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1.
The speed of processes underlying lightness constancy was studied by having observers discriminate small differences in simulated lightness under an oscillating illumination. The period of oscillation varied from 0.25 to 120 sec. The target was a 1 degrees square which appeared for 150 msec at random intervals either directly against a uniform background or separated from the background by a 1 degrees dark gap. When the target and background were adjacent to each other, discrimination accuracy approached control levels (fixed illumination) at all but the shortest periods of oscillation. When the gap was introduced, accuracy increased as the period of oscillation increased, but never approached control levels. The results suggest that a fast local contrast mechanism is the primary mediator of lightness constancy for this task, but that there is also a slower mechanism that may be related to adaptation.  相似文献   

2.
Lightness constancy requires that a surface retain its lightness not only when the illumination is changed but also when the surface is moved from one background to another. Occlusion of one surface by another frequently results in a retinal juxtaposition of patches under different illuminations. At such edges, retinal luminance ratios can be much higher than in scenes with a single illumination. We demonstrate that such retinal adjacencies can produce failures of lightness constancy. We argue that they are responsible for departures from perfect lightness constancy in two prior experiments that examined the effects of depth relations on lightness constancy.  相似文献   

3.
Colour constancy was investigated by using a series of 10 simultaneously presented surface colours ranging in small steps from green through gray to red-purple. Goldfish were trained to select one medium test field when the entire setup was illuminated with white light. In the tests, either red or green illumination was used. Colour constancy, as inferred from the choice behaviour, was perfect under green illumination when the test fields were presented on a gray or a white background, but imperfect on a black background. Under red illumination and a white background, however, colour constancy was overcompensated. Here, a colour contrast effect was observed. The influence of background lightness was also found when the surround was restricted to a narrow annulus of 4-11 mm width (test field diameter: 14 mm). By applying colour metrics it could be shown that the von Kries coefficient law can describe the overall effect of colour constancy. For an explanation of the effect of surround size and lightness, lateral inhibitory interactions have to be assumed in addition, which are also responsible for simultaneous colour contrast. Very similar results were obtained in experiments with the same colours in human subjects. They had to name the test field appearing 'neutral' under the different illumination and surround conditions, as tested in the goldfish experiment.  相似文献   

4.
When smooth matt test surfaces are suspended by fine threads in a strong illumination gradient and in isolation from any ordinary background, lightness constancy fails. It may be restored by introducing other objects into the field in the same plane as the test surfaces. Using a large number of subjects making independent judgements by a comparison scale method, the present investigation attempts to discover the principles underlying the restoration of lightness constancy by the introduction of inducing surfaces of varied size and reflectance at varied distances from the test surface.  相似文献   

5.
Lightness constancy in complex scenes requires that the visual system take account of information concerning variations of illumination falling on visible surfaces. Three experiments on the perception of lightness for three-dimensional (3-D) curved objects show that human observers are better able to perform this accounting for certain scenes than for others. The experiments investigate the effect of object curvature, illumination direction, and object shape on lightness perception. Lightness constancy was quite good when a rich local gray-level context was provided. Deviations occurred when both illumination and reflectance changed along the surface of the objects. Does the perception of a 3-D surface and illuminant layout help calibrate lightness judgments? Our results showed a small but consistent improvement between lightness matches on ellipsoid shapes, relative to flat rectangle shapes, under illumination conditions that produce similar image gradients. Illumination change over 3-D forms is therefore taken into account in lightness perception.  相似文献   

6.
The term simultaneous lightness constancy describes the capacity of the visual system to perceive equal reflecting surfaces as having the same lightness despite lying in different illumination fields. In some cases, however, a lightness constancy failure occurs; that is, equal reflecting surfaces appear different in lightness when differently illuminated. An open question is whether the luminance profile of the illumination edges affects simultaneous lightness constancy even when the ratio invariance property of the illumination edges is preserved. To explore this issue, we ran two experiments by using bipartite illumination displays. Both the luminance profile of an illumination edge and the luminance ratio amplitude between the illumination fields were manipulated. Results revealed that the simultaneous lightness constancy increases when the luminance profile of the illumination edge is gradual (rather than sharp) and homogeneous (rather than inhomogeneous), whereas it decreases when the luminance ratio between the illumination fields is enlarged. The results are interpreted according to the layer decomposition schema, stating that the visual system splits the luminance into perceived lightness and apparent illumination components. We suggest that illumination edges having gradual and homogeneous luminance profiles facilitate the luminance decomposition process, whereas wide luminance ratios impede it.  相似文献   

