Effects of information conflict and complexity in visual figures on voluntary visual exploration, using structural information theory

This study was designed to examine the effects of information conflict and complexity on voluntary visual exploration quantitatively. 31 adults viewed each of 16 slides of geometrical figures and places for as long as they wished. The stimuli had two values of information conflict and complexity which had been calculated by means of structural information theory. Free looking times indicated that only when information conflict was low, voluntary visual exploration was positively correlated with complexity. Furthermore, voluntary visual exploration correlated positively with information conflict when complexity was low.     

Visual aesthetic complexity, attractiveness and diversive exploration.

Ratings by 60 Ss showed a significant inverted U-shaped relationship between attractiveness and complexity of 15 paintings of human figures while rated interest tended to increase with complexity. Ss most often selected and least often rejected paintings rated highly attractive and moderately complex for further viewing.     

An information theory analysis of visual complexity and dissimilarity

The subjective complexity of a computer-generated bitmap image can be measured by magnitude estimation scaling, and its objective complexity can be measured by its compressed file size. There is a high correlation between these measures of subjective and objective complexity over a large set of marine electronic chart and radar images. The subjective dissimilarity of a pair of bitmap images can be predicted from subjective and objective measures of the complexity of each image, and from the subjective and objective complexity of the image produced by overlaying the two simple images. In addition, the subjective complexity of the image produced by overlaying two simple images can be predicted from the subjective complexity of the simple images and the subjective dissimilarity of the image pair. The results of the experiments that generated these complexity and dissimilarity judgments are consistent with a theory, outlined here, that treats objective and subjective measures of image complexity and dissimilarity as vectors in Euclidean space.     

Graphemic complexity and multiple print-to-sound associations in visual word recognition

It has recently been reported that words containing a multiletter grapheme are processed slower than are words composed of single-letter graphemes (Rastle & Coltheart, 1998; Rey, Jacobs, Schmidt-Weigand, & Ziegler, 1998). In the present study, using a perceptual identification task, we found in Experiment 1 that this graphemic complexity effect can be observed while controlling for multiple print-to-sound associations, indexed by regularity or consistency. In Experiment 2, we obtained cumulative effects of graphemic complexity and regularity. These effects were replicated in Experiment 3 in a naming task. Overall, these results indicate that graphemic complexity and multiple print-to-sound associations effects are independent and should be accounted for in different ways by models of written word processing.     

Predicting beauty: fractal dimension and visual complexity in art

Visual complexity has been known to be a significant predictor of preference for artistic works for some time. The first study reported here examines the extent to which perceived visual complexity in art can be successfully predicted using automated measures of complexity. Contrary to previous findings the most successful predictor of visual complexity was Gif compression. The second study examined the extent to which fractal dimension could account for judgments of perceived beauty. The fractal dimension measure accounts for more of the variance in judgments of perceived beauty in visual art than measures of visual complexity alone, particularly for abstract and natural images. Results also suggest that when colour is removed from an artistic image observers are unable to make meaningful judgments as to its beauty.     

Stimulus complexity,free looking time,and inspective exploration

Fourteen Ss rated 59 objects on a seven point complexity scale. From these ratings 10 objects were chosen at the high, middle, and low levels of complexity, and 35 mm slides were made of these 30 objects. Fifteen Ss manipulated and inspected each of the objects for as long as they wished and a second group of 15 Ss viewed slides of the objects for as long as they wished. Analysis of the time scores from these two groups revealed that both inspective manipulation time and free looking time increased as a function of stimulus complexity. Inspective manipulation time was greater than free looking time except at the low complexity level.     

Effects of visual and auditory guidance on bimanual coordination complexity

Perceptual guidance of movement with simple visual or temporal information can facilitate performance of difficult coordination patterns. Guidance may override coordination constraints that usually limit stability of bimanual coordination to only in-phase and anti-phase. Movement dynamics, however, might not have the same characteristics with and without perceptual guidance. Do visual and auditory guidance produce qualitatively different dynamical organization of movement? An anti-phase wrist flexion and extension coordination task was performed under no specific perceptual guidance, under temporal guidance with a metronome, and under visual guidance with a Lissajous plot. For the time series of amplitudes, periods and relative phases, temporal correlations were measured with Detrended Fluctuation Analysis and complexity levels were measured with multiscale entropy. Temporal correlations of amplitudes and relative phases deviated from the typical 1/f variation towards more random variation under visual guidance. The same was observed for the series of periods under temporal guidance. Complexity levels for all time series were lower in visual guidance, but higher for periods under temporal guidance. Perceptual simplification of the task’s goal may produce enhancement of performance, but it is accompanied by changes in the details of movement organization that may be relevant to explain dependence and poor retention after practice under guidance.     

Heart-rate and electrodermal orienting responses to visual stimuli differing in complexity

Orienting response (OR) theory predicts that amount of information in the stimulus, or stimulus complexity, should be an important determinant of OR elicitation and habituation, more intense and more slowly habituating ORs being expected to complex than to simple stimuli. This prediction was tested in an experiment where subjects were exposed to simple and complex visual stimuli in randomized order, while heart-rate and skin conductance were measured. Complex stimuli evoked a more pronounced deceleratory heartrate response than did simple stimuli. However, the two conditions did not differ in rate of habituation of this response. For skin conductance responses, on the other hand, the complex stimulus took more trials than the simple stimulus to reach habituation, whereas the two conditions did not differ in response magnitude. Thus, the hypothesis of more intense orienting to complex stimuli was supported by the heart-rate data, and that of slower habituation to complex stimuli, of the skin conductance data.     

Effect of template complexity on visual search and dual-task performance

Even dissimilar tasks interfere with one another when done together. We used visual search to examine the underlying cause of such interference. In many models, visual search is a process of biased competition controlled by a template describing the target to be sought. When the display is processed, matching against this template guides attention to the target. We show that increasing template complexity increased interference with a dissimilar concurrent task, story memory. This result was independent of reaction time: Increases in template complexity were associated with no increase in search time in Experiment 1 and with a decrease in search time in Experiment 2. The results show that the dual-task demands of visual search reflect the complexity of the template used in task control, and that this factor can be isolated from other sources of difficulty.     

Rated preference and complexity for natural and urban visual material

In order (1) to study the relationship between complexity and preference for slides of the physical environment and (2) to test the hypothesis that the content of slides (in particular, whether nature or urban) will influence preference, independent of the rated complexity, 88 Ss were asked to rate 56 slides, both for preference and for complexity. Based on dimensional analyses, a nature and an urban dimension were identified. Three major results were obtained: (1) Nature scenes were greatly preferred to urban scenes (p < .001). (2) Complexity predicted preference within the nature domain (r = .69) and within the urban domain (r = .78). (3) Complexity did not account for the preference for nature over urban slides; the greatly preferred nature slides were, in fact, judged on the average less complex than the urban slides. The possibility is raised that the domain-specific character of the preference/complexity relationship found in this study may be general; that is, it may not be a special property of environmentally generated arrays.