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TheMah bh ratapresents its hearers with the key figure of Yudhisthira, a king who repeatedly refuses to accept that violent opposition is the correct way to respond to the assaults of his aggressive political enemies. Historical evidence reveals that in the third century BCE India was ruled by a renowned emperor who was similarly opposed to the use of violent means to achieve political goals. By highlighting parallels between the text of the epic and the A okan edicts, this paper suggests that the character of Yudhisthira may have been modeled on the historical A oka and that the extended debates about the nature of royal dharma contained in the text may reflect ideological controversies arising from A oka's ideas on kingship.  相似文献   

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International Journal of Hindu Studies - Why do four birds narrate the Mārkaṇḍeya Purāṇa? Narrative enframement plays a crucial role in contextualizing Sanskrit...  相似文献   

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SUMMARY

The library Web site is a significant access point to a library's collections, resources, and services. A Web site can and should provide information about the library in a way that can be efficiently navigated and used by all library patrons. The usability of a library Web site can be improved through changes in organization and design informed by the experiences of real users. User expectations should be primary in determining the content, purpose, organization, and design of the site.  相似文献   

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In Indian knowledge traditions, Vyākaraṇa describes the rules for the formation (prakṛti-pratyaya-vibhāga) and use of correct words (sādhuśabda). The Vākya (sentence) is postulated as the primary unit of communication. “śābdabodha” deals with the cognition of sentential meaning. Similarly, in Indian music, every rāga has a lexicon and grammar (rāga-lakṣaṇa): a rāga only allows some notes and not others, and it has rules for constructing phrases—notes to be highlighted, notes to end phrases on, ornamentation, etc. These phrases of the rāga are comparable to “vākya” which when presented with due regard to certain other considerations generate an apprehension of the rāga (rāgabodha). During presentation of a rāga, an artist aims to evoke the rāga-cchāyā or rāga-svarūpa and also an emotive state in the listener. There is a cognitive aspect to the informed listening of a rāga that is parallel to linguistic communication. We seek to understand how these parallels work between śābdabodha and rāgabodha. We postulate that the conditions of expectancy (ākāṅkśā), logical consistency (yogyatā) and proximity (sannidhi) in combination with the theory of sphoṭa provide a framework to explain how a rāga is expounded and cognised.

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Rachelle M. Scott 《Religion》2013,43(4):215-230
In this article I explore the politics of the Dhammakāya temple controversy that captivated the Thai public in 1998 and 1999. By looking at the claim that the Dhammakāya temple constitutes a new nikāi, I examine a debate over tradition and innovation, a debate that has implications for modern constructions of sectarianism and of authentic Buddhism within the Thai sangha. I address the following questions: What kinds of innovations in doctrine and practice are acceptable? What constitutes a new nikāi in late modern Thailand? Who decides what is and is not consistent with orthodox Buddhism?  相似文献   

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The Sa?gītiparyāya is the earliest Sarvāstivāda philosophical text that enumerates a series of contaminants (anu?aya), i.e. innate proclivities, inherited from former births, to do something of usually evil nature. This early list comprises seven such contaminants. As it is the contaminants that lead a worldling (p?thagjana) to doing volitional actions and thus to forming a karmic result (karmavipāka), these contaminants naturally also bear on the path to salvation. The gradual development of the peculiar Sarvāstivādin path to salvation necessitated a gradual refinement and reinterpretation of the original list of seven contaminants. Apart from a mere technical aspect, this reinterpretation also reflects the viewpoint of the Sautrāntika school of Buddhist philosophy on the nature of contaminants, i.e. their acceptance of a latent and an active state of the defilements, vis-à-vis the Vaibhā?ika viewpoint according to whom no such difference exists. Within Sarvāstivāda literature, the H?daya treatises illustrate this philosophical development.  相似文献   

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The first several chapters of the Bhagavad Gitā set themselves a daunting task: to explain how a life of action can be rendered compatible with a life of renunciation of desire. The situation, in fact, is designed to raise the issue in an excruciatingly intense form. As Krsna and Arjuna pause on the verge of the great battle, Arjuna asks how killing peopleincluding his own teachers and members of his own familyin order to secure power and fame, can be squared with his religious and ethical convictions. This paper is an attempt to explicate Krsna's solution of the paradox, not from the point of view of Hindu tradition (in which it has, of course, driven whole movements of thought), but simply as a philosophical problem in its own right. I will argue that the paradox of the Gitā suggests a reconstrual of the way we conceive the relation of means and ends in our activities, a reconstrual that can be profitably elucidated through the concept of art. And I will argue that this reconstrual has the potential to change our relations to our world and to one another in a way that is deeply life‐affirming.  相似文献   

