Errors in auditory direction-finding after compensation for visual re-arrangement

Ss walked about out of doors wearing laterally displacing prisms, and sound-attenuating muffs. Errors occurred in an auditory localization task during exposure to visual displacement. With continued exposure these errors tended to disappear after about 108 min. The errors disappeared earlier when muffs were not worn.     

Infants' coordination of auditory and visual depth information.

Using the preferential-looking procedure infants 5, 7, and 9 months of age were presented two videoimages side by side on separate monitors accompanied by a soundtrack that matched one of the images. Each infant was presented: (1) a stationary drum-beating toy paired with the same toy approaching and receding in depth, to assess infants' recognition both that changing sound amplitude is a property of an object that is moving in space and that constancy in amplitude is a property of a stationary object; (2) a drum-beating toy moving horizontally paired with one approaching and receding in depth, to assess infants' recognition that systematic increases and decreases in amplitude accompany object movement in a particular dimension, namely depth; and (3) two identical toys alternately approaching and receding in depth but out of phase (i.e., one approaching while the other is receding), to assess infants' recognition that increases and decreases in amplitude accompany a particular type of object movement in depth. Measures of mean duration of looking time indicated that the 5-month-olds looked reliably to the correct videoimage only for the stationary toy paired with the constant amplitude sound. The 7-month-olds recognized that changes in amplitude accompany object movement in depth but did not coordinate auditory with visual depth information as well as older infants. The 9-month-olds looked reliably to the correct videoimages in all conditions. Possible contributing factors to these developmental trends in performance are discussed.     

Effects of visual and auditory guidance on bimanual coordination complexity

Perceptual guidance of movement with simple visual or temporal information can facilitate performance of difficult coordination patterns. Guidance may override coordination constraints that usually limit stability of bimanual coordination to only in-phase and anti-phase. Movement dynamics, however, might not have the same characteristics with and without perceptual guidance. Do visual and auditory guidance produce qualitatively different dynamical organization of movement? An anti-phase wrist flexion and extension coordination task was performed under no specific perceptual guidance, under temporal guidance with a metronome, and under visual guidance with a Lissajous plot. For the time series of amplitudes, periods and relative phases, temporal correlations were measured with Detrended Fluctuation Analysis and complexity levels were measured with multiscale entropy. Temporal correlations of amplitudes and relative phases deviated from the typical 1/f variation towards more random variation under visual guidance. The same was observed for the series of periods under temporal guidance. Complexity levels for all time series were lower in visual guidance, but higher for periods under temporal guidance. Perceptual simplification of the task’s goal may produce enhancement of performance, but it is accompanied by changes in the details of movement organization that may be relevant to explain dependence and poor retention after practice under guidance.     

Segregated in perception,integrated for action: Immunity of rhythmic sensorimotor coordination to auditory stream segregation

Auditory stream segregation can occur when tones of different pitch (A, B) are repeated cyclically: The larger the pitch separation and the faster the tempo, the more likely perception of two separate streams is to occur. The present study assessed stream segregation in perceptual and sensorimotor tasks, using identical ABBABB … sequences. The perceptual task required detection of single phase-shifted A tones; this was expected to be facilitated by the presence of B tones unless segregation occurred. The sensorimotor task required tapping in synchrony with the A tones; here the phase correction response (PCR) to shifted A tones was expected to be inhibited by B tones unless segregation occurred. Two sequence tempi and three pitch separations (2, 10, and 48 semitones) were used with musically trained participants. Facilitation of perception occurred only at the smallest pitch separation, whereas the PCR was reduced equally at all separations. These results indicate that auditory action control is immune to perceptual stream segregation, at least in musicians. This may help musicians coordinate with diverse instruments in ensemble playing.     

Rhythmic sensorimotor coordination is resistant but not immune to auditory stream segregation

In a recent study of musicians' sensorimotor synchronization with auditory sequences composed either of beat and subdivision tones differing in pitch or of beat tones only, Repp (2009) found that the phase correction response (PCR) to perturbed beats was inhibited by the presence of subdivisions regardless of whether beats and subdivisions formed integrated or segregated perceptual streams. The present study used a different paradigm in which perturbed subdivisions triggered the PCR. At the slower of two sequence tempi, the PCR was equally large in integrated and segregated conditions, but at the faster tempo stream segregation reduced the PCR substantially. This new finding indicates that although the PCR is strongly resistant to auditory stream segregation, it is not totally immune to it.     

