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1.
This paper suggests hermeneutic phenomenology as a theoretical framework for reflecting, interpreting and gaining insight into children’s spirituality. It describes an episode that took place in a Year 5 classroom involving a 10‐year‐old child and his response to an Australian Aboriginal Dreamtime story. The possibilities this observed incident opens for hermeneutic phenomenology are then explored using van Manen’s notion of lifeworld existentials as guides to reflection upon the life expression of this child. The four lifeworld existentials are lived space (spatiality), lived body (corporeality), lived time (temporality) and lived human relation (relationality). In using these as a means by which to interpret the life expression of this child, it is argued that some insights into his or her spirituality can be gleaned.  相似文献   

2.
3.
The paper aims at sketching the outline of a phenomenology of the artwork on the basis of the short analyses devoted to the topic by Hannah Arendt in a few texts. In order to overcome the mostly allusive and even superficial character of these texts, the paper refers to Kant's teaching in theCritique of Judgment and to Arendt's interpretation of it in several essays.We have tried to pursue as far as possible, in the direction of a philosophy of art, the path opened by her political interpretation of the thirdCritique. We have also endeavoured to develop, beyond what she writes explicitly but in an attempt to make her thought as consistent as possible, the marginal suggestions provided by the book onThinking about the relations between judgment and thought and the theses stated byThe Human Condition about the work of art as a reified thought.Accordingly, the artwork appears to be, in the realm of artefacts, what is the best, appropriated to provide to a human world its stability; since the artwork is the most enduring product of thehomo faber, while escaping the means-end categories as well as any usefulness. Hence the artwork is able to display within the realm of human artefacts the meaning of a human world; namely, a home on the earth, a dwelling to be shared in their being-together. While being useless and merely appearing in the world, the work is also what calls for a judgment of taste such as Kant describes it. This means a judgment of common sense based upon a sharing of the world by fellowpeople, and aiming at a standard which is the sensus communis as the very condition of possibility of such a sharing. Moreover, the artwork is a thought made into a thing. Again, as a thought which appears in the world, it calls for judging; for a judgment is a thought which renouncing solitude comes back to the human community. Therefore it turns out that the artwork unifies the human community in its sharing of a common world. Indeed, by requesting that we judge it, the artwork appeals in ourselves to asensus communis through which our thought takes into account the point of view of the others. Moreover, as a thought embodied in a hand-made thing, the artwork makes meaning present and publicly appearing in the sensible world.

Republished; incomplete in preceding issue.  相似文献   

4.
    
The paper aims at sketching the outline of a phenomenology of the artwork on the basis of the short analyses devoted to the topic by Hannah Arendt in a few texts. In order to overcome the mostly allusive and even superficial character of these texts, the paper refers to Kant's teaching in theCritique of Judgment and to Arendt's interpretation of it in several essays.We have tried to pursue as far as possible, in the direction of a philosophy of art, the path opened by her political interpretation of the thirdCritique. We have also endeavoured to develop, beyond what she writes explicitly but in an attempt to make her thought as consistent as possible, the marginal suggestions provided by the book onThinking about the relations between judgment and thought and the theses stated byThe Human Condition about the work of art as a reified thought.Accordingly, the artwork appears to be, in the realm of artefacts, what is the best, appropriated to provide to a human world its stability; since the artwork is the most enduring product of thehomo faber, while escaping the means-end categories as well as any usefulness. Hence the artwork is able to display within the realm of human artefacts the meaning of a human world; namely, a home on the earth, a dwelling to be shared in their being-together. While being useless and merely appearing in the world, the work is also what calls for a judgment of taste such as Kant describes it. This means a judgment of common sense based upon a sharing of the world by fellow-people, and aiming at a standard which is thesensus communis as the very condition of possibility of such a sharing. Moreover, the artwork is a thought made into a thing. Again, as a thought which appears in the world, it calls for judging; for a judgment is a thought which renouncing solitude comes back to the human community. Therefore it turns out that the artwork unifies the human community in its sharing of a common world. Indeed, by requesting that we judge it, the artwork appeals in ourselves to asensus communis through which our thought takes into account the point of view of the others. Moreover, as a thought embodied in a hand-made thing, the artwork makes meaning present and publicly appearing in the sensible world.  相似文献   

