The effects of attenuation of frequency segments on binaural localization of sound

Perceived location of tonal stimuli d narrow noise bands presented in two-dimensional space varies in an orderly manner with changes in stimulus frequency. Hence, frequency has a referent in space that is most apparent during monaural listening. The assumption underlying the present study is that maximum sound pressure level measured at the ear canal entrance for the various frequencies serves as a prominent spectral cue for their spatial referents. Even in binaural localization, location judgments in the vertical plane are strongly influenced by spatial referents. We measured sound pressure levels at the left ear canal entrance for 1.0-kHz-wide noise bands, centered from 4.0 kHz through 10.0 kHz, presented at locations from 60° through ?45° in the vertical plane; the horizontal plane coordinate was fixed at ?90°. On the basis of these measurements, we fabricated three different band-stop stimuli in which differently centered 2.0-kHz-wide frequency segments were filtered from a broadband noise. Unfiltered broadband noise served as the remaining stimulus. Localization accuracy differed significantly among stimulus conditions (p<.01). Where in the vertical plane most errors were made depended on which frequency segment was filtered from the broadband noise.     

The linkage between stimulus frequency and covert peak areas as it relates to monaural localization.

Head-related transfer functions for differently centered narrow noise bands were obtained on 6 subjects. Derived from these measurements were covert peak areas (CPAs), defined as the spatial constellation of loudspeakers that generates maximal sound pressure at the entrance of the ear canal for specific bands of frequency. On the basis of previous data, we proposed that different frequency bands served as important spectral cues for monaural localization of sounds from different loci and that location judgments were directed toward the CPAs associated with the different bands. In the first study, the stimuli were bandpass filtered so that they contained only those frequencies whose associated CPAs occupied either the monaural listener's "upper" or "lower" spatial regions. Loudspeakers, separated by 15 degrees, were stationed in the left hemifield, ranging from 0 degree to 180 degrees azimuth and -45 degrees to 60 degrees elevation. Subjects reported the loudspeaker from which the sound appeared to originate. Judgments of the sound's elevation were in general accord with the CPAs associated with the different frequency segments. In the second study, monaural localization tests were administered in which different 2.0-kHz-wide frequency bands linked with specific CPAs were notch filtered from a 3.5-kHz highpass noise band. For the control condition, the highpass noise was unfiltered. The data demonstrated that filtering a frequency segment linked with specific CPAs resulted in significantly fewer location responses directed toward that particular spatial region. These results demonstrate in greater detail the relation between the directional filtering properties of the pinna and monaural localization of sound.     

The linkage between stimulus frequency and covert peak areas as it relates to monaural localization

Head-related transfer functions for differently centered narrow noise bands were obtained on 6 subjects. Derived from these measurements were covert peak areas (CPAs), defined as the spatial constellation of loudspeakers that generates maximal sound pressure at the entrance of the ear canal for specific bands of frequency. On the basis of previous data, we proposed that different frequency bands served as important spectral cues for monaural localization of sounds from different loci and that location judgments were directed toward the CPAs associated with the different bands. In the first study, the stimuli were bandpass filtered so that they contained only those frequencies whose associated CPAs occupied either the monaural listener’s “upper” or “lower” spatial regions. Loudspeakers, separated by 15°, were stationed in the left hemifield, ranging from 0° to 180° azimuth and ?45° to 60° elevation. Subjects reported the loudspeaker from which the sound appeared to originate. Judgments of the sound’s elevation were in general accord with the CPAs associated with the different frequency segments. In the second study, monaural localization tests were administered in which different 2.0-kHz-wide frequency bands linked with specific CPAs were notch filtered from a 3.5-kHz highpass noise band. For the control condition, the highpass noise was unfiltered. The data demonstrated that filtering a frequency segment linked with specific CPAs resulted in significantly fewer location responses directed toward that particular spatial region. These results demonstrate in greater detail the relation between the directional filtering properties of the pinna and monaural localization of sound.     

