Rethinking Sikh Nationalism in the Twenty-First Century

This article seeks to draw attention to some of the core issues which beset the study of Sikh nationalism as a coherent phenomenon in an increasingly globalized and socially fragmented world. First, it highlights the importance of revisiting the debate about the community's religious boundaries, arguing that in contrast to the new conventional wisdom informed by poststructuralism, Sikh identity has exhibited a remarkable degree of continuity from the establishment of the Khalsa in comparison with other South Asian religio-political communities. The second key issue highlighted is the role of the Sikh diaspora in the development of Sikh nationalism and statehood. It critically examines the extent to which diaspora may be regarded as an instrument of ‘long-distance’ nationalism. Third, it argues that the existing literature on Sikh nationalism is remarkably community-centric and needs to engage with theories of nationalism. Finally, while acknowledging the cleavages which fragment the Sikh nation, it concludes that Sikh nationalism has been remarkably cohesive.     

VIOLATIONS OF PAROLE: LANGUAGE,RELIGION, AND POWER AMONG THE MODERN UDASI MOVEMENT AND THE SGPC

This article explores a subaltern framework to examine language, religion, and power among contemporary Sikh movements, such as the Udasis, that oppose the Shiromani Gurudwara Prabhandak Committee (SGPC). From the late nineteenth century, the Punjab environment progressively communalized as religious groups competed internally and externally to win supporters and define outsiders. Emblematic of these processes in Sikhism are those affirming ties to Hinduism, such as the Udasis, and those seeking a separate religious identity, such as the Tat Khalsa Singh Sabha. This paper begins with an overview of constructions of Hinduism and Sikhism in the colonial period. Next, the theory of parole is developed to trace the relationships among language, religion, and power transacted through speech. Finally, the SGPC's portrayals of the Udasis and modern Udasi responses are presented. The Udasis exemplify how certain sects fell outside of epi-colonial religious demarcations in the Punjab that progressed toward a single Sikh identity. As a theory linking language and power, parole surpasses the classification of religious groups as ‘orthodox’ and ‘heterodox’ to uncover histories where communities define Self and Other.     

GURBANI KIRTAN RENAISSANCE: REVIVING MUSICAL MEMORY,REFORMING SIKH IDENTITY

This article examines the modes of revival within the contemporary renaissance of traditional Gurbani Kirtan (Sikh devotional music) in an effort to differentiate historically operative practices from modern products being sold as tradition. Modern reformist tendencies have attempted to institutionalize a normative Sikh musical identity into one homogeneous ‘Gurmat Sangeet’ genre through codifying Sikh raga forms and promoting a particular Sikh musical orthopraxy and history. The process of institutionalization privileges written sources as authoritative, erasing the memory of operative practices passed down orally since the time of the Sikh Gurus through the Gurbani Kirtan parampara (tradition). In questioning how Sikh musical knowledge has been propagated and authenticated since modernity, I propose a reassessment of what values and musical modes are indelible to the fabric of Gurbani Kirtan, what aspects are modern derivatives, and what aspects are negotiable. I believe such an approach will not limit Sikh musical expression to a past identity subsumed by orthodox rigidity. Instead it will move toward a phenomenological epistemology that recognizes how orality and embodied experience are intrinsic to the Gurbani Kirtan parampara that remembers, practices, and teaches a particular methodology to embody the Bani as Guru for newly creative Sikh subjectivities.     

“A Part of Who I Am”: Material Objects as “Plot Devices” in the Formation of Religious Selves

What role do material objects play in the formation of religious subjects? Drawing from an ethnographic investigation of the evolving relationships between a group of Eastern Orthodox converts and their religious icons, this article develops a theoretical approach to this question that conceptualizes material artifacts as “plot devices” in the formation of religious identity narratives. Integrating insights from studies of material religious culture with narrative theories of identity, this article argues that religious artifacts become significant to religious identity construction to the extent they act as resources for the configuration of a narrative structure in which transcendent or sacred others play a part. As the empirical details of this study demonstrate, attending to how religious objects’ symbolic meanings (i.e., who or what they represent) are mediated by their unique material characteristics (how they make meanings physically present to social actors in embodied social interaction) is of vital importance for explaining the significant role material artifacts play in the religious emplotment of action and experience.     

