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1.
This article identifies and analyses issues related to defining and evaluating the so-called scientific imperialism. It discusses John Dupré's account, suggesting that it is overly conservative and does not offer a definition of scientific imperialism in not presenting it as a phenomenon of interdisciplinarity. It then discusses the recent account by Steve Clarke and Adrian Walsh, taking issue with ideas such as illegitimate occupation, counterfactual progress, and culturally significant values. A more comprehensive and refined framework of my own is then summarized. It suggests types and aspects of scientific imperialism as a dynamic interdisciplinary relationship, distinguishing between imperialism of scope, style and standing, for example. It also suggests normative (ontological, epistemological, axiological and institutional) constraints on scientific imperialism. This enables us to distinguish, in principle, recommendable from non-recommendable kinds of it, while recognizing the difficulties involved in trying to do this in practice.  相似文献   

2.
John Dupré argues that ‘scientific imperialism’ can result in ‘misguided’ science being considered acceptable. ‘Misguided’ is an explicitly normative term and the use of the pejorative ‘imperialistic’ is implicitly normative. However, Dupré has not justified the normative dimension of his critique. We identify two ways in which it might be justified. It might be justified if colonisation prevents a discipline from progressing in ways that it might otherwise progress. It might also be justified if colonisation prevents the expression of important values in the colonised discipline. This second concern seems most pressing in the human sciences.  相似文献   

3.
In a recent article in this journal, Steve Clarke and Adrian Walsh propose a normative basis for John Dupré's criticisms of scientific imperialism, namely that scientific imperialism can cause a discipline to fail to progress in ways that it otherwise would have. This proposal is based on two presuppositions: one, that scientific disciplines have developmental teleologies, and two, that these teleologies are optimal. I argue that we should reject both of these presuppositions and so conclude that Clarke and Walsh's proposal is insufficiently warranted for it to provide a normative basis for criticisms of scientific imperialism.  相似文献   

4.
I develop an account of scientific representations building on Charles S. Peirce's rich, and still underexplored, notion of iconicity. Iconic representations occupy a central place in Peirce's philosophy, in his innovative approach to logic and in his practice as a scientist. Starting from a discussion of Peirce's approach to diagrams, I claim that Peirce's own representations are in line with his formulation of iconicity, and that they are more broadly connected to the pragmatist philosophy he developed in parallel with his scientific work. I then defend the contemporary relevance of Peirce's approach to iconic representations, and specifically argue that Peirce offers a useful ‘third way’ between what Mauricio Suárez has recently described as the ‘analytical’ and ‘practical’ inquiries into the concept of representation. As a philosophically minded scientist and an experimentally inclined philosopher, Peirce never divorced the practice of representing from questions about what counts as a representation. I claim that his account of iconic representations shows that it is the very process of representing, construed as a practice which is coextensive with observing and experimenting, that casts light on the nature of representative relations.  相似文献   

5.
The problem of constraining methodological pluralism is highlighted in a discussion of John Dupré's The Disorder of Things. Dupré requires limits on what are to count as legitimate scientific methodologies. Although Dupré recognises this requirement, he fails in his attempt to appropriately ground such limitations.  相似文献   

6.
7.
The central character in Sartre's 1938 novel La Nausée, Antoine Roquentin, has lost his sense of things, and now the world appears to him as utterly unstable. Roquentin suffers from what he calls ‘nausea,’ a condition caused by an ontological intuition that the self, as well as the world through which that ‘self’ moves, lacks a substantial nature. The novel portrays Sartre's own philosophical account of the self in La transcendence de l'égo. Here Sartre argues that Husserl's account of consciousness is not radical enough; the ‘I’ or ego is a pseudo-source of activity (and Sartre thus draws very close to a particularly Buddhist account of personal identity). My essay questions Roquentin's response to his ontological insight: why is this the occasion for ‘nausea’? Why doesn't Roquentin (as King Milinda famously does) celebrate and embrace his ‘non-self’? I argue that Sartre's depiction of Roquentin's ailment, and the unsatisfactory solution he provides, misunderstands both the aggregate nature of things as well as authentically rendered consciousness-only (vijñaptimātra).  相似文献   

8.
As part of his attack on Frege’s ‘myth’ that senses reside in the third realm, Dummett alleges that Frege’s view that all objects are selbständig (‘self-subsistent’, ‘independent’) is an underlying mistake, since some objects depend upon others. Whatever the merits of Dummett’s other arguments against Frege’s conception of sense, this objection fails. First, Frege’s view that senses are third-realm entities is not traceable to his view that all objects are selbständig. Second, while Frege recognizes that there are objects that are dependent upon other objects, he does not take this to compromise the Selbständigkeit of any objects. Thus, Frege’s doctrine that objects are selbständig does not make the claim of absolute independence that Dummett appears to have taken it to make. Nevertheless, in order to make a good case against Frege based on the dependency of senses, Dummett need only establish his claim that senses depend upon expressions: appeal to an absolute conception of independence is unnecessary. However, Dummett’s arguments for the dependency of senses upon expressions are unsuccessful and they show that Dummett’s conception of what it is to be an expression also differs significantly from Frege’s.  相似文献   

