Spiritual practices children understand: an analysis of Madeleine L’Engle’s fantasy,A Wind in the Door

The following essay is a close reading of Madeleine L’Engle’s science fantasy novel, A Wind in the Door, in which young Meg Murry travels first to outer space and then into her younger brother’s ailing cells. The novel is a fine example of high fantasy (also known as heroic fantasy) wherein a humble protagonist is called to a quest to fight a cosmic battle between good and evil. The essay analyzes specific expressions of evil in the novel: impersonality, narcissism, despair and blind empiricism. Meg’s quest demonstrates particular spiritual practices that promote spiritual maturation and the ability to overcome evil: ‘kything’, Naming, deepening and holding. L’Engle portrays these practices in a fresh way that can help both children and adults incorporate them into their day‐to‐day lives. Moreover, there are links between kything and holding and the metta and tonglen, two types of Buddhist meditation. L’Engle affirms children’s innate relational consciousness and presents spiritual practices that are relational, non‐sectarian, practical, and eminently hopeful.     

The arc of the rope swing: humour,poetry, and spirituality in Charlotte’s Web by E. B. White

This essay analyzes the classic American children’s novel, Charlotte’s Web, by E.B. White, which tells of a sophisticated spider’s rescue of a piglet who is being prepared for slaughter. The ‘arc of the rope swing' refers to a rope swing enjoyed by children in the novel; it is also a metaphor for the way White holds opposing forces in tension. Most noteworthy is the tension between poetic language and humour in the novel; White uses both to convey a sense of ultimate goodness and trust-in-being. Poetic language sets a contemplative tone (‘poetic pauses’) and conveys spiritual themes, including delight, wonder at the beauty of the natural world, ‘divine discontent’ (yearning), memento mori, sorrow and hope. In contrast, White’s ‘gracious humour’ is fast-paced and entertaining; it keeps the novel from being too preachy or solemn. His humour includes 1) wordplay (including the juxtaposition of incongruous words and images; dramatic irony; and puns ), 2) comedic characters (Wilbur as lovable buffoon, Charlotte as incisive wisdom figure) and 3) satire (scorn for human gullibility, arrogance and poor treatment of animals). White sharply satirises human arrogance and demonstrates the value of humility (embodied in Charlotte and Wilbur). The article also contains brief summaries of Charlotte's Web and of White's biography, and it concludes with a substantial set of “talking points” for discussing the novel’s spiritual themes with children.     

Liezi’s Retirement: A Parody of a Didactic Tale in the <Emphasis Type="Italic">Zhuangzi</Emphasis>

The seventh chapter of the Zhuangzi 莊子 contains a narrative about Liezi 列子, his teacher Huzi 壺子, and a physiognomist named Jixian 季咸. Traditionally, the story has been read as a didactic tale about how to become a true Daoist sage or as an illustration of attaining spiritual perfection. This essay will argue for an alternative reading of the story as a humorous parody about failed sages, and, at the same time, as an illustration of the benefits of a playful facelessness—or genuine pretending. It thereby turns out to be a counterpart of the following narrative of Hundun 混沌 which completes the Inner Chapters. The story about Liezi’s retirement illustrates how his teacher Huzi remains unharmed (bu shang 傷) by virtue of being a faceless “genuine pretender” whereas Hundun’s demise is due to his failure to maintain his facelessness.     

Nathanael West's Miss Lonelyhearts and the Problem of Suffering

Nathanael West's novella Miss Lonelyhearts, the harrowing story of a newspaper advice columnist who struggles to cope with the misery of his correspondents, illustrates the often dramatic challenge of locating meaning in human suffering. Situated in an implicitly nihilistic world in which neither transcendent nor immanent meaning can be taken for granted, the story raises vexing questions about how value and significance can arise and be nourished within a therapeutic relationship. The title character's doomed pursuit of faith and his inability to tolerate and acknowledge human suffering constitute a cautionary tale of spiritual failure in the broadest sense.     

READING WILLY WONKA IN THE ERA OF ANTI-THINKING

Whether encountered as a movie or novel, Roald Dahl’s Charlie and the Chocolate Factory is a childhood staple of postwar Anglophone culture. Originally published in 1964, Dahl’s story of “Willie Wonka” is a morality tale for our times addressed by the present essay in relation to the precariousness, violence, intergenerational faith, and materialist fantasies reflective of contemporary life in the early twenty-first century. Compensating for the precarity of contemporary life’s impoverishment as assumptions of societal stability are overthrown, this chronicle of the Bucket family details: envious desire validated by large group chosen trauma; authoritarian enslavement of inferior, colonized peoples with murderous, industrial-level human experimentation; toward gratification of the greedy fantasy of unlimited sweetness under the sway of lethal identification with the aggressor.     

