Surface lightness influences perceived room height

Surprisingly little scientific research has been conducted on the effects of colour and lightness on the perception of spaciousness. Practitioners and architects typically suggest that a room's ceiling appears higher when it is painted lighter than the walls, while darker ceilings appear lower. Employing a virtual reality setting, we studied the effects of the lightness of different room surfaces on perceived height in two psychophysical experiments. Observers judged the height of rooms varying in physical height as well as in the lightness of ceiling, floor, and walls. Experiment 1 showed the expected increase of perceived height with increases in ceiling lightness. Unexpectedly, the perceived height additionally increased with wall lightness, and the effects of wall lightness and ceiling lightness were roughly additive, incompatible with a simple effect of the lightness contrast between the ceiling and the walls. Experiment 2 demonstrated that the floor lightness has no significant effect on perceived height, and that the total brightness of the room is not the critical factor influencing the perceived height. Neither can the results be explained by previously reported effects of brightness on apparent depth or perceived distance.     

The effects of stimulus numerosity,retinal location,and rod contrast on perceived duration of brief visual stimuli

The effects of manipulating three stimulus parameters were determined on a standard perceived duration task using 40- and 70-msec visual stimuli. In Experiment 1, it was found that perceived duration increased with increasing number of target dots but decreased as the area that contained the dots also increased. Experiment 2 examined the effect of varying the retinal location (0, 2, or 4 deg from fovea) of the target dot and found perceived target duration to increase with increasing eccentricity. In Experiment 3, the background luminance for a constant red target was varied so as to alter the scotopic contrast of the target. Perceived duration was minimal for the scotopically matched target and background conditions. The results of all three experiments were discussed in terms of important retinal—and even rod—contributions to tasks of perceived duration.     

Lightness constancy and illumination discounting

Contrary to the implication of the term "lightness constancy", asymmetric lightness matching has never been found to be perfect unless the scene is highly articulated (i.e., contains a number of different reflectances). Also, lightness constancy has been found to vary for different observers, and an effect of instruction (lightness vs. brightness) has been reported. The elusiveness of lightness constancy presents a great challenge to visual science; we revisit these issues in the following experiment, which involved 44 observers in total. The stimuli consisted of a large sheet of black paper with a rectangular spotlight projected onto the lower half and 40 squares of various shades of grey printed on the upper half. The luminance ratio at the edge of the spotlight was 25, while that of the squares varied from 2 to 16. Three different instructions were given to observers: They were asked to find a square in the upper half that (i) looked as if it was made of the same paper as that on which the spotlight fell (lightness match), (ii) had the same luminance contrast as the spotlight edge (contrast match), or (iii) had the same brightness as the spotlight (brightness match). Observers made 10 matches of each of the three types. Great interindividual variability was found for all three types of matches. In particular, the individual Brunswik ratios were found to vary over a broad range (from .47 to .85). That is, lightness matches were found to be far from veridical. Contrast matches were also found to be inaccurate, being on average, underestimated by a factor of 3.4. Articulation was found to essentially affect not only lightness, but contrast and brightness matches as well. No difference was found between the lightness and luminance contrast matches. While the brightness matches significantly differed from the other matches, the difference was small. Furthermore, the brightness matches were found to be subject to the same interindividual variability and the same effect of articulation. This leads to the conclusion that inexperienced observers are unable to estimate both the brightness and the luminance contrast of the light reflected from real objects lit by real lights. None of our observers perceived illumination edges purely as illumination edges: A partial Gelb effect ("partial illumination discounting") always took place. The lightness inconstancy in our experiment resulted from this partial illumination discounting. We propose an account of our results based on the two-dimensionality of achromatic colour. We argue that large interindividual variations and the effect of articulation are caused by the large ambiguity of luminance ratios in the stimulus displays used in laboratory conditions.     

T-junctions,apparent depth,and perceived lightness contrast

Observers performed lightness matches for physically equivalent gray targets of a simultaneous lightness contrast display and displays in which both targets were on the same background. Targets either shared a common line-texture pattern with their respective backgrounds or did not. Results indicate that when targets share a line-texture pattern with their respective backgrounds, a contrast effect is obtained. However, when the target's pattern is different than the background's pattern, perceived contrast is significantly reduced and the target appears as a separate 3-D entity. This result applies to both vertically and horizontally oriented displays, to targets that are increments or decrements, and to line-texture patterns that are black or white. Line patterns that are shared by targets and backgrounds result in T-junctions that provide occlusion information. We conclude that targets and backgrounds perceived to be on separate planes because of T-junctions are less likely to be perceptually grouped together and that their luminance values are less likely to be compared with one another.     