5.
The paper aims at sketching the outline of a phenomenology of the artwork on the basis of the short analyses devoted to the topic by Hannah Arendt in a few texts. In order to overcome the mostly allusive and even superficial character of these texts, the paper refers to Kant's teaching in theCritique of Judgment and to Arendt's interpretation of it in several essays. We have tried to pursue as far as possible, in the direction of a philosophy of art, the path opened by her political interpretation of the thirdCritique. We have also endeavoured to develop, beyond what she writes explicitly but in an attempt to make her thought as consistent as possible, the marginal suggestions provided by the book onThinking about the relations between judgment and thought and the theses stated byThe Human Condition about the work of art as a reified thought. Accordingly, the artwork appears to be, in the realm of artefacts, what is the best, appropriated to provide to a human world its stability; since the artwork is the most enduring product of thehomo faber, while escaping the means-end categories as well as any usefulness. Hence the artwork is able to display within the realm of human artefacts the meaning of a human world; namely, a home on the earth, a dwelling to be shared in their being-together. While being useless and merely appearing in the world, the work is also what calls for a judgment of taste such as Kant describes it. This means a judgment of common sense based upon a sharing of the world by fellowpeople, and aiming at a standard which is the sensus communis as the very condition of possibility of such a sharing. Moreover, the artwork is a thought made into a thing. Again, as a thought which appears in the world, it calls for judging; for a judgment is a thought which renouncing solitude comes back to the human community. Therefore it turns out that the artwork unifies the human community in its sharing of a common world. Indeed, by requesting that we judge it, the artwork appeals in ourselves to asensus communis through which our thought takes into account the point of view of the others. Moreover, as a thought embodied in a hand-made thing, the artwork makes meaning present and publicly appearing in the sensible world.  相似文献   

6.
The paper aims at sketching the outline of a phenomenology of the artwork on the basis of the short analyses devoted to the topic by Hannah Arendt in a few texts. In order to overcome the mostly allusive and even superficial character of these texts, the paper refers to Kant's teaching in theCritique of Judgment and to Arendt's interpretation of it in several essays. We have tried to pursue as far as possible, in the direction of a philosophy of art, the path opened by her political interpretation of the thirdCritique. We have also endeavoured to develop, beyond what she writes explicitly but in an attempt to make her thought as consistent as possible, the marginal suggestions provided by the book onThinking about the relations between judgment and thought and the theses stated byThe Human Condition about the work of art as a reified thought. Accordingly, the artwork appears to be, in the realm of artefacts, what is the best, appropriated to provide to a human world its stability; since the artwork is the most enduring product of thehomo faber, while escaping the means-end categories as well as any usefulness. Hence the artwork is able to display within the realm of human artefacts the meaning of a human world; namely, a home on the earth, a dwelling to be shared in their being-together. While being useless and merely appearing in the world, the work is also what calls for a judgment of taste such as Kant describes it. This means a judgment of common sense based upon a sharing of the world by fellow-people, and aiming at a standard which is thesensus communis as the very condition of possibility of such a sharing. Moreover, the artwork is a thought made into a thing. Again, as a thought which appears in the world, it calls for judging; for a judgment is a thought which renouncing solitude comes back to the human community. Therefore it turns out that the artwork unifies the human community in its sharing of a common world. Indeed, by requesting that we judge it, the artwork appeals in ourselves to asensus communis through which our thought takes into account the point of view of the others. Moreover, as a thought embodied in a hand-made thing, the artwork makes meaning present and publicly appearing in the sensible world.  相似文献   

7.
While there has been an increase in empirical research which explores the spirituality of children, few studies have explicitly named and described factors which may inhibit children’s expression of their spirituality. This paper, emanating from the author’s own research into children’s spirituality in Australian Catholic primary schools, presents and describes one such factor, which has been termed trivializing. An example of hermeneutic phenomenological writing—the text—in which trivializing was revealed is presented, followed by a reflection upon the text guided by van Manen’s lifeworld existentials (lived body, lived time, lived space, lived human relations). In the light of this reflection some initial implications for nurturing the spirituality of children within the primary religious education classroom are presented.  相似文献   

8.
The paper reconstructs the read thread that links the information revolution, the information concept and information ethics in Floridi’s philosophy of information. In doing so, it acknowledges the grand attempt but doubts whether this attempt is up to the state of affairs concerning the actual point human history has reached. It contends that the information age is rather conceivable as a critical stage in which human evolution as a whole is at stake. The mastering of this crisis depends on an appropriate shaping of Information and Communication Technologies which requires ethical considerations. In this respect, Floridi’s notion of the fourth revolution, his assumption of the management of the life cycle of information, and his ontocentric macroethics will be discussed in the light of the term “scientific-technological revolution”, the idea of a noogenesis, a new way of thinking and new weltanschauung, the concept of friction in social and physical aspects, the concept of collective intelligence and its application to the Internet and last, but not least, the vision of a Global Sustainable Information Society.  相似文献   

