关于虚构对象的合取创造主义

关于虚构对象的作者创造主义是创造主义的主要形式,而作者创造主义信条隐含个体创造主义信条。本文论证个体创造主义者面临判定难题,并提出一种新型的创造主义观点,即合取创造主义,并论证合取创造主义者不面临判定难题,最后为合取创造主义做进一步辩护,说明合取创造主义是一种更有前途的创造主义观点。     

Vague fictional objects

ABSTRACT

I propose a different account of fictional objects from the ones already present in the literature. According to my account, fictional objects are culturally created abstract objects dependent for their existence on the pretence attitude adopted by a group of people towards a single fictional content. My work is divided into three parts: in the first one, I present how fictional objects come into existence according to my proposal; in the second part, I illustrate how the existence of fictional objects so conceived may be ontically indeterminate; in the last part, I consider what happens when vague existence and indeterminate identity are claimed within fictional texts.     

Ethics and Fictive Imagining

Sometimes it is wrong to imagine or take pleasure in imagining certain things, and likewise it is sometimes wrong to prompt these things. Some argue that certain fictive imaginings—imaginings of fictional states of affairs—are intrinsically wrong or that taking pleasure in certain fictive imaginings is wrong and so prompting either would also be wrong. These claims sometimes also serve as premises in arguments linking the ethical properties of a fiction to its artistic value. However, even if we grant that it might sometimes be wrong to imagine x or to take pleasure in imagining x, nothing follows about the ethical status of fictively imagining x, with or without pleasure. Prompting some fictive imagining is intrinsically wrong only when the fiction is a means to encourage for export from the fiction to the actual world some belief or attitude that it would be blameworthy to hold. The failure of arguments for the wrongness of certain fictive imaginings and their prompting lies in part in a failure to recognize that imagining x and fictively imagining x are distinct mental acts. This distinction blocks many arguments attempting to forge a link between a work's ethical properties and its artistic properties.     

Disbelief in belief: On the cognitive status of supernatural beliefs

Religious people seem to believe things that range from the somewhat peculiar to the utterly bizarre. Or do they? According to a new paper by Neil Van Leeuwen, religious “credence” is nothing like mundane factual belief. It has, he claims, more in common with fictional imaginings. Religious folk do not really “believe”—in the ordinary sense of the word—what they profess to believe. Like fictional imaginings, but unlike factual beliefs, religious credences are activated only within specific settings. We argue that Van Leeuwen’s thesis contradicts a wealth of data on religiously motivated behavior. By and large, the faithful genuinely believe what they profess to believe. Although many religions openly embrace a sense of mystery, in general this does not prevent the attribution of beliefs to religious people. Many of the features of religious belief that Van Leeuwen alludes to, like invulnerability to refutation and incoherence, are characteristic of irrational beliefs in general and actually betray their being held as factual. We conclude with some remarks about the common failure of secular people to face the fact that some religious people really do believe wildly implausible things. Such incredulity, as evinced by Van Leeuwen and others, could be termed “disbelief in belief.”     

Abstract Creationism and Authorial Intention

Abstract creationism about fictional characters is the view that fictional characters are abstract objects that authors create. I defend this view against criticisms from Stuart Brock that hitherto have not been adequately countered. The discussion sheds light on how the number of fictional characters depends on authorial intention. I conclude also that we should change how we think intentions are connected to artifacts more generally, both abstract and concrete.     

Modal Meinongianism and fiction: the best of three worlds

We outline a neo-Meinongian framework labeled as Modal Meinongian Metaphysics (MMM) to account for the ontology and semantics of fictional discourse. Several competing accounts of fictional objects are originated by the fact that our talking of them mirrors incoherent intuitions: mainstream theories of fiction privilege some such intuitions, but are forced to account for others via complicated paraphrases of the relevant sentences. An ideal theory should resort to as few paraphrases as possible. In Sect. 1, we make this explicit via two methodological principles, called the Minimal Revision and the Acceptability Constraint. In Sect. 2, we introduce the standard distinction between internal and external fictional discourse. In Sects. 3–5, we discuss the approaches of (traditional) Meinongianism, Fictionalism, and Realism—and their main troubles. In Sect. 6 we propose our MMM approach. This is based upon (1) a modal semantics including impossible worlds (Subsect. 6.1); (2) a qualified Comprehension Principle for objects (Subsect. 6.2); (3) a notion of existence-entailment for properties (Subsect. 6.3). In Sect. 7 we present a formal semantics for MMM based upon a representation operator. And in Sect. 8 we have a look at how MMM solves the problems of the three aforementioned theories.     

