The psychological relationship between lightness and saturation

Lightness and saturation, though independent in a physical sense, have often been seen to be psychologically related. The first experiment uses a multidimensional scaling technique to again verify this nonindependence for untrained Os. A further experiment, using a matching technique, quantifies this relationship, giving the extent of the error in lightness for varying levels of saturation. This relationship is found to be independent of hue if saturation is measured by the colorimetric purity of the hue. Errors in value (lightness on the Munsell system) were found to be linearly related to colorimetric purity.     

Monocular and binocular rivalry between contours.

The temporal characteristics of binocular and monocular rivalry between orthogonal gratings of the same or complementary colours were investigated. Rivalry was measured in terms of the dominance of either grating or the visibility of composites comprised of parts of both gratings. The total duration for which either grating was dominant was significantly longer in binocular rivalry between gratings of complementary colours. A comparison of binocular and monocular rivalry indicated considerable phenomenal differences between them. Dominance in binocular rivalry corresponds to the visibility of one grating alone; this occurs rarely in monocular rivalry, which is characterized by fluctuations in the distinctiveness of the gratings. The changes in distinctiveness are influenced by colour in a similar manner to that in binocular rivalry, and the frequencies of fluctuations are higher for gratings of complementary colours.     

The relation between color spreading and illusory contours

In the present study, we examine the relation between neon color spreading (Redies & Spillmann, 1981) and illusory contours. In Experiment 1, the effects of misalignment between the line elements on the illusory contours in the Ehrenstein figure and in the Redies-Spillmann figure were examined. The remarkable overlap of the two curves for the likelihood of perceiving illusory contours in the Ehrenstein figure and in the Redies-Spillmann figure suggests that the illusory contours surrounding brightness enhancement (Ehrenstein, 1941) and those surrounding neon color spreading are caused by the same mechanism. We further examined both the effects of the interposed grids seen either in front of or behind the figures (Experiment 2) and the effects of misalignment (Experiment 3) on the illusory contours and range of color spreading, and found a high correlation between the appearance/disappearance of illusory contours and global/local color spreading. In Experiment 4, we added new lines to induce illusory contours to the line elements inducing local color spreading. We found that global color spreading was seen to cover the area surrounded by the illusory contours. On the basis of these findings, we suggest that there is an interaction between illusory contours and local color spreading.     

Explaining lightness illusions.

Grey looks darker when set against white than when set against black. In some complex figures this illusion becomes startling, and can be shown to depend on the perceptual organisation of regions within the image. The most widely accepted explanations of such effects are based on the analysis of the junctions formed where the boundaries of nearby regions meet. Even theories where junctions are not the subject of special concern underline their importance as grouping cues. In this paper I present several new families of figures that challenge both views, and conclude that junctions do not play any crucial role in lightness estimation.     

Spatial articulation affects lightness

In a recent paper, Agostini and Bruno (1996) showed that the size of simultaneous lightness contrast increases under Gelb lighting. To extend Agostini and Bruno's work, we applied their methodology to a set of more spatially articulated displays. In four experiments, we investigated the role of spatial articulation on the size of the simultaneous lightness contrast effect. In the first experiment, we found a decrease of the simultaneous lightness contrast effect as the spatial articulation increased. In the second experiment (the control experiment), performed under homogeneous illumination, we found that the effect of spatial articulation is not detectable, even though the data seem to show the same trend as that in the previous experiment. In the third experiment, we found that spatial articulation affects not only the middle reflectance region, but also the lowest one. As the spatial articulation increases, the effect on the lightnesses of both regions decreases. In the last experiment, performed with a reduced range of reflectances, we found a lightening effect for all the reflectances and, again, an effect of spatial articulation. The results of these experiments are interpreted according to the model proposed by Gilchrist et al. (in press).     

The relationship between brightness contrast and illusory contours.

One group of subjects rated differences in brightness and another the clarity of illusory contours for eight figure-ground combinations of the Kanizsa and Ehrenstein patterns made from Munsell papers. For four combinations there was a difference in Munsell value (brightness) between figure and ground and for another four no difference. For the latter the pattern was derived from differences in hue or colour quality. For the combinations with a Munsell value difference the ratings of both brightness difference and contour clarity were high and for those of uniform value both were low. The results are interpreted as supporting the argument that illusory contours derive primarily from contrast-induced differences in brightness and possibly in colour between contiguous, physically uniform regions.     

