An Interview with David Alderson

<正>Wang Jie:Here are some questions that I think are very important to China's research on Marxism,so I'd like to know your opinions.I'd like to start with the research on Terry Eagleton.As far as I know,you are the first to have written a book on Terry.In China,there are also many scholars who are researching Terry and a group of articles are recently coming out in China's most important core journal,Theory and Criticism of Literature and Art.When I talked with Terry at the University of Manchester,he specially mentioned that he was a Marxist,instead of a Post-marxist.Later,he wrote me a letter to add that it was a matter of principle.For the relationship between Marxism and Postmarxism, there are still confusions among scholars in China,so can you make further clarifications in combination with Terry's situation? David:I would say that Terry is without doubt a Marxist,not a Post-Marxist. That is very clear to me.At a recent conference about Terry's career at Manchester University,there was discussion about the extent to which his thought had changed over years,and one of the comments that he made was that he believes roughly the same things as he used to believe in the 1960s.From having read and studied his work,I would say that there's overwhelmingly a sense of continuity through the work.     

Ji Kang on Nourishing Life

Ji Kang's "An Essay on Nourishing Life" has,for much of its history,been overshadowed by his more famous work "Sound is without Grief or Joy." Be that as it may,"An Essay on Nourishing Life" is also an important text in that it delves into the interdependence of the heart-mind,spirit,and vital breath,and into how harmony between them is the key to ensuring physical longevity.In addition to investigating this aspect of his thought,this paper will also discuss Ji Kang's attention to the vicissitudes of knowledge and desire and to the need to temper them with tranquility and stillness."An Essay on Nourishing Life" can thus be read as an extension of classical Daoist theories of self-cultivation while at the same time elaborating upon them by bringing together their disparate components into a coherently unified doctrine.     

Goblet Words and Indeterminacy：A Writing Style that Is Free of Commitment

The Zhuangzi is a collection of ancient Chinese anecdotes and fables that serves as a foundational Daoist text. The style in which it is written is significant because it obscures rather than reveals the text’s philosophic positions. If the text cannot be translated into plain language while preserving its content, as the Mozi or the Mencius generally can be, then the writing style is not merely rhetorical. The style is itself indispensable to the content. In this study, I analyse a linguistic device mentioned in the Zhuangzi and use it to reflect the text’s writing style—namely, “goblet words” (zhi yan 巵言). I argue that various logical forms of goblet words defy the act of fixing a definite answer in any conceptual distinction or disputation. The forms, which include dilemmatic questions, oxymora and double denial, all serve to preserve indeterminacy. Reading goblet words may affect readers by making them more open-minded towards distinctions. However, readers cannot ascertain that the text’s authors produced this effect intentionally. Therefore, the text may cause readers to be open-minded while the authors remain free of commitment.     

Critique,Ethics, and the Apparatus of Experience: A Foucauldian Framework

The paper explores examples of contemporary experience in order to demonstrate the moralisation of new areas of behaviour (especially in relation to environmental issues).It sketches a Foucauldian framework for understanding the historical transformation of experience,in terms of the "apparatus of experience." On that basis,it presents a novel account of critique,in which critique is seen as the potentially transformational,experiential practice of re-experiencing the contemporary apparatuses of experience.In other words,critique is "experience squared." It is this re-experiencing of our everyday experience that permits us,to a certain extent,to "get over ourselves" and thus to reflect critically on the processes of moralisation and de-moralisation in which we participate.     

The "Flower Songs" Tradition:Indigenous Histories as Depicted in Mexican Codices (14th-16th Centuries)

Mesoamerican groups never constituted a single political or linguistic unit from the 14 th to the 16 th centuries, but there are some fundamental and long-term cultural elements which allow us to link Mesoamerican peoples.One of the principal sources are the objects known as codices.In this paper I will discuss a particular aspect of Mesoamerican codices known as the"Flower Songs"tradition. I will discuss some fragments of stories depicted in codices proper to the Mixtec and Nahua traditions, and will show how modern scholars-including myself-reconstruct the meanings of some of their images.     

老化和其他研究领域中认知心理学与认知神经科学的整合

I am happy to present a series of articles in this issue of Acta Psychologica Sinica. I was invited to do so and here is the outcome. The articles have been written by researchers living and working outside China. None of them has made a contribution to this journal before. The articles cover a broad spectrum of topics within the area of cognitive neuroscience. The purpose of this little article is to introduce the authors and the topics covered to the readership of the journal.     

