PHILOSOPHY AS ART IN ARISTOTLE’S PROTREPTICUS

Observing certain affinities with Plato’s Alcibiades, this paper argues that a distinction between care (epimeleia) of the soul and philosophy as its art (technê) is reflected in Aristotle’s Protrepticus. On the basis of this distinction, it claims that two notions of philosophy can be distinguished in the Protrepticus: philosophy as epistêmê and philosophy as technê. The former has the function of contemplating the truth of nature, and Aristotle praises it as the natural telos of human beings; whereas philosophy as technê helps nature to accomplish the end it designed for human beings. It emerges that according to Aristotle in the Protrepticus philosophy is the art of making oneself coincide with one’s nature as a human being.     

FERENCZI’S EVOLVING CONCEPTION OF NARCISSISIC PATHOLOGY AND ITS BASIS IN TRAUMA*

Ferenczi’s landmark contributions to understanding and treating psychological trauma are inseparable from his evolving conception of narcissism, though he grasped their interrelationship only gradually. Ultimately, he saw narcissistic disorders as the result of how children cope with abuse or neglect, and their aftermath—they identify and comply with the needs of the aggressor, and later of people more generally, and dissociate their own needs, feelings, and perceptions; and they compensate for their submission and sacrifice of self by regressing to soothing omnipotent fantasies—which, ironically, may facilitate continued submission. Ferenczi’s experiments in technique were designed to help patients overcome their defensive retreat to omnipotent fantasies and regain their lost selves. His earliest experiment, active technique, in which he frustrated patients, was a direct attack on their clinging to omnipotent fantasy. But as he came to see such narcissistic personality distortions as a way of coping with the residue of early trauma, his focus shifted to the underlying trauma. His loving and indulgent relaxation technique was intended as an antidote to early emotional neglect. His final experiment, mutual analysis, characterized by the analyst’s openness and honesty in examining his own inevitable insincerities, was an attempt to heal the damage from parents’ hypocrisy about their mistreatment, which Ferenczi came to see as most destructive to the child.     

REALIZATIONAL PERSPECTIVES: BION’S PSYCHOANALYSIS AND DOGEN’S ZEN

The American Journal of Psychoanalysis - The author discusses similarities, differences and identities between the later work of the psychoanalyst Wilfred Bion and the Soto Zen Buddhist teacher...     

DECODING FERENCZI’S CLINICAL DIARY: BIOGRAPHICAL NOTES

In the Clinical Diary of Sándor Ferenczi, certain codes and abbreviations are used to refer to the eight patients Ferenczi was treating in 1932. The identities of two patients are known to us. Notably, Dm. (Clara Thompson), and R.N. (Elizabeth Severn), but the others have remained a mystery. This paper uncovers the identities of the other patients in the Diary, and, for the first time, reveals their identities and life stories. Biographical notes on these patients are provided to expand and contextualize our understanding of their lives—Who were they? What kind of families did they come from? And what happened to them after their analyses? The process of uncovering their identities and the ethics of writing about historical patients will also be addressed.     

LEIBNIZ’S PHILOSOPHY AS A WAY OF LIFE?

The main concern of this essay is to make a case for the thesis that Leibniz conceived of his philosophy as a way of life in something like the sense articulated in the works of Pierre Hadot. On this view, philosophy was a type of conduct, or a mode of existing-in-the-world, which had to be practised at each instant, with the goal of transforming the whole of the individual’s life. The essay also serves as an introduction to some of the main themes in Hadot’s work. While it includes a brief discussion of a number of the central components of Leibniz’s philosophy conceived as a way of life, the essay does not aim to do so in great detail. Rather, it offers a manifesto and initial road map.     

WHAT’S NEW IN PARALLEL PROCESS? THE EVOLUTION OF SUPERVISION’S SIGNATURE PHENOMENON

The American Journal of Psychoanalysis - The concept of parallel process has played a central role in psychoanalytic supervision for the last 60 years, generating continuing interest in...     

“PRIMORDIAL CHANT”. SÁNDOR FERENCZI AS AN ORPHIC POET*

Ferenczi’s deviations from Freudian thinking have caused enormous controversy. This paper re-examines Ferenczi’s theoretical and technical innovations through the lens of Orpha—one of his most characteristic and valuable contributions, the culmination point of his thought, and the leitmotif of his work. So far research on Ferenczi’s Orpha concept has been relatively sparse and there is still much obscurity about this term that he adopted from or co-created with his “evil genius” Elizabeth Severn. The following paper will attempt to shed more light on the origin, evolution, functions, and the philosophical foundations of the Orpha concept. Along with the theoretical, therapeutic and philosophical aspects, this point of view will enable a better understanding of the poetic value and the lyricism of Ferenczi’s work. Orphic harmony—the fusion of Dionysian ecstasy and Apollonian clarity into the “principal instinct of tranquility” proclaimed by Ferenczi in 1930 and into the “primordial chant of cosmic unity” (Herder), emerges as the essence of the Ferenczian work and worldview.

