Seeing to hear better: evidence for early audio-visual interactions in speech identification

Lip reading is the ability to partially understand speech by looking at the speaker's lips. It improves the intelligibility of speech in noise when audio-visual perception is compared with audio-only perception. A recent set of experiments showed that seeing the speaker's lips also enhances sensitivity to acoustic information, decreasing the auditory detection threshold of speech embedded in noise [J. Acoust. Soc. Am. 109 (2001) 2272; J. Acoust. Soc. Am. 108 (2000) 1197]. However, detection is different from comprehension, and it remains to be seen whether improved sensitivity also results in an intelligibility gain in audio-visual speech perception. In this work, we use an original paradigm to show that seeing the speaker's lips enables the listener to hear better and hence to understand better. The audio-visual stimuli used here could not be differentiated by lip reading per se since they contained exactly the same lip gesture matched with different compatible speech sounds. Nevertheless, the noise-masked stimuli were more intelligible in the audio-visual condition than in the audio-only condition due to the contribution of visual information to the extraction of acoustic cues. Replacing the lip gesture by a non-speech visual input with exactly the same time course, providing the same temporal cues for extraction, removed the intelligibility benefit. This early contribution to audio-visual speech identification is discussed in relationships with recent neurophysiological data on audio-visual perception.     

Audio-visual speech perception is special

In face-to-face conversation speech is perceived by ear and eye. We studied the prerequisites of audio-visual speech perception by using perceptually ambiguous sine wave replicas of natural speech as auditory stimuli. When the subjects were not aware that the auditory stimuli were speech, they showed only negligible integration of auditory and visual stimuli. When the same subjects learned to perceive the same auditory stimuli as speech, they integrated the auditory and visual stimuli in a similar manner as natural speech. These results demonstrate the existence of a multisensory speech-specific mode of perception.     

Investigating the effects of inversion on configural processing with an audiovisual temporal-order judgment task

Research has shown that inversion is more detrimental to the perception of faces than to the perception of other types of visual stimuli. Inverting a face results in an impairment of configural information processing that leads to slowed early face processing and reduced accuracy when performance is tested in face recognition tasks. We investigated the effects of inverting speech and non-speech stimuli on audiovisual temporal perception. Upright and inverted audiovisual video clips of a person uttering syllables (experiments 1 and 2), playing musical notes on a piano (experiment 3), or a rhesus monkey producing vocalisations (experiment 4) were presented. Participants made unspeeded temporal-order judgments regarding which modality stream (auditory or visual) appeared to have been presented first. Inverting the visual stream did not have any effect on the sensitivity of temporal discrimination responses in any of the four experiments, thus implying that audiovisual temporal integration is resilient to the effects of orientation in the picture plane. By contrast, the point of subjective simultaneity differed significantly as a function of orientation only for the audiovisual speech stimuli but not for the non-speech stimuli or monkey calls. That is, smaller auditory leads were required for the inverted than for the upright-visual speech stimuli. These results are consistent with the longer processing latencies reported previously when human faces are inverted and demonstrates that the temporal perception of dynamic audiovisual speech can be modulated by changes in the physical properties of the visual speech (ie by changes in orientation).     

Use of visual information in speech perception: evidence for a visual rate effect both with and without a McGurk effect

The McGurk effect, where an incongruent visual syllable influences identification of an auditory syllable, does not always occur, suggesting that perceivers sometimes fail to use relevant visual phonetic information. We tested whether another visual phonetic effect, which involves the influence of visual speaking rate on perceived voicing (Green & Miller, 1985), would occur in instances when the McGurk effect does not. In Experiment 1, we established this visual rate effect using auditory and visual stimuli matching in place of articulation, finding a shift in the voicing boundary along an auditory voice-onset-time continuum with fast versus slow visual speech tokens. In Experiment 2, we used auditory and visual stimuli differing in place of articulation and found a shift in the voicing boundary due to visual rate when the McGurk effect occurred and, more critically, when it did not. The latter finding indicates that phonetically relevant visual information is used in speech perception even when the McGurk effect does not occur, suggesting that the incidence of the McGurk effect underestimates the extent of audio-visual integration.     