The Little Prince – an introduction to spirituality: a moving experience in religious education for primary school children in a secularised world

In our research the right of the child for spiritual development is central. Grimmitt’s distinction in ‘teaching in’, ‘about’ and ‘from religion’ is extended with the concept of ‘teaching for’ – a concept that connects religion with children’s attitude of wondering as an ‘ontological calling’ in their life. The question whether a non-religious story can function as a rich learning environment for ‘teaching for’, is explored in a ‘picture voice’-research design. In a small pilot study with four children in primary school age an episode of the story of The Little Prince was presented as a ‘rich learning environment’. We conclude from this pilot that the narration of a non-religious story, together with the child’s drawing of the story’s ‘critical incident’ and a subsequent conversation (‘picture voice’) functions as a stepping stone for the development of spirituality.     

“SIN IS BEHOVELY” IN JULIAN OF NORWICH's REVELATIONS OF DIVINE LOVE1

Julian, showing no inclination to accept the ‘free‐will’ defence nonetheless says that “sin is behovely”. She cannot mean by this that sin is necessary within the created order nor can she mean that it is completely contingent and outside the remit of divine providence. Sin's being behovely means, I argue, that it is conveniens, in a sense recognisable within some standard medieval scholastic theologies. This is to say that sin ‘fits’ with some story which God wills, a story of salvation history, in the way that events in any narrative can be said to ‘fit’ with the narrative they are events within. That for Julian we do not and cannot know the story shows her commitment to a negative theology.     

The Roman Catholic Church and Slavery in José Evaristo d'Almeida's O Escravo (The Slave)

This installment of Dialog's Theology in Film and Fiction series introduces the first Cape Verdean novel, The Slave, by José Evaristo d'Almeida (1856). This vivid story depicts a number of social and moral issues tied together within the tragic plot of the novel. The article discusses the historical relationship of the Roman Catholic Church to slavery, the colonial history of Portugal and Cape Verde, and the theological use of the Bible in this history. This discussion is applied to Almeida's novel, revealing the manifold nineteenth‐century varieties of the literary history and theology of colonialism.     

Better Dread (if Still Dead) than Red: High‐Brown Passing in John Hearne's Voices Under The Window

In his pioneering Caliban's Reason: Introducing Afro‐Caribbean Philosophy, Paget Henry points out that because of the region's colonial history, Caribbean philosophy is far more often found ‘embedded’ in other discourses, such as literature, than in explicit theorising. Following Henry's lead, I seek to find the philosophical ‘moral of the story’ of Voices Under the Window, the 1955 first novel of the late Jamaican writer John Hearne (1926–94), which some critics regard as his best work. In a novel with significant autobiographical elements, Hearne, a ‘high‐brown’ or ‘red’ Jamaican, recounts the story of Mark Lattimer, likewise a ‘red man’ positioned at the upper edge of the ‘brown’ stratum of the white/brown/black Jamaican social pyramid. Lattimer moves from a race‐denying attempt to ‘pass’ in World War II Britain to a Marxist social activism upon his later return to post‐war Jamaica, but is killed in a black protest riot. His tragic fate raises important philosophical questions about race, colour, class, and personal and social transformation that remain very relevant today, especially considering the failure of 1970s Anglo‐Caribbean radicalism to fulfil its revolutionary promise.     

Reviewing the research in children’s spirituality (2005–2015): proposing a pluricultural approach

Research on children’s spirituality seems to continue to be scarcely represented in the field of early childhood. In reviewing the literature, looking at empirical data-driven studies, this paper compiles an international review of the work completed in the last 10 years (2005–2015) on the topic of children’s spirituality. The research-based works reviewed are analysed and sorted taking into account: research methods, participant demographics (age, gender, ethnicity) and location (urban vs. suburban/rural, school vs. home), yet are presented in categories found related to their topic of study: (1) spiritual meaning-making and relationships to/with God, (2) children’s spirituality in education and (3) identity formation and sense of self. Finally, identification of gaps in the research literature regarding the study of children’s spirituality is presented. As well, avenues for future research are proposed, identifying methods and approaches. Also, the term pluricultural as a means to guide researchers in making sense of the complex phenomenon that is children’s spirituality is introduced.     

