A century of imagery research: reflections on Cheves Perky's contribution to our understanding of mental imagery

We review contemporary scientific research on the relationship between visual perception and visual mental imagery in the context of Cheves Perky's (1910) landmark article on imagery and imagination. This body of research has firmly established a strong connection between the psychology of imagery and perception and has contributed a strong voice to the imagery debate. We then use the concept of embodiment to discuss additional avenues of inquiry at which Perky's work hinted. These include a more thorough examination of the relationship between imagery and emotion, the creative, active aspects of imagery and imagination, and the methods we can bring to bear on understanding imagery and imagination as a human experience.     

Teaching Creative Writing Skills to Primary School Children in Hong Kong: Discordance Between the Views and Practices of Language Teachers

Although creativity has been valued in ancient and contemporary Chinese literature, the degree to which creativity is valued and incorporated into teaching by Chinese language teachers is not known. This information is important given that creativity has been increasingly recognized in the education literature as a component of effective writing. The purpose of this study was to compare the views of Chinese language teachers in Hong Kong about creativity and the acquisition of creative writing skills by primary school children, and their teaching practices. A total of 449 Chinese language teachers, employed at primary schools throughout Hong Kong completed a survey questionnaire. The 14‐item questionnaire focused on teachers' views of creativity, their perceptions of how to develop students' creativity, their awareness of creative writing strategies, and teaching practices related to creative writing. With respect to the definition of creativity, teachers identified imagination foremost, followed by inspiration, and original ideas. Teachers identified developing students' confidence, and providing an open atmosphere as essential means of fostering creativity. Despite the apparent value of creativity expressed by the teachers and their familiarity with methods for enhancing creativity, the majority reported using traditional methods of teaching writing. Strategies are recommended for reconciling this discrepancy, and promoting creative writing skills by primary school teachers in Hong Kong and other Chinese speaking societies.     

Dissociative Experiences and Vividness of Auditory Imagery

The relationship between dissociation and auditory imagery were assessed, 2 variables that sometime influence on artistic creativity. A total of 170 fine arts undergraduates (94 women and 76 men) received 2 dissociation questionnaires—the Dissociative Ability Scale (DAS), and the Dissociative Experiences Scale (DES)—and 2 auditory imagery questionnaires—the Auditory Imagery Questionnaire (AIQ) and the Clarity of Auditory Imagery Scale (CAIS). Significant differences on the auditory imagery (CAIS) have been found between individuals scoring high or low on the DES and DAS. In this study, however, significant differences were only observed on the Auditory Imagery Questionnaire (AIQ) between individuals scoring high or low on the DAS. Moreover, conflicting results have been obtained on the influence of dissociative experiences on dissociative skills in 2 auditory imagery tests. The discrepancies in the results only lead to more questions being asked than answered. Several lines of research are proposed.     

Understanding the Effects of Cognition in Creative Decision Making: A Creativity Model for Enhancing the Design Studio Process

ABSTRACT

The essential components of creativity—persons, processes and products—were investigated inside a creative environment by deeply focusing on the cognitive stages of the creative decision making process. Mental imagery and external representation were considered as the implicit parts of creativity for enhancing design studio process. An experiment was conducted with 15 subjects who designed the public area of a train as the task in design studio. Observation, protocol analysis, and rating scales were used as assessment tools. Considering the components of creativity, it was found that the highest correlation was between process and overall creativity. Person and product followed process, respectively. However, no significant relationship was observed between imagery and creativity in design process. Three-dimensional representations were found to lead to more creativity compared to 2-dimensional depictions.     

The Dissolution of the Self in Unsettled Times: Postmodernism and the Creative Process

How does culture affect creative behavior? This question forms the background for this essay, which investigates commonalities between creative processes and features of an impending “postmodern” age. Specifically, recurring themes in discussions of the creative process — the combining, ordering, and integration of disintegrated elements — appear also to be standard features of postmodern consciousness. This essay draws from contemporary fiction-writing; popular culture; and postmodern psychology, which views the self as a work-in-progress, to demonstrate these affinities. Postmodern consciousness, it is argued, heralds an era of renewed creativity partly because the fractured view of the self it promotes, with its emphasis on paradox and irony, appears well equipped to encourage creative expression.     

Personal Explicit Theories of Creativity

In this investigation 143 creativity researchers completed a survey to rate the importance of various traits and developmental influences on creative achievement. They also rated the importance of various topics for future research. Sixteen composite variables were formed from the traits and developmental factors. Behaviors in the Motivational Composite were rated as most important for recognized creative achievement, followed by Problem Finding and Questioning Skills, and traits reflecting Adaptive Cognition. The ratings of the Developmental survey items suggested that Education and Learning were most important for achievement, followed by Cultural and Social factors, and then Family and Early Background. The top five ranked topics for future research included actual creative behavior, motivation and drive, imagery, imagination, and creative products. Group differences were explored, but few differences were found in, comparisons of ratings from researchers who had experience; teaching creativity courses and those who had published a book or article, and those who had not. Similarly, only slight group differences were found for ratings of important research topics. Differences in self-reported creative interests (i.e., writing and music) were related to selected ratings of creative achievement variables and important research topics. In general, the results suggested that researchers believe creativity to be a complex or syndrome which draws from cognitive, affective, social, and perhaps even physical realms. The lack of group differences implies a homogeneity of opinion and consensus with respect to the importance of traits, developmental factors, and research topics.     