An acquired deficit of audiovisual speech processing

We report a 53-year-old patient (AWF) who has an acquired deficit of audiovisual speech integration, characterized by a perceived temporal mismatch between speech sounds and the sight of moving lips. AWF was less accurate on an auditory digit span task with vision of a speaker's face as compared to a condition in which no visual information from the lower face was available. He was slower in matching words to pictures when he saw congruent lip movements compared to no lip movements or non-speech lip movements. Unlike normal controls, he showed no McGurk effect. We propose that multisensory binding of audiovisual language cues can be selectively disrupted.     

Visual contribution to the multistable perception of speech

The multistable perception of speech, or verbal transformation effect, refers to perceptual changes experienced while listening to a speech form that is repeated rapidly and continuously. In order to test whether visual information from the speaker's articulatory gestures may modify the emergence and stability of verbal auditory percepts, subjects were instructed to report any perceptual changes during unimodal, audiovisual, and incongruent audiovisual presentations of distinct repeated syllables. In a first experiment, the perceptual stability of reported auditory percepts was significantly modulated by the modality of presentation. In a second experiment, when audiovisual stimuli consisting of a stable audio track dubbed with a video track that alternated between congruent and incongruent stimuli were presented, a strong correlation between the timing of perceptual transitions and the timing of video switches was found. Finally, a third experiment showed that the vocal tract opening onset event provided by the visual input could play the role of a bootstrap mechanism in the search for transformations. Altogether, these results demonstrate the capacity of visual information to control the multistable perception of speech in its phonetic content and temporal course. The verbal transformation effect thus provides a useful experimental paradigm to explore audiovisual interactions in speech perception.     

Cortical integration of audio–visual speech and non-speech stimuli

Using fMRI we investigated the neural basis of audio–visual processing of speech and non-speech stimuli using physically similar auditory stimuli (speech and sinusoidal tones) and visual stimuli (animated circles and ellipses). Relative to uni-modal stimuli, the different multi-modal stimuli showed increased activation in largely non-overlapping areas. Ellipse-Speech, which most resembles naturalistic audio–visual speech, showed higher activation in the right inferior frontal gyrus, fusiform gyri, left posterior superior temporal sulcus, and lateral occipital cortex. Circle-Tone, an arbitrary audio–visual pairing with no speech association, activated middle temporal gyri and lateral occipital cortex. Circle-Speech showed activation in lateral occipital cortex, and Ellipse-Tone did not show increased activation relative to uni-modal stimuli. Further analysis revealed that middle temporal regions, although identified as multi-modal only in the Circle-Tone condition, were more strongly active to Ellipse-Speech or Circle-Speech, but regions that were identified as multi-modal for Ellipse-Speech were always strongest for Ellipse-Speech. Our results suggest that combinations of auditory and visual stimuli may together be processed by different cortical networks, depending on the extent to which multi-modal speech or non-speech percepts are evoked.     

情绪和时间辨别任务中视听整合与预先准备效应

本研究分别在时间和情绪认知维度上考察预先准备效应对情绪视听整合的影响。时间辨别任务(实验1)发现视觉引导显著慢于听觉引导,并且整合效应量为负值。情绪辨别任务(实验2)发现整合效应量为正值;在负性情绪整合中,听觉引导显著大于视觉引导;在正性情绪整合中,视觉引导显著大于听觉引导。研究表明,情绪视听整合基于情绪认知加工,而时间辨别会抑制整合;此外,跨通道预先准备效应和情绪预先准备效应都与引导通道有关。     

Evaluating the influence of the 'unity assumption' on the temporal perception of realistic audiovisual stimuli

Vatakis, A. and Spence, C. (in press) [Crossmodal binding: Evaluating the 'unity assumption' using audiovisual speech stimuli. Perception &Psychophysics] recently demonstrated that when two briefly presented speech signals (one auditory and the other visual) refer to the same audiovisual speech event, people find it harder to judge their temporal order than when they refer to different speech events. Vatakis and Spence argued that the 'unity assumption' facilitated crossmodal binding on the former (matching) trials by means of a process of temporal ventriloquism. In the present study, we investigated whether the 'unity assumption' would also affect the binding of non-speech stimuli (video clips of object action or musical notes). The auditory and visual stimuli were presented at a range of stimulus onset asynchronies (SOAs) using the method of constant stimuli. Participants made unspeeded temporal order judgments (TOJs) regarding which modality stream had been presented first. The auditory and visual musical and object action stimuli were either matched (e.g., the sight of a note being played on a piano together with the corresponding sound) or else mismatched (e.g., the sight of a note being played on a piano together with the sound of a guitar string being plucked). However, in contrast to the results of Vatakis and Spence's recent speech study, no significant difference in the accuracy of temporal discrimination performance for the matched versus mismatched video clips was observed. Reasons for this discrepancy are discussed.     