Queer Jewish memory: André Aciman’s Call Me By Your Name

ABSTRACT

This essay brings together seminal texts evaluating Jewish memory to meet queer theory’s concern with futurity and temporality. Following a brief introduction on Yerushalmi, Hirsch, Friedlander, Améry, and Edelman, then allusion to the “postmemorial” works of Mendelsohn (on the Holocaust, the Odyssey, family secrets and gay identity), the television series “Transparent” (on Jewish and queer legacies of inherited memory) and others, the essay focuses on André Aciman’s 2007 novel Call Me By Your Name. Aciman is a Proust scholar and author of a number of works of nonfiction and fiction about memory. His story concerns a summer romance between two young Jewish men in Italy, an older and a younger, deploying an interior lens and with backdrops of ancient Mediterranean thought and family systems. Aciman brings Jewish identity to the paradigm of desire found in Plato’s Symposium to describe same-sex love and the imperative to patriarchal generation, art versus procreativity. He challenges the modern historicization of homosexual essentialism as articulated in the late nineteenth century. Leaving the reader with an anti-essentialist approach to time and transience, Aciman gestures towards continuity in his later novel Enigma Variations (2017, New York: Farrar, Straus & Giroux) even as he consistently returns to classicism, using examples such as Virgil’s Aeneid.     

Children growing whole

This essay focuses on wholeness as a spiritual condition, particularly as it applies to children, so that we can nurture it in them. After a brief introduction to wholeness and its spiritual nature, the essay looks at how adults can nurture wholeness by example, then at how that nurturance might adapt appropriately as wholeness develops in children as they grow from infancy on. The essay concludes that although outcomes of adult interventions in children’s lives are never certain, efforts to nurture the whole child often have good results.     

Digital play as a spiritually formative activity

The ubiquitous presence of technology in children’s lives and the likelihood that technology will remain a significant part of young people’s culture means that scholars and practitioners need to ask how digital play may exert a positive spiritual influence on children and youth. This essay therefore explores four spiritually nurturing aspects of digital participation: (1) connections between the polyphonic nature of digital identity and the ideal of a spiritual disciple open to divine influence and change through new experiences and habituating practices; (2) ways in which young people’s empowerment as producers of the self and communities may transfer to ‘real’-world transformation efforts; (3) theories suggesting that the relational nature of social networking and gaming encourages and reinforces relational consciousness and increases young people’s conscious participation in relationship building; and (4) links between the imaginative elements of digital play and the facilitation of ritual experience and spiritual self-knowledge. The essay also attends to some of the dangers that lurk in the digital world and suggests how we might discern when young people’s digital play is spiritually healthy and when it veers into spiritual desolation.     

Sport and children’s spirituality: an Australian perspective

The benefits of sport and physical activity are endorsed by a number of professionals as a means of improving children’s health and their sense of well-being, and their unity with the natural world, other people and the Transcendent. For children, sport is a spiritual source of joy and wonder. Using Champagne’s ‘spiritual modes of being’, my recent study of Victorian children demonstrated their heightened sensory awareness, enriched relationships and robust sense of personal identity, arising from active and passive participation in sport. The children in the study seemed to benefit in each of these areas from Australian culture’s high value of sporting participation and achievement.     

The Restitution of Primary Identification Psychoanalysis

The paper discusses different well-known imagined monsters. Starting with the fairy tale and the films on The Beauty and the Beast (La Belle et la Bête), hidden meanings from several psychodynamically valid perspectives are proposed with the aim of finding out what makes this story so popular and everlasting. Projected demons or impulses in Maurice Sendak's Where the Wild Things Are are discussed as well as Mary Shelley’s Frankenstein and his monster who are presented and connected to facts in this author’s life. In the summary links to psychoanalytic thinking are proposed.     

Odanta through a child’s eye: a study on Buchi Emecheta’s The Moonlight Bride

An interesting story session often takes its listeners on a journey to an imaginary land where ‘good’ always prevails over ‘evil’. Such stories, generally narrated by elders, reinforce the spiritual values of a particular community by consciously building up its moral strength through its own religious beliefs and practices. However, in Emecheta’s The Moonlight Bride, the story is told by the child protagonist Ngbeke and in her responsibility as a griot, the profound spiritual message that she conveys through her story is: ‘the most important beauty is the beauty of the heart' (77). The focus of this study will be specifically on Ngbeke and how she explains the cultural traditions of Odanta community to an outside world.