Precarious and model minorities: Sikh identities in the ‘new’ global politics of religion

ABSTRACT

In many parts of the world, Sikhs have come to be perceived as a ‘model' minority – so much so that some have critiqued the Sikh community for taking up positions that are perceived as assimilationist. Such critiques, however, gloss over the sense of precarity, and the litany of hardships, racial discrimination and legal battles in which Sikhs have been forced to be engage in a post-9/11 world. Ultimately, this discrimination is enabled and justified by historical western notions of the incommensurability of the sacred and secular. Engaging with recent critical debates over the on-going meanings of the sacred and the secular, this paper argues that the contemporary moment requires a cosmopolitan religious outlook. Such debates reveal the separation between the public and the private, and between the sacred and the secular, to be ‘zombie categories' that fail to capture contemporary realities. Hence, conceptualizing Sikh identities as precarious, vulnerable ‘model minorities' in a post-Brexit/Trump era allows us to explore a Sikh ethics underpinned by the universal message of SGGS Ji. This is so because such ethics have never been conceptualized as simply being ‘other-worldly’, but rather as precisely grounded in the world that has been entrusted to us.     

Songs to the Jinas and of the Gurus: historical comparisons between Jain and Sikh devotional music

ABSTRACT

Jain worship has always been accompanied by music and likewise for Sikhs the performance of and listening to the singing of hymns, as composed by several of their Gurus, continuously has been central to the community’s spiritual experience. For different reasons, however, Sikh and Jain devotional music, known as kirtan and bhakti respectively, until recently were neglected subjects in historiography. This article investigates the parallels and differences among the two genres from a historical comparative perspective against the successive backgrounds of the bhakti movement and Indic culture, the imperial encounter and globalization. In doing so, it particularly emphasizes the importance of identity politics to the making of modern Sikh and Jain devotional music, as well as the fact that, in comparison to Jain bhakti, Sikh kirtan generally remains North Indian ‘Hindustani’ art music, rather than regional folk music.     

Engendering the female voice in Sikh devotional music: Locating equality in pedagogy and praxis

ABSTRACT

The Sikh Gurus promoted gender equality, but still women’s voices are being silenced from playing Gurbānī Kīrtan inside the Golden Temple. The reasons for their exclusion center around the sexualization of the female body, purity and pollution, appeals to tradition, and questions of musical proficiency. Today, Sikhs in India and the diaspora ask that the Sikh philosophy of equality be fully enacted in pedagogy and praxis. Through ethnographic investigation, historical analysis and critical inquiry, this paper addresses the importance of liberating the Sikh self and psyche from institutional systems of oppression to reclaim Sikh sovereignty, equality and the female voice.     

FEMALE VOICES IN GURBĀNĪ SANGĪT AND THE ROLE OF THE MEDIA IN PROMOTING FEMALE KĪRTANĪE

This paper discusses the performance of Gurbānī kīrtan rendered by female singers, an activity that is an integral part of the Sikh spiritual practice, yet at a professional level has always been considered a male domain.

The study is framed within the wider context of Indian traditional culture, analyzing the social norms that for centuries prevented women from public exposure in the fields of religious and classical music. In relation to the Sikh tradition, the author explores the variety of musical forms (classical and folk) adopted by female kīrtanīe for performing Gurbānī hymns, raising important issues about music education.

Based on ethnographic research among the community of contemporary kīrtanīe, the article explores the key role of media in promoting female performers during the last three decades, through dedicated TV and radio shows, social networks and web sites. In the author's analysis, each decade has brought about radical shifts in the strategies of production and perception of Gurbānī kīrtan, opening up new opportunities for performance by female kīrtanīe.     

THE OTHER SIKHS

In the last 100 years, Sikhs have travelled to different countries in the West and beyond. There is a significant amount of scholarly writing about the presence of Sikhs across the globe. However, their experience in migration and settlement in different parts of India beyond Punjab remains a comparatively neglected area of Sikh studies. Its history goes back to the medieval days and includes a larger numbers of Sikhs than that exist in the Western diaspora. These Sikh sites are numerous and scattered across India. They communicate the message of home in poly-vocalic voices and point to the surfacing of another Sikh diaspora within India beyond Punjab. This article seeks to outline a small part of it with reference to the Sikh past in Manipur. Manipur is located along the Indo-Myanmar border and seeks to emphasize the local Sikh community's distinctiveness and plurality.     

