Traces of the artist: Sensitivity to the role of the artist in children's pictorial reasoning

In three studies we investigated the question of whether children consider the attributes of the artist (sentience, age level, affective style, emotion) when making judgments about the traces (drawings) made by that artist. In Study 1, 2–5‐year‐old children were asked to find pictures drawn by a machine, an adult, an older and a younger child. Results indicated that children younger than 4 years do not consider the artists' attributes when making judgments, but 4‐ and 5‐year‐olds do. Furthermore, whereas the oldest children were adept at both machine‐person (sentience) and person‐person (age) contrasts, 4‐year‐olds succeeded only with person‐person contrasts. In Study 2, videotaped artists displayed differences in degree of agitation (affective style) while drawing, and this attribute was manipulated in the drawing by varying line density, asymmetry, line overlap and line gap, or all four features, across stimuli. Three‐ and five‐year‐old children judged whether a calm or agitated person drew the stimuli. Findings showed that five‐year‐old, but not 3‐year‐old, children easily completed the task. In Study 3, 3‐, 5‐ and 7‐year‐old children judged whether happy or sad artists made paintings of matching emotional tone. Performance on this picture judgment task was contrasted with performance on three theory of mind tasks (false belief, emotion and interpretative). The results indicated that 5‐ and 7‐year‐olds successfully judged the impact of artists' emotions on paintings, but 3‐year‐olds did not. Performance on the picture task was related to that on the false belief task, but not to the emotion or interpretive tasks. Taken together, the results suggest that children's view of visual symbols includes a consideration of the qualities of the artist beginning around 5 years, and there appears to be a common link between judgments of the mind behind the visual symbol in the picture task and judgments of mental state reasoning in the false belief task.     

The development of emotion recognition from facial expressions and non‐linguistic vocalizations during childhood

Sensitivity to facial and vocal emotion is fundamental to children's social competence. Previous research has focused on children's facial emotion recognition, and few studies have investigated non‐linguistic vocal emotion processing in childhood. We compared facial and vocal emotion recognition and processing biases in 4‐ to 11‐year‐olds and adults. Eighty‐eight 4‐ to 11‐year‐olds and 21 adults participated. Participants viewed/listened to faces and voices (angry, happy, and sad) at three intensity levels (50%, 75%, and 100%). Non‐linguistic tones were used. For each modality, participants completed an emotion identification task. Accuracy and bias for each emotion and modality were compared across 4‐ to 5‐, 6‐ to 9‐ and 10‐ to 11‐year‐olds and adults. The results showed that children's emotion recognition improved with age; preschoolers were less accurate than other groups. Facial emotion recognition reached adult levels by 11 years, whereas vocal emotion recognition continued to develop in late childhood. Response bias decreased with age. For both modalities, sadness recognition was delayed across development relative to anger and happiness. The results demonstrate that developmental trajectories of emotion processing differ as a function of emotion type and stimulus modality. In addition, vocal emotion processing showed a more protracted developmental trajectory, compared to facial emotion processing. The results have important implications for programmes aiming to improve children's socio‐emotional competence.     

The late positive potential predicts emotion regulation strategy use in school‐aged children concurrently and two years later

The ability to use cognitive emotion regulation strategies such as reappraisal may be a core component of emotional competence across development, but due to methodological challenges in measuring such strategies, they are rarely studied in young children. One neurophysiological measure, the late positive potential (LPP), has been examined in response to reappraisal as a potential neurosignature for emotion regulatory capacity in adults. The association between the LPP and emotion regulatory capacity in children is unknown. The present study examined whether the LPP during reappraisal could predict greater observed adaptive emotion regulation strategy use in school‐aged children over a two‐year period. Thirty‐two 5‐ to 7‐year‐olds participated in two identical lab visits spaced two years apart. EEG was continuously recorded during a computerized reappraisal task in which children viewed unpleasant images paired with either reappraisal or negative stories. Next they completed a disappointing and a frustrating task during which emotion regulation strategies were observed. As predicted, children who showed reappraisal‐induced reductions in the LPP at the first assessment used significantly more adaptive ER strategies concurrently and two years later. These findings provide observation‐based evidence that the LPP may be a viable neurosignature for emotion regulatory capacity in children.     

The Development of the Ability to Semantically Integrate Information in Speech and Iconic Gesture in Comprehension

We examined whether children's ability to integrate speech and gesture follows the pattern of a broader developmental shift between 3‐ and 5‐year‐old children (Ramscar & Gitcho, 2007) regarding the ability to process two pieces of information simultaneously. In Experiment 1, 3‐year‐olds, 5‐year‐olds, and adults were presented with either an iconic gesture or a spoken sentence or a combination of the two on a computer screen, and they were instructed to select a photograph that best matched the message. The 3‐year‐olds did not integrate information in speech and gesture, but 5‐year‐olds and adults did. In Experiment 2, 3‐year‐old children were presented with the same speech and gesture as in Experiment 1 that were produced live by an experimenter. When presented live, 3‐year‐olds could integrate speech and gesture. We concluded that development of the integration ability is a part of the broader developmental shift; however, live‐presentation facilitates the nascent integration ability in 3‐year‐olds.     