“Minding the Gap”: Imagination,Creativity and Human Cognition

Inquiry into the nature of mental images is a major topic in psychology where research is focused on the psychological faculties of imagination and creativity. In this paper, we draw on the work of L.S. Vygotsky to develop a cultural-historical approach to the study of imagination as central to human cognitive processes. We characterize imagination as a process of image making that resolves “gaps” arising from biological and cultural-historical constraints, and that enables ongoing time-space coordination necessary for thought and action. After presenting some basic theoretical considerations, we offer a series of examples to illustrate for the reader the diversity of processes of imagination as image making. Applying our arguments to contemporary digital media, we argue that a cultural-historical approach to image formation is important for understanding how imagination and creativity are distinct, yet inter-penetrating processes.     

Art, dreams and active imagination: a post-Jungian approach to transference and the image

The term active imagination is sometimes applied rather uncritically to describe all forms of creative activity that take place in depth psychology. Whilst there are many forms of expression that evoke or are evoked by active imagination, they cannot automatically be classed as active imagination. In this article investigation of visualized mental imagery, dreams and art reveals three distinct forms of image-based psychological activity. Integrated and mediated within the transference and countertransference dynamic, it is proposed that the engagement in active imagination reflects and is influenced by the transference. Distinctions between sign and symbol, simple and big dreams as well as diagrammatic and embodied imagery clarify the differences. Examples from clinical practice demonstrate each mode in action within the analytic frame.     

The Relationship between Imagery Ability and Imagery Use among Athletes

The present study aimed to provide a better understanding of the relationship between imagery ability and imagery use. Athletes completed the Movement Imagery Questionnaire—Revised Second Version, the Motivational Imagery Ability Measure for Sport, and the Sport Imagery Questionnaire. Hierarchical regression analyses revealed that imagery ability explained 20 to 41% of the variance in the use of the functions of imagery. Visual and kinesthetic imagery ability predicted cognitive specific imagery use; motivational general-mastery and motivational general-arousal imagery ability predicted the use of the motivational general functions of imagery. To assess imagery ability multiple methods of assessment must be used.     

高二理科生物理问题创造性解决的表象特征研究

物理问题创造性解决是一个发散思维和聚合思维交替运行的过程,而表象对问题的创造性解决具有重要作用。本研究通过自编的物理问题对天津市某中学109名高二理科学生进行物理问题创造性解决测验,探讨高中理科学生物理问题创造性解决中的表象特征。验证了表象与物理问题创造性解决中的发散思维具有显著的正相关,与聚合思维无显著相关。对109名高二理科学生K聚类分析发现：物理问题解决过程中,高创造性和中等程度创造性的学生人数较少,而低创造性的学生人数较多;表象丰富性很高和较高的学生较少,表象丰富性较低的学生较多。     

Educational Intervention and the Development of Young Art Students' Talent and Creativity

This study focuses on behavior associated with young art students' developing artistic talent (skills and art‐making behavior) and creativity (personal expressions of visual information). The study examines the role of personal expertise in a student's development of problem finding, domain‐specific technical skill, perseverance, evaluation, and creative ideation. The study compares 30 experienced art students' artistic processing and products with those of 29 novice art students. Both groups are 7‐ through 11‐year‐olds. The author recorded participants' behavior as they created drawings in two contexts — from imagination and from life — and three adult artists then assessed the technical skill and creativity revealed in the drawings. Multivariate analyses of the variables associated with the drawing products and processes offer evidence of the changes related to the students' developing expertise in both novice and experienced groups. This study finds that the drawing situation (life or imagination) interacts clearly with the relationships among hypothesized components of creativity, gender, and predictors of expertise. Technical skill, perseverance, modifications, and creativity in drawings from life were significant predictors of expertise. Modifications, efficient problem finding, and creativity in drawings from imagination were additional significant predictors of expertise. Gender was found to be a measurable factor in both the artistic process and the assessments of drawings from imagination. The findings are discussed within the context of three conceptions: artistic talent, developing creativity, and art education.     

Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting

The contemporary Western popular music industry tends to work within a paradigm of creativity that runs counter to current academic research. This research into creativity can be categorized as falling along a continuum from individual to contextual responsibility and ranges across a number of disciplines including psychology, sociology, linguistics, philosophy, and communication and media studies. However, it is the contention of this article that it is the systems model of creativity in particular, partially coupled with the similarly complex approach to cultural production presented by Pierre Bourdieu, which provides the most useful working platform to investigate the idea of creativity. Through the use of an ethnographic research methodology, this article investigates the systems model of creativity as it applies to contemporary Western popular music songwriting. It concludes that a contemporary Western songwriter's ability to make choices, and therefore be creative, is both circumscribed and facilitated by his or her knowledge of the domain of contemporary Western popular music and his or her access to, and knowledge of, the field that holds this knowledge that allows the conclusion, at the more philosophical level, that these ideas can also be presented as an account of the interdependence of agency and structure within the workings of the creative system.     

