Effect of practice on the perception of temporal patterns

The effect of practice on the organization and the rate of identification of temporal patterns was investigated. The patterns involved a set of eight dichotomous left-right elements, repeated without interruption until the subject was able to identify the patterns. The patterns were presented in the auditory, tactual, or visual modalities, or in pairs of these modalities. In some conditions, all the pattern elements were presented in one modality; in other conditions, four elements were presented in one modality and the remaining four elements were presented in the second modality.

The results demonstrated that when all pattern elements were presented in one modality, naive subjects organized the sequence into a well-structured pattern; practiced subjects organized the sequence into a pattern beginning at the starting element. These patterns may be poorly-structured. When four pattern elements were presented in each of two modalities, naive subjects organized the elements in each modality separately; practiced subjects disregarded the modality structure and organized the sequence into a well-structured pattern.

These changes in organization suggest a hierarchy of perceptual modes; perception by modality (i.e. by sensations) is least complex, perception by pattern structure is intermediate, and perception by start point is most complex. Changes in the rate of pattern identification confirm this hierarchy. Furthermore, the changes in organization and identification found for highly practiced patterns were also found for novel patterns.     

Time-shrinking: A discontinuity in the perception of auditory temporal patterns

Recent research at our laboratories in the field of human auditory time perception revealed that the duration of short empty time intervals (<～200 msec) is considerably underestimated if they are immediately preceded by shorter time intervals. Within a certain range, the amount of subjective time shrinking is a monotonous function of the preceding time interval: the shorter it is, the more it shrinks its successor. In the present study, the preceding interval was kept constant at 50 msec, and the following interval for which the duration had to be judged, varied from 40 to 280 msec. The results showed that at up to 100 msec, the perceived duration increased to a much lesser extent than did the objective duration. Beyond 120 msec, the perceived duration quickly increased and reached a veridical value at 160 msec. Such a sudden change of perceived duration in a temporal pattern in which the objective duration varies gradually indicates a typical example of categorical perception. We suggest that such a categorization of the time dimension might be a clue for processes of speech and music perception.     

Time-shrinking: a discontinuity in the perception of auditory temporal patterns.

Recent research at our laboratories in the field of human auditory time perception revealed that the duration of short empty time intervals (less than approximately 200 msec) is considerably underestimated if they are immediately preceded by shorter time intervals. Within a certain range, the amount of subjective time shrinking is a monotonous function of the preceding time interval; the shorter it is, the more it shrinks its successor. In the present study, the preceding interval was kept constant at 50 msec, and the following interval, for which the duration had to be judged, varied from 40 to 280 msec. The results showed that at up to 100 msec, the perceived duration increased to a much lesser extent than did the objective duration. Beyond 120 msec, the perceived duration quickly increased and reached a veridical value at 160 msec. Such a sudden change of perceived duration in a temporal pattern in which the objective duration varies gradually indicates a typical example of categorical perception. We suggest that such a categorization of the time dimension might be a clue for processes of speech and music perception.     

The effects of intensity and interval rhythms on the perception of auditory and visual temporal patterns

Repeating temporal patterns were presented in the auditory and visual modalities so that: (a) all elements were of equal intensity and were equally spaced in time (uniform presentation); (b) the intensity of one element was increased (accent presentation); or (c) the interval between two elements was increased (pause presentation). Intensity and interval patterning serve to segment the element sequence into repeating patterns.

For uniform presentation, pattern organization was by pattern structure, with auditory identification being faster. For pause presentation, organization was by the pauses; both auditory and visual identification were twice as fast as for uniform presentation. For auditory accent presentation, organization was by pattern structure and identification was slower than for uniform presentation. In contrast, the organization of visual accent presentation was by accents and identification was faster than for uniform presentation. These results suggest that complex stimuli, in which elements are patterned along more than one sensory dimension, are perceptually unique and therefore their identification rests on the nature of each modality.     

Audiotactile interactions in temporal perception

In the present review, we focus on how commonalities in the ontogenetic development of the auditory and tactile sensory systems may inform the interplay between these signals in the temporal domain. In particular, we describe the results of behavioral studies that have investigated temporal resolution (in temporal order, synchrony/asynchrony, and simultaneity judgment tasks), as well as temporal numerosity perception, and similarities in the perception of frequency across touch and hearing. The evidence reviewed here highlights features of audiotactile temporal perception that are distinctive from those seen for other pairings of sensory modalities. For instance, audiotactile interactions are characterized in certain tasks (e.g., temporal numerosity judgments) by a more balanced reciprocal influence than are other modality pairings. Moreover, relative spatial position plays a different role in the temporal order and temporal recalibration processes for audiotactile stimulus pairings than for other modality pairings. The effect exerted by both the spatial arrangement of stimuli and attention on temporal order judgments is described. Moreover, a number of audiotactile interactions occurring during sensory-motor synchronization are highlighted. We also look at the audiotactile perception of rhythm and how it may be affected by musical training. The differences emerging from this body of research highlight the need for more extensive investigation into audiotactile temporal interactions. We conclude with a brief overview of some of the key issues deserving of further research in this area.     

