Auditory backward recognition masking: effect of interaural phase on masker efficacy

The effect of interaural phase on pitch and lateralization recognition was examined. Tonal signals were followed by a variable interstimulus interval and an interference tone. Stimuli were presented in a binaural masking-level difference paradigm as a means of manipulating the perceptual location of the signal within the head. In separate tasks, subjects were required to recognize the pitch or location of the signal. The pitch-recognition task resulted in the expected increase in performance as the interstimulus interval increased. There was no effect of interaural phase on pitch-recognition performance. There was no significant effect of interstimulus interval on performance in location recognition. Subjects were proficient at recognizing location of the signal regardless of the interstimulus interval. The data suggest that a strict single-channel interpretation of the preperceptual storage model of backward auditory recognition is inadequate.     

Hear it playing low and slow: How pitch level differentially influences time perception

Variations in both pitch and time are important in conveying meaning through speech and music, however, research is scant on perceptual interactions between these two domains. Using an ordinal comparison procedure, we explored how different pitch levels of flanker tones influenced the perceived duration of empty interstimulus intervals (ISIs). Participants heard monotonic, isochronous tone sequences (ISIs of 300, 600, or 1200 ms) composed of either one or five standard ISIs flanked by 500 Hz tones, followed by a final interval (FI) flanked by tones of either the same (500 Hz), higher (625 Hz), or lower (400 Hz) pitch. The FI varied in duration around the standard ISI duration. Participants were asked to determine if the FI was longer or shorter in duration than the preceding intervals. We found that an increase in FI flanker tone pitch level led to the underestimation of FI durations while a decrease in FI flanker tone pitch led to the overestimation of FI durations. The magnitude of these pitch-level effects decreased as the duration of the standard interval was increased, suggesting that the effect was driven by differences in mode-switch latencies to start/stop timing. Temporal context (One vs. Five Standard ISIs) did not have a consistent effect on performance. We propose that the interaction between pitch and time may have important consequences in understanding the ways in which meaning and emotion are communicated.     

The role of lateral masking and orthographic structure in letter and word recognition.

The present experiments evaluated the contribution of orthographic structure and lateral masking in the perception of letter, word, and nonword test displays. Performance was tested in a backward recognition masking experiment in which a masking stimulus followed the test display after a variable blank interstimulus interval. In agreement with previous findings across different experiments, words were recognized better than single letterd at short interstimulus intervals, but the opposite was the case at long intervals. Performance on the nonwords resembled performance on letters at short masking intervals and performance on words at long masking intervals. The quantitative results were described by a processing model that incorporates the effects of lateral masking and orthographic structure in the dynamic processing of letter strings. Lateral masking tends to lower the potential perceptibility of letters whereas orthographic structure can reduce the uncertainty of the candidate letters in the letter sequence. The present model predicts that the quantitative contribution of each of these processes to performance is critically dependent upon the processing time available before the onset of the masking stimulus.     

Differential conditioning of the rabbit's nictitating membrane response to serial compound stimuli

Three experiments were conducted to determine the time course and contents of CS representations through an examination of differential conditioning of the rabbit's nictitating membrane response to two serial compounds. One compound (A-X+) was always paired with the unconditioned stimulus, and the other (B-X-) was always presented alone. All three experiments entailed manipulation of the interstimulus interval between the initial distinctive element of each compound (A and B) and the second, shared element (X). The joint results revealed that (a) conditioned response acquisition to the initial elements depended on the presence of X in the A-X+ compound; (b) differentiation between A and B appeared across interstimulus intervals up to 4,600 ms; and (c) conditional control over responding following A and B appeared at interstimulus intervals of at least 4,600 ms and perhaps up to 12,600 ms. The results are discussed with respect to mechanisms of occasion setting, generalization, and configuration.     

