‘Mystic Atheism’: Julia Kristeva's Negative Theology

Abstract

This article examines Julia Kristeva's paradoxical concept of a ‘mystic atheism’. It falls into three parts. First, it briefly surveys Kristeva's psychoanalytic account of Christian theology in Au commencement était l'amour (1985). Secondly, it assesses Kristeva's analysis of the Christian mystical tradition from Teresa of Avila to Angela of Foligno in such works as Le féminin et le sacré (1999) and the three volumes on Le génie féminin (1999-2002). For Kristeva, Christian mysticism represents a key moment in the transition from theology to psychoanalysis: what she locates within the work of the female mystics is a so-called ‘mystic atheism’, that is to say, an affirmation of an other within the subject as opposed to the divine other that supposedly lies outside it. Finally, the article offers some critical comments upon Kristeva's own ‘mystic atheism’: I argue that—like much negative theology—Kristeva's psychoanalysis remains ontotheological in form and that this dimension expresses itself in a problematic tendency to anthropomorphize the other within. In conclusion, I will suggest that Kristeva's ‘mystic atheism’ ultimately remains within the theological tradition it seeks to call into question.     

L’écriture limite: Kristeva's Postmodern Feminist Ethics

In this essay, I trace the development of Julia Kristeva's theory and practice of “the subject in procession trial” from her semiotic works of the 1960s to her psychoanalytic writings of the 1970s and 1980s. I read Kristeva's exploration of this “subject in procession trial” as contributing to a postmodern feminist ethics.     

‘So people know I'm a Sikh’: Narratives of Sikh masculinities in contemporary Britain

This article examines British-born Sikh men's identification to Sikhism. In particular, it focuses on the appropriation and use of Sikh symbols amongst men who define themselves as Sikh. This article suggests that whilst there are multiple ways of ‘being’ a Sikh man in contemporary post-colonial Britain, and marking belonging to the Sikh faith, there is also a collectively understood idea of what an ‘ideal’ Sikh man should be. Drawing upon Connell and Messerschmidt's discussion of locally specific hegemonic masculinities (2005. “Hegemonic Masculinity: Rethinking the Concept.” Gender and Society 19 (6): 829–859), it is suggested that an ideal Sikh masculine identity is partly informed by a Khalsa discourse, which informs a particular performance of Sikh male identity, whilst also encouraging the surveillance of young men's activities both by themselves and by others. These Sikh masculinities are complex and multiple, rotating to reaffirm, challenge and redefine contextualised notions of hegemonic masculinity within the Sikh diaspora in post-colonial Britain. Such localised Sikh masculinities may both assert male privilege and reap patriarchal dividends (Connell, W. 1995. Masculinities. Cambridge: Polity Press), resulting in particular British Sikh hegemonic masculinities which seek to shape the performance of masculinity, yet in another context these very same performances of masculinity may also signify a more marginalised masculinity vis-à-vis other dominant hegemonic forms.     

Engendering the female voice in Sikh devotional music: Locating equality in pedagogy and praxis

ABSTRACT

The Sikh Gurus promoted gender equality, but still women’s voices are being silenced from playing Gurbānī Kīrtan inside the Golden Temple. The reasons for their exclusion center around the sexualization of the female body, purity and pollution, appeals to tradition, and questions of musical proficiency. Today, Sikhs in India and the diaspora ask that the Sikh philosophy of equality be fully enacted in pedagogy and praxis. Through ethnographic investigation, historical analysis and critical inquiry, this paper addresses the importance of liberating the Sikh self and psyche from institutional systems of oppression to reclaim Sikh sovereignty, equality and the female voice.     

Reforming Siki and re-devising the panth: The influence of the Singh Sabha movement on the Millenial Sikhs in the United Kingdom

ABSTRACT

The Sikh community in the UK consists of various ‘Jathebandia’, loosely translated as ‘units’ or ‘sects’. All of these groups have varied histories, practices, and theological beliefs. This paper examines the influence of the Singh Sabha movement on the millennial generation in some of the largest Sikh groups in the UK. Some of the groups claim orthopraxy and orthodoxy, but this essay argues the majority of these groups are an amalgamation of different influences that have adapted their practices according to the Singh Sabha movement and concludes with an analysis of how these influences play out via Sikh media and the internet.     

