Spacing effects in picture memory

Three experiments were conducted to capitalize on the conclusion of Shaffer and Shiffrin (1972) that complex visual scenes are not rehearsed in testing the hypothesis that the effect of spacing on memory is due to rehearsal. In Experiment I, a list of vacation slides was presented in which both the number of repetitions and the spacing of repetitions were varied. Subsequent frequency judgments showed an effect of spacing much like that found using verbal materials. In Experiments II and III, effects of filled and unfilled spacing intervals were compared, and it was concluded that the spacing effect is primarily a function of the duration of the spacing interval. No evidence was found to support the notion that pictures are rehearsed. Rehearsal apparently cannot play the key role in an adequate, completely general explanation of the spacing effect.     

Bilateral transfer as a function of mental imagery

Three experiments are reported which investigate the role of mental imagery in the bilateral transfer from right to Ie ft hand of rotary pursuit skill. In Experiment 1 both mental imagery and physical rehearsal showed significant positive transfer relative to a control condition. However, work decrement may have accumulated and transferred in the physical rehearsal group thereby depressing this group's left-hand performance. Experiment 2 was conducted under conditions designed to allow work decrement to dissipate prior to transfer to the contralateral limb. The data still showed no difference between physical rehearsal and mental imagery. One interpretation of these data is that work decrement was present under both the physical rehearsal and mental imagery manipulations in Experiment 1. The data from Experiment 3 confirmed this interpretation as well as replicated the positive transfer effects found for mental imagery in Experiments 1 and 2. The data are discussed in terms of central versus peripheral explanatory mechanisms.     

Rehearsal strategies during motor-sequence learning in old age: execution vs motor imagery

Motor imagery and action-based rehearsal were compared during motor sequence-learning by young adults (M = 25 yr., SD = 3) and aged adults (M = 63 yr., SD = 7). General accuracy of aged adults was lower than that of young adults (F(1,28) = 7.37, p =.01) even though working-memory capacity was equivalent in the two groups. Motor imagery and rehearsal by action increased accuracy in both age groups, compared with minimization of opportunity for rehearsal (F(1,28) = 30.95, p < .001), but no interaction was found with age group, which suggests that young and aged adults were equally capable of motor imagery and action-based rehearsal. It was assumed that differences in performance between young and aged participants related to the formation of mental representations of sequences and integration of new elements into these representations rather than the capacity for motor imagery or rehearsal by action per se. The current study was exploratory and involved a relatively small sample of 15 participants per age group. Caution must be taken when considering the results.     

Encoding strategy and sensory and semantic interference

Studies were designed to compare the effects of encoding strategies on two types of interference, sensory and semantic. Paired-associate lists were learned under instructional sets encouraging interactive imagery or repetitious rehearsal. Sensory interference was created by mispairing rhymes and semantic interference was produced by mispairing associatively related words. In control lists word pairs were unrelated. The results indicated that encoding strategy did not influence amounts of sensory and semantic interference. Mispairing rhymes produced the same amount of confusion as mispairing associates whether pairs were encoded through interaction imagery or through repetitious rehearsal. These effects were found with both short and long encoding intervals. The findings are inconsistent with the idea that encoding operations or strategies applied to word pairs completely determine the type of code activated for those pairs. Both sensory and semantic codes appear to be activated under each kind of encoding strategy.     

Eye movements disrupt spatial but not visual mental imagery

It has long been known that eye movements are functionally involved in the generation and maintenance of mental images. Indeed, a number of studies demonstrated that voluntary eye movements interfere with mental imagery tasks (e.g., Laeng and Teodorescu in Cogn Sci 26:207–231, 2002). However, mental imagery is conceived as a multifarious cognitive function with at least two components, a spatial component and a visual component. The present study investigated the question of whether eye movements disrupt mental imagery in general or only its spatial component. We present data on healthy young adults, who performed visual and spatial imagery tasks concurrently with a smooth pursuit. In line with previous literature, results revealed that eye movements had a strong disruptive effect on spatial imagery. Moreover, we crucially demonstrated that eye movements had no disruptive effect when participants visualized the depictive aspects of an object. Therefore, we suggest that eye movements serve to a greater extent the spatial than the visual component of mental imagery.     