Music, emotion, and autobiographical memory: They’re playing your song

Very long-term memory for popular music was investigated. Older and younger adults listened to 20-sec excerpts of popular songs drawn from across the 20th century. The subjects gave emotionality and preference ratings and tried to name the title, artist, and year of popularity for each excerpt. They also performed a cued memory test for the lyrics. The older adults' emotionality ratings were highest for songs from their youth; they remembered more about these songs, as well. However, the stimuli failed to cue many autobiographical memories of specific events. Further analyses revealed that the older adults were less likely than the younger adults to retrieve multiple attributes of a song together (i.e., title and artist) and that there was a significant positive correlation between emotion and memory, especially for the older adults. These results have implications for research on long-term memory, as well as on the relationship between emotion and memory.     

8~15岁儿童贫富观的发展特点及其与成人的比较

儿童贫富观是其价值观的重要体现,贫富观形成是儿童社会化进程中的重要方面,然而目前国内尚缺乏中国儿童贫富观的系统研究。本研究以8~9岁、11~12岁、14~15岁以及成人(主要为大学生,年龄为20.7±1.32岁)为研究对象(N=186),结合开放性问题和结构化问卷,考察他们对于贫富的感知、公平判断、归因以及对于缓解贫困对策的认识。结果发现:控制社会经济地位之后,(1)8~9岁儿童对贫富的认识局限于表面特征,11~12岁更关注心理特征,而成人提及系统特征的比例更高;(2)8~9岁儿童较其他年龄组更倾向于对贫富做不公平的判断;(3)在贫富的归因和缓解贫困的对策上,儿童和成人都认可个人因素的重要性,但成人更多关注国家政策和社会的影响,并且认为消除贫困是不可能的。中国儿童贫富观的发展与西方已有研究相比,既有共性也有文化特异性。     

It's a bittersweet symphony: simultaneously mixed emotional responses to music with conflicting cues

Some evidence indicates that emotional reactions to music can be organized along a bipolar valence dimension ranging from pleasant states (e.g., happiness) to unpleasant states (e.g., sadness), but songs can contain some cues that elicit happiness (e.g., fast tempos) and others that elicit sadness (e.g., minor modes). Some models of emotion contend that valence is a basic building block of emotional experience, which implies that songs with conflicting cues cannot make people feel happy and sad at the same time. Other models contend that positivity and negativity are separable in experience, which implies that music with conflicting cues might elicit simultaneously mixed emotions of happiness and sadness. Hunter, Schellenberg, and Schimmack (2008) tested these possibilities by having subjects report their happiness and sadness after listening to music with conflicting cues (e.g., fast songs in minor modes) and consistent cues (e.g., fast songs in major modes). Results indicated that music with conflicting cues elicited mixed emotions, but it remains unclear whether subjects simultaneously felt happy and sad or merely vacillated between happiness and sadness. To examine these possibilities, we had subjects press one button whenever they felt happy and another button whenever they felt sad as they listened to songs with conflicting and consistent cues. Results revealed that subjects spent more time simultaneously pressing both buttons during songs with conflicting, as opposed to consistent, cues. These findings indicate that songs with conflicting cues can simultaneously elicit happiness and sadness and that positivity and negativity are separable in experience.     

Judging trustworthiness from faces: Emotion cues modulate trustworthiness judgments in young children

By adulthood, people judge trustworthiness from appearances rapidly and reliably. However, we know little about these judgments in children. This novel study investigates the developmental trajectory of explicit trust judgments from faces, and the contribution made by emotion cues across age groups. Five‐, 7‐, 10‐year‐olds, and adults rated the trustworthiness of trustworthy and untrustworthy faces with neutral expressions. The same participants also rated faces displaying overt happy and angry expressions, allowing us to investigate whether emotion cues modulate trustworthiness judgments similarly in children and adults. Results revealed that the ability to evaluate the trustworthiness of faces emerges in childhood, but may not be adult like until 10 years of age. Moreover, we show that emotion cues modulate trust judgments in young children, as well as adults. Anger cues diminished the appearance of trustworthiness for participants from 5 years of age and happy cues increased it, although this effect did not consistently emerge until later in childhood, that is, 10 years of age. These associations also extended to more subtle emotion cues present in neutral faces. Our results indicate that young children are sensitive to facial trustworthiness, and suggest that similar expression cues modulate these judgments in children and adults.     