7.
Werner A 《Perception》2006,35(9):1171-1184
In real scenes, surfaces in different depth planes often differ in the luminance and chromatic content of their illumination. Scene segmentation is therefore an important issue when considering the compensation of illumination changes in our visual perception (lightness and colour constancy). Chromatic adaptation is an important sensory component of colour constancy and has been shown to be linked to the two-dimensional spatial structure of a scene (Werner, 2003 Vision Research 43 1611 - 1623). Here, the question is posed whether this cooperation also extends to the organisation of a scene in depth. The influence of depth on colour constancy was tested by introducing stereo disparity, whereby the test patch and background were perceived in either the same or one of five different depth planes (1.9-57 min of arc). There were no additional cues to depth such as shadows or specular highlights. For consistent illumination changes, colour constancy was reduced when the test patch and background were separated in depth, indicating a reduction of contextual influences. An interaction was found between the influences of stereo depth and spatial frequency on colour constancy. In the case of an inconsistent illumination change, colour constancy was reduced if the test patch and background were in the same depth plane (2-D condition), but not if they were separated in depth (3-D condition). Furthermore, colour constancy was slightly better in the 3-D inconsistent condition than in the 2-D inconsistent condition. It is concluded that depth segmentation supports colour constancy in scenes with inconsistent illumination changes. Processes of depth segmentation are implemented at an early sensory stage of colour constancy, and they define visual regions within which the effects of illuminant changes are discounted for separately. The results support recent models that posit such implementation of scene segmentation in colour constancy.  相似文献   

8.
A pattern of luminances equivalent to that of a traditional simultaneous lightness display (two equal gray squares, one on a white background and the other on an adjacent black background) was presented to observers under two conditions, and matches were obtained for both perceived reflectance and perceived illumination level of the squares and their backgrounds. In one condition, the edge dividing the two backgrounds was made to appear as the boundary between a white and a black surface, as in the traditional pattern. The squares then were perceived as almost the same shade of middle gray. In the other condition, a context was supplied that made the edge between the backgrounds appear as the boundary between two illumination levels, causing one square to appear black and the other white. These results were interpreted as a problem for local ratio theories, local edge theories, and lateral inhibition explanations of lightness constancy, but as support for the concepts of edge classification, edge integration, and the retinal image as a dual image.  相似文献   

9.
Gilchrist AL  Annan V 《Perception》2002,31(2):141-150
The concept of articulation was first introduced by Katz [1935 The World of Colour (London: Kegan Paul, Trench, Trubner & Co)] to refer to the degree of complexity within a field. Katz, who created the basic research methods for studying lightness constancy, found that the greater the degree of articulation within a field of illumination, the greater the degree of constancy. Even though this concept has been largely forgotten, there is much empirical evidence for Katz's principle, and the effects on lightness are very strong. However, when articulation is increased within a framework that does not coincide with a region of illumination, constancy is weakened. Kardos (1934 Zeitschrift für Psychologie Erg?nzungband 23) advanced the concept of co-determination, according to which the lightness of a surface is determined relative to more than one field of illumination. Gilchrist et al (1999 Psychological Review 106 795-834) argue that the fields concept should be replaced by the more operational frameworks concept and that a wide variety of lightness errors can be explained by a modification of the Katz principle: the greater the articulation within a perceptual framework, the stronger the anchoring of lightness values within that framework.  相似文献   

10.
11.
Soranzo A  Agostini T 《Perception》2006,35(2):185-192
The relation between perceptual belongingness and lightness perception has historically been studied in the contrast domain (Benary, 1924 Psychologische Forschung 5 131 - 142). However, scientists have shown that two equal grey patches may differ in lightness when belonging to different reflecting surfaces. We extend this investigation to the constancy domain. In a CRT simulation of a bipartite field of illumination, we manipulated the arrangement of twelve patches: six squares and six diamonds. Patches of the same shape could be placed: (i) all within the same illumination field; or (ii) forming a row across the illumination fields. Furthermore, we manipulated proximity between the innermost patches and the illumination edge. The patches could be (i) touching (forming an X-junction); or (ii) not touching (not forming an X-junction). Observers were asked to perform a lightness match between two additional patches, one illuminated and the other in shadow. We found better lightness constancy when the patches of the same shape formed a row across the fields, with no effect of X-junctions. Since lightness constancy is improved by strengthening the belongingness across the illumination fields, we conclude that belongingness might help the visual system to aggregate the differently illuminated surfaces, and facilitate the scission process.  相似文献   