The relation of lightness and stereoscopic depth in a simple viewing situation

The effect of stereoscopic depth on perceived lightness was studied using a simple, achromatic stimulus arrangement. In Experiment 1, depth/lightness interactions were sought between a single test field and a single induction field. In Experiment 2, depth/lightness interactions were looked for between a single test field and two induction fields. Stimuli were presented on a computer screen and viewed with a stereoscope. The subjects reported perceived lightness of the achromatic test field by rating its apparent blackness along a dimension of 0%–100%. In Experiment 1, they reported lightness judgments of the test field across 13 perceived depth levels and 8 contrast levels. In Experiment 2, they gave lightness judgments of the test field across 7 perceived depth levels and 16 contrast levels. We were particularly interested in observing the generality of Gilchrist’s coplanar ratio hypothesis. The results showed that when stereopsis and contrast levels are the available cues, depth and lightness percepts are independent, and it is retinal ratios, not coplanar ratios, that dictate lightness perception. We conclude that before the relative depth location of an object is determined, its lightness value is known through sensory-level processes.     

Chromatic information processing

The investigation of visual processing mediated solely by chromatic information requires conditions preventing a subject's use of the luminance differences normally accompanying a chromatic change. In Experiment 1, which involved a discriminative reaction time (RT) task, chromatic and white stimuli of the same luminance were presented on a dimmer achromatic background. Subjects were instructed to respond only to the chromatic stimuli. RT was slowest at 570 nm and somewhat faster to short wavelengths than to long wavelengths. In Experiment 2, which compared two discriminative RT tasks, RT was faster when subjects responded to color than when they responded to white. Experiments 3 and 4 demonstrated that a brighter white surround decreased the perceived brightness of chromatic stimuli as well as their perceptual similarity to white, but did not affect RT. The results are discussed in terms of the response strength of the chromatic processing channel.     

Salient features of color space

Recent research has demonstrated that focal regions of color space are cognitively more salient than nonfocal regions. Employing a linguistic hedge task, the experiment here sought mainly to verify the cognitive primacy of loci representing Berlin and Kay’s first four chromatic categories over foci representing the remainder. The experimental results failed to support the primacy hypothesis, an outcome that gives rise to a number of theoretical implications. Additional questions in the analysis concerned the relationship between the salience of a color and its lightness (Munsell value) and saturation (Munsell chroma). While the results permit no simple interpretation for lightness, a definite trend emerged in the case of saturation.     

Effects of flicker-induced depth on chromatic subjective contours

Two experiments examined the dependence of illusory colors on boundary salience and depth stratification by using flicker-induced depth. The first used a subjective-contour stimulus that appeared as a translucent colored rectangle covering a set of inducing circles and a dark background. The circles were then flickered so as to be perceived as background, and the previously dark background moved forward and appeared as foreground. Simultaneously, the chromatic subjective contour was eliminated. In the second experiment, a subjective-contour (faces/vase-concentric squares) figure was tinted with the McCollough effect, which produced a strong subjective color edge. This edge was visible only with the faces/vase percept and not in the squares percept. Flickering the target locked it into the square configuration because in this case the flicker held the entire pattern in the same depth plane. This eliminated the subjective color edge. Depth stratification and subjective color blockage were maximal at a flicker rate of 6 Hz.     

Distribution of visual attention over space

Subjects viewed 3 X 3 grids in which different subsets of the nine squares were designated as "figure," either by physical shading of those squares or by a verbal instruction to imagine those squares as shaded. The time taken by participants to respond "on" or "off" the figure was measured for single or multiple probe dots, which all appeared on or off the figural subset together, and which had already been shown to be equally detectable against shaded or unshaded squares and in all nine locations within the grid. In contrast to the set-size effect generally found in experiments on memory scanning, reaction time did not necessarily increase with the number of squares in the figural subset. Instead, the critical variable, which in previous research may often have adventitiously covaried with set size, was the spatial compactness of the subsets (as indexed by square-root-area over perimeter): Probes of less compact figures required more time to classify correctly. Subjects were evidently more successful in confining their attention to sets of mutually proximal items. Reasons are given for believing that this principle may also apply in the more abstract representational or semantic spaces that determine reaction times and errors in various other cognitive tasks.     

