Colored aftereffects produced with moving edges

Colored aftereffects that lasted as long as 6 weeks were produced with moving patterns of parallel black and white stripes or with black and white spirals. During adaptation, the patterns moved periodically in opposite directions, each direction paired with one illuminant, red or green. When the moving patterns were later viewed in white light, S saw the red and green colors, but they were related in the opposite way to the direction of motion. The red and green aftereffects were also produced by other pairs of illuminants, red and white, white and green, reddish-yellow and white, and white and greenish-yellow. The aftereffects did not occur unless, during adaptation, the stripes moved in both directions, each direction paired with a different color. The aftereffect was elicited by stripe motion over the retina—it was seen when the eye swept over a pattern of stationary stripes. The aftereffect desaturated when the retinal orientation of the stripes was changed from the adaptation orientation. Saturation was increased by longer exposure and slower speed during adaptation and by faster speed and a more rapid rate of altemation during the test. The luminance of the adaptation light seemed to have little effect. The aftereffect did not transfer from one eye to the other, and it did not change retinal locus, as was shown when clear images of a colored square that lasted several days were produced with a spiral. S ftxated the spiral’s center. The spiral rotated altemately in opposite directions. A red square with a green surround was projected on the center of the spiral when it rotated in one direction; a green square with a red surround was used when it rotated in the other direction. Following 50 min of adaptation, colored images of the squares were seen when the center of the spiral was ftxated and the direction of     

Contrast and frequency competition for orientation-contingent color aftereffects

A “competition” paradigm was developed to examine separately the effects of pattern contrast and spatial frequency characteristics on the strength of orientation-contingent color aftereffects (McCollough effects). After adapting to alternately presented red/black and green/black square-wave gratings (one horizontal, one vertical), 11 subjects viewed seven different kinds of test patterns. Unlike Standard McCollough effect test stimuli, the present patterns had variable luminance profiles running both horizontally and vertically within each test pattern area. Forced choice responses were used to determine which aftereffect color (red or green) appeared, as characteristics of vertical and horizontal luminance profiles were varied separately among test stimulus types. We conclude that pattern contrast and human contrast sensitivity account for aftereffect colors in such stimuli. When contrast is taken into consideration, aftereffects are not predicted by similarity between adaptation and test pattern Fourier characteristics, nor are they predicted by the width, per se, of pattern elements.     

Color aftereffects contingent on perceptual organization

The present experiment demonstrated that (a) cognitive organizational factors influence an orientation-contingent color (McCollugh) aftereffect, and (b) adaptation to colored gratings affected the perceptual organization of a reversible figure. Following adaptation to colored gratings, color aftereffects were reported in only one of two organizations of a reversible figure, and the colors conformed to the subjective contours of the test pattern rather than exclusively to the regions defined by horizontal and vertical pattern elements. In addition, an organization of the reversible figure that segregated vertical and horizontal pattern elements was dominant subsequent to adaptation.     

Storage of spatially specific threshold elevation

The decay of several visual aftereffects may be prolonged by interposing a period of light-free or pattern-free viewing between adaptation and testing. We demonstrate that this storage phenomenon can be observed using the threshold elevation aftereffect that follows inspection of a high-contrast grating pattern. Control experiments comparing thresholds for vertical and horizontal gratings after adaptation to a vertical grating reveal that the stored aftereffect, like its unstored counterpart, is pattern-selective. Storage is equally pronounced with stimuli that are detected by pattern-analyzing or movement-analyzing visual channels. Unlike other aftereffects, the threshold-elevation aftereffect requires that the storage period be light-free; no storage is seen if a blank field is inspected between adaptation and testing. The results are discussed with respect to the nature of visual aftereffects, and possible cognitive or physiological models of storage.     

Overshadowing and blocking of the orientation-contingent color aftereffect: Evidence for a conditioning mechanism

Orientation-contingent color aftereffects have been interpreted by nonassociative mechanisms (adaptation of neural units that are both color and orientation specific) and by associative mechanisms (conditioning resulting from the pairing of pattern and hue). To evaluate associative accounts, contingent aftereffects were induced by exposing subjects to compound chromatic grid patterns consisting of two component gratings: one was horizontal or vertical, and the other a left- or right-learning diagonal. The ability of a component grating to elicit a color aftereffect depended on the relative salience and the aftereffect training history of the grating components. That is, orientation-contingent color aftereffects, like other conditional responses, display overshadowing and blocking. The results suggest that conditioning contributes to these aftereffects.     