Hearing gestures, seeing music: vision influences perceived tone duration

Percussionists inadvertently use visual information to strategically manipulate audience perception of note duration. Videos of long (L) and short (S) notes performed by a world-renowned percussionist were separated into visual (Lv, Sv) and auditory (La, Sa) components. Visual components contained only the gesture used to perform the note, auditory components the acoustic note itself. Audio and visual components were then crossed to create realistic musical stimuli. Participants were informed of the mismatch, and asked to rate note duration of these audio-visual pairs based on sound alone. Ratings varied based on visual (Lv versus Sv), but not auditory (La versus Sa) components. Therefore while longer gestures do not make longer notes, longer gestures make longer sounding notes through the integration of sensory information. This finding contradicts previous research showing that audition dominates temporal tasks such as duration judgment.     

Audiovisual perception of noise vocoded speech in dyslexic and non-dyslexic adults: The role of low-frequency visual modulations

Visual speech inputs can enhance auditory speech information, particularly in noisy or degraded conditions. The natural statistics of audiovisual speech highlight the temporal correspondence between visual and auditory prosody, with lip, jaw, cheek and head movements conveying information about the speech envelope. Low-frequency spatial and temporal modulations in the 2–7 Hz range are of particular importance. Dyslexic individuals have specific problems in perceiving speech envelope cues. In the current study, we used an audiovisual noise-vocoded speech task to investigate the contribution of low-frequency visual information to intelligibility of 4-channel and 16-channel noise vocoded speech in participants with and without dyslexia. For the 4-channel speech, noise vocoding preserves amplitude information that is entirely congruent with dynamic visual information. All participants were significantly more accurate with 4-channel speech when visual information was present, even when this information was purely spatio-temporal (pixelated stimuli changing in luminance). Possible underlying mechanisms are discussed.     

视听刺激突显性对视觉主导效应的影响

本研究使用空间任务-转换范式,控制视、听刺激的突显性,探讨自下而上注意对视觉主导效应的影响。结果表明视、听刺激突显性显著地影响视觉主导效应,实验一中当听觉刺激为高突显性时,视觉主导效应显著减弱。实验二中当听觉刺激为高突显性并且视觉刺激为低突显性时,视觉主导效应进一步减弱但依然存在。结果支持偏向竞争理论,在跨通道视听交互过程中视觉刺激更具突显性,在多感觉整合过程中更具加工优势。     

Perception of intersensory synchrony in audiovisual speech: not that special

Perception of intersensory temporal order is particularly difficult for (continuous) audiovisual speech, as perceivers may find it difficult to notice substantial timing differences between speech sounds and lip movements. Here we tested whether this occurs because audiovisual speech is strongly paired (“unity assumption”). Participants made temporal order judgments (TOJ) and simultaneity judgments (SJ) about sine-wave speech (SWS) replicas of pseudowords and the corresponding video of the face. Listeners in speech and non-speech mode were equally sensitive judging audiovisual temporal order. Yet, using the McGurk effect, we could demonstrate that the sound was more likely integrated with lipread speech if heard as speech than non-speech. Judging temporal order in audiovisual speech is thus unaffected by whether the auditory and visual streams are paired. Conceivably, previously found differences between speech and non-speech stimuli are not due to the putative “special” nature of speech, but rather reflect low-level stimulus differences.     

Perception of audiovisual infant directed speech

Infant perception often deals with audiovisual speech input and a first step in processing this input is to perceive both visual and auditory information. The speech directed to infants has special characteristics and may enhance visual aspects of speech. The current study was designed to explore the impact of visual enhancement in infant-directed speech (IDS) on audiovisual mismatch detection in a naturalistic setting. Twenty infants participated in an experiment with a visual fixation task conducted in participants’ homes. Stimuli consisted of IDS and adult-directed speech (ADS) syllables with a plosive and the vowel /a:/, /i:/ or /u:/. These were either audiovisually congruent or incongruent. Infants looked longer at incongruent than congruent syllables and longer at IDS than ADS syllables, indicating that IDS and incongruent stimuli contain cues that can make audiovisual perception challenging and thereby attract infants’ gaze.     