Accuracy of temporal coding: Auditory-visual comparisons

Three experiments were designed to decide whether temporal information is coded more accurately for intervals defined by auditory events or for those defined by visual events. In the first experiment, the irregular-list technique was used, in which a short list of items was presented, the items all separated by different interstimulus intervals. Following presentation, the subject was given three items from the list, in their correct serial order, and was asked to judge the relative interstimulus intervals. Performance was indistinguishable whether the items were presented auditorily or visually. In the second experiment, two unfilled intervals were defined by three nonverbal signals in either the auditory or the visual modality. After delays of 0, 9, or 18 sec (the latter two filled with distractor activity), the subjects were directed to make a verbal estimate of the length of one of the two intervals, which ranged from 1 to 4 sec and from 10 to 13 sec. Again, performance was not dependent on the modality of the time markers. The results of Experiment 3, which was procedurally similar to Experiment 2 but with filled rather than empty intervals, showed significant modality differences in one measure only. Within the range of intervals employed in the present study, our results provide, at best, only modest support for theories that predict more accurate temporal coding in memory for auditory, rather than visual, stimulus presentation.     

The crossmodal facilitation of visual object representations by sound: evidence from the backward masking paradigm

We report a series of experiments designed to demonstrate that the presentation of a sound can facilitate the identification of a concomitantly presented visual target letter in the backward masking paradigm. Two visual letters, serving as the target and its mask, were presented successively at various interstimulus intervals (ISIs). The results demonstrate that the crossmodal facilitation of participants' visual identification performance elicited by the presentation of a simultaneous sound occurs over a very narrow range of ISIs. This critical time-window lies just beyond the interval needed for participants to differentiate the target and mask as constituting two distinct perceptual events (Experiment 1) and can be dissociated from any facilitation elicited by making the visual target physically brighter (Experiment 2). When the sound is presented at the same time as the mask, a facilitatory, rather than an inhibitory effect on visual target identification performance is still observed (Experiment 3). We further demonstrate that the crossmodal facilitation of the visual target by the sound depends on the establishment of a reliable temporally coincident relationship between the two stimuli (Experiment 4); however, by contrast, spatial coincidence is not necessary (Experiment 5). We suggest that when visual and auditory stimuli are always presented synchronously, a better-consolidated object representation is likely to be constructed (than that resulting from unimodal visual stimulation).     

Mechanisms of percept-percept and image-percept integration in vision: behavioral and electrophysiological evidence

Previous research has shown that the detection of a visual target can be guided not only by the temporal integration of two percepts, but also by integrating a percept and an image held in working memory. Behavioral and event-related brain potential (ERP) measures were obtained in a target detection task that required temporal integration of 2 successively presented stimuli in the left or right hemifield. Task performance was good when both displays followed each other immediately (percept-percept integration) and when displays were separated by a 300- or 900-ms interval (image-percept integration), but was poor with intermediate interstimulus intervals. An enhanced posterior negativity at electrodes contralateral to the side of the target was observed for percept-percept and for image-percept integration, demonstrating that both are based on spatiotopic representations. However, this contralateral negativity emerged later and was more sustained on trials with long interstimulus intervals, indicating that image-percept integration is slower and involves a sustained activation of working memory.     

Expectancy and intermittency

When a human subject responds to the second of two closely succeeding stimuli, his reaction time to the second stimulus tends to increase sharply as the interstimulus interval decreases. Controversy has centred on the issue of whether this increase is mainly due to the effects of the first stimulus in producing some kind of block in the central analysing systems or whether it is mainly due to the temporal uncertainty of the second signal, as determined by the distribution of interstimulus intervals used.

By substituting for the first stimulus a spontaneous response on the part of the subject and holding the distribution of interstimulus intervals constant, it is shown that the delays in responding to the succeeding signal are eliminated, even at intervals as short as 50 millisec. This is interpreted as evidence in support of the intermittency hypothesis and as a clear indication that the increase in reaction times normally observed is not a result of the distribution of interstimulus intervals.     

Sources of Dual-Task Interference: Evidence From Human Electrophysiology

When an individual attempts to perform two tasks at the same time, the tasks often interfere with each other. This interference has been studied for several decades with the psychological refractory period paradigm, in which two targets that require independent responses are presented on each trial, separated by a variable delay period; interference typically takes the form of increased response times for the second target at short interstimulus delays. The present study used electrophysiological recordings to determine whether a specific index of perception and categorization (the P3 wave) is delayed in the same manner as response times. Although response times for the second target were found to be greatly delayed at short interstimulus intervals, the P3 wave was not substantially delayed. This finding indicates that there was minimal interference during target identification and categorization and that the prolongation of response times in this paradigm primarily reflects a delay in a relatively late process, such as response selection.     