EMOTION IN SIKH MUSICOLOGY

Recent studies in Sikh musicology have focused on its history and theory. However, there is an absence of theoretical research which focuses on the role of emotions in Sikh music. In this paper, we contribute to this research by investigating key issues relating to emotions in Sikh musicology. We explore theories which propose that a rāga will evoke a particular emotion/mood in the listener and that there are a number of factors which influence this process. In particular, we focus on two parallel theories which we term the ‘one rāga one emotion’ and the ‘one rāga multiple emotions’ theories. We consider these theories within the context of the shabads (We are adding an ‘s’ for Punjabi plural words such as shabads and rāgas although the plural in Punjabi in this case would be Shabad or rāga. By Anglicising the words in this way we hope that it makes the paper easier to read), in particular rāgas of the Guru Granth Sahib which convey a number of emotions/moods. In this paper, we explore the problem of how to approach the interpretation of rāgas within the context of the emotions/moods presented in the shabads of those rāgas whilst adhering to the musical structure of the rāga. We use rāga Sirī to exemplify and focus the discussion. We challenge the ‘one rāga one emotion’ theory and propose that a rāga can be performed to evoke a number of emotions/moods but that certain considerations have to be taken into account by the performer during the rendition of the rāga.     

Rethinking Sikh Nationalism in the Twenty-First Century

This article seeks to draw attention to some of the core issues which beset the study of Sikh nationalism as a coherent phenomenon in an increasingly globalized and socially fragmented world. First, it highlights the importance of revisiting the debate about the community's religious boundaries, arguing that in contrast to the new conventional wisdom informed by poststructuralism, Sikh identity has exhibited a remarkable degree of continuity from the establishment of the Khalsa in comparison with other South Asian religio-political communities. The second key issue highlighted is the role of the Sikh diaspora in the development of Sikh nationalism and statehood. It critically examines the extent to which diaspora may be regarded as an instrument of ‘long-distance’ nationalism. Third, it argues that the existing literature on Sikh nationalism is remarkably community-centric and needs to engage with theories of nationalism. Finally, while acknowledging the cleavages which fragment the Sikh nation, it concludes that Sikh nationalism has been remarkably cohesive.     

Creating a Pindh: Place-Making within a Sikh Diasporic Community in Malaya

This paper examines a diaspora group's claiming and contesting of physical space and actively engaging in host country multiracial spaces, I co-opted the Pindh, a Sikh concept incorporating relationships with the landscape and social structure, re-defining its original meaning to encompass this unique consolidation of identity, home and belonging. Addressing the use and meaning of space and the transformation of Peraktown, the geographical location, I explore this transformation to a place of meaning through the practices of everyday life within the Sikh community. It describes the concepts of spatial relationships and their impact on the construction and solidification of the Peraktown Sikh community in contrast to their inherited connection to the land and inherent romantic nostalgia for Punjab, as they recreated the meanings it contained and inscribed these on the physical map of the town. In the four spaces addressed, the home, the Gurdwara, the school and the gendered work spaces, I demonstrate the ways that space altered, through claiming, adoption and subversion. The lens of the Pindh offers a uniquely Sikh way to view and analyse the constitution of common identity and a place to belong. The Peraktown Sikhs extend the discourse of diaspora beyond postcolonial and Western modes of thought of being ‘other’ yet simultaneously belonging ‘here', ‘back there’ and to multiple places of home.     

MAKING MEANING OF 1984 IN CYBERSPACE

VANCOUVER –A group of B.C. Sikh students who wore controversial T-shirts to school have sparked a debate within their community and left some wondering why a group of youths would latch onto a divisive movement dating from before they were born.

