MUTATIONS OF NATURE,TECHNOLOGY, AND THE WESTERN SACRED

Bronislaw Szerszynski's book Nature, Technology and the Sacred (2005) challenges us to think of nature, technology, and the sacred in a genuinely novel way. The sacred is the context and the protagonist, not a passive, unchanging, vague phenomenon. Both nature and technology will be better interpreted in the context of the transformations of the sacred.     

GENETIC ENGINEERING AND THE SACRED

Abstract. Genetic engineering of life forms could well have a profound effect upon our sense of the sacred. Integrating the experience of the sacred as George Bataille does, we can characterize it as a phenomenological encounter with prelinguistic, noncategoreal experience. This view of the sacred is similar to Friedrich Nietzsche's Dionysian experience or Rudolf Otto's mysterium tremendum and diminishes one's sense of self. It seems similar to the eighteenth‐century aesthetic categorization of “the sublime.” Despite the dominant rational approach to religiosity in the United States, intimations of this experience persist in popular culture. What possible relationship does genetic engineering have to this allegedly inevitable and profound experience? If certain modifications of life occur, they are likely to create such an experience of the sacred in us. In principle, we can now resurrect the mammoth or even create beings designed to directly potentiate our experience of the numinous such as satyrs or centaurs. The creation of such beings could become an art form associated with awaking the sacred, in turn appropriated by religion, as art has always been. Such experimentation, though morally questionable, is probably inevitable.     

NATURALIZED SACREDNESS? A REALIST,PANENTHEIST, AND PERENNIALIST ALTERNATIVE TO KAUFFMAN'S CONSTRUCTIVISM

In his recent book Reinventing the Sacred, renowned biologist and systems theorist Stuart Kauffman offers an avenue for the revival of the sacred and for reconciling sacredness with a robust scientific outlook. According to Kauffman, God is a human cultural invention, and he urges us to reinvent the sacred as the ceaseless creativity in nature. I argue that Kauffman's proposal suffers from a major shortcoming, namely, being at odds with the nature, and content, of authentic experiences of the sacred, experiences which point invariably in the direction of a reality which transcends human imagination and capacity for cultural innovation. Correspondingly, I point in the direction of an alternative approach to the revival of the sacred rooted in what I call the path of direct spiritual awareness. I argue that, while being in better accord with the phenomenology of religious experience, this realist alternative to Kauffman's constructivism also avoids the unpleasant symptoms which often accompany traditional theism, namely, dogmatism, irrationalism, and incompatibility with a scientifically minded metaphysics.     

AUGUSTINE AND THE LIMITS OF PREEMPTIVE AND PREVENTIVE WAR

While Michael Walzer's distinction between preemptive and preventive wars offers important categories for current reflection upon the Bush Doctrine and the invasion of Iraq, it is often treated as a modern distinction without antecedent in the classical Christian just war tradition. This paper argues to the contrary that within Augustine's corpus there are passages in which he speaks about the use of violence in situations that we would classify today as preemptive and preventive military action. While I do not claim that Augustine makes an explicit distinction between the two types of war (such would be anachronistic), I will argue that based on examinations of De libero arbitrio I.v.11–12 and De civitate Dei I.30 Augustine's discussions of hypothetical cases or actual wars in history provide insights helpful for contemporary reflection on preemptive and preventive wars.     

DANCING WITH THE SACRED: EXCERPTS

Abstract. In excerpts from my Dancing with the Sacred (2002), I use ideas from modern science, our world's religions, and my own experience to highlight three themes of the book. First, working within the framework of a scientific worldview, I develop a concept of the sacred (or God) as the creative activity of nature, human history, and individual life. Second, I offer a relational understanding of human nature that I call our social‐ecological selves and suggest some general considerations about what it means to live meaningfully and morally in an evolutionary world. Third, I explore how we might be at home in a universe that is constantly changing and in which suffering and death are interwoven with life and new creation.     

A REPLY TO ANNE KULL,EDUARDO CRUZ,AND MICHAEL DeLASHMUTT

In my reply to the essays by Anne Kull, Eduardo Cruz, and Michael DeLashmutt, I turn first to Cruz's charge that my use of “the sacred” is at odds with a growing religious studies mainstream that understands religion in secular terms. I suggest that this latter approach has its own problems, deriving partly from its neglect of the political, constructed nature of the category of “religion.” Second, in relation to Cruz's suggestion that my lack of attention to explanation compromises my claim to be social scientific, I defend a broader understanding of the human sciences and explore the relationships between understanding, critique, and history, and between sociology and theology. Third, reflecting on DeLashmutt's suggestion that I neglect the way that technical invention provides a glimpse of divine creativity, and the myth making that goes on around technology in vehicles such as science fiction, I argue that such issues have to be approached in a radically historical way. I conclude by identifying three challenges: to explore more deeply how technological objects form part of human being‐in‐the‐world, to show how my approach might offer practical resources for assessing technological and environmental developments, and to expand my analysis to include non‐Western religious traditions.     

