Toward a Theory of Career Development for Women

Nine postulates are presented in an attempt to characterize the distinctive differences in the work life of men and women, the developmental stages unique to women, their patterns of vocational participation, and the determinants of the patterns. Implications for practicing counselors and additional needed research are noted.     

Reflection Toward Creativity: Team Reflexivity as a Linking Mechanism Between Team Goal Orientation and Team Creative Performance

Purpose

This study aims at testing the mediating role of team reflexivity in the relationships between team learning, performance-prove, and performance-avoid goal orientations and team creative performance and assessing the relative importance of the three types of team goal orientation in team reflexivity and creative performance.

Methodology

We conducted Study 1 on 68 student teams by using a two-wave time-lagged design. In Study 2, we carried out a cross-sectional field study on 108 intact work teams in diverse Korean companies.

Findings

Team learning goal orientation was significantly associated with team creative performance. While team learning and performance-prove goal orientations were equally influential in predicting team reflexivity, team performance-avoid goal orientation had no relationship with team reflexivity and creative performance. Team reflexivity mediated the relationships between team learning and performance-prove goal orientations and team creative performance.

Implications

By revealing that team learning and performance-prove goal orientations can contribute to team creative performance through the facilitation of team reflective process, this study provides practitioners with insight into critical antecedents and team process that are conducive to the creative performance of work teams.

Originality/Value

This is one of the first studies to explore a mediating mechanism between team goal orientation and creative performance. This study attends to the role of team reflexivity as a key team-regulatory process that underlies the relationship between team goal orientation and team performance. Furthermore, the use of multiple studies in different contexts strengthens the robustness of the study findings.

     

诠释的创造性与"创造的诠释学"

自施莱尔马赫奠定现代诠释学以来,经过了一个多世纪的发展,已发展成为一股令人瞩目的世界性哲学思潮。如今,这股思潮突破语言的界线,延伸到了具有悠久历史传统的中国哲学领域。一批海外华裔学者率先对此作出了回应,而美国天普大学傅伟勋教授建立的“创造的诠释学”尤为引人注目。它虽发端于释老之学,然又融会了西方哲学的诠释方法论,在诠释学方法规则的制定上具有独特的建树。在这个意义上,它是融合中、西思想的诠释学形态。其宗旨是构建一个诠释的方法论规则体系,以现代化地重建传统哲学。     

Toward a Theory of Solidarity

Many types of `other-regarding' acts and beliefs cannotbe accounted for satisfactorilyas instances of sophisticated selfishness, altruism,team-reasoning, Kantian duty, kinselection etc. This paper argues in favour ofre-inventing the notion of solidarity as ananalytical category capable of shedding importantnew light on hitherto under-explainedaspects of human motivation. Unlike altruism andnatural sympathy (which turn theinterests of specific others into one's own), orteam-reasoning (which applies exclusivelyto members of some team), or Kantian duty (whichdemands universalisable principlesof action), the essence of solidarity lies in thehypothesis that people are capable ofresponding sympathetically to (or empathising with)a condition afflicting others,irrespectively of who those others are or whetherone cares for them personally. Andwhen that condition is a social artefact, we argue,solidarity turns radical.     

“生生”、“感通”、“偕行”——《易传》的天人共生哲学

天人问题是中国哲学的基本问题,天人的基本含义之一相当于我们现在通常说的自然与人;基本含义之二是视天人为有德性(道德)的、有能动性的动态的、协调的存在。中国哲学中的这种天人观在《易传》中表现为"生生"——"感通"——"偕行"的天人共生态。《易传》既将天人视为一个"生生不息"的自然的生命有机体,又充分发掘天人的德性,并使二者相资相长,"日新之谓盛德,生生之谓易",天地人各有其位,各尽其能,各循其道,"各正性命",一体偕行,共生共存共荣。     

From Blind to Creative: In Defense of Donald Campbell's Selectionist Theory of Human Creativity

Both Perkins and Sternberg recognize Campbell's selectionist theory of knowledge generation as accounting for certain types of learning and human creativity. However, they argue that his theory cannot account for the full spectrum of human creativity, with Sternberg having more serious reservations than Perkins. I argue in this commentary that while blind variation and selective retention (BVSR) may not be involved in all forms of human behavior and thought, Campbell has made a compelling (if often misunderstood) case that all genuine forms of human creativity and invention involve BVSR. To support this broad application of Campbell's theory, I argue for the complementarity of among-organism and within-organism BVSR as well as for the complementarity of prior and current BVSR in all forms of creative human endeavor.     

科技人员创造动机与创造力的研究

本研究初步探讨了我国科技人员创造动机与创造力的关系及其基本特征。 1 74名科技人员回答了成就目标、内部动机与外部动机、创造动机和创造力问卷。研究结果表明我国科技人员有较高的创造力和创造动机水平 ,在动机中内部动机水平最高。在动机与创造力的关系上 ,内部动机对创造力的直接与间接影响均达到了显著水平 ,外部动机对创造力的负面影响没有达到显著水平 ,任务目标对创造力无影响 ,自我目标对创造力的积极影响未达到显著水平。     

Vygotsky's Theory of Creativity

In Educational Psychology (1997/1926), Vygotsky pleaded for a realistic approach to children's literature. He is, among other things, critical of Chukovsky's story "Crocodile" and maintains that this story deals with nonsense and gibberish, without social relevance. This approach Vygotsky would leave soon, and, in Psychology of Art (1971/1925), in which he develops his theory of art, he talks about connections between nursery rhymes and children's play, exactly as the story of Chukovsky had done with the following argument: By dragging a child into a topsy-turvy world, we help his intellect work and his perception of reality. In his book Imagination and Creativity in Childhood (1995/1930), Vygotsky goes further and develops his theory of creativity. The book describes how Vygotsky regards the creative process of the human consciousness, the link between emotion and thought, and the role of the imagination. To Vygotsky, this brings to the fore the issue of the link between reality and imagination, and he discusses the issue of reproduction and creativity, both of which relate to the entire scope of human activity. Interpretations of Vygotsky in the 1990s have stressed the role of literature and the development of a cultural approach to psychology and education. It has been overlooked that Vygotsky started his career with work on the psychology of art.