Rethinking Sikh Nationalism in the Twenty-First Century

This article seeks to draw attention to some of the core issues which beset the study of Sikh nationalism as a coherent phenomenon in an increasingly globalized and socially fragmented world. First, it highlights the importance of revisiting the debate about the community's religious boundaries, arguing that in contrast to the new conventional wisdom informed by poststructuralism, Sikh identity has exhibited a remarkable degree of continuity from the establishment of the Khalsa in comparison with other South Asian religio-political communities. The second key issue highlighted is the role of the Sikh diaspora in the development of Sikh nationalism and statehood. It critically examines the extent to which diaspora may be regarded as an instrument of ‘long-distance’ nationalism. Third, it argues that the existing literature on Sikh nationalism is remarkably community-centric and needs to engage with theories of nationalism. Finally, while acknowledging the cleavages which fragment the Sikh nation, it concludes that Sikh nationalism has been remarkably cohesive.     

REPRESENTATION OF SIKHS IN BOLLYWOOD CINEMA

Like other ethnic minorities, Sikhs have been conventionally represented in popular Hindi cinema either as brave warriors or as uncouth rustics. In the nationalist text in which the imagined subject was an urban North Indian, Hindu male, Sikh characters were displaced and made to provide comic relief. Since the mid-1990s, Hindi filmmakers have genuflected to the rising economic and political power of the Sikh diaspora through token inclusions of Sikhs. Although 1990s films like Kuch Kuch Hota Hai (1998) included attractive images of Sikhs, Hindi cinema could introduce a Sikh protagonist only in the new millennium in Ghadar: Ek Prem Katha (2001) and featured a turbaned Sikh as a protagonist only two decades later in the film Singh is Kinng (2009). Ever since the film became a superhit, top Bollywood stars such as Akshay Kumar, Saif Ali Khan, Ranbir Kapoor and even Rani Mukherjee have played Sikh characters in films like Love Aaj Kal (2009), Rocket Singh: Salesman of the Year (2009) and Dil Bole Hadippa (2009). Even though Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Hindi cinema as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. This paper examines images of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the film industry to capitalize on the increasing power of the Sikh diaspora or if it is an indulgence in diasporic techno-nostalgia that converges on the Sikh body as the site for non-technologized rusticity. It argues that despite the exoticization of Sikhs in the new Bollywood film, the Sikh subject continues to be displaced in the Indian nation.     

‘So people know I'm a Sikh’: Narratives of Sikh masculinities in contemporary Britain

This article examines British-born Sikh men's identification to Sikhism. In particular, it focuses on the appropriation and use of Sikh symbols amongst men who define themselves as Sikh. This article suggests that whilst there are multiple ways of ‘being’ a Sikh man in contemporary post-colonial Britain, and marking belonging to the Sikh faith, there is also a collectively understood idea of what an ‘ideal’ Sikh man should be. Drawing upon Connell and Messerschmidt's discussion of locally specific hegemonic masculinities (2005. “Hegemonic Masculinity: Rethinking the Concept.” Gender and Society 19 (6): 829–859), it is suggested that an ideal Sikh masculine identity is partly informed by a Khalsa discourse, which informs a particular performance of Sikh male identity, whilst also encouraging the surveillance of young men's activities both by themselves and by others. These Sikh masculinities are complex and multiple, rotating to reaffirm, challenge and redefine contextualised notions of hegemonic masculinity within the Sikh diaspora in post-colonial Britain. Such localised Sikh masculinities may both assert male privilege and reap patriarchal dividends (Connell, W. 1995. Masculinities. Cambridge: Polity Press), resulting in particular British Sikh hegemonic masculinities which seek to shape the performance of masculinity, yet in another context these very same performances of masculinity may also signify a more marginalised masculinity vis-à-vis other dominant hegemonic forms.     

WARRIORS OF GOJA: PAINS AND PLEASURES OF THE SIKH (MALE) BODY

Taking a widely received, winning entry in a televised Indian talent show entitled the Warriors of Goja as its point of departure, my paper is organized around discussions of the body, pain, and pleasure. I aim to raise questions around the subject/objectification of the Sikh male body and examine points of continuity from the colonial era typification of Sikh men as a martial race to contemporary renderings of Sikh men as hyper-macho. I examine the centrality of pain to a kind of Sikh hetero-masculinity that is being constituted on the entertainment stage and circulated transnationally. Alongside, I investigate how machismo and masochistic martyrdom come to evoke Sikh masculinity through mass cultural images. I put forth a reading of the mutilated Sikh male body as an image commodity that accretes value in its circulation. I also explore, whether, and to what extent, the viral Warriors of Goja can be situated within a broader transnational visual economy of maimed Sikh male bodies, namely of martyr figures.     