     

PATERNAL FUNCTION AND THIRDNESS IN PSYCHOANALYSIS AND LEGEND: HAS THE FUTURE BEEN FORETOLD?

This paper examines the Akedah, the biblical narrative of the Binding of Isaac, and suggests that this story may be interpreted as inaugurating paternal function and thirdness. It marks the passage from the narcissistic father to the symbolic, dead father, and the institution of the Law that forbids all killings, opening up the succession of the generations. The author suggests that time is an essential element in establishing thirdness, creating a link between the here and now and the there and then in the après coup of the psychoanalytic process. The author also briefly reviews the psychoanalytic literature on thirdness and indicates this paper's contribution to it.     

HARD-BOILED ZEN: JANWILLEM VAN DE WETERING’S THE JAPANESE CORPSE AS BUDDHIST LITERATURE

ABSTRACT

Though many studies of the contemporary Buddhist literature exist, such studies often limit their purview to canonised, ‘high-brow’ authors. In this article, I read Janwillem van de Wetering’s The Japanese Corpse, a detective novel, for how it portrays Zen Buddhism. I show that The Japanese Corpse portrays Zen as non-dualist and amoral: good and bad are arbitrary categories that impede spiritual freedom. Likewise, characters’ identities are fluid, not fixed. The novel shows this by insistently associating Zen with sex and violence, and by the use of dramatic motifs. However, the novel also excludes women, particularly Japanese women, from spiritual attainment, instead essentialising them as the sexual objects of the hard-boiled detective story. As a matrix of conflicting values, The Japanese Corpse thus turns out to be a case study of Buddhist modernism, and of challenges of detective fiction as world literature.     

REFLECTIONS ON JANET ZUCKERMAN AND LISA HORELICK’S “THE AFFECTIVE EXPERIENCE OF THE ANALYST IN THE EXTRA-ANALYTIC MOMENT”

A review and amplification of the article by authors Horelick and Zuckerman regarding the clinical phenomena of encountering patients (analysands) outside of the physical boundaries of the consultation room. Their clinical examples and the literature used to buttress their position and in particular the open disclosure of the deeply personal reactions they experienced are examined and used as launching points for further understanding. Ferenczi, Balint, Freud and other luminaries are incorporated into the topic of extra-analytic encounter, in an attempt to further demystify this inevitable and unplanned moment of disclosure, which, much like resistance and countertransference offer more opportunity than obstacle.     

AMOS OZ’S A TALE OF LOVE AND DARKNESS WITHIN THE FRAMEWORK OF IMMIGRATION NARRATIVES IN MODERN HEBREW LITERATURE

Jewish immigration to Eretz Israel is one of the constitutive narratives of Israeli nationality. The Zionist enterprise cast immigration and assimilation in a positive light by using the Hebrew word aliyah to describe immigration to Israel, linked to the notion of people returning to their homeland. In reality, however, the immigration process was often diametrically opposed to the optimistic aliyah story. Most immigrants, once in Israel, found themselves to be outsiders, yearning for their lost homes, friends and culture, and unable to view the new land as their home.

Over the last few decades, Israeli scholars have begun to challenge the concepts underlying aliyah. In the wake of the ongoing debate on nationality, many prefer to replace the word aliyah with immigration, which suggests that Israel should accept a diversity of identities and cultures.

This article presents a new model to account for this. Following Homi Bhabha’s distinction between the pedagogical and the performative and the idea of heterotopy in Foucault’s writing, I demonstrate that narratives of immigration express dialectical relationships between a utopian pedagogical narrative of aliyah and a personal performative narrative of immigration. I illustrate these relationships through major narratives of modern Hebrew literature, and suggest that they are at the core of Oz’s novel A Tale of Love and Darkness.     

TO MAKE SPANISH A SACRED LANGUAGE: WRITING AND THE CRYPTO‐JEWISH ALLEGORY IN SABINA BERMAN’S LA BOBE

The prominent Jewish‐Mexican author Sabina Berman explores her relationship to Judaism in the semi‐autobiographical novel La Bobe (1990; Bubbeh, 1998) via a loving portrait her grandmother. Undeterred by her Ashkenazi background, Berman employs a Crypto‐Jewish allegory in her portrayal of the grandmother. Through this allegory, Berman is able to restructure Jewish identity as female centered and mouldable. The allegory also opens up a tradition of women’s religious knowledge and prayer that becomes the foundation of the narrator’s future as a Jewish‐Mexican writer. In her narrative, Berman argues for a spiritual identity based not on strict observance of ritual form but on the devotion with which the rituals are undertaken, be they the transmission of a sacred text, the performance of domestic chores, or the writing of stories and plays.     