Bimanual finger tapping: effects of frequency and auditory information on timing consistency and coordination

The authors' goal in this study was to probe the basis for an earlier, unexpected finding that preferred-frequency finger tapping tends to have higher frequencies and to be less stable for in-phase than for antiphase tasks. In follow-up experiments, 3 protocols were employed: a preferred-frequency replication in both coordination modes, a metronome-driven matching of the preferred frequencies to each of the coordination modes, and a frequency scaling of both modes. The original findings were affirmed for preferred frequency. Tapping to a metronome had a differential effect on in-phase and antiphase: A more stable coupling across frequencies was exhibited during in-phase. Under frequency scaling, the antiphase pattern decomposed at lower frequencies than did in-phase, but no phase transitions were observed. The loss of stable coordination in both modes was attended by sudden increases in frequency differences between fingers and by phase wandering. The emergence of those effects is discussed in light of asymmetric modifications to the Haken-Kelso-Bunz model (H. Haken, J. A. S. Kelso, & H. Bunz, 1985) and the task constraints of tapping.     

Conceptual priming for realistic auditory scenes and for auditory words

Two experiments were conducted using both behavioral and Event-Related brain Potentials methods to examine conceptual priming effects for realistic auditory scenes and for auditory words. Prime and target sounds were presented in four stimulus combinations: Sound–Sound, Word–Sound, Sound–Word and Word–Word. Within each combination, targets were conceptually related to the prime, unrelated or ambiguous. In Experiment 1, participants were asked to judge whether the primes and targets fit together (explicit task) and in Experiment 2 they had to decide whether the target was typical or ambiguous (implicit task). In both experiments and in the four stimulus combinations, reaction times and/or error rates were longer/higher and the N400 component was larger to ambiguous targets than to conceptually related targets, thereby pointing to a common conceptual system for processing auditory scenes and linguistic stimuli in both explicit and implicit tasks. However, fine-grained analyses also revealed some differences between experiments and conditions in scalp topography and duration of the priming effects possibly reflecting differences in the integration of perceptual and cognitive attributes of linguistic and nonlinguistic sounds. These results have clear implications for the building-up of virtual environments that need to convey meaning without words.     

Mental scanning in auditory imagery for songs

Four experiments examined how people operate on memory representations of familiar songs. The tasks were similar to those used in studies of visual imagery. In one task, subjects saw a one-word lyric from a song and then saw a second lyric; then they had to say if the second lyric was from the same song as the first. In a second task, subjects mentally compared pitches of notes corresponding to song lyrics. In both tasks, reaction time increased as a function of the distance in beats between the two lyrics in the actual song, and in some conditions reaction time increased with the starting beat of the earlier lyric. Imagery instructions modified the main results somewhat in the first task, but not in the second, much harder task. The results suggest that song representations have temporal-like characteristics.     

Apparatus for auditory stimulus sorting

An apparatus that enables Ss to sort and rank auditory stimuli is described. It consists of an array of movable pushbuttons that may be connected to various stimulus generators.     

Visual and auditory facilitation in auditory spatial localization

It has previously been shown that adults localize unseen auditory targets more accurately with their eyes open than closed. The interpretation usually proposed to explain this phenomenon is that auditory spatial information is referred or translated to a visual frame of reference. The present experiments show that the presence of an auditory reference point facilitates auditory localization judgements in the same manner as a visual reference point does. Although our results do not support the visual frame of reference hypothesis, they suggest that the auditory and the visual modalities are strongly linked in their localizing processes.     

Attentional modulation of electrophysiological activity in auditory cortex for unattended sounds within multistream auditory environments

In three experiments, we addressed the issue of attention effects on unattended sound processing when one auditory stream is selected from three potential streams, creating a simple model of the cocktail party situation. We recorded event-related brain potentials (ERPs) to determine the way in which unattended, task-irrelevant sounds were stored in auditory memory (i.e., as one integrated stream or as two distinct streams). Subjects were instructed to ignore all the sounds and attend to a visual task or to selectively attend to a subset of the sounds and perform a task with the sounds (Experiments 1 and 2). A third (behavioral) experiment was conducted to test whether global pattern violations (used in Experiments 1 and 2) were perceptible when the sounds were segregated. We found that the mismatch negativity ERP component, an index of auditory change detection, was evoked by infrequent pattern violations occurring in the unattended sounds when all the sounds were ignored, but not when attention was focused on a subset of the sounds. The results demonstrate that multiple unattended sound streams can segregate by frequency range but that selectively attending to a subset of the sounds can modify the extent to which the unattended sounds are processed. These results are consistent with models in animal and human studies showing that attentional control can limit the processing of unattended input in favor of attended sensory inputs, thereby facilitating the ability to achieve behavioral goals.     

