Three stimuli for visual motion perception compared

Two arrangements yielding induced motion were used to explore the relative effectiveness of three stimulus conditions known to produce perception of motion—namely, image displacement, ocular pursuit, and object-relative displacement. In these arrangements, object-relative displacement, which resulted in induced motion, was in conflict either with ocular pursuit or with image displacement. The outcomes of these conflicts were determined by measuring the extent of induced motion. Image displacement proved more effective in competing with object-relative displacement than did ocular pursuit, which in one arrangement yielded to object-relative displacement entirely. The same pattern of results was obtained both with the usual arrangement of the moving-center type and with a stationary-center display.     

Attention level oscillations during visual perception of moving stimuli

Optokinetic nystagmus (OKN) pursuit phase velocity oscillations were studied in seven undergraduates during repeated 4 min presentation of optokinetic stimuli. The following variable parameters of the stimuli motion were used with each subject: horizontal direction, angular velocity (AV), and frequency-to-velocity ratio. AV of the OKN pursuit phases was found to decrease markedly within the first 30 sec of stimuli presentation with its successive increase and variously marked oscillations. Gradual decrease of the AV of OKN pursuit phases was observed at the end of the whole examination as compared to its beginning already within 4 min presentation of the moving stimuli. The results are discussed from the point of view of the arousal, and the activation components of visual attention.     

The perception of self-motion induced by central and peripheral visual stimuli moving in opposite directions

The effects of the size of a stimulus and its eccentricity (central or peripheral) on the visually induced perception of horizontal translational self-motion (vection) were investigated. The central and peripheral areas of the observers' visual field were simultaneously stimulated by random dot patterns that moved in opposite directions. The results of two experiments indicated that the effects of central and peripheral presentations of the moving visual pattern are equivalent, and that vection strength is determined by the stimulus size and speed but not by its eccentricity. These results are consistent with the findings of previous studies that suggested that there are no qualitative differences in the vection-inducing potentials of the central and peripheral areas of the visual field, and are counter to the more traditional hypothesis, which has assumed that the perception of self-motion is specifically assigned to peripheral vision.     

The effect of an after-coming random pattern on the perception of brief visual stimuli

The perception of briefly exposed visual forms is shown to be masked by an after- coming random pattern stimulus of approximately equal intensity. This effect occurs only under certain well defined conditions; it is limited by the minimum stimulus exposure time in excess of threshold which overcomes masking (critical stimulus duration) as well as by the minimum interval between presentation of the two stimuli which permits evasion of the masking action (critical interval). Over the range of stimulus duration in which masking occurs, critical interval varied with stimulus duration in such a way that the interval multiplied by the stimulus duration equals a constant. Critical stimulus duration and critical interval at threshold are shown to vary little under a variety of conditions. The effect of the random pattern stimulus is limited to the part of the visual field to which it is presented.     

Dominance of configural properties in visual form perception

Perceptual relations between configural and component properties were examined in three experiments. The pattern of performance in discrimination and classification tasks with a set of four lines that varied in curvature (Experiment 1) was compared with the pattern of performance in these tasks with sets of configuration defined on spatial relations among these lines. The configurations in the latter sets varied in their component properties (“curvature”) as well as in their configural properties (“closure” in Experiment 2 and “parallelism” in Experiment 3). The results indicated that discrimination and classification performance with the configurations was dominated by their configural properties, regardless of the discriminability of their component properties. The implications of these results for the role of configural properties in form perception are discussed.     

Audiovisual identity perception from naturally-varying stimuli is driven by visual information

Identity perception often takes place in multimodal settings, where perceivers have access to both visual (face) and auditory (voice) information. Despite this, identity perception is usually studied in unimodal contexts, where face and voice identity perception are modelled independently from one another. In this study, we asked whether and how much auditory and visual information contribute to audiovisual identity perception from naturally-varying stimuli. In a between-subjects design, participants completed an identity sorting task with either dynamic video-only, audio-only or dynamic audiovisual stimuli. In this task, participants were asked to sort multiple, naturally-varying stimuli from three different people by perceived identity. We found that identity perception was more accurate for video-only and audiovisual stimuli compared with audio-only stimuli. Interestingly, there was no difference in accuracy between video-only and audiovisual stimuli. Auditory information nonetheless played a role alongside visual information as audiovisual identity judgements per stimulus could be predicted from both auditory and visual identity judgements, respectively. While the relationship was stronger for visual information and audiovisual information, auditory information still uniquely explained a significant portion of the variance in audiovisual identity judgements. Our findings thus align with previous theoretical and empirical work that proposes that, compared with faces, voices are an important but relatively less salient and a weaker cue to identity perception. We expand on this work to show that, at least in the context of this study, having access to voices in addition to faces does not result in better identity perception accuracy.     

