Sartre and Ricoeur on Productive Imagination

Commenting on Jean‐Paul Sartre's theory of imagination, Paul Ricoeur argues that Sartre fails to address the productive nature of imaginative acts. According to Ricoeur, Sartre's examples show that he thinks of imagination in mimetic terms, neglecting its innovative and creative dimensions. Imagination, Ricoeur continues, manifests itself most clearly in fiction, wherein new meaning is created. By using fiction as the paradigm of imaginative activity, Ricoeur is able to argue against Sartre that the essence of imagination lies not in its ability to reproduce absent objects, but rather in the ability to transform reality through creative acts. Motivated by the intuition that Sartre the writer could not have forgotten to address such crucial dimensions of imagination, I examine Sartre's philosophical and literary work, showing that not only does he develop a notion of productive imagination, he also puts this notion to work by articulating the relationship between imagination, narrative, and identity formation, well before Ricoeur advanced his narrative‐identity theory. I argue that Sartre, like Ricoeur and MacIntyre, another representative of narrative‐theory whose criticism of Sartre I address in this essay, views imagination and narrativity as necessary conditions for the formation of a coherent and meaningful sense of self.     

Two cheers for Tanhā

The central character in Sartre's 1938 novel La Nausée, Antoine Roquentin, has lost his sense of things, and now the world appears to him as utterly unstable. Roquentin suffers from what he calls ‘nausea,’ a condition caused by an ontological intuition that the self, as well as the world through which that ‘self’ moves, lacks a substantial nature. The novel portrays Sartre's own philosophical account of the self in La transcendence de l'égo. Here Sartre argues that Husserl's account of consciousness is not radical enough; the ‘I’ or ego is a pseudo-source of activity (and Sartre thus draws very close to a particularly Buddhist account of personal identity). My essay questions Roquentin's response to his ontological insight: why is this the occasion for ‘nausea’? Why doesn't Roquentin (as King Milinda famously does) celebrate and embrace his ‘non-self’? I argue that Sartre's depiction of Roquentin's ailment, and the unsatisfactory solution he provides, misunderstands both the aggregate nature of things as well as authentically rendered consciousness-only (vijñaptimātra).     

Sartre's Theory of Motivation

The aim of this article is to offer a novel reconstruction of Sartre's theory of motivation. I argue for four related claims: (a) Sartre's theory of motivation revolves around the Schelerian‐inspired notion of affectivity and the peculiar way affectivity provides us access to evaluative properties of the objects in our environment; (b) according to Sartre, the structure of intentional action, and in particular the act of choice and commitment to projects, is inextricably linked with “affectivity”; (c) the inextricable link between intentional action and affectivity is to be analyzed in terms of the fundamental structure of consciousness as being self‐present, thus making the agent nonpositionally aware of her choices and commitments; (d) an agent is motivated to act when her affective disclosure of value is in part constituted by the awareness of her commitments to relevant projects.     

Nonidentity,Negative Experience and the Pre‐Reflective Cogito

This paper contributes to the current academic debate on the nature of embodied, intentional consciousness, specifically the attempt to inaugurate a rapprochement between phenomenological existentialism and critical theory. This is accomplished through a critical comparison of the concepts of negative experience and nonidentity in Theodor Adorno's negative dialectics and Jean‐Paul Sartre's early phenomenology. By comparing how each engages with Hegel, I suggest that Sartre offers a broad, anthropological account of negative experience and nonidentity helpful to critical theorists but that there remains a critical deficit which Adorno's more restricted—and political—sense of nonidentity remedies. Sartre's anthropological portrayal of ‘persistent negation’ worries Adorno but I suggest that it can be understood as a pragmatic presupposition for problem‐solving rather than as a transcendental condition of experience.     