The unbearable lightness of priming

Repetition priming from text to isolated words has been difficult to observe. One explanation for this difficulty is that previous attempts to observe this type of priming have utilised conditions that normally reduce priming. Two experiments were conducted to evaluate this hypothesis. Experiment 1 involved participants being presented with words in isolation and in text passages. The words were then presented again in a lexical decision test. Results indicated that priming occurred as a result of exposure to both isolated words and words in text, although priming was greater in the word-word condition. Experiment 2 investigated whether priming occurred in a lexical decision test on words that had been read prior to the test in Milan Kundera's novel "The Unbearable Lightness of Being." There was some evidence that participants who had read the book recently were faster at lexical decision to words from the book than participants who had not read the book. The two experiments therefore indicate that priming can occur from text to isolated words, although it is smaller in magnitude to that observed from word to word. Reasons for this difference, as suggested by Kirsner and Speelman (J. Exp. Psychol.: Learn. Mem. Cogn. 22 (1996) 563) model of repetition priming, are discussed.     

Spatial and temporal lightness anchoring

Research in the area of lightness perception has not adequately addressed the influence of previously viewed visual fields on perceived surface reflectance. In the spatial realm, a spot-in-a-void will appear darker when a second surface of higher intensity is placed adjacent to it. The brighter surface takes the role of white, the anchor, and the dimmer is scaled accordingly. We find that when a spot-in-a-void is presented to observers in a light controlled chamber it is influenced by nonretinal temporal relationships mediated by the degree of complexity. We also find that the influence cannot be explained in terms of successive contrast at a high or low level in the visual system, but can be explained by an anchoring model. The present results follow the same rules governing spatial integration and anchoring and thereby support the currently proposed concept of temporal anchoring.     

Impossible shadows and lightness constancy

The intersection between an illumination and a reflectance edge is characterised by the 'ratio-invariant' property, that is the luminance ratio of the regions under different illumination remains the same. In a CRT experiment, we shaped two areas, one surrounding the other, and simulated an illumination edge dividing them in two frames of illumination. The portion of the illumination edge standing on the surrounding area (labelled contextual background) was the contextual edge, while the portion standing on the enclosed area (labelled mediating background) was the mediating edge. On the mediating background, there were two patches, one per illumination frame. Observers were asked to adjust the luminance of the patch in bright illumination to equate the lightness of the other. We compared conditions in which the luminance ratio at the contextual edge could be (i) equal (possible shadow), or (ii) larger (impossible shadow) than that at the mediating edge. In addition, we manipulated the reflectance of the backgrounds. It could be higher for the contextual than for the mediating background; or, vice versa, lower for the contextual than for the mediating background. Results reveal that lightness constancy significantly increases when: (i) the luminance ratio at the contextual edge is larger than that at the mediating edge creating an impossible shadow, and (ii) the reflectance of the contextual background is lower than that of the mediating one. We interpret our results according to the albedo hypothesis, and suggest that the scission process is facilitated when the luminance ratio at the contextual edge is larger than that at the mediating edge and/or the reflectance of the including area is lower than that of the included one. This occurs even if the ratio-invariant property is violated.     

Contrast and assimilation in lightness judgments

Experiments studied how assimilation and contrast varied as a function of the reflectance of figures above and below the reflectance of a gray background. The results showed that for the experimental conditions investigated: (a) contrast always occurs when the reflectance of lines is above the reflectance of the background, (b) assimilation occurs when the reflectance is below that of the background, (c) circles produce the same degree of assimilation and contrast as lines of equal width, and (d) repeated judgments do not affect contrast but reduce assimilation; as line darkness and line width increase assimilation gives way to contrast following repeated judgments. The results are discussed in connection with the hypothesis that assimilation and contrast arise from opponent processes in the visual system,     

Contrast and assimilation in lightness judgments

Experiments studied how assimilation and contrast varied as a function of the reflectance of figures above and below the reflectance of a gray background. The results showed that for the experimental conditions investigated: (a) contrast always occurs when the reflectance of lines is above the reflectance of the background, (b) assimilation occurs when the reflectance is below that of the background, (c) circles produce the same degree of assimilation and contrast as lines of equal width, and (d) repeated judgments do not affect contrast but reduce assimilation; as line darkness and line width increase assimilation gives way to contrast following repeated judgments. The results are discussed in connection with the hypothesis that assimilation and contrast arise from opponent processes in the visual system.     