THE KENOSIS OF THE CREATOR AND OF THE CREATED CO-CREATOR

Abstract I comment on moral and theological aspects of human technology, which I consider as an evolutionary moment of our cultural and genetic variation. It is an important moment both scientifically and theologically. Starting from Philip Hefner's theological program of the human being as created co‐creator, I distinguish between the limitations and responsibilities of the human being as a created agent and the possibilities and ideals as a co‐creator. I develop the idea of the kenosis (self‐emptying) of the Creator, which as the root of God's love principle should be reenacted by the created co‐creators. I analyze elements of this kenosis presented by Jürgen Moltmann in relation to creation and eschatology.     

The Sublime and the Other

What is the philosophical significance of the “sublime”, and does this concept still have any relevance to contemporary life? In this essay, I argue that the experience of the sublime is exceptionally important, insofar as it presents us with a general model for the experience of otherness, the encounter with transcendence itself, which might reasonably be viewed as impossible. As Rudolf Otto suggested, the experience of the sublime is closely related to the experience of the sacred; and even in Burke and Kant, the sublime is to be grasped as both an aesthetic and a religious experience which finally opens the individual to that which is greater than herself. Thus, the sublime has become a major theme in postmodern theory, precisely because it gives us access to the sacred and that which is wholly “other.”     

NEWTON AND PROCLUS: GEOMETRY,IMAGINATION, AND KNOWING SPACE

I aim to clarify the argument for space that Newton presents in De Gravitatione (composed prior to 1687) by putting Newton's remarks into conversation with the account of geometrical knowledge found in Proclus's Commentary on the First Book of Euclid's Elements (ca. 450). What I highlight is that both Newton and Proclus adopt an epistemic progression (or “order of knowing”) according to which geometrical knowledge necessarily precedes our knowledge of metaphysical truths concerning the ontological state of affairs. As I argue, Newton's commitment to this order of knowing clarifies the interplay of the imagination and understanding in geometrical inquiry and illuminates how geometrical knowledge of space can lead to knowledge that space depends on and is related to God. In general, appreciating the Proclean elements of Newton's argument brings added light to the significance of geometrical inquiry for his general natural philosophical program and grants us insight into the philosophical grounding for the notion of absolute space that is presented in the Principia mathematica (1687).     

ACHIEVING A SCIENCE OF SACRED DOCTRINE*

Aquinas claims that sacred doctrine is a science, or scientia. All scientiae involve demonstrations containing principles which yield conclusions that are necessary and certain. The principles leading to sacred scientia are the articles of faith. Those articles are contained in Scripture and constitute the premises of demonstrations the conclusions of which form sacred doctrine's content. Because of those articles' divine origin, we can expect them to yield conclusions the truth of which is guaranteed. According to William Abraham, however, Aquinas must demonstrate Scripture's divine origin as a condition for achieving a sacred scientia. In the absence of such a demonstration, we cannot be certain that the articles contained in Scripture are God‐breathed, nor can we be certain that the conclusions deduced from them belong to sacred doctrine. Abraham argues that Aquinas's putative demonstration of Scripture's divine origin fails and—consequently—so does his attempt to establish a sacred scientia. In this paper, I will show that Aquinas never intended to provide such a demonstration, nor does he need to in order to secure sacred doctrine's status as a scientia. Furthermore, I will show that achieving sacred scientia is not, pace Abraham, an epistemological undertaking but a spiritual discipline that eventuates in knowledge of and love for God.     

FORGETTING AND THE TASK OF SEEING: Ordinary Oblivion,Plato, and Ethics

The gaps, fissures, and lapses of attention in a life—what I call “ordinary oblivions”—are fertile fragilities that present a compelling source for ethics. Plato, not Aristotle, is the ancient philosopher specially poised to speak to this feature of human life. Drawing upon poet C. K. Williams's idea that forgetting is a “looking away” that makes possible “beginning again,” I present a Platonic approach to ethics as an alternative to Aristotelian or virtue ethics. Plato's Phaedrus is a key source text for this alternate picture; from it I suggest how we might construe Iris Murdoch's “task of seeing” in terms of the engagement with written form. Poetry is a central locale for such engagement, and thus suggests a kind of ethical praxis that arises from the theoretical emphases of my examination of forgetting, the unmoored self, remade other‐regard, and sacred sources.     

THE SELF AND THE OTHERS: COMMON TOPICS FOR HUSSERL AND WITTGENSTEIN

Several commentators have argued that Husserl's phenomenological project is compromised or even destroyed by Wittgenstein's critical inquiries into our use of psychological concepts. In contrast to oppositional interpretations, this paper explicates certain crucial connections between Husserl's phenomenology and Wittgenstein's late thinking—shared views that concern the embodied nature of selfhood and our relations to other selves. In line with certain recent contributions, I argue that there are important similarities between Husserl's analysis of these phenomena and Wittgenstein's remarks on our use of language and that these connections, when noticed and explicated, can help us avoid simplified, barren contrasts and get clear about our actual philosophical alternatives.     