A Controversy Over the Existence of Fictional Objects: Husserl and Ingarden on Imagination and Fiction

ABSTRACT

This paper explores the structure and elements of the intentional experiences of imagining fictional objects. The author critically examines the argument that whereas Husserl’s theory of imagination cannot do justice to fictional objects, Ingarden’s theory of purely intentional objects provides a basis for the theory of intentionality that explains the status of fictional objects. The paper discusses this argument to show that it is justified only in regard to Husserl’s early account of imagination, and on the condition of understanding contents as the phantasmas. Moreover, the author sketches Ingarden’s theory of imagination, and compares it to Husserl’s later account of imagination in terms of noetic-noematic structures. Finally, the author questions the sharp distinction between Husserl and Ingarden with respect to their theories of imagination and fictional objects by showing that it is hard to classify clearly their theories as content or object theories respectively.     

Imagination and insight: a new acount of the content of thought experiments

This paper motivates, explains, and defends a new account of the content of thought experiments. I begin by briefly surveying and critiquing three influential accounts of thought experiments: James Robert Brown’s Platonist account, John Norton’s deflationist account that treats them as picturesque arguments, and a cluster of views that I group together as mental model accounts. I use this analysis to motivate a set of six desiderata for a new approach. I propose that we treat thought experiments primarily as aesthetic objects, specifically fictions, and then use this analysis to characterize their content and ultimately assess their epistemic success. Taking my starting point from Kendall Walton’s account of representation (Mimesis as make-believe, Harvard University Press, Cambridge, 1990), I argue that the best way to understand the content of thought experiments is to treat them as props for imagining fictional worlds. Ultimately, I maintain that, in terms of their form and content, thought experiments share more with literary fictions and pictorial representations than with either argumentation or observations of the Platonic realm. Moreover, while they inspire imaginings, thought experiments themselves are not mental kinds. My approach redirects attention towards what fixes the content of any given thought experiment and scrutinizes the assumptions, cognitive capacities and conventions that generate them. This view helps to explain what seems plausible about Brown’s, Norton’s, and the mental modelers’ views.     

Pretense, Existence, and Fictional Objects

There has recently been considerable interest in accounts of fiction which treat fictional characters as abstract objects. In this paper I argue against this view. More precisely I argue that such accounts are unable to accommodate our intuitions that fictional negative existentials such as "Raskolnikov doesn't exist" are true. I offer a general argument to this effect and then consider, but reject, some of the accounts of fictional negative existentials offered by abstract object theorists. I then note that some of the sort of data invoked by the abstract object theorist in fact cuts against her position. I conclude that we should not regard fictional characters as abstract objects but rather should adopt a make-believe theoretic account of fictional characters along the lines of those developed by Ken Walton and others.     

Phenomenology, <Emphasis Type="Italic">Pokémon Go</Emphasis>, and Other Augmented Reality Games

The aim of this paper is to analyse the effects on the everyday world of actual Augmented Reality games which introduce digital objects in our surroundings from a phenomenological point of view. Augmented Reality is a new technology aiming to merge digital and real objects, and it is becoming pervasively used thanks to the application for mobile devices Pokémon Go by Niantic. We will study this game and other similar applications to shed light on their possible effects on our lives and on our everyday world from a phenomenological perspective. In the first part, we will show how these digital objects are visualised as merged in the surroundings. We will point out that even if they are visualised as part of the everyday world, they are not part of it because they are still related to the fictional world generated by the game. In the second part, we will show how the existence of these objects in their fictional world has effects on the everyday world where everybody lives. The goal of Augmented Reality is not reached yet because these objects are not part of the everyday world, but it already makes our lives embedded with digital elements. We will show if these new objects have effects on our world and on how we live our lives.     

Fictional objects, non-existence, and the principle of characterization

I advance an objection to Graham Priest??s account of fictional entities as nonexistent objects. According to Priest, fictional characters do not have, in our world, the properties they are represented as having; for example, the property of being a bank clerk is possessed by Joseph K. not in our world but in other worlds. Priest claims that, in this way, his theory can include an unrestricted principle of characterization for objects. Now, some representational properties attributed to fictional characters, a kind of fictional entities, involve a crucial reference to the world in which they are supposed to be instantiated. I argue that these representational properties are problematic for Priest??s theory and that he cannot accept an unrestricted version of the principle of characterization. Thus, while not refuting Priest??s theory, I show that it is no better off than other Meinongian theories.     