12.
Anchoring theory (Gilchrist et al, 1999 Psychological Review 106 795-834) predicts a wide range of lightness errors, including failures of constancy in multi-illumination scenes and a long list of well-known lightness illusions seen under homogeneous illumination. Lightness values are computed both locally and globally and then averaged together. Local values are computed within a given region of homogeneous illumination. Thus, for an object that extends through two different illumination levels, anchoring theory produces two values, one for the patch in brighter illumination and one for the patch in dimmer illumination. Observers can give matches for these patches separately, but they can also give a single match for the whole object. Anchoring theory in its current form is unable to predict these object matches. We report eight experiments in which we studied the relationship between patch matches and object matches. The results show that the object match represents a compromise between the match for the patch in the field of highest illumination and the patch in the largest field of illumination. These two principles are parallel to the rules found for anchoring lightness: highest luminance rule and area rule.  相似文献   

13.
Honeybees were trained to find sugar water at a fixed location in front of a rectangular block or a gap in a row of rectangular blocks aligned east-west. Bees learned to use both blocks and gaps to pinpoint a target place. In approach, the bees tended to head directly towards the block but not the gap. In approaching the gap, they tended to approach the wall, and then fly parallel to the wall until the gap was encountered. In approaching the block, they approached from varying directions. When the width of the block or gap was doubled, bees still searched at the same perpendicular distance from the landmark. When the height of the block was doubled, they searched farther away but not as far as double the distance on control tests, with variations across individuals. Near the target area, the bees tended to face almost parallel to the gap or block, turned slightly towards the landmark by 0–30°. In all setups, bees showed a tendency to search near the landmark, and to search on average closer than the training distance. The results confirm the basic processes identified for landmark-based search in bees, but show variations in how the steps are carried out.  相似文献   

14.
In two experiments, achromatic color matches for a fixed target, under constant illumination, were compared under conditions where the target appeared perpendicular to illumination direction and coplanar with the background (monocular viewing) and where the target appeared nonperpendicular to illumination direction and noncoplanar with the background (binocular viewing). Contrary to the coplanar ratio hypothesis, which predicts a “lightening” of the target seen coplanar with a darker background, a general “darkening” of the target occurred for both white (N9.5/) and black (N3/) backgrounds and for both dark (N5.5/) and light (N6.5/) targets. This darkening effect was greatest for the darker target and black background, and approximately equal for other combinations of target value and background. The direction of the darkening effect is consistent with the albedo hypothesis, which assumes an inferential correction for changes in conditions of illumination. However, variation in the magnitude of the darkening effect is problematical, and cannot be easily explained by any existing theory. In both experiments, instructions to judge “lightness” or “brightness” failed to produce any substantial differences in performance, although postexperimental questioning suggested that subjects had a verbal understanding of these concepts. Apparently, under reduction conditions, subjects lack cues to illumination and make only lightness matches, regardless of instructions.  相似文献   

15.
Soranzo A  Agostini T 《Perception》2004,33(11):1359-1368
The intersection between an illumination and a reflectance edge is characterised by the 'ratio-invariant' property, that is the luminance ratio of the regions under different illumination remains the same. In a CRT experiment, we shaped two areas, one surrounding the other, and simulated an illumination edge dividing them in two frames of illumination. The portion of the illumination edge standing on the surrounding area (labelled contextual background) was the contextual edge, while the portion standing on the enclosed area (labelled mediating background) was the mediating edge. On the mediating background, there were two patches, one per illumination frame. Observers were asked to adjust the luminance of the patch in bright illumination to equate the lightness of the other. We compared conditions in which the luminance ratio at the contextual edge could be (i) equal (possible shadow), or (ii) larger (impossible shadow) than that at the mediating edge. In addition, we manipulated the reflectance of the backgrounds. It could be higher for the contextual than for the mediating background; or, vice versa, lower for the contextual than for the mediating background. Results reveal that lightness constancy significantly increases when: (i) the luminance ratio at the contextual edge is larger than that at the mediating edge creating an impossible shadow, and (ii) the reflectance of the contextual background is lower than that of the mediating one. We interpret our results according to the albedo hypothesis, and suggest that the scission process is facilitated when the luminance ratio at the contextual edge is larger than that at the mediating edge and/or the reflectance of the including area is lower than that of the included one. This occurs even if the ratio-invariant property is violated.  相似文献   

