Being in the Game: Effects of Avatar Choice and Point of View on Psychophysiological Responses During Play

The innovative features of multi-player computer games offer compelling opportunities for self-representation during interactions, and the ways in which these avatars are chosen and manipulated may change interactive experiences. This study investigated the effects of avatar choice (choice vs. no choice) and visual point of view (POV; first-person vs. third-person) on the physiological arousal and subjective evaluations of game experiences. A 2 (Avatar Choice, No Avatar Choice) × 2 (first-person POV, third-person POV) × 2 (female players, male players) mixed-design experiment was conducted (N = 22). The results demonstrated that being able to pick the character that will represent the player in the game leads to greater arousal, especially for males. Visual POVs alone did not affect the game player's arousal, but moderated the effect of avatar choice on the game player's heart rates. Avatar choice produced a more pronounced effect in the third-person POV (where the “camera” was located behind the avatar) in which avatar choice was visually more reinforced than in the first-person POV (where the “camera” was the eyes of the avatar). The results also revealed that the gender of the game player was a significant factor in game play experience. The results suggest theoretical implications of video game self-representation and effects on game player's psychophysiological responses.     

Exploring maternal touch in the infant’s first 18 months of Life: A study on an Italian sample

Affective touch is a crucial component of caregiving in early life and constitutes a key factor with a significant impact on infant later-life outcomes. The Parent-Infant Caregiving Touch Scale (PICTS) allows to quantify and qualify the caregiver's self-perception of touch in the first months of an infant’s life. In the current study, we contributed to validation of the PICTS in the Italian language in order to explore whether early maternal touch would be associated with maternal emotional state, maternal history of affective touch experiences throughout the lifespan, and infants’ sex and age. Data analyses were run on a sample of 377 Italian mothers (mean age = 33.29; SD = 4.79) participating in an online survey. Confirmatory factor analysis was applied. A three-dimensional structure of PICTS (i.e., stroking, affective communication, and holding) after removing one item out resulted in the best model in our sample. Maternal emotional state did not affect PICTS factor scores while maternal comfort and amount of affective touch experienced during adulthood was significantly associated with the stroking, affective communication, and holding factors. Regarding infants’ dimensions, infants’ sex and age were not associated with PICTS factor scores. Findings suggest that the PICTS Italian version is a good measurement of caregiver's self-perception of touch in early infancy and that maternal history of touch is associated with a mother’s current use of touch.     

I,You, or He: Examining the Impact of Point of View on Narrative Persuasion

ABSTRACT

Narratives can be used to persuade individuals to change their attitudes and behaviors, and can be especially effective is in changing attitudes toward individuals that are stigmatized or otherwise labeled as outgroup members. One feature that can influence a story’s persuasive effectiveness is the story’s point of view (POV). This study experimentally investigated the relative impacts of 1st-, 2nd-, and 3rd-person POVs on attitudes toward, and beliefs about, gay people. Results showed that participants who read the 3rd-person story had significantly more positive attitudes toward gay people than those who read the 1st-person story. In all cases, POV appeared to have no impact upon narrative transportation or identification.     

SPIRITUAL INTELLIGENCE: PROCESSING DIFFERENT INFORMATION OR PROCESSING INFORMATION DIFFERENTLY?

This article introduces the concept of spiritual intelligence in terms of a natural human ability to take a different perspective on reality rather than an extraordinary ability to engage with a different/supernatural reality. From a cognitive perspective, spiritual intelligence entails a re-balancing of the two main modes of human cognition, with a prioritization of the holistic-intuitive mind over the conceptual one. From the psychological and phenomenological perspectives, it involves a different kind of engagement with information: slower, more participatory, less objectifying, and not focused entirely on problem solving. The article ends with a reflection on the theological implications of the proposed model and how such an account of spiritual intelligence as knowing differently might relate to theological anthropology and the theology of the spirit and the spiritual.     