Young children's knowledge about the influence of thoughts on emotions in rule situations

Four‐year‐olds, 5‐year‐olds, and adults (N = 48) listened to stories featuring characters that experienced one of four types of thoughts after deciding to transgress or comply with a rule: thoughts about desires, rules, future negative outcomes, or future punishment. Participants predicted and explained the characters’ emotions. Results showed that young children, as with adults, predicted positive emotions for willpower and negative emotions for transgression at low rates for the think‐desire trials, and at high rates for the think‐rule and think‐future trials. They also modified their emotion explanations in line with the focus of characters’ thoughts. These data provide unprecedented evidence that young children can reason flexibly about emotions in rule situations when provided explicit, salient information about people's thoughts.     

3—7岁儿童与成人筷子使用动作模式的比较研究

通过比较3—7岁儿童与成人的筷子使用动作模式类型、特征和使用率,初步探讨了筷子使用动作模式的特点及发展趋势。研究结果表明：(1)儿童与成人中均存在八种筷子使用动作模式,各种模式在手指的分工、配合及完成任务的稳定性、适应性等方面表现出不同的特点,具有不同的效率水平;(2)随年龄的增长,个体筷子使用动作模式日趋转向效率较高的类型,表现为高效模式的使用率从3岁组的3．7％增加到成人组的50％,而低效模式的使用率从59．3％下降到10％。     

Cross-cultural perspectives on pitch memory

We examined effects of age and culture on children's memory for the pitch level of familiar music. Canadian 9- and 10-year-olds distinguished the original pitch level of familiar television theme songs from foils that were pitch-shifted by one semitone, whereas 5- to 8-year-olds failed to do so (Experiment 1). In contrast, Japanese 5- and 6-year-olds distinguished the pitch-shifted foils from the originals, performing significantly better than same-age Canadian children (Experiment 2). Moreover, Japanese 6-year-olds were more accurate than their 5-year-old counterparts. These findings challenge the prevailing view of enhanced pitch memory during early life. We consider factors that may account for Japanese children's superior performance such as their use of a pitch accent language (Japanese) rather than a stress accent language (English) and their experience with musical pitch labels.     

Regulation of emotion and behavior among 3- and 5-year-olds

In this cross-sectional study, the authors examined the relationship between emotion and behavior regulation in 3- and 5-year olds. Eighty-seven children performed a compliance sorting task. The authors manipulated the demand for emotion regulation by presenting and then hiding toys (low) or making toys visible (high). Mothers and teachers rated children's coping responses. Five-year-olds sorted less in the high condition than in the low condition, and 3-year-olds spent equal time sorting in both conditions. Compliance was positively correlated with problem-focused coping and negatively correlated with emotion-focused coping. Correlations between emotion and behavior regulation were stronger for the 5-year-olds. Age groups were differently affected by the higher demands of emotion regulation, indicating that the child's resources for regulation interact with the task demands to determine behavioral outcome.     

4～6岁儿童对“偶得物品”与“拥有物品”的分享行为

采用被试内设计法,在三种实验条件下考察180名4～6岁儿童的分享判断及其对“偶得物品”与“拥有物品”的分享行为的发展。结果发现:(1)儿童在对分享故事情境进行不充当角色的判断时,90%的4岁儿童和100%的5岁、6岁儿童能做出正确判断。当他们进行充当故事中人物角色的判断时,4岁儿童判断的正确率降低到81%,5岁和6岁儿童的判断无变化。(2)4岁儿童中大约四分之一的人能够把在实验室情境中偶然得到的、自己喜欢的物品让给未得到该物品的同伴分享,能够这样做的5岁儿童大约有一半,而6岁儿童能够这样做的人达到七成以上,从4岁到6岁,发展趋势非常明显。(3)在对“自己拥有的”物品的分享上,大多数4～6岁儿童都不能将其让给在竞赛中失败、未获得该物品的同伴一同分享。(4)儿童在对分享情境的判断与他们的真实分享行为之间存在着不一致现象。     

儿童早期字词意识的发展

探讨了4～6岁儿童早期字词意识的年龄差异,拟为元语言意识的多因素模型提出支持性的证据。实验结果表明:4岁儿童的字词意识及5岁儿童的词意识还很不清晰,6岁儿童已达到较高的字意识水平;幼儿在字意识任务上的成绩显著地优于词意识任务。     