9.
ABSTRACT

Wilfrid Sellars argued that Kant’s account of the conceptual structures involved in experience can be given a linguistic turn so as to provide an analytic account of the resources a language must have in order to be the bearer of empirical knowledge. In this paper I examine the methodological aspects of Kant’s transcendental philosophy that Sellars took to be fundamental to influential themes in his own philosophy. My first aim here is to clarify and argue for the plausibility of what I claim is Sellars’ interpretation of Kant’s ‘analytic’ transcendental method in the first Critique, based ultimately on non-trivial analytic truths concerning the concept of an object of our possible experience. Kant’s ‘transcendental proofs’ thereby avoid a certain methodological trilemma confronting the candidate premises of any such proof, taken from Sellars’ 1970s undergraduate exam question on Kant. In part II of the essay I conclude by highlighting in general terms how Kant’s method, as interpreted in the analytic manner explained in part I, was adapted by Sellars to produce some of the more influential aspects of his own philosophy, expressed in terms of what he contends is their sustainable reformulation in light of the so-called linguistic turn in twentieth-century philosophy.  相似文献   

10.
According to John Dupré, the metaphysics underpinning modern science posits a deterministic, fully law‐governed and potentially fully intelligible structure that pervades the entire universe. To reject such a metaphysical framework for science is to subscribe to “the disorder of things”, and the latter, according to Dupré, entails the impossibility of a unified science. Dupré's argument rests crucially upon purported disunities evident in the explanatory practices of science. I critically examine the implied project of drawing metaphysical conclusions from epistemological premisses concerning the nature of our explanatory practices. I then argue that Dupré fails to answer a particular argument for the ontological unity of science that rests upon assumptions about the causal structure of the world. This “causal” argument for the unity of science might be countered by a more radical metaphysical revisionism. The latter, however, seems unable to account for features of our explanatory practices that testify to a measure of explanatory unity in science. I conclude by sketching a strategy that might enable the revisionist to overcome such difficulties.  相似文献   

11.
The third edition of Peters’ systematic theology provides an opportunity to assess his contextual theology, descended from Tillich's ‘method of correlation’, from the perspective of my own textual theology, descended from Karl Barth's revelation theology, on the common ground of a shared Trinitarianism and positive retrieval of the twentieth‐century's rediscovery of the New Testament eschatology. The article affirms Peters’ sharply focused cognitive claim to truth about God as the world's future, but asks a series of questions about how this claim is actually sustained in Peters’ capacious work. It concludes with the ‘apocalyptic’ judgement that Peters’ ‘progressive’ method is not fully adequate to the challenge of our present spiritual situation.  相似文献   

12.
The article begins with the gospels’ admonition to take up one's cross and asks how Christians might understand Christ's work on the cross so that we might better imitate or participate in it. Using tools from recent advances in literary analysis and systematic theology, the article attempts to provide some answer to this question. It considers contemporary feminist and liberation theologians’ criticism of the common but problematic interpretation of Christ's cross, what is often called ‘substitutionary penal atonement.’ It compares this with Anselm's atonement theory of satisfaction and Bernard Lonergan's and René Girard's analysis of the cross as a communication of love that invites others into loving relationship. With these interpretations of Christ's work, it concludes with some thoughts on how Christians might take up their own daily crosses.  相似文献   

13.
According to an intuitive claim, in saying that one sees a picture's subject, i.e., what a picture presents, in the picture's vehicle, i.e., the picture's physical basis, by ‘in’ one does not mean the spatial relation of being in, as holding between such items in the real space. For the picture's subject is knowingly not in the real space where one veridically sees the picture's vehicle. Some theories of pictorial experience have actually agreed with this intuition by claiming that the picture's subject lies in a pictorial space of its own, disconnected from the real space that includes the picture's vehicle. Yet, not only linguistic evidence suggests that when used as above, ‘in’ means precisely that very relation, but an appropriate theory of pictorial experience can justify the above claim.  相似文献   

