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1.
Summary Three experiments were performed to test the hypothesis that a target line that forms an outer contour of a stimulus figure is detected better than an internal target line. In the first experiment tridimensional stimuli similar to the object stimuli of Weisstein and Harris (1974), were used. In the second and third experiments arrows and triangles were used as stimuli, composed of one of the four right angles of a square and a diagonal. In the first two experiments the diagonal lines served as targets, and external diagonal lines were detected better than internal diagonals or diagonals without context. In the third experiment the right angles served as targets; these were detected better in arrows than in triangles or without the context diagonal. In each experiment the targets formed vertices and intersections with other line segments of the stimulus. It is argued that these local configurational features facilitated target detection by automatically attracting attention, particularly if they were located at the boundaries of the stimulus figure.This study was supported by grant Wa 419/1 of the Deutsche Forschungsgemeinschaft. The author wants to thank U. Bauer, J. Beringer, Cl. Gall, and U. Jacob for their help in performing the experiments  相似文献   

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In this report, we examine tachistoscopic perception of lines in structured figures. Previous research has shown that perception of lines is facilitated when the lines occur as parts of coherent three-dimensional figures. Experiment 1 demonstrates that it is not necessary for the figure to be three-dimensional to obtain facilitation. Experiments 2 and 3 show that three-dimensionality is not sufficient either. What is important is that the target lines be structurally relevant to the figure. However, structural relevance of a target segment to the figure as perceived with unlimited viewing time is not perfectly correlated with perceptibility under tachistoscopic conditions; it appears that the targets which fall on the external contour of a figure may be facilitated even without a high degree of structural relevance. In view of this, we suggest a model in which perceivers use processing heuristics to direct processing to aspects of the input that are potentially important for determining the structure of the final figure, working primarily from the outside in.  相似文献   

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The Gollin test (measuring recognition thresholds for fragmented line drawings of everyday objects and animals) has traditionally been regarded as a test of incomplete figure perception or 'closure', though there is a debate about how such closure is achieved. Here, figural incompleteness is considered to be the result of masking, such that absence of contour elements of a fragmented figure is the result of the influence of an 'invisible' mask. It is as though the figure is partly obscured by a mask having parameters identical to those of the background. This mask is 'invisible' only consciously, but for the early stages of visual processing it is real and has properties of multiplicative noise. Incomplete Gollin figures were modeled as the figure covered by the mask with randomly distributed transparent and opaque patches. We adjusted the statistical characteristics of the contour image and empty noise patches and processed those using spatial and spatial-frequency measures. Across 73 figures, despite inter-subject variability, mean recognition threshold was always approximately 15% of total contour in naive observers. Recognition worsened with increasing spectral similarity between the figure and the 'invisible' mask. Near threshold, the spectrum of the fragmented image was equally similar to that of the 'invisible' mask and complete image. The correlation between spectral parameters of figures at threshold and complete figures was greatest for figures that were most easily recognised. Across test sessions, thresholds reduced when either figure or mask parameters were familiar. We argue that recognition thresholds for Gollin stimuli in part reflect the extraction of signal from noise.  相似文献   

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Because the environment often includes multiple sounds that overlap in time, listeners must segregate a sound of interest (the auditory figure) from other co-occurring sounds (the unattended auditory ground). We conducted a series of experiments to clarify the principles governing the extraction of auditory figures. We distinguish between auditory "objects" (relatively punctate events, such as a dog's bark) and auditory "streams" (sounds involving a pattern over time, such as a galloping rhythm). In Experiments 1 and 2, on each trial 2 sounds-an object (a vowel) and a stream (a series of tones)-were presented with 1 target feature that could be perceptually grouped with either source. In each block of these experiments, listeners were required to attend to 1 of the 2 sounds, and report its perceived category. Across several experimental manipulations, listeners were more likely to allocate the feature to an impoverished object if the result of the grouping was a good, identifiable object. Perception of objects was quite sensitive to feature variation (noise masking), whereas perception of streams was more robust to feature variation. In Experiment 3, the number of sound sources competing for the feature was increased to 3. This produced a shift toward relying more on spatial cues than on the potential contribution of the feature to an object's perceptual quality. The results support a distinction between auditory objects and streams, and provide new information about the way that the auditory world is parsed.  相似文献   

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In two former studies our research group reported frontal gamma-band enhancement during multistable visual perception and reversal rate dependent differences in the gamma-band. In these studies, a dynamic reversible figure was used which was based on the phenomenon of apparent motion. The aim of this study was to examine whether the results obtained with a dynamic motion paradigm can be replicated with the static Necker cube. The results demonstrate a general frontal gamma-band enhancement and higher induced gamma activity for subjects with a relatively high reversal rate in comparison to subjects with a relatively low reversal rate. This pattern of results fits well to the findings obtained with the dynamic motion paradigm. Therefore, the important role of frontal gamma activity for figure reversals has received further evidence. The results support the involvement of attentional top-down processing of figure reversal that is not directly related to binding processes.  相似文献   