The students showed up to Surrey's Princess Margaret Secondary School earlier this month wearing shirts emblazoned with the word Khalistan, referring to a Sikh separatist movement advocating for a Sikh homeland in India's Punjab region that was often linked to violence in the 1980s.

On the back was a quote from Jarnail Singh Bhindranwale, a Khalistan advocate who was killed during India's 1984 raid on the Golden Temple.

School administrators told the students not to wear the shirts again.

Some have brushed off the T-shirts as youthful rebellion or dismissed the students as naive and uninformed.

The teens, however, insist they know the history and wanted to make a statement that would be heard.

‘When people see this, they'll look at it and be like, “Wow, there's people still out there that still believe in this stuff. And it's not just the older generation, it's the youth”,’ one of the boys said last week during a call-in show on a local multicultural radio station.

Another student – they didn't provide their names – made it clear the group was, in fact, advocating for an independent Sikh state.

‘We want freedom in Punjab’, he said.

Students at Surrey's Princess Margaret High School wear T-shirts some say are controversial, Friday, April 18th, 2008.

The Canadian Press. April 27 2008 12:53 PM ET     

Conceptualizing the ‘female’ soul – a study in Plato and Proclus

ABSTRACT

Within the Platonic (or Neoplatonic) dualistic conception of body and soul the difference between maleness and femaleness might appear to be a difference which only concerns the body, that is a difference which is not essential for determining who (or what) a certain human is. One might argue that, since humans are essentially their souls and souls are genderless, men and women are essentially equal. As my paper shows, though, Plato's and Proclus’ writings set out two ways of conceptualizing human souls themselves as ‘sexed’ and of doing this in a way that female souls are determined to be inferior to male souls. By Plato's account, souls are indeed genderless in terms of their essence, but they attain maleness through virtuous and femaleness through vicious activities. Proclus, by contrast, conceptualizes souls as essentially ‘male’ or ‘female’. A soul in whose essence the Different predominates is female, while a soul in whose substance the Same predominates is male. And since the attainment and preservation of virtue depend on the strength of the Same, female souls are not vicious by Proclus’ account, but they bear a higher risk of becoming vicious.     

THE THOUGHT SPACE OF GOD: THE HAUNTING BELOW THE I‐THOU RELATION

This essay attempts a phenomenological analysis of Descartes' statement, ‘my perception of God is prior to my perception of myself,’ and Buber's claim that God ‘is also the mystery of the self‐evident, nearer to me than my I.’ I radicalize the implications of Descartes' and Buber's claims by drawing on the thought of Husserl and Levinas, and couching the analysis in terms of Merleau‐Ponty's experiential notions of haunting and reversibility. This forces us to interrogate the subjective space in which we think God qua recognize the other, and shows us a kind of necessity that underlies the I‐Thou relation. My conclusion leaves us in a place of powerless subjective inwardness and awe.     

A revolution of the mind: some implications of George Hogenson's ‘The Baldwin Effect: a neglected influence on C.G. Jung's evolutionary thinking’ (2001)

George Hogenson's 2001 paper ‘The Baldwin Effect: a neglected influence on C.G. Jung's evolutionary thinking’ developed the radical argument that, if archetypes are emergent, they ‘do not exist in the sense that there is no place that the archetypes can be said to be’. In this paper, I show how Hogenson's thinking has been seminal to my own: it is not just archetypes but the mind itself that has no ‘place’. The mind is a dynamic system, emergent from the cultural environment of symbolic meanings to which humans are evolutionarily adapted. Drawing on the work of philosopher John Searle, I argue that symbols constitute the realities that they bring forth, including the imaginal realities of the psyche. The implications for clinical work include a rejection of structural models of the psyche in favour of the emergence of symbolic realities in the context of psychoanalysis as a distributed system of cognition.     