Against Unnecessary Duplication of Selves: A Sartrean Argument Against Zahavi

In this article I argue that Zahavi's Sartre-inspired combination of the experiential and narrative self entails an unnecessary duplication of selves. Sartre himself accused Husserl of the same mistake in The Transcendence of the Ego. He claims that Husserl's combination of the transcendental I and the Me is unnecessary, and that we can do without the first. I try to show that Sartre's critique of Husserl also applies to Zahavi. Sartre's critique is based on his idea of impersonal consciousness, which I explain by comparing it to Armstrong's example of the long-distance truck-driver. Furthermore, I explicate how the alternative notion of self that Sartre proposes in the same work avoids unnecessary duplications of selves, and thereby evades further problems concerning how the two selves relate to one another.     

What is Literature? Revisited: Sartre on the Language of Literature

This article argues that Sartre's distinction in What Is Literature? between prose and poetry should be understood in the light of his earlier distinction in The Imaginary between two kinds of meaning. Sartre argues against the “Cartesian picture” of consciousness in The Imaginary, specifically concerning our experience of images. Not only is a mental image not an “inner object” mediating between consciousness and the world, even a picture drawn on paper should not be understood as an object standing between the viewer and what this picture represents. Our experience, Sartre argues, is that of seeing things in a picture rather than seeing through it, such that the meaning of pictures and images in general is embodied in them and cannot be separated from them. He then goes on to contrast this kind of embodied meaning (which he calls “sense”) with a kind of meaning that can be completely grasped independently of its expression (which he calls “signification”) and identify the two with painting and language respectively. It is for this reason, this article argues, that Sartre later sees poetry as a deviation from language's proper function. This rigid distinction is maintained by Sartre until the end of his career, and the change that some commentators found in him are its outcome rather than a revolt against it. In contrast, Merleau-Ponty has demonstrated more convincingly that sense and signification are both essential aspects of linguistic meaning, and their relation is much more dynamic and complimentary than Sartre would have allowed.     

Sartre and Bergson: A Disagreement about Nothingness

Abstract

Henri Bergson's philosophy, which Sartre studied as a student, had a profound but largely neglected influence on his thinking. In this paper I focus on the new light that recognition of this influence throws on Sartre's central argument about the relationship between negation and nothingness in his Being and Nothingness. Sartre's argument is in part a response to Bergson's dismissive, eliminativist account of nothingness in Creative Evolution (1907): the objections to the concept of nothingness with which Sartre engages are precisely those raised by Bergson. Even if Sartre's account of nothingness in its entirety is found to be flawed, I argue that the points he makes specifically against Bergson are powerful.

My discussion concludes with a brief examination of the wider philosophical background to Sartre's and Bergson's discussion of nothingness: here I point to some important aspects of Sartre's early philosophy, including some features of his conception of nothingness, that may testify to Bergson's positive influence on his thought.     

A Comedy We Believe In: A Further Look at Sartre's Theory of Emotions

This paper discusses recent interpretations of Jean‐Paul Sartre's early theory of emotions, in particular his Sketch for a Theory of the Emotions. Despite the great interest that Sartre's approach has generated, most interpretations assume that his approach fails because it appears to be focussed on ‘malformed’, ‘irrational’ or ‘distorted’ emotions. I argue that these criticisms adopt a rationalistic or epistemically biassed perspective on emotions that is wrongly applied to Sartre's text. In my defence of Sartre I show that the directional fit of emotions is not towards an evaluatively loaded world which is independently given and, at best, represented by emotions, but towards a world shaped through the impact of emotions themselves. Sartre's idea of emotions ‘magically transforming’ reality for the subject so that the latter is better able to cope with problematic aspects of practically relevant situations encapsulates the world‐shaping capacities of emotions, which are thus not reserved for a restricted class of emotions. Recognition of the transformative powers of emotions will also direct attention away from their seemingly representative elements to their normative and practical aspects and offer a new basis for delineating the criteria for judging them. The plausibility of this position is discussed with reference to some of Sartre's examples, such as fear, sadness and horror, but also with reference to Joan Didion's account of grief in The Year of Magical Thinking.     

