Male-female differences in sexual fantasy

A questionnaire about thoughts and ideas during sexual activity was returned by 51 females and 50 males in a random sample of college undergraduates. A high response rate (91%) and the similar sexual experience of male and female respondents make possible a strong conclusion about the college population sampled: Males are thinking more about past experiences and current behavior, while females are thinking more of imaginary experiences. This difference occurs for thoughts during masturbation as well as for thoughts during heterosexual activity. It appears that females prefer a different kind of sexual fantasy than males, rather than being generally less interested in sexual fantasy as claimed by Kinsey, Pomeroy, Martin, and Gebhart (Sexual behavior in the human female, Philadelphia: Saunders, 1953).     

Unconscious fantasy: a reconsideration of the concept

Despite general agreement about the clinical importance of unconscious fantasy, the concept itself has remained unclear. After reviewing Freud's work on the subject, the conceptual dilemma is specified: where in current psychoanalytic theory do we place this important, dynamically repressed, structuralized mental content? Three conceptual paths have been followed in attempting to deal with this problem. The first emphasizes the structural, tripartite model, discarding topographic concepts. The second replaces the structural model with a schema model borrowed from academic psychology. The third combines the structural and topographic models. None of these approaches is entirely satisfactory and without problems. Because of their central role in mental life, unconscious fantasies deserve careful definition. They should be distinguished from conscious fantasies and daydreams as well as from the process of fantasizing. They are differentiated from other varieties of unconscious content by their enduring quality and their organized, storylike quality reflecting the distortions typical of the primary process. As dynamically unconscious templates from the childhood past, they shape subsequent compromise formations and are relatively impervious to new experience. The development of psychoanalytic theory from a macrostructural to a microstructural emphasis is discussed in relation to the unconscious fantasy concept.     

Unconscious fantasy: a once and future concept

The concept of unconscious fantasy should be retained as fundamental to any psychoanalytic approach. The concept is reexamined in the face of two challenges: today's theoretical pluralism and the recent integration of findings from academic research. The first section reviews post-Freudian theoretical contributions to Freud's original concept, concluding that in its evolved form it is flexible enough to serve multiple perspectives. The second section examines four features identified with primary process thinking, demonstrating that a model of early mentation based on adult dream work cannot be supported by research on early development. However, the contemporary concept of unconscious fantasy is compatible with research findings from child development studies and cognitive neuroscience, permitting psychoanalysts to enter dialogue with those fields. Our contribution is not the posit of a new form of thinking (primary process) but an understanding of how general cognitive processes are enlisted for motivated purposes.     

Unconscious fantasy: introduction

Freudian psychoanalysis has long been a depth psychology with devotion to the idea that unconscious fantasies dictate behavior. That concept is traced from its origins to the present to expose its various forms as ego psychology has emerged.     

Sex-specific patterns in creative literary fantasy

A panel of judges rated the creative excellence of 72 works of fantasy written for children of 8–12 since 1930 Formal dimensions, needs, themes and stylistic characteristics of the books were described by rater-analysts Overall, books by men and women differed very little, though creative books as a group had distinctive features, and creative books by men and by women showed “sex-appropriate” characteristics On the basis of cluster analyses, three types of creative fantasy by male authors were identified the heroic, the tender, and the comic. Two types by women authors were identified, one emphasizing independence and the other contact with the irrreal and tender emotion The less creative books did not fit these types The patterns are interpreted in terms of relationships between the ego and unconscious, and interactions with the maternal matrix, archetypes, and society.     

Sex differences in sexual fantasy patterns

A detailed sexual fantasy questionnaire was completed anonymously and returned by post by a sample of 90 Londoners stratified by sex and social class and representing a 30% return rate. Men and women were equally likely to accept and return the questionnaires. Information was also collected concerning sexual behaviour, libido and satisfaction. Factor analysis revealed four main types of fantasy: (1) Exploratory (e.g., group sex, promiscuity, homosexuality); (2) Intimate (e.g., kissing, oral sex, outdoor love); (3) Impersonal (e.g., watching others, fetishism, using objects for stimulation); and (4) Sadomasochistic (e.g., whipping or spanking, being forced). These four types of fantasy were positively correlated and were all more commonly reported by men, although women were almost as high on the Intimate factor. Women were also more likely to be passive or receptive in their fantasies, and men active. All fantasies were associated with high libido as indicated by self-rated sex drive and orgasm frequency, especially for women. In general, reports of many fantasies went with satisfaction in women but with dissatisfaction (frustration?) in men. This finding is explained in terms of the higher average level of libido in men than women, with the consequent difficulty experienced by men in acting out their desires.     

The curative fantasy in group psychotherapy

The concept of a curative fantasy includes patient's conscious and unconscious hopes and expectations of what is necessary for their relief of suffering. On entering group psychotherapy these elements emerge in the treatment matrix. This paper describes how patients with significant deficits in their intrapsychic organization express their curative fantasies through the development of selfobject transferences. The concept illuminates aspects of patients entering and forming a group as well as some elements in unanticipated terminations.     

Transformations of unconscious fantasy in art

Unconscious fantasy is conceptualized as a representation for drive-related, conflict-laden, wish-fulfilling views of human experience. These are usually related to sexuality, and refer to birth, intrauterine existence, primal scene, castration, and seduction. Unconscious fantasy may be transformed into works of art through a variety of artistic means. The employment of formal means for the representation of fantasy may be the product of an endopsychic perception. Thus, structural attributes of the psyche may also find representation. An example is used from the creative process in the construction of a novel by Henry James, The Spoils of Poynton. In the process of fulfilling artistic purposes in the construction of his plot, the author made use of derivatives of unconscious fantasy which surface in the process of creation. The work of art is the integration of unconscious derivatives which become transformed into artistic structure.     

Fact and fantasy in the seduction theory: a historical review

This article surveys Freud's various versions of the seduction theory, from 1896 to 1933. It is concluded that the seduction theory had never been based on the patients' direct statements and conscious recall of seduction by the father in early childhood--unlike what Freud was to state much later (1933). This early seduction was mostly reconstructed by Freud from the patient's verbal material and behavior in treatment (including memories of sexual experiences from later childhood) which he interpreted as disguised and incomplete "reproductions" and reenactments of the original seduction trauma. Further, the external trauma was never meant to account by itself for the later neurotic symptoms. The "delayed action" of its unconscious memory, producing the repression of an event from the time of puberty, was a necessary part of the process. Thus internal psychic transformations and conflicts, anticipating Freud's later emphasis on fantasy and psychic reality, were already an intrinsic part of the seduction etiology of 1896. It is also noted that the father played no central role in the original theory as presented in 1896; it is only in the letters to Fliess that the father emerged as the prime seducer. The implications of this clarification of the seduction theory for the understanding of the changes and continuity in the development of Freud's theories are highlighted; their relevance to ongoing issues in psychoanalysis about the role of external trauma, fantasy, and reconstruction are briefly examined.