Coherent modulation of stimulus colour can affect visually induced self-motion perception

The effects of dynamic colour modulation on vection were investigated to examine whether perceived variation of illumination affects self-motion perception. Participants observed expanding optic flow which simulated their forward self-motion. Onset latency, accumulated duration, and estimated magnitude of the self-motion were measured as indices of vection strength. Colour of the dots in the visual stimulus was modulated between white and red (experiment 1), white and grey (experiment 2), and grey and red (experiment 3). The results indicated that coherent colour oscillation in the visual stimulus significantly suppressed the strength of vection, whereas incoherent or static colour modulation did not affect vection. There was no effect of the types of the colour modulation; both achromatic and chromatic modulations turned out to be effective in inhibiting self-motion perception. Moreover, in a situation where the simulated direction of a spotlight was manipulated dynamically, vection strength was also suppressed (experiment 4). These results suggest that observer's perception of illumination is critical for self-motion perception, and rapid variation of perceived illumination would impair the reliabilities of visual information in determining self-motion.     

The effect of red color on perceived self‐attractiveness

Recent research showed that individuals are perceived as more attractive when presented with the color red. We seek to extend these findings by studying the effects of red color on individuals' perception of self‐attractiveness, rather than the attractiveness of others. Based on the color‐in‐context theory, we hypothesized that individuals would perceive themselves as more attractive under red chromatic conditions. In three experiments, participants were asked to wear a red or a blue shirt and rated their own attractiveness. As expected, participants in the red shirt condition indicated a higher level of self‐attractiveness than participants in the blue condition. Moreover, the results showed that the self‐perception red effect was mediated by the individuals' self‐perceived sexual receptivity and self‐perceived status.     

Con-fusing contours & pieces of glass

We present a new illusory display in which illusory contours are misaligned with physical contours. In these displays, illusory Kanizsa squares, induced by the so-called pacmen, are positioned on top of a background grid of bars. The misalignment of the illusory contours with respect to physical contours of the grid of bars induces an overall 'restless' appearance and evokes the impression that parts of the grid within the illusory square are shifted. To test this impression, we created stimuli in which illusory squares were superimposed on a grid at different positions, where the grid could consist of either straight bars or indented bars. After briefly flashing these stimuli, observers reported indentations of the background grid for those cases in which physical and illusory contours were misaligned. In a control condition, the pacmen were replaced by crosses (not inducing an illusory square) at the same positions; as expected much less illusory shifts were reported in this condition. In a second experiment, we further tested the direction of the perceived shifts, revealing similar trends as in the first experiment and a consistent result with respect to the reported direction of the shifts. We explore and discuss possible underlying mechanisms with regard to our illusory display.     

Rod involvement in peripheral color processing

Abstract.— It has previously been suggested that rods act as blue receptors in peripheral color vision. Two experiments examining this issue were conducted. Experiment 1 investigated the perceived hue of a test light presented at a luminance level above chromatic threshold. At 8° in the periphery, the 500 nm test light was perceived as more blue under conditions of dark adaptation than after light adaptation. Similar differences were not found for foveal presentation. The increased blue in the periphery after dark adaptation was attributed to a rod contribution. In Experiment 2 an attempt was made to mix a rod contribution obtained with a 470 nm light below chromatic threshold, with a cone color obtained from a 670 nm light presented above chromatic threshold. No evidence was obtained to support the idea that a blue produced by rods stimulated below chromatic threshold could mix with a red produced by cones stimulated above chromatic threshold. The results are discussed in terms of a rod contribution to hue which is dependent on the luminance level of short wavelength stimulation.     

The use of chromatic information for motion segmentation: differences between psychophysical and eye-movement measures

Previous psychophysical studies have shown that chromatic (red/green) information can be used as a segmentation cue for motion integration. We investigated the mechanisms mediating this phenomenon by comparing chromatic effects (and, for comparison, luminance effects) on motion integration between two measures: (i) directional eye movements with the notion that these responses are mediated mainly by low-level motion mechanisms, and (ii) psychophysical reports, with the notion that subjects' reports should employ higher-level (attention-based) mechanisms if available. To quantify chromatic (and luminance) effects on motion integration, coherent motion thresholds were obtained for two conditions, one in which the signal and noise dots were the same 'red' or 'green' chromaticity (or the same 'bright' or 'dark' luminance), referred to as homogeneous, and the other in which the signal and noise dots were of different chromaticities (or luminances), referred to as heterogeneous. 'Benefit ratios' (theta(HOM)/theta(HET)) were then computed, with values significantly greater than 1.0 indicating that chromatic (or luminance) information serves as a segmentation cue for motion integration. The results revealed a high and significant chromatic benefit ratio when the measure was based on psychophysical report, but not when it was based on an eye-movement measure. By contrast, luminance benefit ratios were roughly the same (and significant) for both measures. For comparison to adults, eye-movement data were also obtained from 3-month-old infants. Infants showed marginally significant benefit ratios in the luminance, but not in the chromatic, condition. In total, these results suggest that the use of chromatic information as a segmentation cue for motion integration relies on higher-level mechanisms, whereas luminance information works mainly through low-level motion mechanisms.     