‘Second generation’ Sikh autobiographies and authobiographical novels in European languages: Turning towards and away from traditions

ABSTRACT

The article analyzes autobiographies and autobiographical novels by Sikh authors who were born and grew up in Europe and North America as sources for understanding developments of Sikh religion. It uses the concepts panjabiat (Punjabi-ness), Sikh religion and modernity/Western society to understand the tensions and conflicts described in these books. The authors had to work out the differences between panjabiat, Sikh religion and modernity/Western society. They had to figure out what place the Sikh religion should have in their new identity and for this they were looking for similarities between the Sikh religion and Western society. In the autobiographies Sikh religion emerges as an ideology employed to criticize Punjabi culture and society and Sikh religion is reinterpreted and often comes to refer to some general principles that are compatible and supportive of Western modernity.     

RELOCATING THE SIKH SUBJECT

In 1993 a number of Sikh Canadian veterans were barred from entering a Legion Hall in Surrey, British Columbia, Canada because they refused to remove their turbans. Using a postcolonial lens to explore this meeting and the historical factors leading to it, this paper offers some important reflections on both the evolution of Canadian multiculturalism and the nature and meaning of Sikh identity in a seemingly postcolonial context. The paper suggests that the Sikh veterans involved in this event were effective at strategically constructing a subject position that relocated them simultaneously at the centre of Empire and Canada's multicultural order.     

GURBANI KIRTAN RENAISSANCE: REVIVING MUSICAL MEMORY,REFORMING SIKH IDENTITY

This article examines the modes of revival within the contemporary renaissance of traditional Gurbani Kirtan (Sikh devotional music) in an effort to differentiate historically operative practices from modern products being sold as tradition. Modern reformist tendencies have attempted to institutionalize a normative Sikh musical identity into one homogeneous ‘Gurmat Sangeet’ genre through codifying Sikh raga forms and promoting a particular Sikh musical orthopraxy and history. The process of institutionalization privileges written sources as authoritative, erasing the memory of operative practices passed down orally since the time of the Sikh Gurus through the Gurbani Kirtan parampara (tradition). In questioning how Sikh musical knowledge has been propagated and authenticated since modernity, I propose a reassessment of what values and musical modes are indelible to the fabric of Gurbani Kirtan, what aspects are modern derivatives, and what aspects are negotiable. I believe such an approach will not limit Sikh musical expression to a past identity subsumed by orthodox rigidity. Instead it will move toward a phenomenological epistemology that recognizes how orality and embodied experience are intrinsic to the Gurbani Kirtan parampara that remembers, practices, and teaches a particular methodology to embody the Bani as Guru for newly creative Sikh subjectivities.     

The morning after: Trauma,memory and the Sikh predicament since 1984

This article examines the possibilities opened up by critical international theory for the articulation of a post-nationalist diasporic Sikh identity which seeks to go beyond Khalistan. Critical theories of international relations contest the hegemony of realism within international relations (IR) by examining the origins, development and potential transformation of the bounded territorial state and the Westphalian order of territorialized nation-states. It is argued that realism, based on a positivist methodology, ‘naturalizes’ the Westphalian order by recognizing the nation-state as the only significant actor in IR. This, consequently, serves to ‘territorialize’ Sikh identity and stimulates the demand for an independent Sikh homeland, Khalistan. However, the twin processes of globalization and fragmentation have made the notion of a bordered, self-contained community that is at the heart of international political theory difficult to sustain in the post-Cold War world. This has created space for the articulation of a deterritorialized Sikh identity which challenges the Westphalian order in its rejection of sovereign statehood and its assertion of the sovereignty of the Khalsa Panth.     