The effect of false memory on temporal perception

This study examined the effect of false memory on temporal perception. The Deese-Roediger-McDermott (DRM) paradigm, which elicits false recognition of a nonpresented word, was used to determine whether the perceived duration of falsely remembered words was longer than that for control words. The study results revealed that the perceived duration for falsely recognized words was longer than that for correctly rejected words. This is the first study to show the effect of false memory on temporal perception and suggests that temporal perception can be affected by conceptual fluency without any perceptual repetition.     

The effect of facial attractiveness on temporal perception

Previous research suggests that feelings of fear, dislike, shame and sadness affect our perception of duration (Droit-Volet et al., 2004; Gil et al., 2009). The current study sought to expand our understanding of the variables which moderate temporal perception by examining whether the attractiveness of a face influenced its perceived duration. Participants completed a verbal estimation task in which they judged the duration of attractive, unattractive and neutral faces. The results showed that participants underestimated the duration of unattractive faces relative to attractive and neutral faces. Estimates of unattractive faces were also less accurate than those of the attractive and neutral faces. The results are consistent with Gil et al.'s (2009) suggestion that the duration of disliked stimuli are underestimated relative to liked and neutral stimuli because they detract attention from temporal perception. Analysis of the slope and intercept of the estimation gradients supports Zakay and Block's (1997) suggestion that reduced attention to time results in a multiplicative underestimation of duration.     

The perception and identification of mirror-reversed patterns

Many species have difficulty in discriminating between mirror-image stimuli, especially those about a vertical axis, and when identificatory rather than purely perceptual processes are involved. Various theories are reviewed. In two experiments involving same-different judgments for pairs of stimuli, triangles or semicircles, these were simultaneously presented either unilaterally or bilaterally, and in mirror or aligned orientations with respect to each other. Mirror oriented stimuli presented to opposite cerebral hemispheres were no more readily matched than those possessing the same orientations (aligned), thus suggesting that at the perceptual level there is no interaction between mirror-corresponding points in the two visual cortices. Foreknowledge of stimulus orientations failed differentially to affect the findings. Two other studies were performed involving manual identification of single letters, correct or mirror oriented, in either visual field. Here, for most subjects, mirror reversal proved either less disruptive or even advantageous when in the visual field which is normally inferior with correctly oriented material. It was concluded that mirror-image confusion at the level of memory is almost certainly a consequence of reversed coding, in some form, in the opposite sides of the brain. A number of incidental findings were made with respect to visual field effects.     

The perception of complex patterns by touch

Two experiments are reported on matching Braille characters in dot pattern and outline shape formats by congenitally blind subjects. In a third experiment subjects' drawings of Braille shapes were analysed. Experiment 1 showed that normal and retarded readers differed significantly when outline shapes 'cued' identical dot patterns, but did not differ when the dot patterns preceded outlines. However, normal as well as retarded readers were faster and more accurate in judging identical pairs in dot-pattern format than in any other condition. In experiment 2 dot patterns and outline shapes were matched at three levels of reading proficiency. Faster readers made fewer errors in matching identical pairs, but all subjects were more accurate and faster with dot patterns than with outline shapes. Experiment 3 showed that blind subjects' drawing of outline shapes is not affected by reading proficiency. Most common were errors of alignment, including 'rotation' from vertical to horizontal axes, suggesting that sources of confusion were spatial position of dots and major axes of alignment rather than mirror-image reversals. It is argued that the results are not compatible with the hypothesis that Braille letters are perceived as global outline shapes by faster readers.     

Embodied temporal perception of emotion

The role of embodiment in the perception of the duration of emotional stimuli was investigated with a temporal bisection task. Previous research has shown that individuals overestimate the duration of emotional, compared with neutral, faces (S. Droit-Volet, S. Brunot, & P. M. Niedenthal, 2004). The authors tested a role for embodiment in this effect. Participants estimated the duration of angry, happy, and neutral faces by comparing them to 2 durations learned during a training phase. Experimental participants held a pen in their mouths so as to inhibit imitation of the faces, whereas control participants could imitate freely. Results revealed that participants overestimated the duration of emotional faces relative to the neutral faces only when imitation was possible. Implications for the role of embodiment in emotional perception are discussed.     