Towards a semantics for the artifactual theory of fiction and beyond

In her book Fiction and Metaphysics (1999) Amie Thomasson, influenced by the work of Roman Ingarden, develops a phenomenological approach to fictional entities in order to explain how non-fictional entities can be referred to intrafictionally and transfictionally, for example in the context of literary interpretation. As our starting point we take Thomasson’s realist theory of literary fictional objects, according to which such objects actually exist, albeit as abstract and artifactual entities. Thomasson’s approach relies heavily on the notion of ontological dependence, but its precise semantics has not yet been developed. Moreover, the modal approach to the notion of ontological dependence underlying the Artifactual Theory has recently been contested by several scholars. The main aims of this paper are (i) to develop a semantic approach to the notion of ontological dependence in the context of the Artifactual Theory of fiction, and in so doing bridge a number of philosophical and logical gaps; (ii) to generalize Thomasson’s categorial theory of ontological dependence by reconstructing ontological categories of entities purely in terms of different structures of ontological dependence, rather than in terms of the basic kinds of entities the categorical entities depend on.     

Scientific models and fictional objects

In this paper, I distinguish scientific models in three kinds on the basis of their ontological status—material models, mathematical models and fictional models, and develop and defend an account of fictional models as fictional objects—i.e. abstract objects that stand for possible concrete objects.     

Real Representation of Fictional Objects

Assuming there are fictional objects, what sorts of properties do they have? Intuitively, most of their properties involve being represented—appearing in works of fiction, being depicted as clever, being portrayed by actors, being admired or feared, and so on. But several philosophers, including Saul Kripke, Peter van Inwagen, Kendall Walton, and Amie Thomasson, argue that even if there are fictional objects, they are not really represented in some or all of these cases. I reconstruct four kinds of arguments for this unexpected conclusion; they concern the semantics of names, pragmatic force, creation, and representations’ qualitative content. But I find all the arguments flawed. I then argue for the contrary, employing a new perspective: representation of fictional objects begins with the works of fiction that originate them. A work of fiction represents its “native” objects because our culture bestows that property on it (and on other works of fiction). I sketch conditions for such property bestowal and argue that they are satisfied in this case.     

The Cognitive Role of Fictionality

The question of the cognitive role of fictionality is this: what is the correct cognitive attitude to take to p, when it is fictional that p? We began by considering one answer to this question, implicit in the work of Kendall Walton, that the correct response to a fictional proposition is to imagine that proposition. However, this approach is silent in cases of fictional incompleteness, where neither p nor its negation are fictional. We argue that that Waltonians should embrace a pluralistic account of the cognitive role of fictional incompleteness: in some cases of fictional incompleteness, we are permitted to resolve the incompleteness during our engagement with the target fiction, and in other cases, we are obliged not to resolve the incompleteness. But though pluralism is accommodated by Walton’s wider account of fictionality, it puts tension on his motivating idea that fictionality stands to the imagination as truth stands to belief. And so we develop a rival conception of the cognitive role of fictionality that is built around a different analogy: on this evidentialist approach, (known) fictionality stands to the imagination as evidence stands to credence.     

Young children separate multiple pretend worlds

Each fictional world that adults create has its own distinct properties, separating it from other fictional worlds. Here we explore whether this separation also exists for young children's pretend game worlds. Studies 1 and 1A set up two simultaneous games and encouraged children to create appropriate pretend identities for coloured blocks. When prompted with a situation that required the use of a Game 1 object in Game 2, 3‐ and 4‐year‐olds were reluctant to move pretend objects between games, even when the alternative‐world object was explicitly highlighted as a possible choice. Study 2 found the same effect when the two game worlds were presented sequentially. This suggests that, even for young children, multiple pretend game worlds are kept psychologically separate.     

Mathematical Practice,Fictionalism and Social Ontology

From the perspective of mathematical practice, I examine positions claiming that mathematical objects are introduced by human agents. I consider in particular mathematical fictionalism and a recent position on social ontology formulated by Cole (2013, 2015). These positions are able to solve some of the challenges that non-realist positions face. I argue, however, that mathematical entities have features other than fictional characters and social institutions. I emphasise that the way mathematical objects are introduced is different and point to the multifaceted role that relations and interconnections play in this context. Finally, I argue that mathematical entities can be considered to be pragmatically real.

     

Lowe's Defence of Constitutionalism

Constitutionalism says that qualitatively different objects can be made of the same matter at once. Critics claim that we should expect such objects to be qualitatively indistinguishable. E.J. Lowe thinks this complaint is based on the false assumption that differences in the way things are at a time must always be grounded in how things are at that time, and that we can answer it by pointing out that different kinds of coinciding objects are subject to different composition principles. I argue that he is mistaken on both counts.