Sign,Image and Language in The Book of Changes CYijing 易经）

It is challenging to estimate the degree to which the system of the Trigrams and Hexagrams in The Book of Changes （Yijing） had an impact on the whole history of Chinese thought. The universal paradigm from which it was derived formed the basis of a semiotic theory of evolution which, because of structural analogies, was applied to all fields and aspects of human life where decision making and action in correspondence with a cosmic principle was required. To achieve that goal, countless commentaries on and interpretations of the Yijing have been written. They can be divided into two schools. The first used the Yijing as a book for divination, in combination with manifestations of the universe and nature. The second interpreted it with a philosophical background, making it part of the tradition of Confucian thought. Modem scholars have also contributed some new approaches to the Yijing. My paper is based on the assumption that the Trigrams and Hexagrams of the Yijing cannot be understood in a purely representational way. They do not represent things apart from their relation to human needs or consciousness. Because of the co-determination of text and reader as a task without determinate end-points, it proves to be a unique case of effective-history. In the Yijing, there is no real line between culture and nature, sign/image/language and fact, the universe of semiosis and other universes. With its use of signs, images and language, the Yijing confirms that the universe of semiosis is the universe of heaven, earth and man. Against this background, my explanations will not only focus on the Trigrams and Hexagrams. My paper will also deal with the following topics： （1） interpenetration of linguistic meaning and objective reality and （2） the social nature of verbal or literary expression.     

Principle,Knowledge, and Personality： Some Reflections on ＂the Good＂ according to Plato

This paper focuses on Plato＇s ＂Form of the Good,＂ or ＂the Good,＂ with an interest in Plato＇s riddle that ＂the Good is the One.＂ Unlike the traditional approach to explaining the Good in the Republic as ＂rational order＂ or a unity of Forms, this ]paper argues that the Good is the unique transcendent principle, like the apex of a hierarchy, but does not encompass the whole structure. According to its Ontological position, its multiple facets （functions） include the Ontological foundation of uniting ＂to be＂ and ＂ought to be,＂ the ultimate source of knowledge, and the Ideal goal of uniting the common good and individual goods. The practical dimension of the Good is highlighted in exploring the lifelong study of the Philosopher-Kings and their political personality. It is also pointed out that ＂sudden enlightenment＂ plays an important role in their path toward the Good. Finally, this paper proposes that the Good should be the a priori beginning of education and the end of the practice of virtues in the community.     

Was John Stuart Mill a Pluralist?

In his Autobiography,John Stuart Mill,the 19th-century British political philosopher,portrayed his On Liberty as being "a kind of philosophic text-book" dedicated to a single truth,that is,"the importance,to man and society,of a large variety in types of character,and of giving full freedom to human nature to expand itself in innumerable and conflicting directions." The Mill of On Liberty may seem to be a pluralist who tends to prefer difference per se to goodness of a uniform pattern,many-sidedness to conformity,and eccentricity to mediocrity.This paper seeks to challenge this argument by paying close attention to the text.It argues that the Mill of On Liberty was far from a single-minded pluralist.Two divergent positions are found throughout his reasoning:one is a pluralist idea that an individual's own plan of life is the best,no matter how base or licentious it might be;the other is the belief that there exist a limited number of ideal ways of life which define what the good life is.The two positions are,if not mutually exclusive,at least in important aspects indicative of some profound tension at the center of Mill's thought.     

Reflection and Critique: Philosophy's Hope for Education

1 Introduction Universities still,today,enjoy a specific type of respectability.Undoubtedly,this could be explained by the fact that universities,from medieval times onwards,have belonged to the cultural and intellectual landscape in general and to educational heritage in particular.From a distance,it looks like they are braving,with obvious confidence,every day's delusions;most people look at universities as quite stable institutions.Of course,there are good reasons for this:Universities have been and still are offering programs and training,consisting of individual courses,offered by professors.At the end,in exchange for ongoing efforts,students can get a degree,most likely opening the door to interesting,meaningful jobs with decent pay.     