Chronic pain relief after receiving affective touch: A single case report

Affective touch is gentle slow stroking of the skin, which can reduce experimentally induced pain. Our participant, suffering from Parkinson's Disease and chronic pain, received 1 week of non-affective touch and 1 week of affective touch as part of a larger study. Interestingly, after 2 days of receiving affective touch, the participant started to feel less pain. After 7 days, the burning painful sensations fully disappeared. This suggest that affective touch may reduce chronic pain in clinical populations.     

The Psychosocial Effects of Drone Violence: Social Isolation,Self‐Objectification,and Depoliticization

The U.S.‐led drone program has severe and wide‐ranging psychosocial and political effects on people in targeted areas. This article draws upon the author's interviews with people living under drones in Afghanistan to argue that drone surveillance and bombardment causes social isolation and self‐objectification. Interviewees reported that social gatherings, and any activities that involve nighttime travel, are shortened or avoided out of fear that drone surveillance will spot so‐called “nefarious activity” and bombardment will follow. Drawing upon feminist and postcolonial scholarship, the article contends that drone surveillance constitutes a form of psychological colonization. Civilians are frequently made to think of how they look to drone operators and change their behaviors accordingly—therein “self‐objectifying.” Narratives of “precision” warfare allow citizens of Western liberal democracies leading/supporting the drone program to avoid psychologically confronting these effects, while people living under drones face relentless psychological insecurities.     

Affective geographies in pandemic times: An intersectional analysis of women's wellbeing in Aotearoa New Zealand

This article builds upon and extends a growing body of literature focused on how the pandemic has shifted human relations with space, place, and wellbeing. Working at the intersection of pandemic and feminist geographies, we focus on how the reconceptualizing of familiar spaces and places during the COVID-19 pandemic impacted women's embodied, affective, and subjective experiences of wellbeing. Drawing upon interviews with 38 women from diverse socio-cultural backgrounds living in Aotearoa New Zealand during the first two years of the COVID-19 pandemic, we detail the emergence of different spatial arrangements and affective relations with familiar spaces and places (i.e., domestic, nature, and digital spaces). We then explain how these emergent affective and spatial relations prompted new understandings of wellbeing. The article also highlights the multiplicities of women's subjective experiences of wellbeing as shaped by their varied socio-cultural positionings in relation to pandemic geographies.     

Photography and Social Media Use in Community‐Based Participatory Research with Youth: Ethical Considerations

Community‐based participatory researchers increasingly incorporate photography and social media into their work. Despite its relative infancy, social media has created a powerful network that allows individuals to convey messages quickly to a widespread audience. In addition to its potential benefits, the use of social media in research also carries risk, given the fast pace of exchanges, sharing of personal images and ideas in high accessibility, low privacy contexts and continually shifting options and upgrades. This article contributes to the literature examining ethical considerations for photography and social media use in community‐based participatory research. We describe three key ethical dilemmas that we encountered during our participatory photography project with Latina/o youth: (a) use and content of images and risk; (b) incentives and coercion; and (c) social media activity and confidentiality. We provide our responses to these challenges, contextualized in theory and practice, and share lessons learned. We raise the question of how to contend with cultural shifts in boundaries and privacy. We propose that evaluating participant vulnerability versus potential empowerment may be more fitting than the standard approach of assessing risks and benefits. Finally, we recommend upholding the principles of participatory research by co‐producing ethical practices with one's participants.     

Two Puzzles Concerning Spinoza's Conception of Belief

Spinoza's account of belief entails that if A has two ideas, p and q, with incompatible content, A believes that p (and not that q) if the idea of p is stronger than the idea of q. This seems to leave little space for dominant non‐beliefs, or cases in which there is discord between one's beliefs and one's affective‐behavioral responses. And yet Spinoza does allow for two classes of dominant non‐beliefs: efficacious fictions [fictiones] and ideas that conduce to akrasia. I show how Spinoza can account for dominant non‐beliefs within his model of cognition by distinguishing between the doxastic and the affective powers of ideas and by suggesting that doxastic power is best understood diachronically. While other scholars have stressed the elegance of Spinoza's account of ideas, this paper highlights the sophistication and flexibility of his account.     