In the course of this study, the researcher has understood that the traditional practices of Odanta community is a mixed bag in which a few precious conventional ideals deserve appreciation and assimilation, while a few need to be critically looked at and rejected even, taking the interest of women and children into consideration. Positive values can be inculcated universally in today’s world, where community living and its positive effects on people are fast disappearing and losing its value.     

Spirituality and spiritual care – missing concepts from core undergraduate children’s nursing textbooks

Background: Spiritual care is espoused to be fundamental in children’s nursing; however, the extent to which current fundamental children’s nursing textbooks support and advocate spiritual care delivery by children’s nurses and nursing students is unknown. Aim and objectives: To examine whether or not fundamental undergraduate children’s nursing textbooks include spiritual care content. Methods: Five hundred and nineteen books were sampled from the Nursing and Midwifery Core Collection list (UK) using a survey, the Spirituality Textbook Analysis Tool (STAT) to collect data. Analysis and Results: 519 books were included in the study using the STAT and 13 books included content on children’s spirituality. There were a variety of textbooks in the audit of those that made reference to the search terms in the STAT, it was found that content mainly addressed only two areas; religious faiths and the dying child. Recommendations: Children’s nurses require education about children’s spiritual developmental stage and age appropriate spiritual assessment. A lack of detailed information in core children’s nursing textbooks means that this area of nursing practice may be taught as an adjunct to care and not as an element of holistic care which is the gold standard that children’s nurses should strive for.     

Spirituality and humour: making connections for early childhood education

In looking at the relations between children’s spirituality and children’s expressions of humour, this paper explores the connections between the findings and theoretical implications and contributions of two separate empirical studies carried out with children between the ages of 5 and 6, in Cyprus and the US. Findings from the phenomenological study in the US point to joy (joyfulness and delight), concern for others (kindness, compassion and caring), relationships (importance and value of friends and family) and imagination (use and exploration in play), as observed expressions of children’s spirituality. Initial links between these findings and findings from the study completed in Cyprus, using the theoretical framework of The Theory of the Absurd and the Empowerment Theory, point at the importance of children’s story productions and the use of their imagination, as an expression of both their spiritual and humourous selves. Educational implications point to teachers allowing for kindergarteners to participate in story telling including incongruity, humourous symbols, violation of rules and violence, to convey humour, mixing these elements with expressions of imagination, joy and concern, through nurturing relationships with others, to express aspects of their spirituality. Other connections between the findings in these studies point at the potential importance of engaging children in story telling to create spiritual meaning and understanding, and overall nurture children’s spirituality.     

PARRHESIA,PHAEDRA, AND THE POLIS: ANTICIPATING PSYCHOANALYTIC FREE ASSOCIATION AS DEMOCRATIC PRACTICE

This essay explores the mostly unexamined analogy of psychoanalytic free association to democratic free speech. The author turns back to a time when free speech was a matter of considerable discussion: the classical period of the Athenian constitution and its experiment with parrhesia. Ordinarily translated into English as “free speech,” parrhesia is startlingly relevant to psychoanalysis. The Athenian stage—in particular, Hippolytus (Euripides, 5th century BCE)—illustrates this point. Euripides's tragic tale anticipates Freud's inquiries, exploring the fundamental link between free speech and female embodiment. The author suggests that psychoanalysis should claim its own conception of a polis as a mediated and ethical space between private and public spheres, between body and mind, and between speaking and listening communities.     

‘Inhliziyo ekhombisa uthando’: Exploring children’s conceptions of spirituality

In this study we explored young isiZulu children’s conceptions of spirituality. The children (n = 8; females = 5; male = 3) were nine to eleven years old and attended a primary school in KwaZulu-Natal, South Africa. They drew pictures depicting their sense of spirituality and answered questions on vignettes or scenarios that contained a moral dilemma. The children also engaged in conversations with a picture, and wrote a letter to God. Thematic analysis of the data yielded three themes that characterised the children’s emerging conceptions of their spirituality: conceptions of a transcendental being; spirituality as a search for personal meanings; and influences on emerging conceptions of spirituality. For the young children, being spiritual was about connecting with a transcendental being and with significant others in their lives through expressions of love, respect, hope, faith, compassion, closeness, fairness, and empathy. Children appear to acquire a sense of spirituality mainly by internalising experiential interactions within their social and material environment.