Intimacy and structure: Sex differences in imagery of same-sex relationships

Thirty-three female and 42 male undergraduates wrote stories in response to verbal Thematic Apperception Test cues of characters of the subject's sex in structured and unstructured situations. Significantly more men than women wrote stories with negative and defused imagery to the unstructured situation cue. In addition, men wrote stories with significantly more negative and defused imagery to the unstructured cue than to the structured cue. Women showed no significant difference in the frequency of negative and defused imagery to unstructured and structured cues. A detailed content analysis, however, indicated that for women structure decreases intimate contact and inhibits satisfying relationships of support and reciprocity. Results suggest that males, perceiving same-sex relationships as dangerous, feel threatened by intimacy, and thus need to impose structure onto interpersonal situations in order to defuse the intimacy: by using rules, roles, and the addition of others, boundaries may be established between people. Women, comfortable with same-sex intimacy, perceive structured situations as hindering the development of satisfying relationships.     

不同复述条件下命名难度对图形记忆的影响

采用学习 -再认的方法对自由复述、部分特征的言语命名复述和视觉表象复述三种实验条件下图形的记忆效果进行了研究。结果表明 ,(1)图形记忆中存在明显的难度效应 ,难以命名图形的再认正确率高于易命名图形 ,反应时低于易命名图形。 (2 )被试在复述图形时 ,更倾向于选择那些难以命名的特征作为复述对象 ,以便把整个图形都记住。 (3)易命名图形的言语命名复述成绩好于视觉表象复述 ;而难以命名图形则不存在这种差异。两者自由选择时 ,将加快记忆提取的速度     

The relative accessibility of phonemes and syllables

Previous research comparing detection times for syllables and for phonemes has consistently found that syllables are responded to faster than phonemes. This finding poses theoretical problems for strictly hierarchical models of speech recognition, in which smaller units should be able to be identified faster than larger units. However, inspection of the characteristics of previous experiments’ stimuli reveals that subjects have been able to respond to syllables on the basis of only a partial analysis of the stimulus. In the present experiment, five groups of subjects listened to identical stimulus material. Phoneme and syllable monitoring under standard conditions was compared with monitoring under conditions in which near matches of target and stimulus occurred on no-response trials. In the latter case, when subjects were forced to analyze each stimulus fully, phonemes were detected faster than syllables.     

Coding strategies and cerebral laterality effects

In a short-term recognition memory task, Ss were given relational imagery and rehearsal coding strategies in different sessions, with probes presented to the left or right cerebral hemisphere. Consistent with a model of separate processing systems for verbally and visually coded information, Ss yielded significantly faster response latencies for probes to the left hemisphere than the right when employing the rehearsal strategy, and significantly faster latencies for probes to the right hemisphere than the left when using the imagery code. This suggests that cerebral laterality effects are functionally related to coding strategies, and argues for the inclusion of imagery, or generated visual information, as part of the visual processing system. As such, generated visual information may be viewed as a coding alternative to verbal mediation.     

The retrieval of abstract and concrete materials as functions of imagery,mediation, and mnemonic aids

Department of Educational Psychology, The Pennsylvania State University, University Park, Pennsylvania 16802 This study is a report of an investigation of the interaction between imagery ability and processes employed for facilitating recall. The tasks were assumed to involve contrasting processes through the use of imaginal or verbal mediators and concrete or abstract jingles (mnemonic aids) in memorizing two concrete and two abstract lists of 10 words in each list. The dependent variables were latencies in arriving at an association, number of errors and omissions on immediate recall, and number of errors and omissions on delayed recall. The main effects of imagery ability, favoring high imagers, and of kind of lists favoring concrete lists were significant. In delayed recall there was a significant interaction of mnemonic aid and kind of list. Imagery ability interacted with mediators to influence Ss’ recall. The results were discussed as supporting Paivio’s two-stage association model.     

Auditory imagery and free recall.

Research on mental imagery has demonstrated the importance of visual imagery to recall performance. Little attention, however, has been paid to the mnemonic value of auditory imagery. The present experiments addressed the influence of auditory and visual imagery on free recall. Characteristic sounds, pictures, or printed verbal labels of 40 common items were presented sequentially to adult subjects, who were asked to recall them after a 2-min retention interval. Pictures and characteristic sounds were associated with significantly better recall than were verbal labels alone, indicating that auditory imagery has mnemonic value similar to that of visual imagery. This effect was confirmed by further experiments. However, the effects of auditory and visual imagery on free recall were not shown to be additive.     