Ways of making Sikhi in Italy: Considerations from a case study of Sikh youth

ABSTRACT

Young Sikh millennials live complex processes of religious identity redefinition. They depict themselves as a homogeneous community. However, they confront themselves with a strong internal pluralism regarding orthodoxy. In addition, young people raise generational issues that lead them to differentiate themselves from their parents and to distinguish Sikhism from Punjabi culture. Based on semi-structured interviews, the paper shows that living and making Sikhi in Italy are processes where the ties to a delocalized and transnational community and the reference to the past prove to be very important to make Sikhism consistent with the history of the local context.     

REPRESENTATION OF SIKHS IN BOLLYWOOD CINEMA

Like other ethnic minorities, Sikhs have been conventionally represented in popular Hindi cinema either as brave warriors or as uncouth rustics. In the nationalist text in which the imagined subject was an urban North Indian, Hindu male, Sikh characters were displaced and made to provide comic relief. Since the mid-1990s, Hindi filmmakers have genuflected to the rising economic and political power of the Sikh diaspora through token inclusions of Sikhs. Although 1990s films like Kuch Kuch Hota Hai (1998) included attractive images of Sikhs, Hindi cinema could introduce a Sikh protagonist only in the new millennium in Ghadar: Ek Prem Katha (2001) and featured a turbaned Sikh as a protagonist only two decades later in the film Singh is Kinng (2009). Ever since the film became a superhit, top Bollywood stars such as Akshay Kumar, Saif Ali Khan, Ranbir Kapoor and even Rani Mukherjee have played Sikh characters in films like Love Aaj Kal (2009), Rocket Singh: Salesman of the Year (2009) and Dil Bole Hadippa (2009). Even though Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Hindi cinema as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. This paper examines images of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the film industry to capitalize on the increasing power of the Sikh diaspora or if it is an indulgence in diasporic techno-nostalgia that converges on the Sikh body as the site for non-technologized rusticity. It argues that despite the exoticization of Sikhs in the new Bollywood film, the Sikh subject continues to be displaced in the Indian nation.     

Four generations of Sikh studies: A personal view1

This perspective on the development of Sikh Studies over the twentieth century intersperses personal reminiscences from the past four decades with a chronological overview of the modern development of the subject. Beginning with an outline of some of the pioneering achievements of the great Singh Sabha scholars and of subsequent developments in the Punjab in the succeeding generations, it then discusses some of the tensions between traditional scholarship and the different emphases which have typically marked the work of western academics. While critical of some of the infighting which has characterized Sikh Studies in the West, it concludes with an overview of the exciting contemporary developments of the subject by young Sikh scholars working in North America and Britain (of which the appearance of Sikh Formations is itself such an encouraging sign), and with a plea for the urgent necessity of informed interfaith understandings.     

EXCLUSION AND REGULATED INCLUSION

This article examines the ways in which the Sikh kirpan has been imagined and re-imagined by the Canadian state, as a signifier of exclusion from the public sphere, and regulated inclusion within the public sphere. The focus on Sikh cultural and religious practices provides a way to examine recent cases of an ethno-racial group that has long-tested and challenged the boundaries of multicultural accommodation in Canada. Through a critical race lens, I examine the 2006 Multani v. Commission scolaire Marguerite-Bourgeoys Supreme Court decision to permit kirpans in schools, and the 2011 ban of the kirpan by the Quebec legislature, in order to identify the function of kirpan debates for Canadian nation-building. In particular, I contend, kirpan debates in Canada serve to re-perform the myth of multiculturalism and the legitimacy of settler-colonialism, secure white hegemonies, and consolidate cultural and gender norms. To counter these hegemonies of power, I conclude by signaling a political praxis that can potentially complement the democratic impulse of inclusion while also countering the hegemonic effects of regulated inclusion, one that is grounded in a politics of disruption.     