Conceiving Possibility： Kierkegaard and Zhuangzi

This paper examines two notions of possibility conceived by Kierkegaard and Zhuangzi respectively. Kierkegaard conceives of it with appeals to the feeling of anxiety, while Zhuangzi deals with it in terms of a type of aesthetic feeling. Based on these distinctions, the paper goes further to explore two types of human existence as fostered by these two corresponding concepts of possibility. According to Kierkegaard, in order to maintain a connection with possibility, which would provide freedom to human existence, one must have faith in the redeemer bringing back possibility so that an individual human being might renew his or her choice ceaselessly. Zhuangzi, on the other hand, advises staying in the realm of nothingness and letting go of all things to avoid being trapped by the struggle of discerning between good and evil.     

语言产生过程中信息加工的眼动研究(中文)

Researchers have recently turned to eye tracking to study the complex cognitive processes underlying speech production. The present paper provides a brief overview of studies of sentence production and eye movements. A review then follows of research using eye tracking to investigate eye movements during multiple object naming and differences between findings in reading research. The majority of these studies attempt to determine the extent to which object naming can happen in serial or parallel. Lastly, I provide a brief comparison between seriality and parallelism in reading and multiple object naming.     

Descartes' Metaphysical Doubts about Clear and Distinct Perception

Descartes' metaphysical doubts in the Third and Fifth Meditations present a scenario like this:it is possible that I (the Meditator) am so imperfect as to be deceived by my author (i.e.,an omnipotent God/Deceiver) in the matters which I think I perceive clearly and distinctly.The metaphysical doubts attempt to cast doubt on beliefs based on present or recollected clear and distinct perceptions.This paper clarifies the intension of the metaphysical doubts by answering the question of how an omnipotent God/Deceiver might exercise a deceptive influence on clear and distinct perception.My analysis shows:(1) the memory interpretation and the retrospective interpretation to be implausible;(2) the incoherence interpretation to be ill-founded,though its conclusion is partly right,such that we should accept a weaker version of it;(3) the misrepresentation interpretation,the defective-origin interpretation,the truth-value variation interpretation and the radical interpretation to be plausible;(4) all of these credible interpretations to be compatible with each other as well.     

Love and the Paradoxes of Unity: Zhu Xi's Debate with Followers of Cheng Hao over "Perceptual Oneness"

At the end of the twentieth century,there was a trend in Chinese literature towards characterizing Chinese culture as the "unity of Tian (Heaven) and humanity天人合一.” Rather than arguing against such a view,I present in this paper a series of debates over the paradoxes within the concept of unity as well as various notions of love,hoping to demonstrate the depth and complexity of this seemingly simple and dogmatic dictum so that those who cite it can be alert to its potential intricacies.I will discuss three elements which threaten to render the pursuit of oneness an impossible project:(1) the relation between naming and the named,which makes any conceptual attempt to attain oneness an infinite regress,as can be seen in Zhuangzi's莊子 argument against Hui Shi's惠施 oneness;(2) the gap between contemplation and practice,as can be seen in the contrast between Zhang Zai's張載 contemplative oneness and Cheng Hao's程顥 perceptual oneness;and (3) the self-bifurcating attentive acts of the heart-mind,which render any conscious endeavor to attain oneness a self-defeating project.Unlike Cheng Hao's emphasis on the subjective experience of perceptual oneness,his followers posit its underlying metaphysical substance as qi or xing (nature) and believe that moral self-cultivation should start from a metaphysical insight into this substance.Zhu Xi 朱熹 rejects the approach of grounding ethics on metaphysics and argues that love is not based on the notion of unity in terms of qi.He sees the ultimate comprehension of unity rather as a "metaphysical promise," a goal to be attained by following the Confucian Way of selfcultivation,which starts simply from reflection and practice on things near at hand.     

The Earth Garden: Going Back or Going Forward to Nature?

Against the background of a short meditation on the contrasting ways in which landscape has been represented and idealized in Eastern and Western painting traditions,the article will try to show,using some striking examples,that the development of landscape painting in the last two centuries reflects the changing relationship of humanity and nature,leading in both the East and in the West to either the expression of a nostalgic longing for nature to be back as it once was,or to a gloomy expression of the vanishing of nature amidst the modern,technological world.Connecting to both the concept of "harmony," which is a key concept in Eastern aesthetics,and to some recent reflections in Western philosophy on the relationship of nature and technology,a post-nostalgic conception of nature and natural beauty is defended,in which nature and technology are no longer seen as opposing categories,but rather as poles that are intertwined in an ever-lasting process of co-evolution.It is argued that we should not so much strive to go "back to nature," but rather to go "forward to nature" and establish a new harmony between human and non-human nature and technology.The article ends with some reflections on the role artists and aestheticians may play in this transformation.     