Establishment and decay of orientation-contingent aftereffects of color

We have used a null method to measure the orientation-contingent aftereffects of color first described by McCollough. After alternately inspecting, for example, a green horizontal line grating and a magenta vertical line grating, the Os report that in achromatic test gratings the horizontal lines appear pinkish and the vertical lines appear greenish. We have used a special color-mixing projector to add variable amounts of green and magenta light to the test gratings until they appear matched and nearly achromatic. The colorimetric purity needed to achieve this null setting is a quantitative measure of the strength of the colored aftereffect. Following inspections of the colored patterns ranging from 15 sec to 150 min, six Os showed aftereffects lasting from a few minutes to 7 or more days. The indices of colorimetric purity increase with inspection time and decline with time after inspection. The decay function is not quite linear either on semilog or on log-log coordinates. The rate of decay is mainly dependent on the magnitude of the effect built up during inspection. We conclude that the buildup and decay of these aftereffects show some of the time characteristics usually associated with central adaptability rather than sensory adaptation.     

Aftereffects in binocular rivalry

Five experiments are reported in which the aftereffect paradigm was applied to binocular rivalry. In the first three experiments rivalry was between a vertical grating presented to the left eye and a horizontal grating presented to the right eye. In the fourth experiment the rivalry stimuli consisted of a rotating sectored disc presented to the left eye and a static concentric circular pattern presented to the right. In experiment 5 rivalry was between static radiating and circular patterns. The predominance durations were systematically influenced by direct (same eye) and indirect (interocular) adaptation in a manner similar to that seen for spatial aftereffects. Binocular adaptation produced an aftereffect that was significantly smaller than the direct aftereffect, but not significantly different from the indirect one. A model is developed to account for the results; it involves two levels of binocular interaction in addition to monocular channels. It is suggested that the site of spatial aftereffects is the same as that for binocular rivalry, rather than sequentially prior.     

Pattern-contingent color aftereffects on noninduced patterns

In a series of experiments, we found that in addition to expected reports of color aftereffects on patterns viewed during induction, reliable and predictable reports of color were given by subjects to patterns they did not view during induction. These reports to noninduced patterns were generally to patterns that were orthogonal to the patterns seen during induction. Induction with, for example, a red vertical grating led to appropriate aftereffects (i.e., green) on that vertical pattern and to the complementary aftereffect (i.e., pink) on a horizontal grating. We suggest that such color aftereffects on noninduced patterns are based on a shift in the activity of orientation coding mechanisms as a result of viewing the inducing patterns. We further propose that the results are consistent with the Lie transformation group theory of neuropsychology and that they add to a growing body of research demonstrating the applicability of this theory to the understanding of pattern-contingent color aftereffects.     

The effect of sample duration and cue on a double temporal discrimination

To test the assumptions of two models of timing, Scalar Expectancy Theory (SET) and Learning to Time (LeT), nine pigeons were exposed to two temporal discriminations, each signaled by a different cue. On half of the trials, pigeons learned to choose a red key after a 1.5-s horizontal bar and a green key after a 6-s horizontal bar; on the other half of the trials, they learned to choose a blue key after a 6-s vertical bar and a yellow key after a 24-s vertical bar. During subsequent test trials, they were exposed to the horizontal or vertical bar, for durations ranging from 1.5 to 24 s, and given a choice between novel key combinations: red vs. yellow, or green vs. blue. Results showed a strong effect of sample duration—as the test signal duration increased, preference for green over blue increased and preference for red over yellow decreased. The effect of sample cue was obtained only on the green-blue test trials. These effects are discussed in light of SET and LeT.     

红光照明条件下VDT不同显示色的视觉效果比较

本研究以VDT上持续进行的视觉作业速度和眼的调节辐合时间作为指标,对红光照明条件下VDT显示的红、黄、绿、蓝、白五种字符色的视觉效果进行了比较.实验中,VDT背景光的主波长为630nm.结果表明,五种字符色在两项指标上均表现出显著差异;绿色显示的视觉效果最好,红色显示的效果最差,黄、白、蓝三色处于中间.     

Outflow and inflow in movement duplication

Following prolonged exposure to two vertical grating patterns differing in spatial frequency—one pattern illuminated in green light alternated with the other pattern illuminated in red light—human observers will sometimes report seeing desaturated complementary colors when presented with a neutrally illuminated test field consisting of adjacent halves of the two adapting gratings. The number of such color reports increases as the difference between the spatial frequencies of the adapting gratings increases. This frequency-specific chromatic aftereffect is similar to that obtained with orientation-specific color adaptation and may be mediated by neural “channels,” sensitive to both color and frequency input, which are similar to units known to exist in the visual systems of lower organisms.     