Age-related changes in auditory temporal perception

The discrimination of signal and silence duration was evaluated in 6-month-old infants, 5 1/2-year-old children, and adults. Listeners were tested with a conditioned-discrimination procedure in which they were presented a sequence of 18 white-noise bursts and trained to discriminate a change in duration of the middle 6 signal or silence elements. There were no differential effects on performance for changes in signal compared to silence duration. At each age, performance varied only as a function of magnitude of duration change. Infants discriminated duration changes of 20 ms or greater, children discriminated 15 ms, and adults discriminated changes as small as 10 ms. These findings are consistent with other research in revealing age-related improvements in auditory temporal perception.     

Electrocutaneous stimulation III. The perception of temporal order

Temporal order thresholds were measured for brief electrical stimuli presented to the forehead and to the abdomen. Temporal acuity is better (thresholds smaller) on the forehead, sensitivity increasing somewhat (thresholds decreasing) as the physical separation between the electrodes increases. Even in that subject, of four, who had the lowest thresholds, however, the value rarely fell below 100 msec. Temporal order thresholds also depend on the orientation, being far smaller when the electrodes are separated horizontally than when separated vertically on both body sites.     

Sex differences in perception of temporal order

On duration judgments lasting seconds to minutes, which are thought to be cognitively mediated, women typically perceive time intervals as longer than men do. On a perceptual level in the milliseconds range, few reports indicate higher acuity of temporal processing in men than in women. In this study, sex differences in the perception of temporal order of two acoustic stimuli were identified in neurologically healthy subjects, as well as in brain-injured patients with lesions in either the left or the right hemisphere. Women needed longer interstimulus intervals than men before they were able to indicate the correct temporal order of two clicks. Neurobiological evidence and findings on cognitive strategies are discussed to explain the apparent psychophysical sex differences.     

A hierarchical model of temporal perception

Temporal perception comprises subjective phenomena such as simultaneity, successiveness, temporal order, subjective present, temporal continuity and subjective duration. These elementary temporal experiences are hierarchically related to each other. Functional system states with a duration of 30 ms are implemented by neuronal oscillations and they provide a mechanism to define successiveness. These system states are also responsible for the identification of basic events. For a sequential representation of several events time tags are allocated, resulting in an ordinal representation of such events. A mechanism of temporal integration binds successive events into perceptual units of 3 s duration. Such temporal integration, which is automatic and presemantic, is also operative in movement control and other cognitive activities. Because of the omnipresence of this integration mechanism it is used for a pragmatic definition of the subjective present. Temporal continuity is the result of a semantic connection between successive integration intervals. Subjective duration is known to depend on mental load and attentional demand, high load resulting in long time estimates. In the hierarchical model proposed, system states of 30 ms and integration intervals of 3 s, together with a memory store, provide an explanatory neuro-cognitive machinery for differential subjective duration.     

Quantifying temporal ventriloquism in audiovisual synchrony perception

The integration of visual and auditory inputs in the human brain works properly only if the components are perceived in close temporal proximity. In the present study, we quantified cross-modal interactions in the human brain for audiovisual stimuli with temporal asynchronies, using a paradigm from rhythm perception. In this method, participants had to align the temporal position of a target in a rhythmic sequence of four markers. In the first experiment, target and markers consisted of a visual flash or an auditory noise burst, and all four combinations of target and marker modalities were tested. In the same-modality conditions, no temporal biases and a high precision of the adjusted temporal position of the target were observed. In the different-modality conditions, we found a systematic temporal bias of 25–30 ms. In the second part of the first and in a second experiment, we tested conditions in which audiovisual markers with different stimulus onset asynchronies (SOAs) between the two components and a visual target were used to quantify temporal ventriloquism. The adjusted target positions varied by up to about 50 ms and depended in a systematic way on the SOA and its proximity to the point of subjective synchrony. These data allowed testing different quantitative models. The most satisfying model, based on work by Maij, Brenner, and Smeets (Journal of Neurophysiology 102, 490–495, 2009), linked temporal ventriloquism and the percept of synchrony and was capable of adequately describing the results from the present study, as well as those of some earlier experiments.     

Categorical perception of animal patterns

As part of the more general issue of whether culture can affect perception, the present paper addresses the Whorfian question of whether the language available to describe perceptual experience can influence the experience itself. It investigated the effect of vocabulary on perceptual classification by the study of a remote culture (Himba) which possesses a poor colour vocabulary but a rich vocabulary of animal pattern terms. Thus, the present study examined Categorical Perception (CP) with a type of visual stimulus not previously used to assess the effect of labels on perceptual judgments. For the animal patterns, the Whorfian view predicted that it would only be the Himba who showed superiority for cross‐category decisions as only they have the appropriate labels. The Whorfian view was upheld and confirmed previous findings that linked perceptual differences to labelling differences.