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Colors are generally ordered in three dimensions, with hue and saturation as polar coordinates of a color circle, and brightness as the third dimension. Intuitively, lines of constant hue (but variable saturation) in such a color space should converge on an achromatic point devoid of hue. However, in new experiments by Ekroll et al. using colored patches in colored surrounds, constant hue lines converge not on 'gray' but on the surround color. This paradoxical observation suggests that the standard three-dimensional conception of perceived color is inadequate.  相似文献   

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Mitroff SR  Sobel DM  Gopnik A 《Perception》2006,35(5):709-715
Ambiguous figures are a special class of images that can give rise to multiple interpretations. Traditionally, switching between the possible interpretations of an ambiguous figure, or reversing one's interpretation, has been attributed either to top-down or to bottom-up processes (e.g. attributed to having knowledge of the nature of the ambiguity, or to a form of neuronal fatigue). Here we present evidence that is incompatible with both forms of explanations. Observers aged 5-9 years can reverse ambiguous figures when uninformed about the ambiguity, negating purely top-down explanations. Further, those children who make these 'spontaneous' reversals are more likely to succeed on a high-order theory-of-mind task, negating purely bottom-up explanations.  相似文献   

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The ambiguous rat-man figure was tachistoscopically presented to 36 subjects in successive segments to test the hypothesis that the starting segment would determine the perception of the figure. Starting segments were selected which were expected to produce the perception of a rat, a man, or either a rat or man. The remaining segments came from figures evaluated in a preliminary study. The selected figures differed in drawn bias and tended to be seen as a rat, a man, or either a rat or a man. The three starting segments were combined factorially with the three levels of drawn bias of the remaining segments. The effect of the starting segment was significant; the effect of drawn bias was not. A further experiment showed that presentation of the rat vs. man starting segments by themselves did not produce a reliable difference. The results support a constructive model of form perception in which the stimulus material first presented establishes a hypothesis which is used to interpret the remaining material.  相似文献   

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We examined whether the homogeneity of the two profiles of Rubin's goblet affects figure/ground perception in infants. We modified the two profiles of Rubin's goblet in order to compare figure/ground perception under four test patterns: (1) two profiles painted with horizontal lines (horizontal-line condition), (2) two profiles painted middle gray (uni-color condition), (3) one profile painted light gray and the other dark gray (two-color condition), and (4) a goblet painted with concentric circles (concentric-circles condition). In the horizontal-line condition the homogeneity of the profile was strengthened, and in the two-color condition the homogeneity of the profile was weakened compared to the uni-color condition, which was an original Rubin's goblet. In the concentric-circles condition the homogeneity of the reversed areas of the horizontal-line were strengthened.  相似文献   

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A mask of a face rotated about its vertical axis of symmetry can appear to oscillate rather than rotate. Do stimulus features (e.g., shape) or cognitive factors (e.g., differential familiarity with convex and concave views of faces) explain this new illusion? In Experiment 1, differential familiarity was varied across stimuli by using familiar and unfamiliar objects rotating at 4 rpm and within stimuli by showing the objects upright and inverted. True motion was seen more with unfamiliar objects than with familiar objects and more with an inverted mask than with an upright mask. The results of Experiment 2, which was done with static views, suggest that the upright and inverted masks present similar structure to the visual system. In Experiment 3, the objects were shown rotating at 8 rpm; the results are similar to those of Experiment 1. These experiments favor a differential familiarity account of this illusory motion. Cognitive constraints on perceived motion and perceived rigidity are discussed.  相似文献   

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When a figure moves behind a narrow aperture in an opaque surface, if it is perceived as a figure, its shape will often appear distorted. Under such anorthoscopic conditions, the speed or direction of the object's motion is ambiguous. However, when the observer simultaneously tracks a moving target, a figure is always perceived, and its precise shape is a function of the speed or direction of tracking. The figure is seen as moving with the speed or in the direction of the target. Thus, it is argued that eye movement serves as a cue to the figure's motion, which, in turn, determines its perceived length or orientation.  相似文献   

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In this study we sought to determine whether infants, like adults, utilize previous experience to guide figure/ground processing. After familiarization to a shape, 5-month-olds preferentially attended to the side of an ambiguous figure/ground test stimulus corresponding to that shape, suggesting that they were viewing that portion as the figure. Infants’ failure to exhibit this preference in a control condition in which both sides of the test stimulus were displayed as figures indicated that the results in the experimental condition were not due to a preference between two figure shapes. These findings demonstrate for the first time that figure/ground processing in infancy is sensitive to top-down influence. Thus, a critical aspect of figure/ground processing is functional early in life.  相似文献   

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