Statistical analysis for finger tapping with a periodic external stimulus

In this paper we outline an experiment in which seven subjects attempted to tap in synchrony with a pacing stimulus with the interstimulus interval that varied in a cycle (T,T+dT,T, T-dT) repeating every fourth interval, where T represents an unexpected step change of an interstimulus interval. Conditions included three levels of T= (400, 500, and 600 msec.) with four levels of dT= 1, 3, 5, and 7% of T). The statistical analysis indicated that small changes in T lead to rapid matching of the interresponse intervals to the new interstimulus intervals even when the variation in the input is not apparent to subjects.     

Categorical perception of tonal intervais: Musicians can’t tellsharp fromflat

Six musicians with relative pitch judged 13 tonal intervals in a magnitude estimation task. Stimuli were spaced in .2-semitone increments over a range of three standard musical categories (fourth, tritone, fifth,). The judged magnitude of the intervals did not increase regularly with stimulus magnitude. Rather, the psychophysical functions showed three discrete steps cor-responding to the musically defined intervals. Although all six subjects had identified in-tune intervals with >95% accuracy, all were very poor at differentiating within a musical category— they could not reliably tell “sharp” from “flat.” After the experiment, they judged 63% of the stimuli to be “in tune,” but in fact only 23% were musically accurate. In a subsequent labeling task, subjects produced identification functions with sharply defined boundaries between each of the three musical categories. Our results parallel those associated with the identification and scaling of speech sounds, and we interpret them as evidence for categorical perception of music.     

Two-part stimulus integration and specific reading disability.

29 dyslexics and 29 control children were presented with two halves of a black cross, one-half being presented at varying interstimulus intervals after the other half. Both dichoptic and binocular presentations were used and separation thresholds were at greater interstimulus intervals for the dichoptic condition. Dyslexics had thresholds at greater intervals than controls. These differences were significant and there was no significant interaction of group by dichoptic condition. The relative magnitudes of difference between dyslexics and controls were as previously reported by Stanley and Hall (1973) and support the notion that dyslexics have longer visual persistence than controls.     

Pattern identification of pure tones and frequency glides by untrained listeners

Six subjects identified the order of four-event sequences. Contiguous pure tones (713, 1,031, 1,209, and 1,514 Hz in permuted orders) were presented by earphones at 40 dB SL, with individual events Itones) from 20, to 40, 60, and 300 msec in duration. Again, silent intervals of 20 or 60 msec were inserted among tones of 20 or 40 msec duration. Finally, the pure tones of 713 and 1,209 Hz were combined, in any four-event sequence, with two glissandi chosen from 466 to 714 Hz, from 714 to 1,208 Hz, and their mirror reversals. The temporal and frequency continuity both of tonal and of glissando-plus-tonal sequences affected the identification of sequential order. Degraded performance in the glissando-plus-tonal condition was attributed partially to a subjective experience of pitch blurring. The inclusion of silent intervals in the sequences of the shorter pure-tone durations improved identification performance to that of contiguous sequences of equal overall duration, i.e., adding silent processing time was as efficacious as increasing by the same amount the duration of the individual frequency event.     

Ethnicity effects in relative pitch

Absolute pitch (AP), the rare ability to identify a musical pitch, occurs at a higher rate among East Asian musicians. This has stimulated considerable research on the comparative contributions of genetic and environmental factors. Two studies examined whether a similar ethnicity effect is found for relative pitch (RP), identifying the distance or interval between two tones. Nonmusicians (n = 103) were trained to label musical intervals and were subsequently tested on interval identification. We establish similar ethnicity effects: Chinese and Korean participants consistently outperformed other participants in RP tasks, but not in a “relative rhythm” control task. This effect is not driven by previous musical or tone-language experience. The parallel with the East Asian advantage for AP suggests that enhanced perceptual-cognitive processing of pitch is more general and is not limited to highly trained musicians. This effect opens up many research questions concerning the environmental and genetic contributions related to this more general pitch-based ability.     