Signal detectability in the presence of monotic or dichotic noise bands of equal or unequal levels

The application of the power-spectrum model of masking to the detectability of a signal masked by dichotic noise was investigated in three experiments. In each experiment, the signal was a 2-kHz sinusoid of 400-msec duration, masked by either one or two 800-Hz wide bands of noise presented singly or in pairs. In Experiment 1, we compared the detectability of a diotic signal masked by dichotic noise with the detectability of a monaural signal masked by each of the noises separately. The spectrum level of the noise was 35 dB SPL. For dichotic presentations, the signal was sent to both ears while pairs of noise bands, one below and one above the signal frequency, were presented together, one band to each ear. Threshold levels with the dichotic stimuli were lower than or equal to the thresholds with either ear's stimulus on its own. Similar dichotic stimuli were used in Experiment 2, except that the signal frequency was nearer to one or the other of the bands of masking noise, and the noise had a spectrum level of 50 dB SPL. In Experiment 3, thresholds were obtained with two sets of symmetrically and asymmetrically placed notched-noise maskers. For one of these sets, the spectrum level of both noise bands was 35 dB SPL; for the other set, interaural intensity differences were introduced in the form of an inequality in the levels of the noise bands on either side of the signal. In one ear, the spectrum level of the lower frequency noise band was 35 dB SPL and the spectrum level of the higher frequency noise band was 25 dB SPL, whereas in the other ear, the allocation of noise level to noise band was reversed. The dichotic thresholds obtained with the unequal noise maskers could be predicted from the shapes of the auditory filters derived with equal noise maskers. The data from all three experiments suggest that threshold signal levels in the presence of interaural differences in masker intensity depend principally on the ear with the higher signal-to-masker ratio at the output of its auditory filter, a finding consistent with the power-spectrum model of masking.     

The integration of orientation information in the motion correspondence problem

We examine how differently oriented components contribute to the discrimination of motion direction along a horizontal axis. Stimuli were two-frame random-dot kinematograms that were narrowband filtered in spatial frequency. On each trial, subjects had to state whether motion was to the left or the right. For each stimulus condition, Dmax (the largest displacement supporting 80% correct direction discrimination performance) was measured. In experiment 1, Dmax was measured for orientationally narrowband stimuli as a function of their mean orientation. Dmax was found to increase as the orientation of the stimuli became closer to the axis of motion. Experiment 2 used isotropic stimuli in which some orientation bands contained a coherent motion signal, and some contained only noise. When the noise band started at vertical orientations and increased until only horizontal orientations contained a coherent motion signal, Dmax increased slightly. This suggests that near-vertical orientations interfere with motion perception at large displacements when they contain a coherent motion signal. When the noise band started at horizontal and increased until only vertical orientations contained the motion signal, Dmax decreased steadily. This implies that Dmax depends at least partly on the most horizontal motion signal in the stimulus. These results were contrasted with two models. In the first, the visual system utilises the most informative orientations (nearest horizontal). In the second, all available orientations are used equally. Results supported an intermediate interpretation, in which all orientations are used but more informative ones are weighted more heavily.     

Spectral restoration of speech: Intelligibility is increased by inserting noise in spectral gaps

In order to function effectively as a means of communication, speech must be intelligible under the noisy conditions encountered in everyday life. Two types of perceptual synthesis have been reported that can reduce or cancel the effects of masking by extraneous sounds: Phonemic restoration can enhance intelligibility when segments are replaced or masked by noise, and contralateral induction can prevent mislateralization by effectively restoring speech masked at one ear when it is heard in the other. The present study reports a third type of perceptual synthesis induced by noise: enhancement of intelligibility produced by adding noise to spectral gaps. In most of the experiments, the speech stimuli consisted of two widely separated narrow bands of speech (center frequencies of 370 and 6000 Hz, each band having high-pass and low-pass slopes of 115 dB/octave meeting at the center frequency). These very narrow bands effectively reduced the available information to frequency-limited patterns of amplitude fluctuation lacking information concerning formant structure and frequency transitions. When stochastic noise was introduced into the gap separating the two speech bands, intelligibility increased for “everyday” sentences, for sentences that varied in the transitional probability of keywords, and for monosyllabic word lists. Effects produced by systematically varying noise amplitude and noise bandwidth are reported, and the implications of some of the novel effects observed are discussed.     

Selective attentional delays and attentional capture among simultaneous visual onset elements

Visual discrimination and detection responses to a single stimulus presented simultaneously with noise stimuli are slower and less accurate than are responses to a single stimulus presented alone. This occurs even though the location of the relevant stimulus (target) is known or visually indicated with stimuli onset. Results showed that noise elements delay focal attending and processing of a target. Furthermore, precuing the target location reduces, and can eliminate, target processing delays. Processing delays were not due to response competition or to random attentional capture by noise. It is suggested that simultaneous stimuli are perceived initially as a single object, and delays in processing a single stimulus are due to difficulties in perceptually segregating this stimulus from noise. Precuing is assumed to facilitate this segregation process.     