Surface lightness influences perceived room height

Surprisingly little scientific research has been conducted on the effects of colour and lightness on the perception of spaciousness. Practitioners and architects typically suggest that a room's ceiling appears higher when it is painted lighter than the walls, while darker ceilings appear lower. Employing a virtual reality setting, we studied the effects of the lightness of different room surfaces on perceived height in two psychophysical experiments. Observers judged the height of rooms varying in physical height as well as in the lightness of ceiling, floor, and walls. Experiment 1 showed the expected increase of perceived height with increases in ceiling lightness. Unexpectedly, the perceived height additionally increased with wall lightness, and the effects of wall lightness and ceiling lightness were roughly additive, incompatible with a simple effect of the lightness contrast between the ceiling and the walls. Experiment 2 demonstrated that the floor lightness has no significant effect on perceived height, and that the total brightness of the room is not the critical factor influencing the perceived height. Neither can the results be explained by previously reported effects of brightness on apparent depth or perceived distance.     

Illusory lightness in the Delboeuf figure

A white disk presented inside a small concentric circle (a display like the Delboeuf figure) looks lighter than when inside a larger one. The magnitude of the effect was measured with 20 observers (10 women, 10 men; ages 19 to 26 years). The decrements in luminance of the disk inside the smaller circle, in order to match the lightness of the disk inside the larger circle, are reported for three different grey backgrounds and correspond to 9.13, 10.33, and 10.46%.     

Stereoscopic surface interpolation supports lightness constancy

The human visual system has a remarkable ability to construct surface representations from sparse stereoscopic, as well as texture and motion, information. In impoverished displays where few points are used to define regions in depth, the brain often interpolates depth estimates across intervening blank regions to create a compelling sense of a solid surface. The set of experiments described here examined stereoscopic interpolation using a novel technique based on lightness constancy. The effectiveness of this method is notable because it stands as the only technique to date that unequivocally examines the perception of interpolated surfaces, and not surfaces inferred subjectively from depth information in the stimulus. Further, these data support the growing evidence that a primary function of the stereoscopic system is to define three-dimensional surface structure.     

Simultaneous lightness contrast with double increments

In this paper we demonstrate the existence of simultaneous lightness contrast in displays in which the target patches are both more luminant than their surrounds. These effects are not predicted by theories of lightness that assume that the highest luminance in a scene is perceived as white, and anchors all the other luminances. We show that the strength of double-increment illusions depends crucially on the luminance of both the surrounds and the target patches. Such luminance prerequisites were not met in previous studies, which explains why simultaneous contrast with incremental targets has so far been regarded as extremely weak or nonexistent.     

The possible loces of lightness contrast

Evidence that the magnitude of simultaneous contrast depends upon retinal orientation of a stimulus configuration is presented in two experiments. More specifically, the magnitude of contrast was found to be greater for stimuli presented horizontally and vertically than for stimuli presented obliquely. These results were interpreted in terms of a cortical analysis of simultaneous contrast.     

Kinetic subjective contours

Continuous changes in spatially separated figures can evoke perception of subjective contours and figures in physically homogeneous space between them. This occurs when all of the interruptions in the objectively present patterns (inducing elements) can be seen as caused by a unitary figure partly occluding them. Two experiments demonstrated and explored this phenomenon. In both, displays were presented to subjects under three conditions. In one condition, stationary inducing elements were shown as they would be interrupted by a figure rotating in front of them. In another condition, the background and inducing elements rotated, with interruptions occurring as if a stationary figure were in front. In a third condition, observers were shown 10 static views taken from the figure-rotation sequence for each display. Subjects consistently perceived unitary central figures with well-defined forms and clear edges from pattern changes given by figure movement and background movement. As with static subjective figures, kinetic subjective figures appear in front of, partly occluding, the inducing elements. These percepts form rapidly, and they depend upon temporal relations rather than upon information present in momentary views. Subjects occasionally reported subjective edges or a central figure in the stationary displays in Experiment 1, but not at all in Experiment 2, in which guessing tendencies were reduced by more specific instructions. The existence of kinetic subjective contours suggests that the visual system readily utilizes relationships among occlusion events separated in space and time. The minimum conditions for contour perception require neither information all along an edge nor simultaneous specification of the edge at two or more places.