Figural goodness effects in perception and memory

There is an apparent contradiction concerning configurational effects in visual information processing. Some studies have shown that when an array is organized into a “good” or unitary Gestalt, analysis of a single part of it is facilitated, while others have shown “good” arrays to impede search for a part. The three experiments reported here support the proposition that goodness of form can facilitate performance when memory is used, but that goodness impairs strictly perceptual search for a part of an array. These experiments compare detection of a single feature in faces (unitary figures) and nonfaces. They show that when the face or nonface is presented before the target feature (and must be held in memory), performance is better for faces than for nonfaces. When the target is presented before the face or nonface and perceptual search is required, faces give worse performance than nonfaces. Implications for perceptual phenomena, including the object-superiority and word-superiority effects, are discussed.     

Figural goodness and internal structure in perceptual discrimination

The time required for 24 Ss to sort four decks of cards composed of 5-dot figures (Garner & Clement, 1963) was measured. A deck consisted of 32 cards: 4 each of 8 patterns. There were 4 sets of figures: Sets AI and A2 had identical amount and form of redundancy; so also did BI and 82. Sets BI and B2, having more uncertainty in simple contingencies and having negative interaction terms, required significantly more time to sort than Sets AI and A2, All sets differed in mean ratings of figural goodness, (Garner & Clement, 1963). Even when amount and form of redundancy are held constant, the figural goodness of the individual figures constituting the set influence the discriminability, Sets consisting of good or simpler figures are easier to sort.     

Figural goodness and internal structure in perceptual discrimination

The time required for 24 Ss to sort four decks of cards composed of 5-dot figures (Garner & Clement, 1963) was measured. A deck consisted of 32 cards: 4 each of 8 patterns. There were 4 sets of figures: Sets A1 and A2 had identical amount and form of redundancy; so also did B1 and B2. Sets B1 and B2, having more uncertainty in simple contingencies and having negative interaction terms, required significantly more time to sort than Sets A1 and A2. All sets differed in mean ratings of figural goodness, (Garner & Clement, 1963). Even when amount and form of redundancy are held constant, the figural goodness of the individual figures constituting the set influence the discriminability. Sets consisting of good or simpler figures are easier to sort.     

Figural goodness,stimulus heterogeneity,similarity and object segregation in infancy

The segregation of objects from other objects in visual arrays is a fundamental function of our visual system. Research suggests that adults’ detection of a target among nontargets is affected by the heterogeneity of array elements and the resulting changes in target–nontarget and nontarget–nontarget similarities. We examined the effects of heterogeneity and similarity on object segregation in infancy. In Experiment 1, 5.5‐month‐olds detected a misoriented element in an array when the array elements were spatially arranged in a ‘good’ configuration but not when they were arranged in a ‘poor’ configuration. In Experiment 2, infants detected a vertical line in a homogeneous array of 55° or 125° lines, but failed to do so in a heterogeneous array of 55° and 125° lines. Thus, heterogeneity in both the arrangement and identity of array elements affected infants’ discrepancy detection. Because the average target–nontarget similarity was the same in the two conditions of Experiment 2, the results also indicated that nontarget–nontarget similarity independently affects discrepancy detection in infancy. These results are consistent with models of object segregation by adults, and suggest that stimulus heterogeneity and similarity have analogous effects on object segregation at 5.5 months of age and in adulthood.     

Symmetry, repetition, and figural goodness: an investigation of the weight of evidence theory

Considerable evidence has accumulated on the superiority of symmetry over repetition in the study of figural goodness. The Weight of Evidence theory of figural goodness (WoE) provides a mathematically rigorous, elegant, and testable account of how factors like symmetry and repetition affect figural goodness. In this study we investigate implications of the WoE approach. More specifically, we examine (1) embedded patterns versus simple elements, (2) the number of elements in a pattern, and (3) long-range dependencies within a pattern. Data from two experiments illustrate cases in which figures made of simple repetitions have higher figural goodness than some kinds of symmetrical patterns; thus, the generality of the symmetry over repetition phenomenon is questioned. We discuss our results with respect to WoE and suggest ways to further develop the theory.     

Mental rotation of compound stimuli: The effects of task demands,practice, and figural goodness

Four experiments examined whether or not mental rotation of compound stimuli is a holistic process. Large letters (global aspect) composed of small letters (local aspect) were presented, and the format (normal vs. reflected) of each aspect was manipulated independently. In Experiment 1, the rate of mental rotation was compared under divided- and focused-attention instructions. The overall rate of mental rotation was faster under focused-attention instructions than under divided-attention instructions. Also, contrary to previous findings, in the divided-attention task, the slope of the rotation function was smaller when the stimulus configurations contained aspects with congruent formats (both aspects were normal or mirror-reversed letters) than when they contained aspects with incongruent formats (one normal and one mirror-reversed letter). This pattern of results is unlikely to be caused by the subjects' level of familiarity with the divided-attention task (Experiment 2), by postrotation processes (Experiment 3), or by stimulus attributes (figural goodness) confounded with the format-congruency variable (Experiment 4). The implications of these results for models of mental rotation of compound stimuli are discussed.     

Figural preference and the visual field

Three experiments tested a hypothesis that the shape and relative dimensions of the binocular visual field determine a preference for rectangles possessing dimensions similar to those of the golden section. The results were that Ss horizontally oriented the rectangles they had drawn in correspondence with the shape of the binocular visual field but when Ss chose the most pleasing rectangles there was no significant preference for rectangles whose long side was horizontal. For all experiments there was little preference for rectangles whose ratio of short to long side approximated the golden section. There was some evidence that the placement of the rectangles with respect to the background affects preference.     