The role of facial colour and luminance in visual and audiovisual speech perception

We conducted four experiments to investigate the role of colour and luminance information in visual and audiovisual speech perception. In experiments 1a (stimuli presented in quiet conditions) and 1b (stimuli presented in auditory noise), face display types comprised naturalistic colour (NC), grey-scale (GS), and luminance inverted (LI) faces. In experiments 2a (quiet) and 2b (noise), face display types comprised NC, colour inverted (CI), LI, and colour and luminance inverted (CLI) faces. Six syllables and twenty-two words were used to produce auditory and visual speech stimuli. Auditory and visual signals were combined to produce congruent and incongruent audiovisual speech stimuli. Experiments 1a and 1b showed that perception of visual speech, and its influence on identifying the auditory components of congruent and incongruent audiovisual speech, was less for LI than for either NC or GS faces, which produced identical results. Experiments 2a and 2b showed that perception of visual speech, and influences on perception of incongruent auditory speech, was less for LI and CLI faces than for NC and CI faces (which produced identical patterns of performance). Our findings for NC and CI faces suggest that colour is not critical for perception of visual and audiovisual speech. The effect of luminance inversion on performance accuracy was relatively small (5%), which suggests that the luminance information preserved in LI faces is important for the processing of visual and audiovisual speech.     

Lexical Mediation Between Sight and Sound in Speechreading

In two experiments, we investigated whether simultaneous speech reading can influence the detection of speech in envelope-matched noise. Subjects attempted to detect the presence of a disyllabic utterance in noise while watching a speaker articulate a matching or a non-matching utterance. Speech detection was not facilitated by an audio-visual match, which suggests that listeners relied on low-level auditory cues whose perception was immune to cross-modal top-down influences. However, when the stimuli were words (Experiment 1), there was a (predicted) relative shift in bias, suggesting that the masking noise itself was perceived as more speechlike when its envelope corresponded to the visual information. This bias shift was absent, however, with non-word materials (Experiment 2). These results, which resemble earlier findings obtained with orthographic visual input, indicate that the mapping from sight to sound is lexically mediated even when, as in the case of the articulatory-phonetic correspondence, the cross-modal relationship is non-arbitrary.     

The case against a speech mode of perception

On the basis of evidence from six areas of speech research, it is argued that there is no reason to assume that speech stimuli are processed by structures that are inherently different from structures used for other auditory stimuli. It is concluded that speech and non-speech auditory stimuli are probably perceived in the same way.     

Gesture and metaphor comprehension: Electrophysiological evidence of cross-modal coordination by audiovisual stimulation

In recent years, studies have suggested that gestures influence comprehension of linguistic expressions, for example, eliciting an N400 component in response to a speech/gesture mismatch. In this paper, we investigate the role of gestural information in the understanding of metaphors. Event related potentials (ERPs) were recorded while participants viewed video clips of an actor uttering metaphorical expressions and producing bodily gestures that were congruent or incongruent with the metaphorical meaning of such expressions. This modality of stimuli presentation allows a more ecological approach to meaning integration. When ERPs were calculated using gesture stroke as time-lock event, gesture incongruity with metaphorical expression modulated the amplitude of the N400 and of the late positive complex (LPC). This suggests that gestural and speech information are combined online to make sense of the interlocutor’s linguistic production in an early stage of metaphor comprehension. Our data favor the idea that meaning construction is globally integrative and highly context-sensitive.     

Cortical operational synchrony during audio-visual speech integration

Information from different sensory modalities is processed in different cortical regions. However, our daily perception is based on the overall impression resulting from the integration of information from multiple sensory modalities. At present it is not known how the human brain integrates information from different modalities into a unified percept. Using a robust phenomenon known as the McGurk effect it was shown in the present study that audio-visual synthesis takes place within a distributed and dynamic cortical networks with emergent properties. Various cortical sites within these networks interact with each other by means of so-called operational synchrony (Kaplan, Fingelkurts, Fingelkurts, & Darkhovsky, 1997). The temporal synchronization of cortical operations processing unimodal stimuli at different cortical sites reveals the importance of the temporal features of auditory and visual stimuli for audio-visual speech integration.