Touching the Virgin. On the politics of intimacy in Jean-Luc Godard's Hail Mary

This paper is guided by a conviction common to Godard and Merleau-Ponty: namely, that the special power of art is its ability to show up for us the invisible, what was previously unseen, and thereby to shape intimately, to transform, our own perceptions of the world. Art can thereby bring us into a more intimate contact with reality. With reference especially to Godard's film Hail Mary, the paper argues that Godard distinguishes between two ways of approaching the human body: on the one hand, it can be approached as prostituted thing – which has the effect of developing in the prostituted person a kind of absence to herself and to others, a dispossession of herself and an anesthesia to her own and others' affective life. On the other hand, the human body can be approached as sacredly human – in which case we will touch that body very differently, expressing our presence to its embodied divinity precisely by withdrawing our touch and leaving space for its own desires. It is proposed that Godard's filmmaking aims at precisely this kind of withdrawal and letting be, and that thereby he awakens his viewers to, makes them more intimate with, the sacred in the human.     

Why drive? Psychoanalytic reflections on the film Never let me go

The author presents a psychoanalytic interpretation of Mark Romanek's film Never Let Me Go, which concerns a society in which young adult clones have their internal organs ‘harvested’ for transplantation. Following some general remarks on the method of psychoanalytic film interpretation, strongly emphasising the aesthetics of form and artistic elements specific to film, the author develops the notion that through its cinematic perspectives and shots, Never Let Me Go dramatizes a specific relationship between the sublime and solitude. The film therefore deals with a particular intrinsic difference between expanse and constraint, as well as the limited and the eternal. This leads the viewer to participate directly in a film‐specific way in the inner conflicts at work both in the film's theme and in its protagonists. In terms of aesthetic content, these conflicts are revealed as those of an inescapable thanatological theme that is essentially intertwined with an erotic one. The film shows how love, sexuality, and internal and external images arise from thanatological forces, and it simultaneously provides a way of sublating them (Hegel's Aufhebung) – that is, the film itself represents a benign drive fusion. The film's protagonists, however, struggle with a lack of early parenting and thus with the helplessness of facing individual drive development and the longing for a holding object. Hence, in formal terms, the film deals with the sublime, and, as I will show, it also deals with sublimation at the level of its content.     

Archetypal images emerging in the therapy of Lithuanian cancer patients

The goal of this paper is to show through clinical examples how archetypal images connected with nature emerged in Lithuanian cancer patients, to analyze how these images helped them to get in touch with their emotions and meaningful personal experiences, and to discuss how these archetypal images are related to the Lithuanian cultural unconscious, and may also assist the psychological treatment of cancer. The analyzed examples permit the preliminary conclusion that when ill with cancer, a person's psyche generates universal archetypal images that constitute an important part of the process of coping psychologically with the disease.     

The role of affective touch in whole-body embodiment remains equivocal

Previous studies have highlighted that affective touch delivered at slow velocities (1–10 cm/s) enhances body-part embodiment during multisensory illusions, yet its role towards whole-body embodiment is less established. Across two experiments, we investigated the role of affective touch towards subjective embodiment of a whole mannequin body within the full body illusion, amongst healthy females. Participants perceived affective touch to be more pleasant than non-affective touch, but this did not enhance subjective embodiment within the illusion and no interaction between synchrony (Experiment 1), or congruency (Experiment 2), and the velocity of touch was observed. Finally, the perceived pleasantness of touch was not modulated by subthreshold eating disorder psychopathology, as measured by means of a self-report questionnaire. Therefore, the present findings suggest that enhancement of embodiment due to affective touch may be body-part specific, and not generalise to greater ownership towards a whole body.     

Against Unnecessary Duplication of Selves: A Sartrean Argument Against Zahavi

In this article I argue that Zahavi's Sartre-inspired combination of the experiential and narrative self entails an unnecessary duplication of selves. Sartre himself accused Husserl of the same mistake in The Transcendence of the Ego. He claims that Husserl's combination of the transcendental I and the Me is unnecessary, and that we can do without the first. I try to show that Sartre's critique of Husserl also applies to Zahavi. Sartre's critique is based on his idea of impersonal consciousness, which I explain by comparing it to Armstrong's example of the long-distance truck-driver. Furthermore, I explicate how the alternative notion of self that Sartre proposes in the same work avoids unnecessary duplications of selves, and thereby evades further problems concerning how the two selves relate to one another.     