Representations of the 1984 Tragedy in Punjabi Cinema: Ideology and Cultural Politics

Using medium of modern Punjabi language, this paper provides critical overview of the way in which Indian cinema has tried to grapple with the aftermath of the 1984 tragedy. The films analysed in this paper include two Hindi films Maachis, Hawayein, and three Punjabi films Des Hoyaa Pardes, Sadda Haq and Punjab 1984. The paper examines each film's underlying ideology, screen techniques and ultimately what it portrays through its narrative construction of the past. The Hindi films almost echo an ‘Indianist’ ideology – a nationalist perspective of Sikh youth rebelling against the state ultimately shown as misguided and purposeless, while Punjabi films with their more realistic linguistic and aesthetic presentation fall short of any sensitive portrayal of the tragedy. The paper concludes with some comments upon their comparative worth and weaknesses and the disjunction between the Bollywood productions and the Punjabi initiatives: the former as part of the Indian industry with its highly developed formulistic commercial orientation and the latter with little technical sophistication and resource-starved productions.     

The Harmonium in Sikh Music

The harmonium has become the standard instrument in all Sikh musical worship (kirtan) performances and it seems inseparable from the Sikh musical experience. In the mid-nineteenth century, however, the kirtan experience was considerably different. Until the early twentieth century, kirtanis performed kirtan on stringed instruments and adhered to a number of complex traditional musical themes and structures. Following the introduction of the harmonium, kirtanis became attracted to this instrument and in the space of 50 or 60 years, the harmonium became their instrument of choice. This paper explores this theme and attempts to deconstruct the history of the harmonium and the reasons why it became so attractive as an instrument of choice for Sikh kirtanis. We explore the popularity of the harmonium amongst Indian musicians in general before attempting to understand why Sikh kirtanis rejected stringed instruments and chose the harmonium.     

‘KEEPING THE FAITH ALIVE': TEACHING SIKH KIRTAN IN AMERICA

Since the large influx of Sikhs to the USA beginning with immigration reform in the 1960s, Sikhism has continued to come into view as an American religion. Throughout the USA today, Sikhs are devoting vast amounts of time and effort toward keeping continued generations of Sikh Americans connected with Sikh communities, traditions, history, and ways of being and knowing. One of the primary ways that many communities are teaching younger generations how to be Sikh in America is through teaching the performance of the Sikh sacred musical tradition, Gurbani kirtan (musical performance of the Word of the Gurus and Bhagats of Sikhism found within the Guru Granth Sahib). This article will explore observations from my field research and interviews among people who are teaching the Gurbani kirtan tradition in the USA, and their students. I will discuss how those teaching the tradition fall into several groups: organized kirtan academies, well-known kirtaniyas (Sikh sacred musicians) who hold periodic workshops, professional music teachers, and volunteer instructors within gurdwara communities. I will present insights from my interviews conducted with interviewees from each group about their pedagogical methods, reasons for teaching, and hopes and concerns for the future. Finally, I will conclude with some observations on the role of Gurbani kirtan in the emergence of Sikhism as an American religion.     

Reforming Siki and re-devising the panth: The influence of the Singh Sabha movement on the Millenial Sikhs in the United Kingdom

ABSTRACT

The Sikh community in the UK consists of various ‘Jathebandia’, loosely translated as ‘units’ or ‘sects’. All of these groups have varied histories, practices, and theological beliefs. This paper examines the influence of the Singh Sabha movement on the millennial generation in some of the largest Sikh groups in the UK. Some of the groups claim orthopraxy and orthodoxy, but this essay argues the majority of these groups are an amalgamation of different influences that have adapted their practices according to the Singh Sabha movement and concludes with an analysis of how these influences play out via Sikh media and the internet.     

MUSIC OF THE SIKH DIASPORA: DEVOTIONAL SOUNDS,MUSICAL MEMORY AND CULTURAL IDENTITY

This paper explores the role of devotional music in the construction of Sikh identity in diasporic contexts. In particular, it examines a heterodox Sikh community in the UK and an orthodox Sikh community in Hong Kong from a comparative perspective, showing how music helps to clarify continuities and discontinuities in Sikhism worldwide. I provide ethnographic accounts of musical performances in different locales within gurdwara-s. Following a summary of current conventions in Sikh music performance and pedagogy, two ethnographic accounts are provided. The first is a musical ethnography of the Namdhari Gurdwara in Leicester where Hindustani classical music is performed alongside traditional ritual genres. The second site is a similar ethnographic study of the Khalsa Diwan Gurdwara in Hong Kong where the issues of diasporic identity and musical memory are foregrounded.     