WARRIORS OF GOJA: PAINS AND PLEASURES OF THE SIKH (MALE) BODY

Taking a widely received, winning entry in a televised Indian talent show entitled the Warriors of Goja as its point of departure, my paper is organized around discussions of the body, pain, and pleasure. I aim to raise questions around the subject/objectification of the Sikh male body and examine points of continuity from the colonial era typification of Sikh men as a martial race to contemporary renderings of Sikh men as hyper-macho. I examine the centrality of pain to a kind of Sikh hetero-masculinity that is being constituted on the entertainment stage and circulated transnationally. Alongside, I investigate how machismo and masochistic martyrdom come to evoke Sikh masculinity through mass cultural images. I put forth a reading of the mutilated Sikh male body as an image commodity that accretes value in its circulation. I also explore, whether, and to what extent, the viral Warriors of Goja can be situated within a broader transnational visual economy of maimed Sikh male bodies, namely of martyr figures.     

Being Watched by Anthropomorphized Objects Affects Charitable Donation in Religious People

This study assessed the effect of bottom‐up visual cues—the cues of being watched—from anthropomorphized (face‐like) everyday objects on religious people's prosocial behavior. As religious people are more likely than less‐religious people to perceive faces in everyday objects and as perception of face‐like objects promotes prosociality, it was expected that religious people would become more prosocial when they perceived face‐like objects. To test the hypothesis, the study replicated a past finding in a Japanese sample in which religious people tended to perceive a face in everyday objects. Next, results showed that the decision to donate in religious people (compared to less‐religious people) was increased when a face‐like object was displayed with charitable appeals. This effect was not observed with a non‐face‐like object. The current study indicates that interaction with the surrounding environment plays an important role in motivating prosocial behavior among religious people.     

Religious Studies in Britain: Lancaster in the Sixties

Among the factors which have sustained the religious and cultural orientation of Sikhs in Britain, the role of the visiting Sants is of crucial importance, though little studied. Sants have shaped the lives of many of their Sikh disciples directly, inspiring others to uphold the religious ideals, and have contributed in several ways to the community's causes and institutions. The paper contributes towards an understanding of the growth and multiplicity of the Sant's role among the British Sikh community.     

Lost in translation? The emergence of the digital Guru Granth Sahib

ABSTRACT

This article explores the impact of the digital online environment on the religious lives of Sikhs with a particular focus on the emergence of the ‘Digital Guru’, i.e. digital versions of the Guru Granth Sahib. Using data gathered through interviews and an online survey, I examine how the ‘Digital Guru’ is impacting on the transmission of the Sikh tradition and on Sikh religious authority. I then explore some of the issues faced in engaging with the ‘Digital Guru’ and the consequences of the emergence of online translations. Given that ‘going online’ has become an everyday practice for many, this article contributes to understandings of the impact of the online environment on the religious adherents in general, and on Sikhs in particular.     

WHO DESIRES THE RHINOCEROS? PROSAIC POETICAL AND MNEMONIC VISUAL REFRACTIONS OF VIOLENCE IN THE WAKE OF OPERATION BLUE STAR

This paper seeks to bring together artistic and poetic productions as sites of historical memory wherein forgetting and remembering occur so as to forge dominant narratives as well as resistance and alterity through their mutual relation to the modern postcolonial technocratic state. Twenty-five years have passed since the armed altercation between a group of so-called ‘Sikh Separatists’ and the Indian Military within the confines of the Golden Temple, Amritsar, in Panjab. This watershed moment signalled a shift in the typically amicable relations between nationalist Hindus and Sikhs. It also led to a decade-long ordeal of reckless, unmitigated violence and torture of ‘men with beards’ being taken categorically to represent a national threat. I posit that art and poetry serve as a sites where the cathexis of Sikh desires are continually projected upon an imaginal canvas; it is here that the longing for a form of sovereignty in relation to the nation-state may potentially and partially begin to be engaged. This paper examines a small number of such emanations as latent resurrections of sublimated desires that challenge subjectivity as limited solely to a single purview but is rather mitigated through a process of altercation, contestation, continuation and re-association.