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Sifting Through Tradition: The Creation of Jewish Feminist Identities   总被引:1,自引:0,他引:1  
In recent decades, feminists have been questioning patriarchal religions. As a result, many find themselves ambivalent about their religious and spiritual identities. This paper presents a model of identity formation that addresses the processes by which potentially conflicted identities are integrated. This model is based on research about how women who identify themselves as both Jewish and feminist create unconflicted Jewish feminist identities. Through a process ofsifting through their available options, they have chosen to identify with only those aspects of Judaism and feminism that satisfy their feminist, religious, and perhaps most importantly, their spiritual, needs. Because these needs vary, what it means to be a Jewish feminist is not static. Three types of Jewish feminist identity—inclusionist, transformationist, and reinterpretationist—are identified.  相似文献   

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This paper discusses ten lessons learned since 1989 about handling allegations of scientific misconduct involving biomedical and behavioral research supported by the U. S. Public Health Service. An earlier version of this paper was presented at a symposium, Scientific Misconduct: An International Perspective, organised by The Medical University of Warsaw, 16 November, 1998. The opinions expressed herein are those of the author and do not necessarily represent the views of the Office of Research Integrity, the U.S. Department of Health and Human Services, or any other federal agency.  相似文献   

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This essay discusses the recurring preoccupation in Jewish literature with the character of the nudnik, a popular figure in Jewish culture but a rather neglected one in scholarly studies. Even though the nudnik appears in many stories throughout the years, from Sholem Aleichem’s, through Franz Kafka’s, to Isaac Bashevis Singer’s stories and novels – nowhere was he more prominent than in post–World War II Jewish American fiction, more specifically in the short stories and novels of Philip Roth and Bernard Malamud. Both Roth and Malamud depict the nudnik as an embodiment of a generational divide, between the tormented Americanized young and the tormenting “Ostjuden” old. And yet, while Malamud’s nudniks serve as a critique on the fate of Jewish culture and tradition in post-Holocaust America, Roth identifies the character of the nudnik as a contaminating element that will forever haunt the younger individual. By discussing the Yiddish term “nudnik” and its ambivalent and unsettling nature in these writers’ texts, this essay will highlight the cultural impact on modern Jewish identity of the nudnik within each story.  相似文献   

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