Individual differences in spatial mental imagery

In this article, we report a new image-scanning paradigm that allowed us to measure objectively individual differences in spatial mental imagery—specifically, imagery for location. Participants were asked to determine whether an arrow was pointing at a dot using a visual mental image of an array of dots. The degree of precision required to discriminate “yes” from “no” trials was varied. In Experiment 1, the time to scan increasing distances, as well as the number of errors, increased when greater precision was required to make a judgement. The results in Experiment 2 replicated those results while controlling for possible biases. When greater precision is required, the accuracy of the spatial image becomes increasingly important—and hence the effect of precision in the task reflects the accuracy of the image. In Experiment 3, this measure was shown to be related to scores on the Paper Folding test, on the Paper Form Board test, and on the visuospatial items on Raven's Advanced Progressive Matrices—but not to scores on questionnaires measuring object–based mental imagery. Thus, we provide evidence that classical standardized spatial tests rely on spatial mental imagery but not object mental imagery.     

Subvocalization in auditory-verbal imagery: just a form of motor imagery?

Previous studies have provided evidence for subvocal rehearsal (inner voice) and phonological storage (inner ear) in auditory-verbal imagery. The question remains to be answered whether the inner voice mainly involves higher-order language systems, or primarily relies on motor systems associated with articulatory-kinesthetic processing. On the basis of models of auditory imagery and working memory, we predicted that, if auditory-verbal imagery is a form of motor imagery, performance on a novel auditory-verbal imagery task would be affected by concurrent articulatory suppression as well as by concurrent finger tapping. In contrast, we predicted that performance on a visuospatial control task would be significantly affected by concurrent tapping only. The auditory imagery task consisted of indicating, for bisyllabic words, the syllable that carried the stress. A significant interaction was observed between task (verbal vs. visual) and type of interference (articulatory suppression vs. tapping). Tapping affected reaction times on the visual task significantly more than articulatory suppression. However, both interference conditions affected the verbal task to an equal extent. The present findings confirm the role of subvocalization in auditory-verbal imagery and provide evidence for a strong involvement of articulatory-kinesthetic motor processing.     

Semantic interference from visual object recognition on visual imagery

A new technique for examining the interaction between visual object recognition and visual imagery is reported. The "image-picture interference" paradigm requires participants to generate and make a response to a mental image of a previously memorized object, while ignoring a simultaneously presented picture distractor. Responses in 2 imagery tasks (making left-right higher spatial judgments and making taller-wider judgments) were longer when the simultaneous picture distractor was categorically related to the target distractor relative to unrelated and neutral target-distractor combinations. In contrast, performance was not influenced in this way when the distractor was a related word, when a semantic categorization decision was made to the target, or when distractor and target were visually but not categorically related to one another. The authors discuss these findings in terms of the semantic representations shared by visual object recognition and visual imagery that mediate performance.     

Neural correlates of object indeterminacy in art compositions

Indeterminate art invokes a perceptual dilemma in which apparently detailed and vivid images resist identification. We used event-related fMRI to study visual perception of representational, indeterminate and abstract paintings. We hypothesized increased activation along a gradient of posterior-to-anterior ventral visual areas with increased object resolution, and postulated that object resolution would be associated with visual imagery. Behaviorally, subjects were faster to recognize familiar objects in representational than in both indeterminate and abstract paintings. We found activation within a distributed cortical network that includes visual, parietal, limbic and prefrontal regions. Representational paintings, which depict scenes cluttered with familiar objects, evoked stronger activation than indeterminate and abstract paintings in higher-tier visual areas. Perception of scrambled paintings was associated with imagery-related activation in the precuneus and prefrontal cortex. Finally, representational paintings evoked stronger activation than indeterminate paintings in the temporoparietal junction. Our results suggest that perception of familiar content in art works is mediated by object recognition, memory recall and mental imagery, cognitive processes that evoke activation within a distributed cortical network.     