Two in one or one in two? Pushing off from Jung with Wolfgang Giegerich

This paper responds to a recent paper by Wolfgang Giegerich entitled ‘Two Jungs: apropos a paper by Mark Saban’. Giegerich disputes my assertion that the ‘rigorous notion’ at the heart of his psychology ‘finds no source in Jung's psychology, implicit or explicit’. In order to do this he posits the existence of two Jungs, an exoteric Jung and an esoteric Jung. The implications of Giegerich's binary scission of Jung are explored in this paper, and show that the tendency to exalt one Jung while disparaging the other betrays a comprehensive blindness toward the contradictory complexity of Jung's psychology as a whole. It is suggested that this blindness is the consequence of Giegerich's systematic prioritization of a neo‐Hegelian agenda that is in profound conflict with the telos of Jung's psychology.     

Disability as Abject: Kristeva,Disability, and Resistance

In this essay, I develop an account of disability exclusion that, though inspired by Julia Kristeva, diverges from her account in several important ways. I first offer a brief interpretation of Kristeva's essays “Liberty, Equality, Fraternity and … Vulnerability” and “A Tragedy and a Dream: Disability Revisited” and, using this interpretation, I assess certain criticisms of Kristeva's position made by Jan Grue in his “Rhetorics of Difference: Julia Kristeva and Disability.” I then argue that Kristeva's concept of abjection, especially as developed by Sara Ahmed and Tina Chanter, offers important insights into disability oppression; Ahmed's and Chanter's contributions improve upon Kristeva's account. Understanding disability as abject helps to explain both resistances to interacting with disabled others and ways to resist disability oppression. Finally, I argue that understanding disability as abject is preferable to recent deployments of Lacanian theory in disability studies and that this account is compatible with social models of disability.     

Beyond the Four Loves

Abstract

By looking at C.S. Lewis's book The Four Loves through the critical lens of the work of Julia Kristeva, this paper considers how love can be defined and delimited through language and discourse, and how such limitations may be broken down. It examines how Lewis constructs a framework around which various loves are valorized, and how this leads to sexuality and physicality being pushed to the margins—leaving the ‘higher’ loves, such as friendship, safe and manageable. Kristeva's work is used to highlight the way in which Lewis treats the physical and the sexual as ‘abject’, and to explore some of the broader implications that this has in respect of language, culture and gender. Her understanding of love, with its roots in the psychoanalytic tradition, challenges Lewis by insisting on the connection between love, language and the body—and therefore suggests ways in which discourses about love, such as those offered by Lewis, can be disrupted and challenged, enabling us to move beyond The Four Loves towards a multiplicity of loves.     

“The Lost Foundation”: Kristeva's Semiotic Chora and Its Ambiguous Legacy

The aim of this essay is to reclaim Kristeva's concept of the semiotic chora by re‐inscribing it as an intervention in the context of two important postmodern debates. The first debate relates to the philosophical problem of “the beginning before the Beginning.” The second concerns the necessity and possibility of mediation between incommensurable entities: the “demonic” and the social, desire and the Law, material production and representation. I contend: (1) that the introduction of the chora in RPL is part of Kristeva's effort to restore the legacy of a materialist economy of the beginning, as this is glimpsed in Plato's Timaeus from which Kristeva borrows her controversial term; and (2) that the chora constitutes an attempt on Kristeva's part to explore a third space of ambiguous relationality in the context of which our transcendence to the “demonic” lies less “beyond us” than “in‐between.”     

Narrative and the Stability of Intention

This paper addresses a problem concerning the rational stability of intention. When you form an intention to φ at some future time t, you thereby make it subjectively rational for you to follow through and φ at t, even if—hypothetically—you would abandon the intention were you to redeliberate at t. It is hard to understand how this is possible. Shouldn't the perspective of your acting self be what determines what is then subjectively rational for you? I aim to solve this problem by highlighting a role for narrative in intention. I'll argue that committing yourself to a course of action by intending to pursue it crucially involves the expectation that your acting self will be ‘swept along’ by its participation in a distinctively narrative form of self‐understanding. I'll motivate my approach by criticizing Richard Holton's and Michael Bratman's recent treatments of the stability of intention, though my account also borrows from Bratman's work. I'll likewise criticize and borrow from David Velleman's work on narrative and self‐intelligibility. When the pieces fall into place, we'll see how intending is akin to telling your future self a kind of story. My thesis is not that you address your acting self but that your acting self figures as a ‘character’ in the ‘story’ that you address to a still later self. Unlike other appeals to narrative in agency, mine will explain how as narrator you address a specifically intrapersonal audience.     