14.
《Theology & Sexuality》2013,19(3):279-292
Abstract

This article examines Julia Kristeva's paradoxical concept of a ‘mystic atheism’. It falls into three parts. First, it briefly surveys Kristeva's psychoanalytic account of Christian theology in Au commencement était l'amour (1985). Secondly, it assesses Kristeva's analysis of the Christian mystical tradition from Teresa of Avila to Angela of Foligno in such works as Le féminin et le sacré (1999) and the three volumes on Le génie féminin (1999-2002). For Kristeva, Christian mysticism represents a key moment in the transition from theology to psychoanalysis: what she locates within the work of the female mystics is a so-called ‘mystic atheism’, that is to say, an affirmation of an other within the subject as opposed to the divine other that supposedly lies outside it. Finally, the article offers some critical comments upon Kristeva's own ‘mystic atheism’: I argue that—like much negative theology—Kristeva's psychoanalysis remains ontotheological in form and that this dimension expresses itself in a problematic tendency to anthropomorphize the other within. In conclusion, I will suggest that Kristeva's ‘mystic atheism’ ultimately remains within the theological tradition it seeks to call into question.  相似文献   

15.
Ferenczi's (1933) surprisingly unknown concept of identification with the aggressor – an abuse victim's ‘eliminating’ her own subjectivity and ‘becoming’ precisely what an attacker needs her to be – has radical implications for our understanding of analytic technique. Its very frequent occurrence also forces us to broaden our understanding of what constitutes trauma. Ferenczi saw the experience of ‘traumatic aloneness’ or ‘emotional abandonment’ as the key element of trauma, since this is what enforces the traumatic responses of dissociation and identification with the aggressor. Identification with the aggressor operates in the analytic relationship in both patient and analyst. This has various consequences, including the structuring of the relationship through unconscious collusions – mutually coordinated, defensive identifications designed to help both participants feel secure. This view of the analytic relationship has clinical implications in at least four areas: the understanding of the patient's free associations, which may reflect the patient's compliance with the analyst's wishes rather than the contents of the patient's own unconscious; the need for some kind of mutuality of analysis; the traumatizing potential of the analyst's authority; and the tendency of some patients to take blame and responsibility reflexively, as a way of protecting the analyst.  相似文献   

16.
In this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end autonomously, owing to art's successful realization of its governing principle, Adorno by contrast sees art as coming to an end heteronomously. Art's narrative is forcibly broken off, rather than completed. Adorno's account, indebted to Hegel, of art's commitment both to autonomy and the realization of ‘spiritual needs’ is explored in order to clarify how, on Adorno's view, this has happened to art; and why, precisely, he believes art is coming to an end.  相似文献   

17.
18.
The author rejects Leon Galis's claim (Inquiry, Vol. II, No. 2) that in ‘Of Words and Tools’ (Inquiry, Vol. 10, No. 2) he attacks a form of the ‘use’ theory of meaning that no one has held. Galis's other claim, that the author criticizes a needlessly weak form of the theory, is found to be justified, but the author argues that his procedure was adequate, and parallel to that oi Galis's own reconstruction of the ‘use’ theory in terms of ‘goal‐directed action’. Difficulties in this reconstruction are pointed out, and some meta‐semantic issues about theories of meaning raised.  相似文献   

19.
Michael Bacharach 《Synthese》1992,91(3):247-284
According to decision theory, the rational initial action in a sequential decision-problem may be found by ‘backward induction’ or “folding back’. But the reasoning which underwrites this claim appeals to the agent's beliefs about what she will later believe, about what she will later believe she will still later believe, and so forth. There are limits to the ‘depth’ of people's beliefs. Do these limits pose a threat to the standard theory of rational sequential choice? It is argued, first, that the traditional solutions of certain games depend on knowledge which exceeds depth limits, and that these solutions therefore cannot be shown rational in the usual sense. Then, for that related reason even ‘folding back’ solutions of one-person problems cannot be! A revision of our notion of rational choice is proposed, analogous to the reliabilist account of knowledge of Goldman and others, by which this paradox is resolved.  相似文献   

20.
This paper presents an extension of Putnam's account of how substance terms such as ‘water’ and ‘gold’ function and of how a posteriori necessary truths concerning the underlying microstructures of such kinds may be derived. The paper has three aims. (1) I aim to refute a familiar criticism of Putnam's account: that it presupposes what Salmon calls an ‘irredeemably metaphysical, and philosophically controversial, theory of essentialism’. I show how all of the details of Putnam's account—including those that Salmon believes smuggle in such essentialist commitments—can be squared with a rejection of any such essentialist metaphysics. (2) I aim to reveal why Steward is wrong to suppose that, by helping himself to the claim that ‘H2O’ is a rigid designator of a substance, Kripke, too, presupposes something controversially ‘metaphysical’. (3) I aim to show how my proposed account also sidesteps a variety of objections raised by Needham and others who argue that Kripke's and Putnam's accounts of how ‘water’ and ‘gold’ function founder upon the sheer microstructural complexity of the phenomena in question.  相似文献   

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