Object and spatial imagery: distinctions between members of different professions

In the current research, we took a new approach to examining individual differences in mental imagery that relied on a key distinction regarding visual imagery, namely the distinction between object and spatial imagery, and further examined the ecological validity of this distinction. Object imagers consistently prefer to construct colorful, pictorial, high-resolution images of individual objects and scenes, and spatial imagers prefer to use imagery to schematically represent spatial relations among objects and can efficiently perform complex spatial transformations. To examine the ecological validity of the object versus spatial imager distinction, we examined the object and spatial imagery preferences and skills of groups of professionals.Visual artists, scientists, architects, and humanities professionals completed two types of imagery tests: spatial imagery tests assessing abilities to process spatial relations and perform spatial transformations, and object imagery tests assessing abilities to process literal appearances of objects in terms of color, shape, and brightness. A clear distinction was found between scientists and visual artists: Visual artists showed above average object imagery abilities but below average spatial imagery abilities; whereas, scientists showed above average spatial imagery abilities but below average object imagery abilities. Visual artists tended to be object imagers, and scientists tended to be spatial imagers. Thus, even though both groups use visual imagery extensively in their work, they in fact tended to excel in only one type of imagery.Furthermore, we interviewed the groups of professionals about imagery characteristics and imagery processes that they typically use when work, we had them interpret kinematics graphs and abstract art, and we monitored their eye-movements as they engaged in various perception and imagery tasks. The data revealed various qualitative differences between the professional groups. Both visual artists and scientists reported using imagery in their work. However, visual artists preferred to use object imagery, but scientists preferred to use spatial imagery for their work. Humanities professionals, however, reported less use of imagery. Additionally, visual artists reported that their images were more likely to come as a whole, but scientists reported that their images were generated part-by-part. Visual artist’s images were more persistent, less intentional, and had multiple meanings as compared to scientist’s images. Furthermore, visual artists and scientists interpreted kinematics graphs and abstract art qualitatively differently. Visual artists tended to interpret graphs literally (graphs-as-pictures), but scientists tended to interpret graphs schematically, in abstract way. However, visual artists tended to interpret the abstract art as abstract representations, but scientists tended to interpret abstract art literally, in a concrete way.The finding that professional domain, where work involves extensive use of object or spatial imagery, differentially predicted object and spatial imagery abilities and approaches in processing visual information provides ecological validation of the distinction between object and spatial imagers. Furthermore, these results provide support for the idea of a trade-off between object and spatial imagery abilities (i.e., a person being more effective at using one type of imagery and then tending to use this type of imagery more frequently than and at the expense of the other type of imagery).     

Visual mental imagery influences attentional guidance in a visual-search task

Visual mental imagery resembles visual working memory (VWM). Because both visual mental imagery and VWM involve the representation and manipulation of visual information, it was hypothesized that they would exert similar effects on visual attention. Several previous studies have demonstrated that working-memory representations guide attention toward a memory-matching task-irrelevant stimulus during visual-search tasks. Therefore, mental imagery may also guide attention toward imagery-matching stimuli. In the present study, five experiments were conducted to investigate the effects of visual mental imagery on visual attention during a visual-search task. Participants were instructed to visualize a color or an object clearly associated with a specific color, after which they were asked to detect a colored target in the visual-search task. Reaction times for target detection were shorter when the color of the target matched the imagined color, and when the color of the target was similar to that strongly associated with the imagined object, than when the color of the target did not match that of the mental representation. This effect was not observed when participants were not instructed to imagine a color. These results suggest that similar to VWM, visual mental imagery guides attention toward imagery-matching stimuli.     

Look again: Phenomenology and mental imagery

This paper (1) sketches a phenomenological analysis of visual mental imagery; (2) applies this analysis to the mental imagery debate in cognitive science; (3) briefly sketches a neurophenomenological approach to mental imagery; and (4) compares the results of this discussion with Dennett’s heterophenomenology.     

Apparent equivalence between perception and imagery in the production of various visual illusions

The ability of high and low imagers (as assessed by the Vividness of Visual Imagery Questionnaire) to utilize imagery in the production of a visual illusion was examined in three experiments. In Experiment 1, subjects were to imagine noninducing elements oi the Ponzo figure. In Experiment 2, subjects were asked to imagine the inducing angle of the Ponzo figure. Subjects were requested to imagine the inducing diagonals of the Hering and Wundt figures in Experiment 3. Regardless of which figure was presented, high imagers consistently reported an illusion whether it was produced by real or imagined lines. Also, the imagery-produced illusion was equivalent in magnitude to the actual illusion (when all lines are physically present). Low imagers reported an illusion only when lines were physically present. These results were interpreted in terms of Finke’s (1980) equivalence theory.