A formal analysis of ratings of physical attractiveness: Successive contrast and simultaneous assimilation

Photographs of faces were presented in a series, either singly or in pairs, for ratings of physical attractiveness. In Experiment 1, faces were presented singly, and both the range and relative frequencies of physical attractiveness (on baseline scaling) were manipulated experimentally. The same face elicited higher ratings when less attractive faces predominated in the experimental series, successive contrast. Increasing the number of available categories resulted in higher ratings but did not reduce the amount of successive contrast. Both range and skewing effects were in accordance with a range-frequency model that permits the subjective range to vary with number of categories. In Experiment 2, faces were presented in pairs. The same face now elicited lower ratings when presented simultaneously with a less attractive face, simultaneous assimilation. Successive contrast was again observed between pairs and was greater for 5- than for 101-point rating scales. A model that uses the judgments resulting from a range-frequency compromise as the stimulus values for integration within pairs provides the best account of how both contrast and assimilation occur within the same experimental session. Alternative interpretations of the observed contrast and assimilation were discussed.     

Suprathreshold stereo-depth matches as a function of contrast and spatial frequency

Thresholds for stereoscopic-depth perception increase with decreasing spatial frequency below 2.5 cycles deg-1. Despite this variation of stereo threshold, suprathreshold stereoscopic-depth perception is independent of spatial frequency down to 0.5 cycle deg-1. Below this frequency the perceived depth of crossed disparities is less than that stimulated by higher spatial frequencies which subtend the same disparities. We have investigated the effects of contrast fading upon this breakdown of stereo-depth invariance at low spatial frequencies. Suprathreshold stereopsis was investigated with spatially filtered vertical bars (difference of Gaussian luminance distribution, or DOG functions) tuned narrowly over a broad range of spatial frequencies (0.15-9.6 cycles deg-1). Disparity subtended by variable width DOGs whose physical contrast ranged from 10-100% was adjusted to match the perceived depth of a standard suprathreshold disparity (5 min visual angle) subtended by a thin black line. Greater amounts of crossed disparity were required to match broad than narrow DOGs to the apparent depth of the standard black line. The matched disparity was greater at low than at high contrast levels. When perceived contrast of all the DOGs was matched to standard contrasts ranging from 5-72%, disparity for depth matches became similar for narrow and broad DOGs. 200 ms pulsed presentations of DOGs with equal perceived contrast further reduced the disparity of low-contrast broad DOGs needed to match the standard depth. A perceived-depth bias in the uncrossed direction at low spatial frequencies was noted in these experiments. This was most pronounced for low-contrast low-spatial-frequency targets, which actually needed crossed disparities to make a depth match to an uncrossed standard. This bias was investigated further by making depth matches to a zero-disparity standard (ie the apparent fronto-parallel plane). Broad DOGs, which are composed of low spatial frequencies, were perceived behind the fixation plane when they actually subtended zero disparity. The magnitude of this low-frequency depth bias increased as contrast was reduced. The distal depth bias was also perceived monocularly, however, it was always greater when viewed binocularly. This investigation indicates that contrast fading of low-spatial-frequency stimuli changes their perceived depth and enhances a depth bias in the uncrossed direction. The depth bias has both a monocular and a binocular component.     

Depth interpolation with sparse disparity cues

The interpolation of stereoscopic depth given only sparse disparity information was investigated. The basic stimulus was a rectangle with zero disparity at one edge, and 20 or 30 min visual angle disparity at the other. The depth assigned to the ambiguous intervening locations was measured by means of a small briefly-flashed binocular comparison spot. For a stimulus consisting of a uniform rectangle presented on a background of random dots with zero disparity, interpolated depth was greater for a high mean contrast between rectangle and background than for a low mean contrast. Relative to a linear interpolation between the edges, a larger difference in edge disparity resulted in poorer depth interpolation. Depth interpolation based on rivalrous information was examined by filling the stimulus rectangle with narrow-band filtered noise which was uncorrelated between the two eyes. Four different passbands which were matched in apparent contrast were investigated. The results demonstrate that the rivalrous low-spatial-frequency content was resistant to interpolation; rivalrous high spatial frequencies did not interfere with depth interpolation. High-spatial-frequency stimuli yielded a percept similar to the uniform-field condition, whereas low-spatial-frequency stimuli lay in a depth plane near or even behind the background. In the latter case a transparent plane was perceived which was linearly interpolated between the two edges, and which floated above the rivalrous noise.     

