Research

The 50 years anniversary of The Journal of Creative Behavior offers a festive occasion to reflect on the recent history of the field as well as look toward its future. From the standpoint of sociocultural psychology, I celebrate the growing importance of society and culture within creativity research. However, I also note an important distinction between “social inside” and “social outside” approaches. A truly culture‐inclusive field would go beyond the view of culture as “container” and explore the ways in which sociocultural contexts actively participate in creativity. At the same time, it would examine how creative action, in turn, shapes society and culture, particularly at times of growing intolerance, nationalism, and inequality. A socially engaged agenda for creativity research is timely both conceptually and practically. Taken together, these two pillars could not only advance but also fundamentally transform our field, carrying it for the next 50 years and beyond.     

Psychotherapy in the aesthetic attitude

Abstract: Drawing upon the writings of Jungian analyst Joseph Henderson on unconscious attitudes toward culture that patients and analysts may bring to therapy, the author defines the aesthetic attitude as one of the basic ways that cultural experience is instinctively accessed and processed so that it can become part of an individual's self experience. In analytic treatment, the aesthetic attitude emerges as part of what Jung called the transcendent function to create new symbolic possibilities for the growth of consciousness. It can provide creative opportunities for new adaptation where individuation has become stuck in unconscious complexes, both personal and cultural. In contrast to formulations that have compared depth psychotherapy to religious ritual, philosophic discourse, and renewal of socialization, this paper focuses upon the considerations of beauty that make psychotherapy also an art. In psychotherapeutic work, the aesthetic attitude confronts both analyst and patient with the problem of taste, affects how the treatment is shaped and ‘framed’, and can grant a dimension of grace to the analyst's mirroring of the struggles that attend the patient's effort to be a more smoothly functioning human being. The patient may learn to extend the same grace to the analyst's fumbling attempts to be helpful. The author suggests that the aesthetic attitude is thus a help in the resolution of both countertransference and transference en route to psychological healing.     

"Christians! Go home": A Revival of Neo-Paganism between the Baltic Sea and Transcaucasia (An Overview)

A rapid growth of new religious movements, in terms of both their numbers and variability, was a surprising outcome of the move to democracy in post-Soviet societies. One of the movements is Neo-Paganism whose emergence paradoxically coincided with the celebration of the anniversary of the baptism of Rus 1,000 years ago and the birth of Christianity 2,000 years ago. The Neo-Pagan movements challenge Christian values--with regard to ethics, attitude towards the natural environment, view of the past, and approach towards cultural variability. The Neo-Pagan impact on Christianity in the post-Soviet lands is rooted in ethnic nationalism--a common phenomenon at the turn of the 1990s. Neo-pagans are searching for both a primordial past and a pure ethnic culture, which they view as invaluable resources to overcome the hardship and ideological vacuum of the transitional period. However, they do this in various ways and thus, various forms of Neo-Paganism manifest themselves between the Baltic Sea and Transcaucasia.     

Legacies of War: Asian American Women and War Trauma

ABSTRACT

Although Asian Americans are diverse in many ways, such as language, culture, ethnicity, religion, generational status, and more, many share a common experience: that of having experienced war first hand or being progeny of war survivors. World War II, the Korean War, the Vietnam War, the Cambodian genocide, along with centuries of oppressive and authoritarian rule, have brought experiences of trauma, directly and historically, to the lives of many Asians. Subsequent experiences of migration and resettlement, as well as life in the United States as an ethnic minority, have also compounded the layers of oppression for many Asian Americans. Sexism in our cultures of origin, as well as sexism in the U.S., represents additional realities and traumas faced by Asian American women. In this article, we explore the experiences of war and subsequent traumas in the lives of Asian American women. We present a brief review of the current state of mental health as it relates to the experiences of war trauma, with the goal of providing a crucial contextual backdrop for our review of the best practices in mental health services to Asian American women. We review some of the best practices and conclude with a narrative reflection based on our own involvement in a small professional women’s group that yielded insights, discoveries, healing, and empowerment from the legacy of war trauma.     

Orisha Worship Communities: A Reconsideration of Organisational Structure

It is commonly understood by both scholars and practitioners of Yoruba religion in the Americas that initiates in Africa worship only one or two Orisha, whereas in the New World each individual worships multiple Orisha. However, an analysis of both textual and visual sources points to a more complex religious environment among the Yoruba in their homeland. It is suggested that the innovations found in the New World were less radical than received wisdom indicates. In addition, such research challenges the assumption that the form of New World Orisha worship is a consequence of colonial oppression and suggests instead that it is based on existing African antecedents.     