16.
Contrary to the implication of the term "lightness constancy", asymmetric lightness matching has never been found to be perfect unless the scene is highly articulated (i.e., contains a number of different reflectances). Also, lightness constancy has been found to vary for different observers, and an effect of instruction (lightness vs. brightness) has been reported. The elusiveness of lightness constancy presents a great challenge to visual science; we revisit these issues in the following experiment, which involved 44 observers in total. The stimuli consisted of a large sheet of black paper with a rectangular spotlight projected onto the lower half and 40 squares of various shades of grey printed on the upper half. The luminance ratio at the edge of the spotlight was 25, while that of the squares varied from 2 to 16. Three different instructions were given to observers: They were asked to find a square in the upper half that (i) looked as if it was made of the same paper as that on which the spotlight fell (lightness match), (ii) had the same luminance contrast as the spotlight edge (contrast match), or (iii) had the same brightness as the spotlight (brightness match). Observers made 10 matches of each of the three types. Great interindividual variability was found for all three types of matches. In particular, the individual Brunswik ratios were found to vary over a broad range (from .47 to .85). That is, lightness matches were found to be far from veridical. Contrast matches were also found to be inaccurate, being on average, underestimated by a factor of 3.4. Articulation was found to essentially affect not only lightness, but contrast and brightness matches as well. No difference was found between the lightness and luminance contrast matches. While the brightness matches significantly differed from the other matches, the difference was small. Furthermore, the brightness matches were found to be subject to the same interindividual variability and the same effect of articulation. This leads to the conclusion that inexperienced observers are unable to estimate both the brightness and the luminance contrast of the light reflected from real objects lit by real lights. None of our observers perceived illumination edges purely as illumination edges: A partial Gelb effect ("partial illumination discounting") always took place. The lightness inconstancy in our experiment resulted from this partial illumination discounting. We propose an account of our results based on the two-dimensionality of achromatic colour. We argue that large interindividual variations and the effect of articulation are caused by the large ambiguity of luminance ratios in the stimulus displays used in laboratory conditions.  相似文献   

17.
Four experiments were designed to investigate the nature of the relationship between brightness contrast and brightness constancy while controlling the response criterion, the area of the surround, the stimulus configuration, and the mode of appearance of the modulus target. Ten Os in each of the four experiments estimated the apparent whiteness or brightness of targets with different contrast ratios. All targets were viewed at several illumination levels. Most constancy (whiteness and brightness) functions displayed shallow slopes that reflected a good approximation to constancy. The functions within Experiments I, III, and IV were vertically displaced and parallel; those in Experiment II were vertically displaced and increased in slope. This suggests that decreasing the contrast ratio had no effect on the tendency towards constancy when the area of the surround was greater than that of the target but resulted in a decrease in constancy when the area of the surround was equal to that of the target.  相似文献   

18.
A brightness constancy experiment using ten subjects showed that different instructions significantly affect the subject's PSE judgement. Variations in the reflectance of the standard target and in the background and illumination of the variable target did not influence the effect of different instructions. The use of the D-ratio as constancy index in this study confirms an earlier theoretical finding that other brightness constancy ratios introduce an artefact into experimental results.  相似文献   

19.
Bloj MG  Hurlbert AC 《Perception》2002,31(2):233-246
The traditional achromatic Mach card effect is an example of lightness inconstancy and a demonstration of how shape and lightness perception interact. We present a quantitative study of this phenomenon and explore the conditions under which it occurs. The results demonstrate that observers show lightness constancy only when sufficient information is available about the light-source position, and the perceptual task required of them is surface identification rather than direct colour-appearance matching. An analysis and comparison of these results with the chromatic Mach card effect (Bloj et al 1999 Nature 402 877-879) demonstrate that the luminance effects of mutual illumination do not account for the change in lightness perception in the traditional Mach card.  相似文献   

20.
It has been shown that lightness constancy depends on the articulation of the visual field (Agostini & Galmonte, 1999). However, among researchers there is little agreement about the meaning of "articulation." Beyond the terminological heterogeneity, an important issue remains: What factors are relevant for the stability of surface color perception? Using stimuli with two fields of illumination, we explore this issue in three experiments. In Experiment 1, we manipulated the number of luminances, the number of reflectances, and the number of surfaces and their spatial relationships; in Experiment 2, we manipulated the luminance range; finally, in Experiment 3 we varied the number of surfaces crossed by the illumination edge. We found that there are two relevant factors in optimizing lightness constancy: (1) the lowest luminance in shadow and (2) the co-presence of patches of equal reflectance in both fields of illumination. The latter effect is larger if these patches strongly belong to each other. We interpret these findings within the albedo hypothesis.  相似文献   

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