EICHMANN’S BLOOD‐BARTER IN HUNGARY

In 1944, with the Second World War all but lost for Germany and her bombed‐out industry unable to supply the military, one desperate measure taken to obtain needed war material was an offer by Eichmann to barter the lives of one million Jews for ten thousand trucks. The interaction between the SS and Jewish leaders in Budapest—and in turn their appeals outside Hungary—is the subject of five plays: one originating in Austria, two in Germany, one in Great Britain and one in Israel. All five are discussed here in terms of their approach to the subject, their raisons d’être and their pursuit of the ethical issues raised by Jewish involvement with the Nazis. Whether under a fictional or his real name, a central character in these plays is Reszö Kastner (1906–1957), who was accused after the war of cooperation with the Nazis.     

LINNAEUS AS A SECOND ADAM? TAXONOMY AND THE RELIGIOUS VOCATION

Swedish naturalist Carl von Linné (1707–1778) became known during his lifetime as a “second Adam” because of his taxonomic endeavors. The significance of this epithet was that in Genesis Adam was reported to have named the beasts—an episode that was usually interpreted to mean that Adam possessed a scientific knowledge of nature and a perfect taxonomy. Linnaeus's soubriquet exemplifies the way in which the Genesis narratives of creation were used in the early modern period to give religious legitimacy to scientific activities and to taxonomy in particular. Allusions to Adam's work in the Garden of Eden thus became a way of investing the vocation of the naturalist with religious significance.     

‘IF EACH COULD BE HOUSED IN SEPARATE IDENTITIES…’. THERAPY AS CONVERSATION WITH CONTRADICTORY PARTS OF THE SELF

Recent advances in neuroscience provide compelling evidence of the significance of our embodiment for our psychic life, and the extent to which subjectivity is both a social and a psychological phenomenon. In thinking about the experiential sense of living in an explicitly female body, I suggest that the connotations of disgust with which menstruation is associated cannot fail to affect women's core sense of identity and subjectivity. As gendered blood, to no small degree separating and defining women, the way that it is consciously and unconsciously represented contributes to the way that difference is experienced by every female. We cannot fail, in part, to become what we are attributed to be.

In this paper I have tried to think about the ways in which psychoanalysis appears to mirror a cultural avoidance, which in part it helps to promote, whereby menstruation represents the concealed nature of female sexuality, in contrast to which the phallus continually signifies itself. When acknowledged at all, menstruation is seen as a loss, an incontinence, or an absence (of babies) – a symbol of waste and a break in productivity. I have considered ways in which, and reasons why, images of blood and women can be seen as a sign pointing to a reality against which other variables are measured. Within this paradigm I have attempted to consider ways in which menstruation can be considered to be a metaphor for women's symbolic and real absence, marginalization, fragile status, inarticulacy and misrepresentation.     

MASTER OF THE UNIVERSE: SCORSESE’S “THE WOLF OF WALL STREET” THROUGH A PSYCHOANALYTIC LENS

In this essay I wish to present some reflections on Jordan Belfort, the protagonist of the movie “The Wolf of Wall Street” from a psychoanalytic prism. The movie, “The Wolf of Wall Street”, is a 2013 black comedy film directed by Martin Scorsese and adapted by Terence Winter from Belfort’s memoir (2007) of the same name. This movie has already been analyzed from cultural and historical perspectives, with the protagonist representing American culture of the 1980s. I will first summarize some of these views, and then present my psychoanalytic perspective of Jordan’s wish to become “Master of the Universe” (Wolfe, 1987; Grunberger, 1993), as expressed through his abuse of drugs, hyper-sexuality, and his aggressive and self-destructive behavior. As the craving for omnipotence and immortality is a universal wish that has existed from time immemorial, I will draw an analogy between certain aspects and symbolic elements in “The Wolf of Wall Street” and Wagner’s (1848–1872) four epic operas “Der Ring des Nibelungen.” I will conclude with a brief reference to the charismatic appeal of a man like Jordan to the general public.     

THE NELSON‐DENNY READING TEST AS A PREDICTOR OF COLLEGE GRADES

ABSTRACT

This report studied the predictive validity of the Nelson‐Denny Reading Test (NDRT). Using a sample of over 12,000 college students, the ability of the NDRT was compared to the ability of the Scholastic Aptitude Verbal Tests (SAT‐V) in predicting freshman grade point average and grades in English composition. For each test regression equations were calculated using a calibration group and then crossvalidated with a test group of the sample. The effectiveness of each test was compared applying three evaluation indices: multiple correlation coefficient, mean absolute error of prediction, and the proportion whose predicted grade was within 0.20 units of their actual grade. Essentially, the NDRT and SAT‐V were of equal value in predicting the criteria