Creativity and Wonder

The experience of wonder is often said to be at the origin of acts of creativity, both historical and mundane, from big breakthroughs in science to the everyday discoveries of children at play. And yet, wonder and wondering have rarely been theorized until now, at least in the psychology of creativity. Understood as one of the main ways in which we engage with the possible, wonder presents us, upon closer inspection, with a paradox typical for creativity—experiencing what is present (the here and now) through the lenses of what is absent (the not‐yet‐here). Wondering is grounded in the possibility of adopting multiple perspectives on a certain reality; many of which are yet unknown to the creator while anticipated and actively looked for. In this paper, the creative process fuelled by the experience of wonder is described as a cyclical interplay between awareness, excitement, and exploration of the possible. Thus, one of the main consequences of reflecting on wonder and wondering is not only a renewed focus on process in creativity research but, most of all, a new emphasis on the less “visible” and yet essential aspects of creative action as it bridges the actual and the possible.     

Enhancing the Creative Process in Couple Therapy

ABSTRACT

This paper reviews the literature as it relates to psychotherapy and creativity. The focus is on the creative process and the role of the therapist as “artist” in the practice of couple therapy. The theory on which the paper is based in problem-centered with influences from the writing of Satir, humanistic psychology and psychodynamic psychotherapy. The paper attempts to offer suggestions as to how therapists might enhance their innate creative ability when working with couples.     

The relationship between competitive anxiety and imagery use

Abstract

Imagery has been proposed to be an effective strategy for controlling levels of competitive anxiety, but little b known about how imagery functions to achieve this. This study explored the relationship between imagery use. imagery ability. competitive anxiety and performance. Fifty-seven Junior North American Roller Skating Championship competitors completed the revised Movement Imagery Questionnaire (MIQ-R), the Sport Imagery Questionnaire (SIQ), and the Competitive State Anxiety Inventory—2 (CSAI-2). Results from stepwise multiple regression analyses revealed visual imagery ability and motivational arousal imagery to be predictors of cognitive state anxiety. Visual imagery ability also predicted somatic state anxiety. while motivational mastery imagery was a predictor of self-confidence. With respect to the relationship between imagery use and imagery ability, high imagery ability was associated with higher imagery use. Finally, self-confidence and kinesthetic imagery ability scores correctly classified a majority of the subjects as medalists versus non-medalists. These results suggest that imagery can be used to help control competitive anxiety levels and enhance self-confidence.     

Dissociative Experiences and Creativity in Fine Arts Students

Studies on creative personality have revealed that the relationship between personality and creativity remains unclear, and various types of creative thinking have been have been associated with various personality traits. To assess the influence of dissociative experiences on creativity in the context of fine arts education, in which the creative process plays a key role, a sample of fine arts students received a test of creative potential and the dissociative experiences test. The results revealed significant differences in creativity (creative imagination and creative experiences) between students scoring high or low in the number of dissociative experiences. High dissociative experiences scores were associated to high scores in creative imagination and creative experiences, and low scores in dissociative experiences were inversely related to creative imagination and creative experiences. Further studies are required to corroborate these findings.     

Growing Up Poor in Los Angeles: A Memoir

OUR EDITOR caught up with physicist David Bohm for a few days at Bailey Farm, a “think-tank” for lawyers in New York state. Autumn was crisp in the air with golden leaves and agreeable conversation as they walked together through the local woods. Bohm was in the middle of writing several books simultaneously with a number of his colleagues on the brood implications of his view of quantum physics for current ideas in psychology, sociology, and philosophy. In this wide-ranging interview, Bohm talks for the first time about his early scientific development, his relations with Robert Oppenheimer and Albert Einstein, and his idealistic struggles to actualize heightened states of being within a creative community. He also talks about imagery, stress, and the difficult evolutionary struggle in which we are currently engaged to free our minds from the negative conditioning of the past and the conceptual blind alleys of the present. David Bohm takes us on a journey into the post-modern world, a cultural step beyond relativity and quantum theory.     

The Role of Vividness of Visual Mental Imagery on Different Dimensions of Creativity

Although research demonstrated that people can mentally manipulate and synthesize visual elements into a creative object, the role that vividness of visual imagery plays on creative imagery is still unclear. This study explored the relationships between vividness of visual imagery and 3 dimensions of creative imagery: originality, practicality, and mental spatial transformations of visual elements. Fifty-three participants performed the creative mental synthesis task and completed the Vividness of Visual Imagery Questionnaire (VVIQ). Results revealed a positive relationship between vividness and the practicality dimension of objects. No relationship was found either between vividness and originality or between vividness and transformational complexity. The association vividness–practicality seems to reflect the ability to use pictorial information of imagery when people generate functional objects that belong to specific categories. Future research directions are discussed.