Dynamics of the knowledge instinct: Effects of incoherence on the cognitive system

We successfully replicated a study about aesthetic emotions in a different socio-cultural environment. The present results suggest that incoherence is a strong inhibitor for aesthetic chills and verify a positive correlation between pleasure and meaning. These results allow for a scientific study of aesthetic emotions as it is now possible for the experimenter to have two groups of subjects, both exposed to the same stimulation, one group experiencing measurable aesthetic emotions whereas the other does not. We review the literature on the problem of both positive and negative psychogenic shivering and relate this phenomenon to the instinct of knowledge. We discuss the implications of our findings, stress the importance of studying the psychological and physiological effects of incoherence on the central nervous system, introduce a series of hypotheses to be tested in further research and conclude with a plausible explanation for the relation between temperature and cognition in humans.     

Baudelaire’s Aesthetic

This paper will take up the work of Charles Baudelaire, poetic and critical, in order to present the Baudelairean aesthetic and to make a case for its relevance in our judgments about art today. Baudelaire was the first poet of the modern built environment and is known as the father of modern poetry. While his poetry is still admired, his aesthetic has been historicised: deemed to belong to that time and place in which Baudelaire wrote. This paper will argue that this historicisation by subsequent aesthetic theory and philosophy is a suppression of something integral to art and artists, without which art is liable to lose what is true about it and sink into a morass of irrelevance and triviality, or (as will be argued has partly happened) may become devoid of any value beyond the business interests that control it. In this regard, it will be suggested, Baudelaire’s aesthetic has important redeeming qualities.     

LITERATURE, KNOWLEDGE, AND THE AESTHETIC ATTITUDE

An attitude which hopes to derive aesthetic pleasure from an object is often thought to be in tension with an attitude which hopes to derive knowledge from it. The current article argues that this alleged conflict only makes sense when the aesthetic attitude and knowledge are construed unnaturally narrowly, and that when both are correctly understood there is no tension between them. To do this, the article first proposes a broad and satisfying account of the aesthetic attitude, and then considers and rejects twelve reasons for thinking that deriving knowledge from something is incompatible with maintaining an aesthetic attitude towards it. Two main conclusions are drawn. 1) That the representational arts are often in a good position to communicate non-propositional knowledge about human beings. 2) That while our desire to obtain pleasure from a work's manifest properties, and our desire to obtain knowledge from it, are not the same motive, the formal similarities between them are sufficiently impressive to warrant both being seen as elements of the aesthetic attitude.     

Community‐Based Participatory Research With Black Churches

Black Americans are more likely than other racial/ethnic groups to rely on spiritual and religious resources for mental health support. As such, counselors must seek unique ways to reach and understand Black communities. This article provides an overview of Black Americans' help‐seeking behaviors, the significance and culture of the Black Church, and a framework for counselors and counseling researchers to form effective partnerships to conduct community‐based participatory research initiatives that will produce empirical outcomes and promote culturally responsive mental health and wellness programming in Black communities.     

Aesthetic Experience in Shaftesbury: Richard Glauser

Shaftesbury's theory of aesthetic experience is based on his conception of a natural disposition to apprehend beauty, a real 'form' of things. I examine the implications of the disposition's naturalness. I argue that the disposition is not an extra faculty or a sixth sense, and attempt to situate Shaftesbury's position on this issue between those of Locke and Hutcheson. I argue that the natural disposition is to be perfected in many different ways in order to be exercised in the perception of the different degrees of beauty within Shaftesbury's hierarchy. This leads to the conclusion that the exercise of the disposition depends, from case to case, on many different cognitive and affective conditions, that are realised by the collaborative functionings of our ordinary faculties. Essential to Shaftesbury's conception of aesthetic experience is a disinterested, contemplative love, that causes (or contains) what we may call a 'disinterested pleasure', but also an interested pleasure. I argue that, within any given aesthetic experience, the role of the disinterested pleasure is secondary to that of the disinterested love. However, an important function of the disinterested pleasure is that, in combination with the interested pleasure, it leads one to aspire to pass from the aesthetic experience of lower degrees of beauty to the experience of higher ones in the hierarchy.