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1.
    
In a series of lectures from 1804–05, Johann Gottlieb Fichte sets out a conception of enlightenment whose basic structure is, I argue, to some extent reproduced in two more famous accounts of enlightenment found in post-Kantian German philosophy: Hegel’s account of the Enlightenment’s struggle with faith in his Phenomenology of Spirit and the conception of enlightenment rationality presented in Horkheimer and Adorno’s Dialectic of Enlightenment. The narrative I offer serves to highlight, moreover, the critical role played by the notion of an unconditional good in Fichte’s and Hegel’s critiques of enlightenment. The lack of an explicit appeal to, and account of, this notion in Horkheimer and Adorno’s critique of enlightenment will be shown to raise questions concerning how successful their critique of enlightenment can really be thought to be.  相似文献   

2.
Abstract

It is the persistence of social suffering in a world in which it could be eliminated that for Adorno is the source of the need for critical reflection, for philosophy. Philosophy continues and gains its cultural place because an as yet unbridgeable abyss separates the social potential for the relief of unnecessary human suffering and its emphatic continuance. Philosophy now is the culturally bound repository for the systematic acknowledgement and articulation of the meaning of the expanse of human suffering within technologically advanced societies that are already committed to liberal ideals of freedom and equality.  相似文献   

3.
    
This paper traces some lines of influence between post-Kantianism and Critical Theory. In the first part of the paper, we discuss Fichte and Hegel; in the second, we discuss Horkheimer, Adorno, and Honneth.  相似文献   

4.
5.
‘Natural-History’ is one of the key concepts in the thought of the Frankfurt School critical theorist Theodor W. Adorno, appearing from his very earliest work through to his very last. Unfortunately, the existing literature provides little illumination as to what Adorno’s concept of natural-history is, or what it is supposed to do. This paper thus seeks to supply the required understanding. Ultimately, I argue that ‘natural-history’ is best understood as a sort of ‘therapeutic’ concept, intended to dissolve certain philosophical anxieties which might otherwise present obstacles to our being able to obtain a critical-theoretical understanding of reality.  相似文献   

6.
This article examines two problems: the role of argument in philosophy, vis-àÏs other philosophical activities; and the nature of argument in philosophy, vis-à-vis argument in other fields. The examination proceeds by reference to the notion of dialectic, which is regarded by some as offering an alternative to argument, and by reference to Hegel's Preface to the Phenomenology of Spirit, which explicitly discusses these very issues. The latter is reconstructed as the argument that philosophy is dialectical in part because it is pluralistic, conceptual, concrete, self-reflective, spiritual, systematic, negative, and self-referential, and in part because it sublimates the opposition between truth and falsity, method and result, change and permanence, form and content, and subject and predicate.  相似文献   

7.
ABSTRACT

While Hegel’s concept of second nature has now received substantial attention from commentators, relatively little has been said about the place of this concept in the Phenomenology of Spirit. This neglect is understandable, since Hegel does not explicitly use the phrase ‘second nature’ in this text. Nonetheless, several closely related phrases reveal the centrality of this concept to the Phenomenology’s structure. In this paper, I develop new interpretations of the figures ‘natural consciousness’, ‘natural notion’, and ‘inorganic nature’, in order to elucidate the distinctive concept of second nature at work in the Phenomenology. I will argue that this concept of second nature supplements the ‘official’ version, developed in the Encyclopedia, with an ‘unofficial’ version that prefigures its use in critical theory. At the same time, this reconstruction will allow us to see how the Phenomenology essentially documents spirit’s acquisition of a ‘second nature’.  相似文献   

8.
Abstract

This paper provides a criticial interpretation of the theme, point, and methodological status of Adorno’s so‐called negative dialectic. The theme at issue, ‘non‐identity’, comes in several varieties; and the point of Adorno’s dialectic, namely reconciliation, is multifaceted. Exploration of those topics shows that negative dialectic seques into substantive doctrines, including a version of transcendentalism and a claim about deformation. The peculiar methodological status of negative dialectic explains that adumbration. In the appraisive register, my principal contentions include these: Adorno’s transcendentalism makes some sense of the aforementioned deformation claim; and negative dialectic qua method avoids mystery and metaphysical excess.  相似文献   

9.
This paper explores the relationship between Adorno and Schelling. It argues that Adorno resorted to Schellingian motifs (whether he acknowledged them or not, or acknowledged them only partially) to counteract the influence of Hegelian thought. In defending this thesis, I examine the various stages in the development of Adorno’s thought, beginning with two texts from the 1930s and concluding with Negative Dialectics and ‘Skoteinos’. This allows us to see that Adorno’s concern to discover a way of thinking that is capable of doing justice to the ‘non-identical’ was present throughout his philosophical career.  相似文献   

10.
    