吊车工人深度视觉阈值的测定

本研究对１０９名吊车工人进行了红橙黄绿蓝紫黑白等八种颜色的深度知觉阈限的测定．结果发现：在白色背景条件下,绿蓝两色为最佳深度色,最易辨别深度差异;黑紫红三色为二级深度色;橙黄两色为三级深度色;白色为四级深度色．易于深度辨别的颜色．,平均阈值小,分布较集中;不易深度辨别的颜色,平均阈值大,分布较分散．建议吊车设计部门,在吊钩臂部位的黄色背景上,涂上黑色条子．使吊车的吊钧本身具有颜色对比,少受作业环境的影响。     

Mystery of the anti-McCollough effect

The McCollough Effect (ME) is a complex perceptual aftereffect that remains of interest half a century after its discovery. It is argued that a recently reported variant, dubbed the anti-McCollough effect, is not the reverse of the ME, with aftereffect colors in the same direction as the inducing stimuli. A red-horizontal stimulus leads to a reddish aftereffect not because of red-horizontal parings, but despite them. The anti-ME is a weak standard-direction ME produced by complementary afterimage colors (afterimage green with horizontal), rather than by environmental colors, first shown decades ago. It is not a new type of contingent aftereffect. The red-horizontal pair does not interfere with the afterimage green-horizontal pair it produces because a single color-orientation pairing provides more ambiguous input than does the standard two orientation-color pairings (red-horizontal, green-vertical) of the ME. It is also argued that not even one orientation-contingent color aftereffect is convincingly shown in the "anti"-ME, let alone, as has previously been suggested, two simultaneous orientation-contingent color aftereffects in opposite directions at different levels of the visual system, in which the higher-level effect suppresses the downstream effect from reaching consciousness. The "anti"-ME can be explained by existing theories of contingent aftereffects, including perceptual-learning theory.     

Orientation-specific aftereffects and illusions in the perception of brightness

Orientation-specific brightness aftereffects were found when vertical and horizontal gratings of the same space-average luminance were viewed following alternate exposure to vertical and horizontal gratings that differed in space-average luminance. The vertical test grating appeared bright following exposure to a dim vertical grating, and dim after a bright vertical grating had been viewed. This aftereffect did not occur when the adaptation gratings had been seen by one eye and the test gratings by the other eye. An orientation-specific illusion in the perception of brightness was also found, with the white sectors of a vertical grating appearing brighter against a background of horizontal lines than they did against a background of vertical lines. Both distortions imply that there are detectors in the human visual system that are conjointly tuned to luminance and contour orientation.     

Movement aftereffects contingent on color,intensity, and pattern

We have found contingent movement aftereffects (CMAEs) lasting several days, contingent upon the color, intensity, and stripe width of moving patterns. Ss adapted for 10 min to a patterned disk rotating clockwise under red light, alternating every 10 sec with counterclockwise under green light. When stopped, the disk then appeared to rotate counterclockwise under red light and clockwise under green light. The effect lasted only a second or two, reappearing each time the field’s color was changed. But it increased in strength over the first 1/2 hand was still present 1 or 2 days later. Color transposition effects were found: after adaptation to red-clockwise (long wavelength) alternating with green-counterclockwise (short wavelength), a stationary yellow (long wavelength) test field appeared to rotate counterclockwise and a blue (short wavelength) field appeared to rotate clockwise. Relative, not absolute, color of the test triggered the CMAE. Similar CMAEs and transposition effects were produced by pairing direction of movement with intensity, with width of moving stripes and with orientation of a stationary grating projected onto a rotating patterned disk.     

Orientation-contingent color aftereffects mediated by subjective transparent structures.

We examined whether the orientation-contingent color aftereffect (the McCollough effect) could be mediated by subjective horizontal and vertical structure induced by the perception of transparency. In our experiments, red vertical bars and green horizontal bars were alternated as an adapting stimulus. After adaptation, subjects (n = 6) were asked to adjust the green and red saturation of a test pattern until they obtained a neutral gray. Horizontal and vertical stripes were combined in the test pattern in three different ways: (1) overlapping with a luminance combination that gave rise to a perception of transparent overlays of horizontal and vertical stripes (valid transparency condition), (2) overlapping with luminance combinations that did not induce a perception of transparency (invalid transparency condition) and that appeared more as a patchwork of checks, and (3) presented in adjacent, nonoverlapping areas. Our results showed that the McCollough effect was significantly greater in the valid transparency condition than in the invalid transparency conditions. The effect in the valid transparency condition was nevertheless less strong than was the effect seen with the standard test stimulus made up of nonoverlapping vertical and horizontal stripes. Our results suggest that the McCollough effect can be mediated by the subjective spatial organization (inner representation of vertical and horizontal stripes) that accompanies the perception of transparency in our stimulus.     