9.
This paper reviews Michael White's early work with communities and extends ideas and practices from that work into the realm of consulting with organizations. We draw on Michael's writing and the records of two specific projects, as well as the recollections of team members in those projects, to describe how ideas and practices that were originally developed in working with individuals and families came to be applied in community settings. Specifically, we show how the central intention of the work is to use narrative ideas and practices in ways that allow communities to articulate, appreciate, document, utilize, and share their own knowledges of life and skills of living. We discuss the basic narrative ideas of stories, double listening, telling and retelling, making documents, and linking lives through shared purposes. For these projects, the teams developed structures that made it possible to use the basic idea with whole communities. We show how this work with communities has offered inspiration and ideas for our work in consulting to organizations. Finally, we describe and illustrate a particular way of working with organizations that carries the spirit of Michael's community work into situations requiring shorter blocks of time and more limited commitments than the original community contexts.  相似文献   

10.
This article utilises hermeneutic phenomenology as a theoretical framework for reflecting upon and interpreting the Mercy Education Value of hospitality. It describes an incident involving the author’s encounter with a member of staff upon his new appointment in a Catholic secondary college formed in the Mercy Tradition. Through this article, the possibilities opened by such an encounter for hermeneutic phenomenology are explored using van Manen’s lifeworld existentials as guides to reflection upon the described incident. The four lifeworld existentials are lived space (spatiality), lived body (corporeality), lived time (temporality) and lived other (relationality). In using these as guides to reflection, it is argued that some insights into the Mercy value of hospitality may be gleaned, namely that to be Mercy involves: (1) exceeding the carefully and socially programmed how are youfine exchange; (2) an encounter with the other – the stranger – in whom is to be found the person of Jesus Christ, in which both participants are transformed; and (3) taking a risk – pushing boundaries so as to enter into relationship with the other.  相似文献   

11.
This paper explores the role of ‘community’ in the context of global bioethics. With the present globalization of bioethics, new and interesting references are made to this concept. Some are familiar, for example, community consent. This article argues that the principle of informed consent is too individual-oriented and that in other cultures, consent can be community-based. Other references to ‘community’ are related to the novel principle of benefit sharing in the context of bioprospecting. The application of this principle necessarily requires the identification and construction of communities. On the global level there are also new uses of the concept of community as ‘global community.’ Three uses are distinguished: (1) a diachronic use, including past, present, and future generations, (2) a synchronic ecological use, including nonhuman species, and (3) a synchronic planetary use, including all human beings worldwide. Although there is a tension between the communitarian perspective and the idea of global community, this article argues that the third use can broaden communitarianism. The current development towards cosmopolitanism is creating a new global community that represents humanity as a whole, enabling identification of world citizens and evoking a sense of global solidarity and responsibility. The emergence of global bioethics today demonstrates this development.  相似文献   

12.
Current approaches to cyber-security are not working. Rather than producing more security, we seem to be facing less and less. The reason for this is a multi-dimensional and multi-faceted security dilemma that extends beyond the state and its interaction with other states. It will be shown how the focus on the state and “its” security crowds out consideration for the security of the individual citizen, with detrimental effects on the security of the whole system. The threat arising from cyberspace to (national) security is presented as possible disruption to a specific way of life, one building on information technologies and critical functions of infrastructures, with relatively little consideration for humans directly. This non-focus on people makes it easier for state actors to militarize cyber-security and (re-)assert their power in cyberspace, thereby overriding the different security needs of human beings in that space. Paradoxically, the use of cyberspace as a tool for national security, both in the dimension of war fighting and the dimension of mass-surveillance, has detrimental effects on the level of cyber-security globally. A solution out of this dilemma is a cyber-security policy that is decidedly anti-vulnerability and at the same time based on strong considerations for privacy and data protection. Such a security would have to be informed by an ethics of the infosphere that is based on the dignity of information related to human beings.  相似文献   

13.
This article explores the prominent Harry Potter series by J. K. Rowling in relation to the psychology and work of C. G. Jung. 1 1. Haunted prophet refers to C. G. Jung and is based on the title of a book (see Stern). Also, special thanks to Alan P. Molitor and Elisabeth Y. Talamo for their assistance with various aspects of this piece. View all notes The Jungian approach elicits significant meaning from the archetypal material that comes alive through the life and adventures of the boy wizard Harry and his contemporaries. It is the proper lens with which to observe this material, as it helps to provide the appropriate symbolic connections between the human space–time bound world in which we live on a daily basis and the divine, nonspace–time bound archetypal realm that patterns our lives. By gleaning and implementing the key insights that emerge from this Potter–Jung exploration, we are better able to understand the bidirectional transformative effects of the powerful images arising from the collective unconscious.  相似文献   

14.
《Psychoanalytic Inquiry》2012,32(5):468-479
The technological revolution brought on by video recording, digital devices, and the Internet meat market has transformed the way individuals access and express their sexual needs, erotic longings, and relationships. What once was a matter of deviant, closeted activity is today a for-sale object on virtual supermarkets of desire. The advent of computers and the introduction of virtual or simulated processes have changed the way individuals relate to, and think about, sexuality. Is contemporary science leading people on a dangerous journey into a postbiological realm?  相似文献   