小学儿童在不同刺激材料中的左右空间方位传递性推理能力及策略分析

采用定性和定量相结合的研究方法,从图形刺激材料和文字刺激材料入手,探查了7岁、9岁、11岁儿童的一维空间方位传递性推理能力的发展水平及其认知策略。主要研究结果表明:(1)小学儿童的一维空间方位传递性推理能力从7岁到9岁,从9岁到11岁都有显著性提高。7岁儿童处于能力的初步形成期,9岁儿童是能力的提高和发展期,11岁儿童已基本具有了一维空间方位单模型条件下的传递性推理能力;(2)小学儿童在图形刺激材料条件下的推理成绩显著优于文字刺激材料条件下的推理成绩;(3)前提数量的增加没有对小学儿童的推理造成显著性影响;(4)随着儿童年龄的增长,模型建构策略的使用者越来越多,但在图形刺激材料和文字刺激材料下,儿童解决问题的策略有所不同。在图形刺激材料下,大部分7岁和9岁的儿童采用知觉策略,11岁儿童中只有少部分人使用这一策略。在文字刺激材料下,模型建构策略是儿童推理的主要策略。少部分7岁儿童使用模型建构策略,大部分9岁儿童和绝大部分11岁儿童使用模型建构策略来解决问题。     

Distinct effects of positive and negative music on older adults' auditory target identification performances

Older adults, compared to younger adults, are more likely to attend to pleasant situations and avoid unpleasant ones. Yet, it is unclear whether such a phenomenon may be generalized to musical emotions. In this study, we investigated whether there is an age-related difference in how musical emotions are experienced and how positive and negative music influences attention performances in a target identification task. Thirty-one young and twenty-eight older adults were presented with 40 musical excerpts conveying happiness, peacefulness, sadness, and threat. While listening to music, participants were asked to rate their feelings and monitor each excerpt for the occurrence of an auditory target. Compared to younger adults, older adults reported experiencing weaker emotional activation when listening to threatening music and showed higher level of liking for happy music. Correct reaction times (RTs) for target identification were longer for threatening than for happy music in older adults but not in younger adults. This suggests that older adults benefit from a positive musical context and can regulate emotion elicited by negative music by decreasing attention towards it (and therefore towards the auditory target).     

Converting between word and syllable counts in children's conversational speech samples

Several authors have suggested that it is possible to convert between word and syllable counts for basic clinical measurements such as the frequency of speech disfluencies or speaking rate in conversational speech samples. Based primarily on results from adults' speech samples, proposed conversion factors have averaged approximately 1.5 syllables per word. Because children produce fewer multisyllabic words than adults, this conversion factor is probably not appropriate for children's speech samples. This study sought to develop a more accurate conversion factor for children's speech by comparing syllable and word counts in spontaneous speech samples produced by 50 children, age 3 to 5. Analyses revealed an average ratio of 1.15 syllables per word, which was consistent across different subjects, across subject groups (children who stutter and children who do not stutter) and also, somewhat surprisingly, across age groups (3-year olds, 4-year olds, and 5-year olds). Results suggest that this constant conversion factor of 1.15 can be used to convert between word and syllable with sufficient precision to allow clinicians to compare their data to published guidelines and benchmarks about childhood stuttering.     

音乐的速度与调式对大学生情绪影响的实证研究

以92名大学本科生为实验对象,用剪辑的8首乐曲片断为实验材料,考察其调式和速度对大学生情绪的影响。结果表明:乐曲片断的速度对大学生的情绪影响非常显著,但调式的主效应不显著;慢速的乐曲易于诱发大学生忧伤、悲哀、痛苦、烦躁和愤恨等负性情绪;快速的乐曲大多数导致大学生愉悦与兴奋等正性情绪。乐曲的速度与调式对大学生情绪影响的差异十分显著。速度在调式上两水平的差异显著,尤其是在大调上差异非常显著。但调式只有在慢速水平上差异十分显著,而在快速水平上差异不显著。     

The circle of life: A cross‐cultural comparison of children's attribution of life‐cycle traits

Do children attribute mortality and other life‐cycle traits to all minded beings? The present study examined whether culture influences young children's ability to conceptualize and differentiate human beings from supernatural beings (such as God) in terms of life‐cycle traits. Three‐to‐5‐year‐old Israeli and British children were questioned whether their mother, a friend, and God would be subject to various life‐cycle processes: Birth, death, ageing, existence/longevity, and parentage. Children did not anthropomorphize but differentiated among human and supernatural beings, attributing life‐cycle traits to humans, but not to God. Although 3‐year‐olds differentiated significantly among agents, 5‐year‐olds attributed correct life‐cycle traits more consistently than younger children. The results also indicated some cross‐cultural variation in these attributions. Implications for biological conceptual development are discussed.     

儿童2岁时情绪调节策略预测4岁时社会行为

考察儿童情绪调节的早期发展对以后社会行为的预测。对 176名儿童进行 2年追踪 :2岁时 ,观察他们在陌生情境和延迟满足情境下的情绪调节策略。 4岁时 ,对他们在陌生同伴情境中的自由游戏活动进行观察 ,评价其社会交往能力和社会退缩性。在儿童完成分车票任务和收拾玩具过程中对其任务坚持性进行评价。通过回归分析我们发现在预测 4岁时社会行为上早期情绪调节策略的主效应显著。这表明 2岁时的情绪调节策略能显著地预测儿童 4岁时的社会行为