Short-lived auditory memory for pitch

The effect of a stimulus suffix on immediate serial recall of lists of tones was assessed with 50- and 350-msec complex tones. Although recency effects were not found under the control conditions, the addition of a stimulus suffix significantly degraded recall at the final serial position for both stimulus durations. The implications of these results for models of auditory memory and speech perception are discussed.     

An examination of attentional control in the auditory modality: Further evidence for auditory orienting

Four experiments are reported that examine attentional control in the auditory modality. In Experiment 1, the subjects made detection responses to the onset of a monaurally presented pure tone that was preceded by a pure-tone cue. On a valid trial, the cue was presented in the same ear as the target; on an invalid trial, it was presented in the contralateral ear to the target; and on a neutral trial, it was presented in both ears. Overall performance was facilitated on valid trials in comparison with invalid trials. In later experiments, the subjects made choice decisions about the location of the target, and significant cuing effects were found relative to the neutral condition. Finally, performance was assessed in the presence of central (spoken) word cues. Here, the content of the cue specified the likely location of the target. Under these conditions, costs and benefits were found over a range of cue-target stimulus onset asynchronies. The results are discussed in terms of automatic and controlled attentional processes.     

Rate and structure in memory for auditory patterns

Musically knowledgeable listeners heard auditory patterns based on sets of six (Study 1) or eight tones (Study 2). In the first study, listeners ordered events from patterns generated by hierarchical rule trees and which possessed different pitch space and time structures: one type (nondistance nested) was more likely to produce auditory streaming than the other (distance nested). In the second study, different listeners reconstructed pitch intervals contained in one of eight patterns. Patterns differed according to (1) levels of pitch distance occur), (2) levels of pattern contour (two), and (3) rate (two). In both studies, fast patterns with many large pitch distances were more difficult to recollect. Listeners in the second study telided to “telescope” pitch distances. Most difficult were those rapid sequences with large patch intervals combined into a changing contour (nondistance nested); these patterns streamed. A third study replicated effects due to differences in pitch distances observed in Study 2. Results were interpreted in terms of a rhythmic theory of memory.     

Evidence for reduced domain-specificity in auditory processing in autism

Neurological and behavioral findings indicate that atypical auditory processing characterizes autism. The present study tested the hypothesis that auditory processing is less domain-specific in autism than in typical development. Participants with autism and controls completed a pitch sequence discrimination task in which same/different judgments of music and/or speech stimulus pairs were made. A signal detection analysis showed no difference in pitch sensitivity across conditions in the autism group, while controls exhibited significantly poorer performance in conditions incorporating speech. The results are largely consistent with perceptual theories of autism, which propose that a processing bias towards featural/low-level information characterizes the disorder, as well as supporting the notion that such individuals exhibit selective attention to a limited number of simultaneously presented cues.     

Kinesthetic Compensation for Sensorimotor Rearrangements

ABSTRACT

The authors report a new sensorimotor phenomenon in which participants use hand-sensed kinesthetic information to compensate for rotational sensorimotor rearrangements. This compensation benefits from conscious awareness and is related to hand posture. The technique can reduce control inefficiency with some misalignments by as much as 64%. The results support Y. Guiard's (1987) Guiard, Y. 1987. Asymmetric division of labor in human skilled bimanual action. Journal of Motor Behavior, 19: 486–517. [Taylor & Francis Online], [Web of Science ®] , [Google Scholar] suggestion that in bimanual tasks one hand provides an operational frame of reference for the other hand as in a closed kinematic chain. Results with right-handed participants show that the right and left hands are equally effective at providing such a cue. A constant-angular-targeting-error model, similar to that used for hand movements by H. Cunningham and I. Vardi (1990) and for walking by S. K. Rushton, J. M. Harris, M. R. Lloyd, and J. P. Wann (1998), is used to model the trajectories of targeting hand movements demonstrating the phenomenon. The model provides a natural parameter of the error.