Biological relevance of acoustic signal affects discrimination performance in a songbird

The fee-bee song of the black-capped chickadee (Poecile atricapillus) is a two-note, tonal song that can be sung at different absolute pitches within an individual. However, these two notes are produced at a consistent relative pitch. Moreover, dominant birds more reliably produce songs with this species-typical interval, compared to subordinate birds. Therefore, we asked whether presenting the species-typical relative pitch interval would aid chickadees in solving pitch interval discriminations. We found that species-typical relative pitch intervals selectively facilitated discrimination performance using synthetic sine-wave stimuli. Using shifted fee-bee song notes from recordings of naturally produced songs, birds learned the discrimination in fewer trials overall compared to synthetic stimuli. These results may reflect greater generalization among stimuli that occur outside species-typical production parameters. In addition, although sex differences in performance are rarely observed in acoustic discriminations in chickadees, female chickadees performed more accurately compared to males.     

Sensorimotor synchronization: motor responses to regular auditory patterns.

Subjects (N = 32) were asked to synchronize a motor response with tones in auditory patterns. These patterns were created from six tones and six intertone intervals of equal duration. The pitch of the first tone differed from the others. It was found that subjects used three types of timing in their motor response: (1) the first intertone interval was prolonged and the second interval was shortened, (2) the second intertone interval was prolonged and the first interval was shortened, and/or (3) the first interval and the second interval were of approximately the same length. The prolongation of the fifth interval was observed during all three types of timing. The results are explained using the concept of suprasegmental control of timing, which explains a prolongation of intervals at critical control point of the patterns. The occurrence of three different strategies of timing is discussed in connection with similar principles in musical performance.     

Sensorimotor synchronization: Motor responses to regular auditory patterns

Subjects (N = 32) were asked to synchronize a motor response with tones in auditory patterns. These patterns were created from six tones and six intertone intervals of equal duration. The pitch of the first tone differed from the others. It was found that subjects used three types of timing in their motor response: (1) the first intertone interval was prolonged and the second interval was shortened, (2) the second intertone interval was prolonged and the first interval was shortened, and/or (3) the first interval and the second interval were of approximately the same length. The prolongation of the fifth interval was observed during all three types of timing. The results are explained using the concept of suprasegmental control of timing, which explains a prolongation of intervals at critical control point of the patterns. The occurrence of three different strategies of timing is discussed in connection with similar principles in musical performance.     

Do local properties function as cues for musical key perception?1

Abstract: A global property (i.e., pitch set) of a melody appears to serve as a primary cue for key identification. Previous studies have proposed specific local properties in a melody (e.g., the augmented fourth, the perfect fifth, etc.) that may function as further cues. However, the role of the latter in key identification is controversial. The present study was designed to investigate what kinds of local properties, if any, function as reliable cues for key identification. Listeners were asked to identify keys for 450 melodies that consisted of the same pitch set, but which differed in sequential constraints. Using multiple discriminant analyses, we evaluated relative contributions of as many kinds of local properties as possible (e.g., single intervals, single pitch classes in each sequential position, etc.). The results showed that, except for the pitch class of the final tone, for which interpretation should be taken cautiously, none of the specific local properties examined contributed significantly to key identification. This finding suggests that, contrary to prior findings, key identification is derived from unidentified properties other than the specific local properties.     

Aptitude-related differences in auditory recognition masking

An auditory backward recognition masking task (Massaro, 1970) was administered to undergraduates selected for extreme scores on the Scholastic Aptitude Test and the Cattell Culture Fair Intelligence Test. In two experiments, significant group differences were found in threshold interstimulus intervals (ISIs) required for 75% correct tone recognition. High-aptitude subjects required less time for correct identification of target tones as “high” or “low”. They were more able to overcome the constraints imposed on time-dependent information processing by a masking tone. These group differences were interpreted as indicating better information processing efficiency (h (higher signal-to-noise ratio) in the high-aptitude subjects.