On the figural after-effect

Two experiments were carried out on the figural after-effect. The first was intended to discover whether the figural after-effect did in fact take place with statistically significant universality. The method of scoring is relevant to the question of statistical significance, but at the best the figural after-effect appears to occur in only a slightly significant manner under the first conditions used. These involved the viewing of a single circle displaced to the left of a fixation point (the inspection-figure) and so placed that if it were superimposed on the second figure—which consisted of two squares on either side of the fixation-point—the circle completely encircled the left-hand square. The second figure is called the test-figure. The fixation point of the inspection-figure was fixated for 25 seconds with one eye, and then the test-figure was substituted and viewed with the opposite eye. A decision was then given by the observer as to the relative size of the squares. Eye-dominance did not appear to be connected with these after-effect processes.

In the second experiment, however, the statistical significance of the occurrence of the after-effects was undoubted. There were two changes in experimental conditions: the instructions to the observers were changed somewhat and a second circle was introduced into the inspection-figure. No difference of any kind was found to occur in the figural after-effect when the test-figure and inspection-figure were displaced horizontally and when they were displaced veitically, and there appeared to be a precisely opposite effect to that predicted when the test-figure and the inspection-figure were actually superimposed.

The most important finding was that, whereas in the first experiment the after-effect occurred with a frequency which was barely significant statistically, it occurred on every occasion under the different conditions of the second experiment.     

Figural emphasis and person perception

Based on Jones and Nisbett's (1972) proposition that actor-observer differences in causal attributions derive from differences in attentional focus, it was hypothesized that observers' focus of attention would influence their causal attributions for an actor's behavior. More specifically, it was predicted that the behavior of an actor who was the focus of attention by virtue of some salient physical attribute would be attributed by observers more to dispositional causes and less to situational causes than would the behavior of a less physically salient actor. The manipulations of physical salience were based upon Gestalt laws of figural emphasis in object perception. They included brightness (Study I), motion (Study II), pattern complexity (Study III), and contextual novelty (Studies IV and V). The results revealed that the salinece of the actors' environments (i.e., the other people present) rather than the salience of the actor him/herself had the most consistent influence on causal attributions. When environmental salience was high, behavior was attributed relatively more situationally than when it was low. Prior research findings are considered in light of the proposition that causal attributions for an actor's behavior vary only with the salience of his/her environment, and additional implications of this phenomenon are suggested. Some ambiguities in the application of Gestalt principles to the perception of people are discussed.     

Figural factors and the development of pictorial inferences

The role of figural characteristics in the development of pictorial inferences was examined. Two versions of 10 three-picture story sequences were presented to kindergarten and third-grade children. One version maximized while the other minimized figural similarity among pictures. After viewing the sequences, the children were asked to discriminate old study pictures and inferentially consistent new pictures from distractors. While the kindergarteners identified significantly fewer inference pictures than the third graders in all conditions, there was less difference between the grades in the figurally similar conditions. Overall, the kindergarteners identified the fewest inference pictures in the presence of distractors that figurally matched the study pictures. These results indicate that although the pictorial inferences drawn by kindergarteners are heavily influenced by figural representations, such figural dependency cannot account for all of the observed developmental differences.     

Figural after-effects and apparent size

Sutherland (1954) obtained results which suggest that when the retinal size of test and inspection figures is equal, the direction of the FAE may be determined by the relative apparent sizes of the two figures. Other investigators have reproduced this result when exactly the same conditions were used: when the conditions were changed the result was not obtained. In the present paper these results are discussed and an attempt is made to determine why the effect is not obtained with small variations in the experimental conditions. It is further shown that some FAE phenomena cannot be explained by the two main existing theories; these phenomena could be explained if some analysis of the stimulus is being performed before the stage of the nervous system at which the process underlying FAEs occurs. Some recent physiological evidence (Hubel and Wiesel, 1959) supports this hypothesis. If this hypothesis is correct, it is likely that further work on FAEs determined by apparent size may help to throw light on the physiological mechanisms underlying size constancy, and some further experiments are suggested.     

Adaptation and repulsion in the figural after-effect

An experiment is reported which shows the effect of inspection of a curved line on the apparent curvature of a curved test line for a range of curvatures of both I and T lines. A second experiment extends the range of I curvatures, using only one T line, a straight line. The experiments showed both adaptation and repulsion components in the FAE.

An experiment by Kohler and Wallach which could not be reconciled with these results was repeated in the relevant part; the results were in agreement with the first experiment here and did not agree with those obtained by Kohler and Wallach.

An argument is presented that both adaptation and repulsion effects could be produced by a cell adaptation mechanism.     

Intensity of the underlying figural process

A simple scaling technique is described by means of which proportions of frequencies may betransformed to scale values representing the intensity of the perceptual process. This technique is applied to data from experiments on directly observable figural fluctuations. The intensity of the underlying figural process is defined by a sine function with amplitude damping. Very good agreement between theoretical and empirical values demonstrates the applicability of the proposed model.     

Intensity of the underlying figural process

A simple scaling technique is described by means of which proportions of frequencies may be transformed to scale values representing the intensity of the perceptual process. This technique is applied to data from experiments on directly observable figural fluctuations. The intensity of the underlying figural process is defined by a sine function with amplitude damping. Very good agreement between theoretical and empirical values demonstrates the applicability of the proposed model.