Problems with paccekabuddhas—decoding early Buddhism

Steven Collins's review (Religion 2:3 (July 1992), pp. 271–8) of my publication Ascetic Figures before and in Early Buddhism: the Emergence of Gautama as the Buddha, Berlin, New York, Mouton de Gruyter 1990) warrants an extended response for a variety of reasons. In a circumstance where a four‐thousand word review has not one positive thing to say about a book, then the principle of natural justice particularly cries out for the author's right of reply. If Collins's review should have the effect of putting off prospective readers of my book then my reply is designed to recuperate their interest. Notwithstanding, it does not take an adept in the art of hermeneutic suspicion to realize the review actually tells us much more about the reviewer than the book. I cannot think that frenzied expressions like ‘academic hooligan’, ‘hearer‐bashing’, ‘fantasy’, ‘biting the hand that feeds you, with a vengeance’ could so easily have poured forth from the pen of normally so gracious a reviewer, had this particular book not hit an emotive nerve—if nothing else!—and sent Collins into an unparalleled fit of moral panic. Indeed, I shall be so bold as to suggest that Collins's reaction to the book has less to do with questions of its scholarly credibility (though his academic posturing would have us believe otherwise): ‘the thesis is presented as historical scholarship, and so it must be judged on academic grounds’ (p. 274) than with Collins's own narrow, pedantic conception, or preconception, of Buddhist Studies. This means my rejoinder to Collins's review inevitably draws me into a discussion of broader methodological questions of general interest to the wider academic community as well as particular issues pertaining to Buddhist scholarship.     

Songs to the Jinas and of the Gurus: historical comparisons between Jain and Sikh devotional music

ABSTRACT

Jain worship has always been accompanied by music and likewise for Sikhs the performance of and listening to the singing of hymns, as composed by several of their Gurus, continuously has been central to the community’s spiritual experience. For different reasons, however, Sikh and Jain devotional music, known as kirtan and bhakti respectively, until recently were neglected subjects in historiography. This article investigates the parallels and differences among the two genres from a historical comparative perspective against the successive backgrounds of the bhakti movement and Indic culture, the imperial encounter and globalization. In doing so, it particularly emphasizes the importance of identity politics to the making of modern Sikh and Jain devotional music, as well as the fact that, in comparison to Jain bhakti, Sikh kirtan generally remains North Indian ‘Hindustani’ art music, rather than regional folk music.     

GARRETT ON THE THEOLOGICAL OBJECTION TO HUME'S COMPATIBILISM

Between 1927 and 1936, Martin Heidegger devoted almost one thousand pages of close textual commentary to the philosophy of Immanuel Kant. This article aims to shed new light on the relationship between Kant and Heidegger by providing a fresh analysis of two central texts: Heidegger's 1927/8 lecture course Phenomenological Interpretation of Kant's Critique of Pure Reason and his 1929 monograph Kant and the Problem of Metaphysics. I argue that to make sense of Heidegger's reading of Kant, one must resolve two questions. First, how does Heidegger's Kant understand the concept of the transcendental? Second, what role does the concept of a horizon play in Heidegger's reconstruction of the Critique? I answer the first question by drawing on Cassam's model of a self-directed transcendental argument (‘The role of the transcendental within Heidegger's Kant’), and the second by examining the relationship between Kant's doctrine that ‘pure, general logic’ abstracts from all semantic content and Hume's attack on metaphysics (‘The role of the horizon within Heidegger's Kant’). I close by sketching the implications of my results for Heidegger's own thought (‘From Heidegger's Kant to Sein und Zeit’). Ultimately, I conclude that Heidegger's commentary on the Critical system is defined, above all, by a single issue: the nature of the ‘form’ of intentionality.