The influence of the thought of the great German Idealist philosopher G.W.F Hegel on the thought of Theodor Adorno, the leading thinker of the first generation of the Frankfurt School, is unmistakeable, and has been the subject of much commentary. Much less discussed, however, is the influence of Hegel's prominent contemporary, F.W.J. Schelling. This article investigates the influence of Schelling on Adorno, and the sometimes striking parallels between fundamental motifs in the work of both thinkers. It argues that Adorno's critique of Hegelian (and indeed of his own, negative) dialectics, his conception of the relation between nature and spirit, and his philosophy of history (amongst other aspects of this thought) owe a considerable debt to Schelling. Furthermore, when adequately explicated, Schelling's position on a range of problems which confronted German Idealist philosophy often prove intrinsically preferable to those of Hegel.  相似文献   

11.
The question of rules is not an issue that separates the 'analytical' and 'Continental' traditions from one another; rather it is an issue that is a source of division within each tradition. Within Continental philosophy the problem of the rule-governed character of cognition goes back to Kant's dualism of sense and understanding. Many philosophers in the Continental tradition (notably, Nietzsche, Gadamer and Adorno) have retained a quasi-Kantian conception of judgement while rejecting the idea of it as rule-governed. But there have been exceptions to this within Continental philosophy, most prominently, Jürgen Habermas. The rules thesis was implicit in much of analytical philosophy as it was practised in Britain from the 1950s to the 1970s. The doctrine gave support to a conception of philosophy (so-called 'ordinary-language philosophy') as essentially an exercise in the articulation of certain kinds of tacit knowledge. It was advocated explicitly in such works as Searle's Speech Acts and Winch's The Idea of a Social Science . The equation of meaning and rules enjoyed further prestige, for it was taken by many philosophers to be the central doctrine to be extracted from Wittgenstein's Philosophical Investigations . A most striking feature of the receding of the rules thesis has been the transformation of previously accepted interpretations of Wittgenstein's later philosophy (for example, by Stanley Cavell and John McDowell). Both adherents and opponents of the rules thesis have shared a common concern. In emphasizing the discontinuity between language and the subject-matter of the natural sciences both sides offer reassuringly positive answers to one of the besetting problems of twentieth-century philosophy: does philosophy have a distinctive subject-matter of its own?  相似文献   

12.
    
ABSTRACT

For Kant as for Hegel method is not a structure or procedure imported into philosophy from without, as, e.g. a mathematical demonstration in modern physics or in the proof-structure of philosophies such as Spinoza’s or Wolff’s. For both Hegel and Kant method is the arrangement that reason gives its contents and cognitions; for both, that is, method and object do not fall asunder, unlike in all disciplines other than philosophy. For Kant method is the design and plan of the whole, the scientific form that guides the organization of cognitions (KrV A 707/B 736, Ak 24, 780). Likewise, Hegel writes that method is the consciousness of the form of its inner movement (WL 1, 49, SL 53, W 3 47, PhS 28). Unfortunately, Hegel never considers Kant an example or a precursor or a positive role model. It is important to ask why Hegel never takes seriously Kant’s Doctrine of Method. Why, if he shares so many central points with the Architectonic of the first Critique, does he never acknowledge Kant as a possible ally? Why does he misunderstand Kant on analysis and synthesis as he does? These are some of the questions I plan to discuss in this paper.  相似文献   

13.
    
In this paper, I consider Adorno's claim that art is at, or is coming to, an ‘end’. I consider Adorno's account in relation to the work of Arthur Danto and G. W. F. Hegel. I employ Danto's account, together with two distinct interpretive glosses of Hegel's account, as heuristic devices in order to clarify both Adorno's own arguments, and the context within which they are being advanced. I argue that while Danto and Hegel see art as coming to an end autonomously, owing to art's successful realization of its governing principle, Adorno by contrast sees art as coming to an end heteronomously. Art's narrative is forcibly broken off, rather than completed. Adorno's account, indebted to Hegel, of art's commitment both to autonomy and the realization of ‘spiritual needs’ is explored in order to clarify how, on Adorno's view, this has happened to art; and why, precisely, he believes art is coming to an end.  相似文献   

14.
The criticism formulated by L. B. Puntel concerning the theory of dialectic proposed by the author is rejected. Puntel's attempt at explicating predication by means of (second order) predicate logic fails: It misjudges predication being already presupposed for the possibility of predicate logic, thus belonging to the transcendental conditions of formal predicate logic, so that predication itself cannot be further explicated by means of such logic. What is in fact criticized by Puntel is something like an artefact of formalization. The unreflected application of formal logic here generates problems instead of solving them.  相似文献   

15.
This paper consists of an introduction to the life and work of Iring Fetscher by the interviewer, followed by a conversation with Fetscher, and notes. In the interview, Fetscher discusses his relationship to Marxism, Hegelianism, Lukács, and the Frankfurt School, as well as his critique of Althusser. The contribution of Fetscher, an extremely well-known German specialist on Soviet and Marxist thought, is here discussed in greater detail than anywhere else to date in the English-language scholarly literature.  相似文献   

16.
I argue that the reflections on language in Adorno and Heidegger have their common root in a modernist problematic that dissected experience into ordinary experience, and transfiguring experiences that are beyond the capacity for expression of our language. I argue that Adorno’s solution to this problem is the more resolutely “modernist” one, in that Adorno is more rigorous about preserving the distinction between what can be said, and what strives for expression in language. After outlining the definitive statement of this problematic in Nietzsche’s early epistemological writings, I outline Heidegger’s solution and subsequently Adorno’s critique of Heidegger. Finally, I argue that situating Adorno within the modernist problem of language and expression is crucial for making sense of his philosophy as a form of critical theory.
Roger FosterEmail:
  相似文献   

17.
    