Driver performance due to small unmanned aerial system applications in the vicinity of roadways

Small unmanned aerial systems (sUAS), or drones, have become increasingly utilized for a myriad of applications in the vicinity of roadways and can offer a low-cost alternative to many labor-intensive data collection techniques, including infrastructure inspection, roadway marking data collection, and more. To collect much of this data with a desired degree of accuracy, sUAS must be flown near moving vehicles, pedestrians, and/or bicyclists. However, sUAS, and their operators, have the potential to be a distraction to drivers. Through a full-immersion driver simulator study and post-experiment questionnaire, this study furthered the current state-of-the-literature and investigated the potential for sUAS to be flown in the vicinity of roadways in the future as well as potential safety implications of those circumstances. Specifically, driver performance due to drone height and the presence of drone operators was evaluated. The results of the driving simulation study revealed that participants were more visually distracted in situations where the operators and drone were both present compared to the drone only scenarios. Furthermore, in 11% of all analyzed situations, drivers were critically visually-distracted as shown by a continuous glance of two seconds or more at the drone or operators. The post-experiment questionnaire revealed that approximately 30% of participants had seen a drone in flight near a roadway prior to this study. Ultimately, this research provides recommendations to policymakers for creating regulations on the use of sUAS in the vicinity of roadways.     

On listening to “The Scarlet Tide” (by T Bone Burnett and Elvis Costello) from Cold Mountain: a movie song and its afterlife

This article examines how the emerging concept of affective space can be applied to movie soundtracks, with particular reference to “The Scarlet Tide” written by T Bone Burnett and Elvis Costello for the film Cold Mountain (dir. Anthony Minghella 2003) and the implications this has for the place of religion in film culture. The article explores how affective space works with the experience of individual listeners and the wider social context. Both affective expressions can shape how this track is received and integrated into a process of meaning making. The article concludes with an assessment of some implications that this discussion has for understanding the social nature of music, religion, and spirituality.     

Affective judgment in spatial context: Orienting within physical spaces containing people and things

This article reviews our experimental work about affective judgment in spatial context. This type of judgment serves to regulate one's distance toward people and things in physical space. The main idea is that orienting within physical space requires not only knowing where places are but also how places feel. This, in turn, depends on the influence of people and things contained in space on one's affective appraisal of the surroundings. Based on fundamental principles of social cognition, affective judgment in spatial context combines people's beliefs about how influence unfolds into the surroundings with comparison, categorization and information integration processes. Out comes a subjective affective representation of physical space that is cognitively coherent within a given spatial frame of reference. I review our work according to main topics and discuss four possible directions for future research.     

The “New” Relationship Models of Women's Identity: A Review and Critique for Counselors

This article reviews theories of women's identity that emphasize the relational capacities of women. It provides a brief summary of five theories that have received attention during the 1980s and focuses on how these perspectives can be integrated and enrich counseling practices. It also cautions against oversimplifying the nature of women's identity and suggests that an inclusive view of women's or men's identity must devote attention to individual differences, situational factors, and external social forces that influence persons.     

Mood and Emotions in Small Groups and Work Teams

Affective influences abound in groups. In this article we propose an organizing model for understanding these affective influences and their effects on group life. We begin with individual-level affective characteristics that members bring to their groups: moods, emotions, sentiments, and emotional intelligence. These affective characteristics then combine to form a group's affective composition. We discuss explicit and implicit processes through which this affective combination occurs by examining the research on emotional contagion, entrainment, modeling, and the manipulation of affect. We also explore how elements of the affective context, such as organizationwide emotion norms and the group's particular emotional history, may serve to constrain or amplify group members' emotions. The outcome, group emotion, results from the combination of the group's affective composition and the affective context in which the group is behaving. Last, we focus on the important interaction between nonaffective factors and affective factors in group life and suggest a possible agenda for future research.