The perception of continuous curves in dot stimuli

Two categorisation experiments are reported in which the perceptual phenomenon that some simple arrays of discrete dots appear as a continuous curve whereas others are perceived as an angular contour or as consisting of separate groups of dots was investigated. Triplets of dots were presented in the first experiment, and complete or incomplete regular dot polygons (ie dots positioned on the vertices of imaginary regular polygons) in the second. In both experiments the perception of a curve versus an angle was determined mainly by the relative orientations of the dots, ie by the angles between successive virtual lines, whereas the lengths of the virtual lines had relatively little influence. In experiment 2 the number of displayed dots was shown to be a second independent factor for perceiving continuity. These results are in agreement with results from experiments on dipole textures discrimination, and suggest the psychological existence and importance of virtual lines in the visual processing of dot stimuli.     

The visual perception of velocity

Summary In this section it is concluded that velocity is perceived directly and is dynamically conditioned by the structure and general properties of the visual field in which the movement occurs. The visual perception of velocity follows dynamic laws that are not immediately deducible from the velocity of the stimulus as physically defined. No physiological theory is offered but it is pointed out that the theory of physiological Gestalten is essentially correct in its basic assumptions concerning the perception of movement.The investigation has bearing on the problems of movement thresholds, movement after-images and the perception of time.This paper is abridged from a thesis presented to the faculty of the graduate school of Yale University in partial fulfilment of the requirements for the degree of Doctor of Philosophy. The study was started in the Psychological Institute of the University of Berlin in 1926–1927 and completed at Yale University in 1928–1929. The work at Berlin, which has been already reported [cf. J. F. Brown, Über gesehene Geschwindigkeit. Psychol. Forschg 10, 84–101 (1927)] was largely exploratory in nature; that at Yale was undertaken to fill the gaps in the experimental series and to control more completely the causal factors. For clarity of exposition the previously reported data are included here so far as necessary. The writer is indebted to Professor W. Köhler of the University of Berlin for suggesting the problem, and to Professors R. P. Angier, R. Dodge, and L. T. Spencer of Yale University for many valuable suggestions. He wishes also to express his thanks to the subjects who served in the experiments.     

The development of separability in visual perception

Under conditions that do not allow focused attention, reports of illusory conjunctions (i.e. errors that wrongly recombine the features of different objects) constitute evidence of the separate registering of features at an early processing level. The occurrence of illusory conjunctions was used to determine whether there is preattentive analysis of component dimensions (colour and form) and of parts of shapes (triangles and arrows) in young children aged 5 to 8 years. Evidence of preattentive analysis was found, even for the youngest children, for colour and form but not for parts of shapes. Although developmental effects hardly reached significance, inspection of abilities assumed to affect the illusory conjunctions phenomenon suggests that at the preattentive stage children can integrate spatially separate segments but lack the capacity to fully analyse connected segments.     

The limits of visual mass perception

The theory of direct perception suggests that observers can accurately judge the mass of a box picked up by a lifter shown in a point-light display. However, accurate perceptual performance may be limited to specific circumstances. The purpose of the present study was to systematically examine the factors that determine perception of mass, including display type, lifting speed, response type, and lifter's strength. In contrast to previous research, a wider range of viewing manipulations of point-light display conditions was investigated. In Experiment 1, we first created a circumstance where observers could accurately judge lifts of five box masses performed by a lifter of average strength. In Experiments 2–5, we manipulated the spatial and temporal aspects of the lift, the judgement type, and lifter's strength, respectively. Results showed that mass judgement gets worse whenever the context deviates from ideal conditions, such as when only the lifted object was shown, when video play speed was changed, or when lifters of different strength performed the same task. In conclusion, observers' perception of kinetic properties is compromised whenever viewing conditions are not ideal.