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This paper argues that the Husserl–Heidegger relationship is systematically misunderstood when framed in terms of a distinction between internalism and externalism. Both philosophers, it is argued, employ the phenomenological reduction to immanence as a fundamental methodological instrument. After first outlining the assumptions regarding inner and outer and the individual and the social from which recent epistemological interpretations of phenomenology begin, I turn to the question of Husserl’s internalism. I argue that Husserl can only be understood as an internalist on the assumption that immanence equates with internal. This, however, is not the case as can be seen once the reduction is understood not as setting aside the existence of the world, but rather a reflection on its meaning. Turning to Heidegger, I argue that his commitment to a form of the phenomenological reduction precludes him from being either a semantic or a social externalist. The place of authenticity and the first person perspective in his work derive from his phenomenological commitments, which can be seen in his accounts of discourse and language and of falling (Verfallen). I then go on to briefly outline a more plausible basis for understanding the difference between Husserl’s and Heidegger’s phenomenologies in terms of their respective emphases on logic and on poetics.  相似文献   

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A clarification of Husserl's changing conceptions of imaginary consciousness (phantasy) and memory, especially at the level of auto-affective time-consciousness, suggests an interpretation of Freud's concept of the Unconscious. Phenomenology of consciousness can show how it is possible that consciousness can bring to present appearance something unconscious, that is, something foreign or absent to consciousness, without incorporating it into or subordinating it to the conscious present. This phenomenological analysis of Freud's concept of the Unconscious leads to a partial critique of Freud's metapsychological determination of the Unconscious as a simple, internally unperceived representational consciousness. It also suggests an account of how a reproductive inner consciousness can free the subject from the experience of anxiety by allowing for possibilities of self-distanciation and symbolic self-representation that protect the subject from traumatic affection by and through its own instinctual drives.  相似文献   

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Paper presented at the annual Meeting of the Society for Phenomenology and the Human Sciences, in conjunction with the Society for Phenomenology and Existential Philosophy. Boston 1992.  相似文献   

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The following investigation aims to determine the historical origins of the phenomenology of pain. According to my central thesis, these origins can be traced back to an enthralling discussion between Husserl and two of his most important teachers, Brentano and Stumpf. According to my reconstruction of this discussion, while Brentano defended the view that all feelings, including pain, are intentional experiences, and while Stumpf argued that pain is a non-intentional feeling-sensation, Husserl of the Logical Investigations provides compelling resources to resolve the polemic between his teachers by showing how pain can be conceived as a pre-intentional experience. According to my argument, this largely forgotten discussion is of significance not only because it enriches our understanding of pain, but also because it modifies the phenomenological conception of consciousness. Thus in the concluding section, I show why the Husserlian resolution of the controversy between Brentano and Stumpf is of importance for our understanding of the central phenomenological theme—intentionality.  相似文献   

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ABSTRACT

While Lyotard's first book was an introduction to phenomenology, most of the work that follows can be said to openly challenge the limits of phenomenological analysis. This is particularly evident in the well-known writings on the Kantian sublime, which Lyotard reads as a “temporal crisis” that undoes the conscious knowing subject and escapes “experience” in the phenomenological sense. Nonetheless, if this allows him to relate the sublime to Freud's “unconscious affect,” this “crisis” only becomes visible in contrast to a figure of subjective temporalization the model of which, I argue, is broadly Husserlian. Approaching the sublime as a temporal crisis thus allows not only for a clearer view of the import of Lyotard's late work on the affect with regard to subjectivity, knowledge, and experience; it also reveals what that work continues to owe to a certain phenomenological analysis.  相似文献   

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