Color adaptation in a yellow-blue system: proof of a simple numerical relationship]

Three axes in color space are specified: a (unique) yellow - (unique) blue axis, a (unique) green - magenta axis and brightness. Based on the two chromatic axes two linear opponent colors systems are defined: a red/green-system and a yellowish/bluish-system. A numerical relation is presented to describe color adaptation for the yellowish/bluish-system under adaptation to (unique) yellow and (unique) blue: two pairs of color stimuli are equivalent with regard to the yellowish/bluish-system - consisting of a test stimulus and an adaptation stimulus, respectively - if the ratios from the yellowish/bluish-coordinates of test stimulus and adaptation stimulus are identical. A control of brightness and the red/green-system is presupposed. For several (unique) yellow and (unique) blue adaptation stimuli it is examined how a test stimulus that appears neither yellowish nor bluish changes its location on the (unique) yellow - (unique) blue axis within color space. Three observers take part in the experiment. For each observer a plane of constant brightness and the opponent colors axes are estimated experimentally. The data show that the ratios from the yellowish/bluish coordinates of test stimulus and adaptation stimulus are essentially constant. The results are compared with analogous data for the red/green-system. The findings provide evidence for the specification of the three phenomenal axes. The specification is discussed with regard to Hering's opponent colors theory and Krauskopf's three "cardinal" axes [1982, Vision Research, 22, 1123-1131].     

Orientation-contingent color aftereffects mediated by subjective transparent structures

We examined whether the orientation-contingent color aftereffect (the McCollough effect) could be mediated by subjective horizontal and vertical structure induced by the perception of transparency. In our experiments, red vertical bars and green horizontal bars were alternated as an adapting stimulus. After adaptation, subjects (n=6) were asked to adjust the green and red saturation of a test pattern until they obtained a neutral gray. Horizontal and vertical stripes were combined in the test pattern in three different ways: (1) overlapping with a luminance combination that gave rise to a perception of transparent overlays of horizontal and vertical stripes (valid transparency condition), (2) overlapping with luminance combinations that did not induce a perception of transparency (invalid transparency condition) and that appeased more as a patchwork of checks, and (3) presented in adjacent, nonoverlapping areas. Our results showed that the McCollough effect was significantly greater in the valid transparency condition than in the invalid transparency conditions. The effect in the valid transparency condition was nevertheless less strong than was the effect seen with the standard test stimulus made up of nonoverlapping vertical and horizontal stripes, Our results suggest that the McCollough effect can be mediated by the subjective spatial organization (inner representation of vertical and horizontal stripes) that accompanies the perception of transparency in our stimulus.     

Spatial-frequency-contingent color aftereffects: Adaptation with one-dimensional stimuli

The McCollough effect was shown to be spatial-frequency selective by Lovegrove and Over (1972) after adaptation with vertical colored square-wave gratings separated by 1 octave. Adaptation with slide-presented red and green vertical square-wave gratings separated by 1 octave failed to produce contingent color aftereffects (CAEs).However, when each of these gratings was adapted alone, strong CAEs were produced. Adaptation with vertical colored sine-wave gratings separated by 1 octave also failed to produce CAEs, but strong effects were produced by adaptation with each grating alone. By varying the spatial frequency of the test sine wave, CAEs were found to be tuned for spatial frequency at 2.85 octaves after adaptation of 4 cycles per degree (cpd) and at 2.30 octaves after adaptation of 8 cpd. Adaptation of both vertical and horizontal sine-wave gratings produced strong CAEs, with bandwidths ranging from 1.96 to 2.90 octaves and with lower adapting contrast producing weaker CAEs. These results indicate that the McCollough effect is more broadly tuned for spatial frequency than are simple adaptation effects.     

Spatial-frequency-contingent color aftereffects: adaptation with one-dimensional stimuli.

The McCollough effect was shown to be spatial-frequency selective by Lovegrove and Over (1972) after adaptation with vertical colored square-wave gratings separated by 1 octave. Adaptation with slide-presented red and green vertical square-wave gratings separated by 1 octave failed to produce contingent color aftereffects (CAEs). However, when each of these gratings was adapted alone, strong CAEs were produced. Adaptation with vertical colored sine-wave gratings separated by 1 octave also failed to produce CAEs, but strong effects were produced by adaptation with each grating alone. By varying the spatial frequency of the test sine wave, CAEs were found to be tuned for spatial frequency at 2.85 octaves after adaptation of 4 cycles per degree (cpd) and at 2.30 octaves after adaptation of 8 cpd. Adaptation of both vertical and horizontal sine-wave gratings produced strong CAEs, with bandwidths ranging from 1.96 to 2.90 octaves and with lower adapting contrast producing weaker CAEs. These results indicate that the McCollough effect is more broadly tuned for spatial frequency than are simple adaptation effects.