A comparison of the contrast effects in sound localization in the horizontal and vertical planes

The effect of a background sound on the auditory localization of a single sound source was examined. Nine loudspeakers were arranged crosswise in the horizontal and the median vertical plane. They ranged from -20 degrees to +20 degrees, with the center loudspeaker at 0 degree azimuth and elevation. Using vertical and horizontal centimeter scales, listeners verbally estimated the position of a 500-ms broadband noise stimulus being presented at the same time as a 2 s background sound, emitted by one of the four outer loudspeakers. When the background sound consisted of continuous broadband noise, listeners consistently shifted the apparent target positions away from the background sound locations. This auditory contrast effect, which is consistent with earlier findings, equally occurred in both planes. But when the background sound was changed to a pulse train of noise bursts, the contrast effect decreased in the horizontal plane and increased in the vertical plane. This discrepancy might be due to general differences in the processing of interaural and spectral localization information.     

Coherence masking protection in speech sounds: The role of formant synchrony

Three experiments were performed to examine listeners’ thresholds for identifying stimuli whose spectra were modeled after the vowels /i/ and /ε/, with the differences between these stimuli restricted to the frequency of the first formant. The stimuli were presented in a low-pass masking noise that spectrally overlapped the first formant but not the higher formants. Identification thresholds were lower when the higher formants were present than when they were not, even though the first formant contained the only distinctive information for stimulus identification. This indicates that listeners were more sensitive in identifying the first formant energy through its contribution to the vowel than as an independent percept; this effect is given the namecoherence masking protection. The first experiment showed this effect for synthetic vowels in which the distinctive first formant was supported by a series of harmonics that progressed through the higher formants. In the second two experiments, the harmonics in the first formant region were removed, and the first formant was simulated by a narrow band of noise. This was done so that harmonic relations did not provide a basis for grouping the lower formant with the higher formants; coherence masking protection was still observed. However, when the temporal alignment of the onsets and offsets of the higher and lower formants was disrupted, the effect was eliminated, although the stimuli were still perceived as vowels. These results are interpreted as indicating that general principles of auditory grouping that can exploit regularities in temporal patterns cause acoustic energy belonging to a coherent speech sound to stand out in the auditory scene.     

Contours of equal perceived amplitude and equal perceived frequency for electrocutaneous stimuli

Previous measurements of equal-sensation contours for electrocutaneous stimuli consisting of repeated bursts of biphasic pulses have shown that stimulus frequency has little effect on perceived amplitude, and that stimulus amplitude has no effect on perceived frequency. These earlier contours, however, were measured over a very restricted range of amplitude and frequency or for a single perceived amplitude or perceived frequency. Contours of equal perceived amplitude and equal perceived frequency were measured in the present study for stimuli covering most of the useable range of amplitudes and frequencies: 3–12 dB SL and 4–64 Hz. Eight naive subjects generated contours of equal perceived amplitude at four reference amplitudes via Békésy tracking, and 8 additional subjects generated contours of equal perceived frequency at three reference frequencies. The contours of equal perceived amplitude declined slightly but significantly with increases in stimulus frequency, consistent with previous results. The shape of the contours was also slightly dependent on the amplitude of the reference stimulus. Contours of equal perceived frequency were unaffected by stimulus amplitude on the average, but the contour shape did vary modestly, though erratically, with reference frequency.     

The spatial attributes of stimulus frequency and their role in monaural localization of sound in the horizontal plane

Listeners, whose right ears were blocked, located low-intensity sounds originating from loudspeakers placed 15 deg apart along the horizontal plane on the side of the open, or functioning, ear. In Experiment 1, the stimuli consisted of noise bursts, 1.0 kHz wide and centered at 4.0 through 14.0 kHz in steps of .5 kHz. We found that the apparent location of the noise bursts was governed by their frequency composition. Specifically, as the center frequency was increased from 4.0 to about 8.0 kHz, the sound appeared to move away from the frontal sector and toward the side. This migration pattern of the apparent sound source was observed again when the center frequency was increased from 8.0 to about 12.0 kHz. Then, with center frequencies of 13.0 and 14.0 kHz, the sound appeared once more in front. We referred to this relation between frequency composition and apparent location in terms of spatial referent maps. In Experiment 2, we showed that localization was more proficient if the frequency content of the stimulus served to connect adjacent spatial referent maps rather than falling within a single map. By these means, we have further elucidated the spectral cues utilized in monaural localization of sound in the horizontal plane.     

Three-space inference from two-space stimulation.

Oblique contours sloping at 30 degrees with respect to the horizontal were presented alone, in combination to form chevrons, or with a vertical line to form arrowhead or Y patterns; they were projected onto a screen in the frontal parallel plane and viewed from positions that gave viewing angles of 90 degrees (normal to the screen's surface), 53 degrees, or 34 degrees. The perceived orientation of the contours, as assessed by a movable arm that the subjects set to be parallel to the obliques, changed monotonically as a function of viewing angle. The change was as great for single obliques as for combinations of obliques within the chevron, arrowhead, and Y patterns. The results of Experiment 1 were extended in Experiment 2, in which obliques at 30 degrees and 50 degrees with respect to the horizontal were presented singly or in combination as chevron patterns. It is argued that the results of both experiments indicate that single two-space oblique lines are immediately interpreted as lying in three-space and that the changes in perceived orientation are a consequence of this perceptual inference.     