A Process Interpretation of Daoist Thought

Despite the fact that the Dao De Jing道德經 is one of the mos frequently translated texts in history,most of these translations share certain unexamined and problematic assumptions which often make it seem as though the text is irrational,incoherent,and full of non sequiturs.Frequently,these assumptions involve the imposition of historically anachronous,linguistically unsound,and philosophically problematic categories and attitudes onto the text.One of the main causes of the problem is the persistent tendency on the part of most translators to read the first line of the text as referring to or implying the existence of some kind of "eternal Dao." These are what I term "ontological "readings,as opposed to the "process" reading I will be articulating here.     

Growth,Experience and Nature in Dewey's Philosophy and Chinese Philosophy

Growth is an important concept in Dewey's philosophy,and,indeed,its ultimate focus.It is not,however,an easy task to posit growth as an ethical ideal,for here Dewey immediately faces a metaphysical dilemma:whether to offer us an objective standard of growth,which becomes a type of absolutism,or to inevitably fall into relativism.This paper explores how Dewey avoids this dilemma with his concept of experience,which is interrogated through the relationship between human beings and nature.Still,human growth in nature involves the cultivation of virtuosities (de德) in accordance with the rhythm of nature,and requires a completely different way of life other than our technological one.For this reason,I use Chinese philosophy,specifically ideas from the Yijing,to show how growth can be illustrated through the interaction between humans and the natural world.     

Equilibrium and Harmony of Emotional Conflicts in Cooperation: Between Chinese Traditional Culture and Modern Artificial Intelligence

Equilibrium and harmony elevate human emotions like pleasure, anger, sorrow, and joy to the highest ontological level. We are puppets of our emotions and feelings, without the possibility of parole. By implanting complex emotional reactions in the operating system of sex robots, we have created a virtual relationship that mimics human intimacy. In this way, a thing—in this case, a machine—takes on human characteristics. This could be called the humanization of things. Not only can things be humanized, humans can also be reified. If, by imitating neural networks and deep learning, intelligent robots are to make great strides in their ability to think, they may come into the possession of emotions and feelings. In traditional Chinese culture, equilibrium and harmony form the highest and most pervasive principle, value, and morality for nature, society, and life. The state of equilibrium (zhong 中 ) and harmony (he 和 ) is the fundamental root from which springs the world and the universal path that it must pursue. When we view emotional equilibrium and harmony in light of the theoretical doctrine of harmony and cooperation, the emotional lives of humans and machines are integrated and combined with the state of equilibrium and harmony to achieve the greatest good. Moreover, this can resolve all kinds of crises amid the emotions and feelings of humanoids created by humans, notably by leveraging the outstanding intelligence of humans to maintain the emotions of humanoids in a state of equilibrium and harmony. To this end, we must perform regulatory actions in several aspects. First, we must modulate emotions and feelings. Second, we must achieve a state of equilibrium, which can put all things in the right positions, allowing them to be nourished and flourish. Third, we must strive for mutual empathy between humans and machines, which can pave the way for collaborative creation in harmony, as well as their integration, camaraderie, emotional understanding, mutual respect and harmonious love.     

James Legge's Hermeneutical Methodology as Revealed in His Translation of the Daxue

With a focus on The Great Learning (Daxue大學),this paper explores the specific exegetical or hermeneutical methodology adopted by James Legge in his translation of this Confucian canonical text.It begins with an analysis of the translation theory endorsed by Legge,comparing his translation with those of Ku Hung-ming and Wing-tsit Chan.The second part aims to explicate the hermeneutic dilemma faced by Legge in his dealing with this text.It looks at the intellectual context in which Legge's scholarship on the Chinese classics had developed,as well as the academic standard he was required to maintain throughout his translation.Overall,Legge's familiarity with Qing scholarship makes it interesting to determine where and why he follows or rejects Zhu Xi.Given Legge's Christian missionary background and the sense of mission pervading Zhu Xi's commentary,we conclude that Legge's affinity with Zhu Xi is much more subtle and complex than previously speculated:the difference in their approach to Confucian texts cannot be reduced to a contrast between construction and deconstruction or between canonization and decanonization.