It is a hallmark of the Frankfurt School tradition of critical theory that it has consistently made philosophical reflection a central component of its overall project. Indeed, the core identity that this tradition has been able to maintain arguably stems from the fact that a number of key philosophical assumptions have been shared by the generations of thinkers involved in it. These assumptions form a basic ‘philosophical matrix’, whose main aim is to allow for a ‘critique of reason’, the heart of the critique of modern society, which emphasises the collective, historically situated and naturalistically grounded nature of rationality. In this matrix, Feuerbach's place has been only a minor one. This paper aims to show that there is more to be retrieved from Feuerbach for critical theory than at first meets the eye. The first section identifies key conceptual features that are shared by the central authors of the Frankfurt School. They signal a collectivist and materialist shift from Kant to Marx via Hegel. This shift is well adumbrated in Feuerbach's emphasis on the ‘intersubjective’ and social dependency of the subject. However, Feuerbach's decisive philosophical contribution lies in his insistence on the ‘sensuous’ modalities of intersubjectivity, that is, on the fact that the dependency of subjects on others for the formation of their capacities is mediated and expressed not only through language and other symbolic forms, but also and primarily through embodiment. This Feuerbachian ‘sensualism’ is a rich, original philosophical position, which is not soluble in Marx's own version of materialism. In sections II and III, I highlight the legacy of Feuerbach's sensualism in two areas of critical theory: first, in relation to the critical epistemology that grows out of the ‘philosophical matrix’ consistently used by critical theorists; and secondly, in relation to the arguments in philosophical anthropology that are mobilized to promote the critical project. In these two areas, Feuerbach's sensualism – his insistence on the embodied dimensions of cognition and action – represents a useful resource to resist the tendency of critical theory to translate its foundation in the critique of reason into a narrowly rationalistic enterprise.  相似文献   

18.
Maeve Cooke 《Argumentation》2002,16(1):81-110
I consider argumentation from the point of view of context-transcendent cognitive transformation through reference to the critical social theory of Jürgen Habermas. My aim is threefold. First, to make the case for a concept of context-transcendent cognitive transformation. Second, to clarify the transformatory role of argumentation itself by showing that, while argumentation may contribute constructively to context-transcendent cognitive transformation, such transformation presupposes the existence of a reality conceptually independent of argumentation. Third, to cast light on the problem of how to justify argumentatively the poetically formulated, novel and innovative semantic contents that may be required for context-transcendent cognitive transformation. I conclude that the difficulties involved in argumentatively assessing novel and innovative semantic contents should not be misconstrued as evidence of an unbridgeable gap between language and experience but rather suggest the need for a more dynamic normative conception of language and for a more receptive model of autonomous agency.  相似文献   

19.
哈贝马斯关于基因技术应用的人性论论证   总被引:2,自引:0,他引:2  
现代生物工程技术的迅猛发展使人类对自身生命过程的干预和控制成为可能,与此同时也对人的尊严和价值构成了极大的挑战和冲击。在新的情势下,怎样利用技术才能避免伤害,体现尊重人的精神?哈贝马斯从人性论的角度出发,认为每个人只有将自己看作是人类当中的一个平等的成员,是人种当中的一个份子,才能避免对其他生命控制和操纵,才能避免对待他人的工具化态度。只有从人类学的广阔视野出发,变人与人之间的主客体关系为主体间性关系,才能深刻理解生命伦理学尊重原则的哲学基础和人文内涵,从而为技术的道德化使用指明了方向。  相似文献   

20.
This paper explores the possibilities for strategic maneuvering of the argumentative technique that Perelman and Olbrechts-Tyteca (The New Rhetoric. A Treatise on Argumentation, University of Notre Dame Press, Notre Dame/London, 1969) called dissociation. After an exploration of the general possibilities that dissociation may have for enhancing critical reasonableness and rhetorical effectiveness, the use of dissociation in the successive stages of a critical discussion is examined. For each stage, first, the dialectical moves that dissociation can be employed in are specified, then, the specific ways in which dissociation contributes to fulfilling the dialectical tasks that are associated with these moves are delineated, and, finally, the rhetorical gain that␣dissociation can bring in the fulfillment of these tasks is discussed. Some general conclusions are drawn for research that aims at understanding the potential of an argumentative technique for strategic maneuvering.  相似文献   

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