“The giving birth of a world”: Fanon,Husserl, and the imagination

This article examines the role of the imagination in Fanon's and Husserl's work in order to rethink Fanon's relationship with Husserlian phenomenology. I begin with an investigation of the oft-overlooked ways in which the imagination appears in Wretched of the Earth. Here, I argue that Fanon puts a great deal of stock in the imagination, ultimately calling upon this faculty in order to presage the novel ways of being, thinking, and acting, which are a recurrent signature of his vision of decolonization. In the latter half of the article, I then offer an account of the decisive methodological significance of the imagination within Husserl's work. Revisiting the methodological infrastructure of phenomenology with Fanonian concerns in mind casts Husserl's project in a surprising new light, bringing to the fore the revolutionary potential of both the epoché and the method of eidetic variation. For at the core of Husserlian methodology lies a resolve to exceed the limits of our present empirical reality—a leitmotiv of Fanon's own thinking. I ultimately show that Fanon's work can thus be imagined as a reactivation, indeed a revolution, inaugurated at the heart of phenomenology and its most basic methodological commitments.     

AQUINAS ON ATTACHMENT, ENVY, AND HATRED IN THE SUMMA THEOLOGICA

This essay examines Aquinas's discussions of hatred in Summa Theologica I‐II, Q. 29 and II‐II, Q. 34, in order to retrieve an account of what contemporary theorists of the emotions call its cognitive contents. In Aquinas's view, hatred is constituted as a passion by a narrative pattern that includes its intentional object, beliefs, perceptions of changes in bodily states, and motivated desires. This essay endorses Aquinas's broadly “cognitivist” account of passional hatred, in line with his way of treating passions in general. I suggest that Aquinas's account of hatred's arising out of attachment is compelling. However, I also argue that if Aquinas's treatment of hatred is to help us understand the phenomenon of hate, where classes of people are abominated for an identity they bear, and to avoid equating an oppressor's hatred with that of the oppressed for the oppressor, the cognitive pathway to hatred must be broader than through envy.     

THINKING THROUGH KIERKEGAARD'S ANTI-CLIMACUS: ART, IMAGINATION, AND IMITATION

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then consider what role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500).     

PHILOSOPHY,MYTH, AND THE “SIGNIFICANCE” OF SPECULATIVE THOUGHT

Abstract: A close examination of the relation between philosophy and myth reveals important functional parallels in some of their basic means of operation that helps shed some light on philosophy's overall task. A crucial aspect of the structural similarity between philosophy and myth is the generation of what Hans Blumenberg calls “significance.” I argue that the preservation and enhancement of significance (through a strong affinity to myth) is an essential and overlooked aspect of philosophy's task, one best accomplished through the world‐orienting work of speculative philosophy. By weaving the fragmented insights, criticisms, lessons, and methods of the more “specialized” analytic, pragmatic, critical, postmodern, deconstructivist, and other methods of thought together in a systematic way, speculative philosophy may be able to provide us with the kind of world orientation needed for developing a healthier, richer, more profound understanding of ourselves and our proper place within the world.     

In Between Sex and the Sacred: The Articulation of an Erotic Theology in Jeanette Winterson's The Passion

Abstract

This paper explores Jeanette Winterson's manipulation of biblical stories, tropes and language in The Passion. Winterson herself has commented upon the considerable influence that Scripture has upon her imagination and this novel bears up her claim in the profusion of allusions it makes to Christian texts and practices. While there has been a considerable amount of criticism written upon her use of intertextuality involving Scripture, this paper seeks to confront the issue from a theological standpoint and ascertain the theological implications of her writing. In viewing Winterson as a theologian, the possibility is raised of disseminating a more unorthodox, creative approach to hermeneutics, which encourages both a recognition of the paternalistic, heterosexual and patriarchal rhetoric within Scripture and traditional interpretation, and the supplanting of it with a polyphony of voices, which reach beyond the boundaries of the original texts. The conclusion of this paper is that, by inverting traditional categories of the sacred and the profane, Winterson articulates a challenge to contemporary theology in its practice of reading, and also advances a new theological hermeneutic, which reclaims an affirming spirituality of the body and desire.     

On the Importance of Being (Earnestly) Hybrid—Or,Qualms of a Quasi-Postmodernist: Commentary on Paper by Susan Fairfield

Dr. Fairfield makes a strong case that contemporary analytic theorists fail to live up to their apparent aspiration to present a thoroughgoingly postmodern conceptualization of the self. She argues instead in favor of a “hybrid” model—one that includes a dollop of modernism in the postmodernist brew. In this commentary, I critique the theorizing process inherent in psychoanalytic postmodernism, and then comment on and give a clinical example involving the self's “configurality.” I argue that we need to embrace the challenges of postmodernism without so privileging this position that we let it loosen our grasp of the realities of everyday clinical experience that might cause us to question postmodernism's tenets or values. Moreover, we must not assume that we can gauge the full impact of our “model of subjectivity” on the therapeutic process by knowing what we think we think.