Fichte's striving subject

In this paper I argue that Fichte's attempt to reconcile the dualism of concept and intuition requires the overcoming of any idea of a thing‐in‐itself. At the same time he preserves the idea of an external constraint on the I's self‐positing. This central role for the realist constraint of the check conflicts with recent interpretations of Fichte that see his project as advocating the exclusivity of the space of reasons. The striving subject confronts and unifies the opposition between the realistic and idealistic elements in the Wissenschaftslehre. It is argued that as striving, reason's drive for self‐determination is a process of self‐transformation, as consciousness confronts the limitations of its inadequate explanations of the objects of experience.     

Existentialism And The Environment

This article examines the possible contributions the existentialist tradition might make to environmentalism. I note, first, that Martin Heidegger is a questionable ally, both because his relationship to technology is ambiguous, while his affiliations with the Nazis were not. But the larger existentialist tradition is valuable for the environmental movement because it opens up a field of possibilities for human creativity. Sartre serves as exemplary for the way he struggled with the dialectic between individual autonomy in his early philosophy of freedom, and the needs of the collective as he confronted them in his later turn toward Marxism. But the demands of the collective are more reasonably confronted in the larger legacy of Hegel than in the more limited form they took in Sartre's Marxism. The article concludes that Sartre's struggles can be enlightening to those of us who now seek the joyful wisdom of existential freedom for the individual even as we confront the demands that environmental degradation will place on the collective.     

Is Iris Murdoch a Closet Existentialist? Some Trouble with Vision,Choice and Exegesis

Abstract: Richard Moran argues that Iris Murdoch is an Existentialist who pretends not to be. His support for this view will be shown to depend on his attempt to assimilate Iris Murdoch's discussion of moral ‘vision’ in the parable of the Mother in Law to Sartre's thought on ‘choice’ and ‘orientation’. Discussing both Moran's Murdoch exegesis and Sartre's Being and Nothingness, I develop the Sartrean view to which Moran hopes to assimilate Murdoch, before pointing out how Moran's assimilation fails. Murdoch's thought that when M is just and loving she sees D ‘as she really is’ cannot be accommodated on Sartre's picture. I develop this point of disagreement between Murdoch and Sartre, and argue that Murdoch has not as Moran claims made a misattribution to Sartre of an unsituated will, but has instead offered a penetrating critique of the central theme of Sartre's epistemology.     

Existential perspective in the thought of Carl Jung

It is argued that there is a significant existential perspective in the thought of Carl Jung. Similarities and differences with some of the views of Jean Paul Sartre are explored as a way of developing this perspective and to show how a philosophy of a man might be developed drawing from both sources. Jung is shown to be in disagreement with Sartre in defending an idea of a determinate human nature, describing the self in a developmental way, and in not claiming that human freedom is absolute or unconditioned. Nevertheless, the Jungian concept of individuation is similar to Sartre's ideal of authenticity, in that both focus on the goal of achieving meaningful existence through development of inner resources, creative exercise of freedom, and overcoming self-deception.     

Self‐Consciousness,Normativity and Abysmal Freedom

This article critically examines Christine Korsgaard's claim in her Tanner Lectures to find in self‐consciousness itself the norms that would answer our need for practical reasons, insofar as that need is constituted through our capacity for reflection. It shows that the way in which Korsgaard sees “the need for a reason” as arising out of self‐consciousness implies a dilemma: on the one hand, we want as the ultimate source of our reasons an authority of which we cannot coherently demand legitimation in turn; on the other, our freedom demands that nothing count for us as a reason except insofar as it is in turn endorsed in reflection. Relying on resources drawn from the tradition of reflection, this paper argues that Korsgaard's attempt to resolve this tension is unsuccessful and appeals, in response to this failure, to faith in the authority of our reasons in the absence of foundational justification of them.     

Women,Hegel, and Recognition in The Second Sex

This paper develops a new account of Beauvoir's “Hegelianism” and argues that the strand of contemporary interpretation of Beauvoir that seeks to represent her thought in isolation from that of Jean‐Paul Sartre constitutes a betrayal of the philosophy of recognition that she derives from Hegel. It underscores the extent to which Beauvoir influenced Sartre's Being and Nothingness and shows that Sartre and Beauvoir both adapted Hegel's ideas and agreed in rejecting his optimism.     