Pure-tone perception and ear advantages in dichotic listening

A same-different matching task was used to investigate how subjects perceived a dichotic pair of pure tones. Pairs of stimulus tones in four frequency ranges (center frequencies of 400–1,700 Hz), with separations between 40 and 400 Hzt were tested. Five types of test tones were matched to the stimulus pair: the stimulus pair presented again (control) or crossed over (same tones, different ears), the geometric mean of the two tones, or a binaural tone of the low or high tone of the pair. In the lowest frequency range and the highest with maximum separation, the crossed-over test tones were perceived as different from the same stimulus tones. A bias for perceiving the higher tone of a pair was evident in the frequency ranges with separations of 40-200 Hz. In the lowest frequency range, the bias was for perceiving the higher tone in the right ear. This restricted ear advantage in the perception of pure tones was not significantly related to the right-ear advantage in dichotic word monitoring.     

Three-space inference from two-space stimulation

Oblique contours sloping at 30° with respect to the horizontal were presented alone, in combination to form chevrons, or with a vertical line to form arrowhead or Y patterns; they were projected onto a screen in the frontal parallel plane and viewed from positions that gave viewing angles of 90° (normal to the screen’s surface), 53°, or 34°. The perceived orientation of the contours, as assessed by a movable arm that the subjects set to be parallel to the obliques, changed monotonically as a function of viewing angle. The change was as great for single obliques as for combinations of obliques within the chevron, arrowhead, and Y patterns. The results of Experiment 1 were extended in Experiment 2, in which obliques at 30° and 50° with respect to the horizontal were presented singly or in combination as chevron patterns. It is argued that the results of both experiments indicate that single two-space oblique lines are immediately interpreted as lying in three-space and that the changes in perceived orientation are a consequence of this perceptual inference.     

Effects of redundant auditory stimuli on reaction time

Auditory redundancy gains were assessed in two experiments in which a simple reaction time task was used. In each trial, an auditory stimulus was presented to the left ear, to the right ear, or simultaneously to both ears. The physical difference between auditory stimuli presented to the two ears was systematically increased across experiments. No redundancy gains were observed when the stimuli were identical pure tones or pure tones of different frequencies (Experiment 1). A clear redundancy gain and evidence of coactivation were obtained, however, when one stimulus was a pure tone and the other was white noise (Experiment 2). Experiment 3 employed a two-alternative forced choice localization task and provided evidence that dichotically presented pure tones of different frequencies are apparently integrated into a single percept, whereas a pure tone and white noise are not fused. The results extend previous findings of redundancy gains and coactivation with visual and bimodal stimuli to the auditory modality. Furthermore, at least within this modality, the results indicate that redundancy gains do not emerge when redundant stimuli are integrated into a single percept.     

Variation in performance on auditory and visual monitoring tasks as a function of signal and stimulus frequencies

Observers were required to detect double jumps of a diffuse light spot jumping in a circular pattern and more intense noise pulses in a pulse train. Seven groups performed at different combinations of stimulus and signal frequencies, higher signal frequency/stimulus frequency ratios, and lower stimulus frequencies. Stimulus frequency was a more potent determiner of performance than signal frequency, and performance was not invariant within a given signal frequency/stimulus frequency ratio. Correlations of dependent measures were also examined.-Results are discussed with reference to various theories of vigilance behavior.     

Asymmetry of masking between noise and tone

A pure tone was used to mask narrow and wide bands of noise centered on the frequency of the tone. In a given experimental session, the sound-pressure level (SPL) of the tone was held constant and loudness balances were obtained between a masked and unmasked noise band of equal width. These results are compared to earlier measures of the partial masking of tone by noise. The comparison shows that noise masks a tone more effectively than the tone masks the noise. Although the effect of the tone on a critical band of noise is greater than its effect on either an octave-band noise or wide-band noise, it is considerably smaller than the effect of the noise on the tone. Decreasing the noise bandwidth still further to a subcritical width reduces the asymmetry of masking somewhat, but a difference at high intensities of about 20 dB between the masking effects of an equally intense noise and tone remains. Whether the masker is a tone or noise, masking ceases when the effective energy of the masked and masking stimuli is the same.