Promoting Sikhi among Malaysian youth: A case study of the Sikh Naujawan Sabha Malaysia (SNSM)

ABSTRACT

The Sikh Naujawan Sabha Malaysia (SNSM) has been an important vehicle in keeping the tenets of the Sikh faith alive for the Malaysian Sikh community. It is primarily a Sikh youth organization, initiated with the blessings of the Malaysian Sikh community elders in the 1960s, who decided that starting the activity of prayer and contemplation on Sikhi was crucial from a young age. Over the decades, the SNSM has been adept in evolving its activities and organization to cater to the altering needs and self-conceptions of the various generations of Sikh youth. This paper documents the trajectory of SNSM activities and reinvention to cater to the generations of Sikhs post-Independence.     

Going Rural and Urban at Once: Reflections from the Roman Sikh Context

This article highlights some considerations emerging from an ongoing ethnographic research I am carrying out at the local gurdwara of Fiumicino, in the outer edges of Rome, and in two ashrams owned by Italian converted Sikhs, which are also hosting some Sikh migrants. These sites seem to question the separation of urban from rural contexts, since they both act as community centres for Sikhs living in the town and neighbouring villages and as places of residence from where people commute for professional purposes. In this perspective, the ‘Sikh case’ is a good example to further reflect on the changing urban shape of Rome, which appears to have been constantly transforming itself over the last decades with the increasing expansion of the suburban areas; such restructuring has also influenced the way migrants choose where to work and live.     

MYTH,HISTORY AND REALPOLITIK: MOROCCO AND ITS JEWISH COMMUNITY

This article is an analytical overview of the history of Moroccan Jewry, from pre‐Islamic times to the present day, exploring the themes of myth, memory and political interests in the multi‐faceted, continuous interactions between the community and Moroccan society as a whole. In referring to seminal developments in Moroccan political history, it analyses the different ways in which the Jews of Morocco experienced them as an integral part of the larger societal mosaic. This survey of the 2,000‐year Jewish presence in Morocco employs a variety of classical and modern sources in order to locate the place of Moroccan Jews within the ebbs and flows of Moroccan dynastic history, particularly following the establishment of the first Islamic dynasty in the eighth century, C.E. It also engages with current historiographical debates on the subject matter. Overall, it provides clarity and order to the subject of Jewish–Muslim inter‐communal relations in Morocco over the longue durée, a matter too often shrouded in myths and half‐truths.     

Educated millennial Sikhs: Higher education,social mobility and identity formation among British Sikh youth

ABSTRACT

Large scale Sikh male migration to Britain in the 1950s gave way to family re-unions, leading to the development of vibrant Sikh communities across major cities and emergence of a millennial second and third generation Sikh youth. This chapter specifically identifies and evaluates higher education and labour market experiences of these millennial Sikhs. It argues mass participation in higher education produced differential outcomes, with a small upper segment becoming high achievers but a large bottom segment unable to realise the full potential. Further, these experiences had varied effects on their identity formation, with some moving away from their parental religion whilst others (re)embracing their tradition and adopting Sikh articles of faith. Finally, these differential experiences have also contributed to the widening of socio-economic differentiation within the British Sikh community as a whole and on potential for upward social mobility.     

VIOLATIONS OF PAROLE: LANGUAGE,RELIGION, AND POWER AMONG THE MODERN UDASI MOVEMENT AND THE SGPC

This article explores a subaltern framework to examine language, religion, and power among contemporary Sikh movements, such as the Udasis, that oppose the Shiromani Gurudwara Prabhandak Committee (SGPC). From the late nineteenth century, the Punjab environment progressively communalized as religious groups competed internally and externally to win supporters and define outsiders. Emblematic of these processes in Sikhism are those affirming ties to Hinduism, such as the Udasis, and those seeking a separate religious identity, such as the Tat Khalsa Singh Sabha. This paper begins with an overview of constructions of Hinduism and Sikhism in the colonial period. Next, the theory of parole is developed to trace the relationships among language, religion, and power transacted through speech. Finally, the SGPC's portrayals of the Udasis and modern Udasi responses are presented. The Udasis exemplify how certain sects fell outside of epi-colonial religious demarcations in the Punjab that progressed toward a single Sikh identity. As a theory linking language and power, parole surpasses the classification of religious groups as ‘orthodox’ and ‘heterodox’ to uncover histories where communities define Self and Other.