Horror,Fear, and the Sartrean Account of Emotions

Phenomenological approaches to affectivity have long recognized the vital role that emotions occupy in our lives. In this paper, I engage with Jean‐Paul Sartre's well‐known and highly influential theory of the emotions as it is advanced in his Sketch for a Theory of the Emotions. I examine whether Sartre's account offers two inconsistent explications of the nature of emotions. I argue that despite appearances there is a reading of Sartre's theory that is free of inconsistencies. Ultimately, I highlight a novel reading of Sartre's account of the emotions: one that is both phenomenologically accurate and supported by textual evidence.     

Intentionality: A Fundamental Idea of Husserl's Phenomenology

Simone de Beauvoir has written of the sense of excitement that marked Jean-Paul Sartre's first encounter with the thought of Husserl and Heidegger. Perhaps no work of Sartre's communicates this excitement, and the reason for it, quite so transparently as his brief 1939 essay on Husserl's notion of intentionality. Husserl here appears as a revolutionary, almost as a saviour, who has provided the necessary key for putting philosophy back in touch with the ordinary experience which both French realism and French idealism had vainly sought to characterize. Realism and idealism alike had been guilty in effect of a reduplication of things in consciousness, dependence on an often unexpressed correspondence theory which made mental surrogates for the real the only reality available to man. But if the present essay testifies to Sartre's attempt to return French thought to immediate contact with things, it enters into a fascinating dialectical tension with another of Sartre's chief motives—to purify immediate experience of its deceptions through a highly reflective, analytic mediation. The essay first appeared in Nouvelle Revue Francaise, LII, January 1939. (Tr.)     

Love and Entitlement: Sartre and Beauvoir on the Nature of Jealousy

This paper argues that an essential and often overlooked feature of jealousy is the sense that one is entitled to the affirmation provided by the love relationship. By turning to Sartre's and Beauvoir's analyses of love and its distortions, I will show how the public nature of identity can inhibit the possibility of genuine love. Since we must depend on the freedom of others to show us who we are, the uncertainty this introduces into one's sense of self can trigger anxiety and pathological attempts to control those others upon whom one's self‐value depends. In jealousy one tries to possess the other person's freedom in the hopes that a constant positive evaluation can be thereby secured. The belief that one is entitled to the self‐perfection that such affirmation promises reveals both the important existential role that the beloved plays in the jealous person's psychic structure and the manner in which gender inequalities can promote such distortions of love.     

Wings of desire: Reflections on sexual desire,identity and freedom

The aim of this paper is to give a critical discussion of Sartre’s concept of sexual desire and its relation to self-identity and freedom. Why Sartre? Sartre is one of very few philosophers who offers a systematic account of sexual desire. He has influenced eminent philosophical concepts of sexual desire held by, for instance, de Beauvoir, Lacan, Foucault, Levinas, Irigaray and Butler, but not much is written about his own notion of sexual desire. This alone is reason to explore Sartre’s view. What makes his view of sexual desire particularly interesting is that it is framed by his theory of freedom. Sartre offers the original, radical notion that freedom is absolute. Because consciousness is never self-identical, he argues, human identity is not fixed. Instead, we are consequently nothing else but what we keep desiring to make of ourselves. He concludes that we are always free to choose our drives and desires, even what seem to be our most enslaving, natural sexual instincts. The question raised in this article, however, concerns what the nature of sexual desire is and how free we really are to choose our sexual desires. I first contextualise Sartre’s view of sexual desire within his notion of desire in general and its relation to instinct, drive, consciousness, freedom and identity. Then, I give a detailed discussion of his analysis of sexual desire, its relation to freedom, and, what Sartre calls its failures. Finally, I discuss a critique of, and alternative to, Sartre’s theory of sexual desire from the perspective of my own notion of heteronomous and autonomous desire and freedom.