The classification and integration of edges as critical to the perception of reflectance and illumination

A pattern of luminances equivalent to that of a traditional simultaneous lightness display (two equal gray squares, one on a white background and the other on an adjacent black background) was presented to observers under two conditions, and matches were obtained for both perceived reflectance and perceived illumination level of the squares and their backgrounds. In one condition, the edge dividing the two backgrounds was made to appear as the boundary between a white and a black surface, as in the traditional pattern. The squares then were perceived as almost the same shade of middle gray. In the other condition, a context was supplied that made the edge between the backgrounds appear as the boundary between two illumination levels, causing one square to appear black and the other white. These results were interpreted as a problem for local ratio theories, local edge theories, and lateral inhibition explanations of lightness constancy, but as support for the concepts of edge classification, edge integration, and the retinal image as a dual image.     

Lightness compression and hue changes

Two experiments were performed to relate the Bezold-Brücke (B-B) and lightness compression effects. The first used a calibrated screen to present an achromatic luminance staircase. In addition, it reproduced, the methodology and the essential aspects the lightness compression effect discovered by Cataliotti and Gilchrist (1995). That is, observers perceived a truncated grey scale (from white to medium grey) when the staircase was the only stimulation in the near background (Gelb condition), but not when presented on a Mondrian background, because of the high articulation level provided by this background. Experiment 1 design also included two other backgrounds that produced a partial compression effect. In Experiment 2, two chromatic staircases were used. Employing a naming task, changes in hue perception were only observed for the susceptible staircase. The observed changes were of two types. First, for the full staircase presentations, a Gelb background produced maximum lightness compression (more similarity in the lightness of the staircase stimuli) and, also, a minimum B-B effect (fewer differences in hue). Second, only for the Gelb condition, there were changes in the hue of the lowest luminance staircase stimuli depending on the staircase extension. Results are discussed in the framework of the anchoring theory of lightness perception.     

An empirical study of the traditional Mach card effect

The traditional achromatic Mach card effect is an example of lightness inconstancy and a demonstration of how shape and lightness perception interact. We present a quantitative study of this phenomenon and explore the conditions under which it occurs. The results demonstrate that observers show lightness constancy only when sufficient information is available about the light-source position, and the perceptual task required of them is surface identification rather than direct colour-appearance matching. An analysis and comparison of these results with the chromatic Mach card effect (Bloj et al 1999 Nature 402 877-879) demonstrate that the luminance effects of mutual illumination do not account for the change in lightness perception in the traditional Mach card.     

Similarity between Petter's effect and visual phantoms

Here we draw attention to similarity between Petter's effect and the visual phantom illusion. Phantoms are visible when the spatial frequency of the inducing grating is low or the occluder is thin, whereas phantoms are invisible when the spatial frequency of the inducing grating is high or the occluder is thick. Moreover, phantoms are perceived in front of the occluder when they are visible, whereas the occluder is seen in front of the inducing gratings when phantoms are invisible. These characteristics correspond to Petter's effect, in which the thicker region tends to be perceived in front of the thinner region when two regions of the same lightness and of different sizes overlap, since 'thick' corresponds to low spatial frequency of the inducing grating or a thick occluder while 'thin' corresponds to high spatial frequency of the inducing grating or a thin occluder.     

Newborns' discrimination of chromatic from achromatic stimuli

Two experiments assessed newborns' ability to discriminate chromatic from achromatic stimuli. In Experiment 1, newborns differentiated gray from green, from yellow, and from red: For each of these hues they preferred chromatic-and-gray checkerboards over gray squares matched in mean luminance, even though the luminance of the gray checks was varied systematically over a wide range so as to minimize nonchromatic cues. However, newborns showed no evidence of differentiating gray from blue: At some luminances they showed no preference for a blue-and-gray checkerboard over a gray square. In Experiment 2, newborns differentiated red from gray but appeared not to differentiate blue from gray: Following habituation to a series of gray squares of varying luminance, they looked longer at a red square than at a gray square of novel luminance but showed no such pattern of recovery to a blue square. The results imply that newborns have some, albeit limited, ability to discriminate chromatic from achromatic stimuli and hence, that they are at least dichromats.