15.
This article explores the way new church congregations in a city in northern England, the city of York, are using religious and non-religious spaces in which to meet. These new congregations show a diverse approach to the material realm and especially to sacred space. Some use existing church buildings, some build their own structures. But many use a range of buildings: schools, community centres, a pub or the garage of a private house. An examination of these structures offers insights into ways in which faith engages with wider social realities and into contemporary religious history. This article will focus primarily on Britain, but casts an eye to developments elsewhere.  相似文献   

16.
One hundred years ago, if we proposed that we could make you happy with a pill, we would have been ridiculed and would have entered the realm of science fiction and not science itself. Yet that is precisely where we are today. The genetics and neurobiological revolution is upon us, and we advocate that political psychology not simply join this revolution but take a lead role in it. Here in this review, we explore the various ways in which political psychology can embrace this revolution and incorporate work in neuropsychology, cognitive neuroscience, psychiatry, endocrinology, and recent advances in genetics. In doing so, we advocate the adoption of an epidemiological approach and discuss the ways in which various methods including physiological experimentation, genetic analysis, and neurological explorations including MRIs and other technical advances provide critical insight into human behavior and present intriguing possibilities for exploring the nature of political attitudes, attachments, and behaviors. In advocating for broadening the approaches used in the field, we reflect critically on how we might improve and strengthen the accuracy of our understanding of the psychological bases of political preferences and behavior in the future.  相似文献   

17.
In 1840, Alexis de Tocqueville coined the term “individualism” to refer to the tendency for Americans to withdraw into their own desires and interests, thus weakening and diminishing the “habits of the heart” that bind a generation to the customs of their forebears and contemporaries. A problem, though, is that modern individualism undermines the very ideals—i.e. autonomy, equality, and freedom—that motivated it in the first place. Understood as a way of life, liberal individualism is permeated by alienation, estrangement, and thoughtless patterns of conformism. In what follows, I hope to show that hermeneutic phenomenology as developed by Martin Heidegger marks an important break from the modern liberal individualistic outlook. The point is to undercut the contrived interpretations of our current historical tradition in order to demonstrate that belonging to and sharing in the struggles of a generation are conditions for being human at all. This critique does not provide a panoptic or definitive account of the basis of a genuine community, but does give us a richer sense of place and purpose, beyond even what the current polis/political community designates (though it certainly includes it).  相似文献   

18.
马克思的自由观及其当代意义   总被引:9,自引:0,他引:9  
马克思的哲学中,艺术活动始终是人类自由生存的典范状态。在其早期思想中,由于视生产劳动本质上是一种类似于艺术的活动,马克思认为消除了异化的生产实践便是人的自由的实现?而在其晚年思想中,由于认识到物质生产领域始终是一个必然性王国,自由王国便被置于这一必然王国的彼岸,自由的实现也便只能存在于艺术活动之中,但这一自由王国的繁荣又依赖于必然王国借助生产率的提高所提供的自由时间的增长。马克思的这一自由观对于当代人类的自我理解仍有重要的意义。  相似文献   

19.
The influence of Facebook in social life keeps constantly growing. Recently, the communication of information has been vital to the success of the Tunisian revolution, and Facebook was its main "catalyst." This study examines the key reasons that explain Facebook's contribution to this historical event, as perceived by Tunisian Internet users. To do so, we launched this study 5 days after the fall of the regime using an online questionnaire in which participants (N=333) first rated the importance of Facebook in the Tunisian revolution and then explained the reasons for their ratings. A cluster analysis based on the Euclidean distance between the most frequent words in the participants' text corpus (6,640 words), revealed three main clusters that we interpret as follows: 1: Facebook political function, 2: Facebook informational function, and 3: Facebook media platform function. It is likely that these factors reflect the dynamic of Tunisian cyberspace and the Tunisian Internet users' collective consciousness during the revolution.  相似文献   

20.
Matthew Stanley 《Zygon》2011,46(3):536-560
Abstract. A historical perspective allows for a different view on the compatibility of theistic views with a crucial foundation of modern scientific practice: the uniformity of nature, which states that the laws of nature are unbroken through time and space. Uniformity is generally understood to be part of a worldview called “scientific naturalism,” in which there is no room for divine forces or a spiritual realm. This association comes from the Victorian era, but a historical examination of scientists from that period shows that uniformity was an important part of both theistic and naturalistic worldviews. Victorian efforts to maintain the viability of miracles and divine action within a universe ruled by natural laws receives special attention. The methodological practices of theistic and naturalistic scientists in the nineteenth century were effectively indistinguishable despite each group's argument that uniformity was closely dependent on their worldview. This similarity is used to reexamine both the reasons for the decline of the role of religion within the scientific community and claims made by the intelligent design movement about the relationship of science and religion.  相似文献   

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