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Sometimes translating religious texts brings us up against the problem of scatological language. The author examines this problem in relation to a story of a former life of the Buddha and explores a variety of avenues for guidance on how to render gūtha ‘shit’ into English. This includes looking at Buddhist monastic law, which does not necessarily give us the guidance we might expect, and how the existing translation of this source of guidance illustrates the very problem in hand. The textual history and context of the story precludes some otherwise useful strategies for determining our translation and the best guide to the translator's hand in this instance turns out to be humour. The author makes a case that, employed judiciously, humour could become a useful hermeneutic tool for drawing meaning from religious literature. Along the way the author also reflects on the influence of the social context of the translator, including changes in British obscenity law, and on the possibility that academia is unconsciously constrained by unexamined assumptions of ‘decency’. Buddhist attitudes to language are also touched upon.  相似文献   

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Abstract:  Recent debates on divine passibility or impassibility are often defined in terms of, and presuppose, a modern understanding of emotion. Augustine and Thomas Aquinas offer a subtle alternative, enabling us to distinguish between rational and irrational, voluntary and involuntary, and virtuous and vicious psychological states. These accounts are explored, and the possibilities they uncover for finding ways through the various impasses in the theological contemporary debate are discussed.  相似文献   

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Abstract

Since the 1960s, there is a growing interest in interactions between religion and science. This article is an exploration of the roots of the contemporary field of “Science and Religion” (S&;R), by investigating some social and historical connections between the emergence of S&;R and modernizing trends in Western society. This article deals with three questions: (1) Is the emergence of the field of S&;R the response to a conflict between religion and science? (2) Is S&;R related to the process of modernization in Western society? (3) Whence the specific American interest in S&;R?  相似文献   

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In contrast to historically orientedapproaches, this paper tackles the concept ofNirvna from the perspective ofcontemporary philosophy of language. It focuseson four propositions: Nirvna exists;Nirvna does not exist; Nirvna existsand does not exist; Nirvna neither exists nordoes not exist. The Buddha's rejectionof these propositions is interpreted by meansof explicit and conditionaldefinitions of existence. Stalnaker's notion ofpragmatic presupposition providesan explanation why the propositions are withoutmeaning. After comparing theword ``Nirvna' with indexicals, propernames and theoretical terms, it is finallyasked what linguistic function the word has.  相似文献   

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Geoffrey Ashton 《Dao》2014,13(1):1-21
Both Confucianism and the Bhagavad Gītā emphasize the moral authority of social roles. But how deep does the likeness between these ethical philosophies run? In this essay I focus upon two significant points of comparison between the role-based ethics of Confucianism and the Gītā: (1) the interrelation between formalized social roles and family feeling, and (2) the religious dimension of moral action. How is it that Confucians ground their social roles in family feeling, while the Gītā emphasizes rupture between role and sentiment? Furthermore, are we to understand Confucianism as presenting a social philosophy that eschews religious concerns, whereas the Gītā denies the moral significance of family feeling in lieu of obtaining soteriological freedom? Examining the aesthetic and religious dimensions of the ethics of Confucianism and the Gītā clarifies a key distinction that both views implicitly make, albeit for divergent reasons: the difference between living one’s roles and playing one’s roles.  相似文献   

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In the study of scientific creativity, the purposes of cognitive scientists and of historians of science overlap but are far from congruent. Historical cases are only one of many forms of evidence that cognitive scientists bring together to arrive at general conclusions about the creative processes. Historians seek to reconstruct the investigative enterprises of particular scientists. Generalizations about creativity are useful to historians mainly as one of various means to interpret the work of those particular scientists. This article presents the argument that the extent to which these two goals can be complementary depends largely (a) on how large the gap is between the duration of the thought processes that cognitive scientists examine and the limits of resolution to which historians can penetrate in following the temporal progression of a subject's thought and work and (b) on the level of temporal organization of these thoughts and actions most revealing of their creative nature.  相似文献   

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Previous research reveals a substantial degree of variability in the extent to which narcissism (as measured by the Narcissistic Personality Inventory or NPI; Emmons, 1987) and self-esteem (measured using a variety of self-report scales) are associated. Data from 329 college students provided support for the hypothesis that the variability in associations between narcissism and different measures of self-esteem may be explained in part by the degree to which a given self-esteem measure is related to dominance. These results have important implications for research on narcissism and self-esteem, as well as the broader issue of how self-esteem is conceptualized and measured in psychological research.  相似文献   

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