SUBJECTIVITY, JUDGMENT, AND THE BASING RELATIONSHIP

Moral and legal judgments sometimes depend on personal traits in this sense: the subject offers good reasons for her judgment, but if she had a different social or ideological background, her judgment would be different. If you would judge the constitutionality of restrictions on abortion differently if you were not a secular liberal, is your judgment really based on the arguments you find convincing, or do you find them so only because you are a secular liberal? I argue that a judgment can be based on the considerations the subject claims as justification even when it depends on personal traits.     

THE QUEST FOR SELF-IDENTITY: TIME,NARRATIVE, AND THE LATE PROSE OF SAMUEL BECKETT

The long-standing problem of understanding self-identity has been most recently addressed as a matter of narrative form. Paul Ricoeur (1985a), as well as others, has examined how the discordant experience of time is structured by narrative form and can constitute an identity. This article attempts to extend his analysis to a reading of the late prose work of Samuel Beckett. While Beckett's approach to narrative identity shares similarity with Ricoeur's analysis, there are important distinctions. In contrast to Ricoeur's emphasis on the way narrative can order temporal experience, an examination of the works Stories and Texts for Nothing (1967) and How It Is (1964) serve to illustrate Beckett's experimentation with the generative power of the narrative voice. For Beckett, it seems that the very act of narration through time can give rise to problematic ambiguity and semantic multiplicity. It is argued that the literary works of Beckett complement that of Ricoeur's by attacking order and meaning; his texts show how narrating in time can distend, pull, and fragment in unexpected and generative ways. It is suggested that an appreciation of both the affirmative and negative aspects of narration are necessary for a complete understanding of self-identity.     

NEGOTIATING THE LIFE NARRATIVE

This article explores two methodological issues that arise when researchers involve the women they study in the construction of life narratives. These issues are examined in the context of an interview-derived, life-narrative study of an African American social worker. First, the tension between presenting a neatly unified identity in a written text and acknowledging the contradictions within any person's life story are discussed from both the researcher's and participant's vantage point. The second issue addresses the dilemma that arises when the researcher and the research participant disagree about the meanings and interpretations garnered from the participant's life story. I contend that it is precisely at this moment that the research process has the potential to become a dialogue between theorists and that scholars can incorporate a woman's own theorizing about her life in the research. In concluding, several methodological suggestions are offered as broad guidelines for researchers planning a life-narrative study.     

THE RELIGIOUS DIMENSIONS OF THE BIOLOGICAL NARRATIVE

Abstract. A cell/molecular biologist challenges the thesis that science and religion are two ways of experiencing and interpreting the world and explores instead the possible ways that the modern biological worldview might serve as a resource for religious perspectives. Three concepts—meaning, valuation, and purpose—are argued to be central to the entire biological enterprise, and the continuation of this enterprise is regarded as a sacred religious trust.     

RACE, RELIGION, AND THE CONTRADICTIONS OF IDENTITY: A THEOLOGICAL ENGAGEMENT WITH DOUGLASS's 1845 NARRATIVE

This essay is about identity and the place of religion and theology in how it is thought about and performed. I purse this subject through a theologically informed reading of the 1845 Narrative of the Life of Frederick Douglass. Taking Douglass's Narrative as emblematic of how identity continues to be conceived, I explain what is promising in the close link forged between religion, theology and culture. The promise of Douglass's Narrative resides in the emancipatory politics of race that it produces and the creative use of the theology of Easter in that politics. But I also explore the contradictions arising from that link—in particular, Douglass's oppressive gender politics. To overcome this problem, I conclude the article by pushing Douglass's cultural reading of identity and the Cross in a more robust theological direction, a direction that gestures towards a theology of Israel and of Pentecost.