Memory for the absolute pitch of familiar songs

Four experiments were conducted to examine the ability of people without "perfect pitch" to retain the absolute pitch of familiar tunes. In Experiment 1, participants imagined given tunes, and then hummed their first notes four times either between or within sessions. The variability of these productions was very low. Experiment 2 used a recognition paradigm, with results similar to those in Experiment 1 for musicians, but with some additional variability shown for unselected subjects. In Experiment 3, subjects rated the suitability of various pitches to start familiar tunes. Previously given preferred notes were rated high, as were notes three or four semitones distant from the preferred notes, but not notes one or two semitones distant. In Experiment 4, subjects mentally transformed the pitches of familiar tunes to the highest and lowest levels possible. These experiments suggest some retention of the absolute pitch of tunes despite a paucity of verbal or visual cues for the pitch.     

Memory for sound, with an ear toward hearing in complex auditory scenes

An area of research that has experienced recent growth is the study of memory during perception of simple and complex auditory scenes. These studies have provided important information about how well auditory objects are encoded in memory and how well listeners can notice changes in auditory scenes. These are significant developments because they present an opportunity to better understand how we hear in realistic situations, how higher-level aspects of hearing such as semantics and prior exposure affect perception, and the similarities and differences between auditory perception and perception in other modalities, such as vision and touch. The research also poses exciting challenges for behavioral and neural models of how auditory perception and memory work.     

Feeling-of-knowing for songs and instrumental music

We explored the differences between metamemory judgments for titles as well as for melodies of instrumental music and those for songs with lyrics. Participants were given melody or title cues and asked to provide the corresponding titles or melodies or feeling of knowing (FOK) ratings. FOK ratings were higher but less accurate for titles with melody cues than vice versa, but only in instrumental music, replicating previous findings. In a series of seven experiments, we ruled out style, instrumentation, and strategy differences as explanations for this asymmetry. A mediating role of lyrics between the title and the melody in songs was also ruled out. What emerged as the main explanation was the degree of familiarity with the musical pieces, which was manipulated either episodically or semantically, and within this context, lyrics appeared to serve as an additional source of familiarity. Results are discussed using the Interactive Theory of how FOK judgments are made.     

Mental scanning in auditory imagery for songs

Four experiments examined how people operate on memory representations of familiar songs. The tasks were similar to those used in studies of visual imagery. In one task, subjects saw a one-word lyric from a song and then saw a second lyric; then they had to say if the second lyric was from the same song as the first. In a second task, subjects mentally compared pitches of notes corresponding to song lyrics. In both tasks, reaction time increased as a function of the distance in beats between the two lyrics in the actual song, and in some conditions reaction time increased with the starting beat of the earlier lyric. Imagery instructions modified the main results somewhat in the first task, but not in the second, much harder task. The results suggest that song representations have temporal-like characteristics.     

Memory for frequency of bizarre and common stimuli: limitations of the automaticity hypothesis

In 2 experiments, the influence of intention to process frequency on accuracy of memory for frequency of bizarre and common sentences was investigated. The results from multiple regression analyses indicated that intentional processing increased the accuracy of frequency judgments when memory for frequency was tested after a 2-min (Experiment 1) and after a 48-hr (Experiment 2) retention interval. Furthermore, the results of Experiment 2 indicated that unintentional processors tended to overestimate frequencies of bizarre relative to common items after a delay. The implications of the results are discussed with regard to L. Hasher and R. T. Zacks's (1984) automaticity hypothesis, human performance, and the accuracy of judgments of frequency of occurrence of unusual events.     

Memory for frequency in rats: role of the hippocampus and medial prefrontal cortex

On a radial arm maze rats were tested for frequency memory of specific spatial locations, a task that presumably involves the coding of temporal information. On any trial during the study phase rats were allowed to visit three different spatial locations only once and one spatial location twice. During the test phase the rats were given a choice between a spatial location that had been visited once and spatial location that had been visited twice. The rats were reinforced for selecting the twice-visited spatial location. The number of spatial locations between a repetition (lag) was varied from one to three. After extensive training rats displayed memory for frequency only for a lag of three spatial locations, i.e., they displayed a repetition lag effect. Animals then received control, medial prefrontal cortex, or hippocampal lesions. Upon subsequent retests control rats continued to display frequency memory, but animals with medial prefrontal cortex or hippocampal lesions displayed a marked impairment. These data support the idea that both the hippocampus and medial prefrontal cortex code temporal order information.     

Memory and frequency estimation processes in a decision task

Two experiments examined the role of information storage and frequency estimation processes in a simple decision task. On each trial from one to five simultaneous sequences of information were presented, and subjects were required to monitor and respond to each sequence. In one study independent groups of subjects gave decisions, recognition responses. or frequency judgments. In a second study recall responses were obtained from subjects as part of the decision and frequency judgment tasks. Changes in performance as the number of simultaneous sequences increased suggested an independence of decisions from memory for specific information. Performance on the decision and frequency judgment tasks exceeded at times that which was possible on the basis of specific information available. Other data suggested that subjects in the frequency estimation tasks maintained an accurate frequency count when possible, but in the decision task kept little more than a record of their currently favored hypothesis. When direct counting was prevented in the second experiment. performance in the two tasks was not significantly different, suggesting that the two processes are very similar under such conditions.     

Memory for the frequency of sex-typed versus neutral behaviors: Implications for the maintenance of sex stereotypes

Research has indicated that existing stereotypic beliefs can produce systematic biases in the processing of information. Information which is consistent with stereotypic assumptions appears to be stored and/or retrieved with relative ease, leading to confirmatory biases in memory. The present study tested the hypothesis that behavior which is consistent with sex stereotypes would be judged to have occurred more frequently than nonsex-stereotypic behavior. Subjects were presented with a videotape consisting of behavioral episodes in which male and female actors engaged in sex-typed and neutral activities. Subjects then made frequency judgments and performed a recognition task. Although all activities were actually presented the same number of times, subjects' frequency estimates were significantly higher for sex-typed activity episodes. Implications for the maintenance of beliefs in sex stereotypes are discussed.     

Semantic priming of familiar songs

We explored the functional organization of semantic memory for music by comparing priming across familiar songs both within modalities (Experiment 1, tune to tune; Experiment 3, category label to lyrics) and across modalities (Experiment 2, category label to tune; Experiment 4, tune to lyrics). Participants judged whether or not the target tune or lyrics were real (akin to lexical decision tasks). We found significant priming, analogous to linguistic associative-priming effects, in reaction times for related primes as compared to unrelated primes, but primarily for within-modality comparisons. Reaction times to tunes (e.g., “Silent Night”) were faster following related tunes (“Deck the Hall”) than following unrelated tunes (“God Bless America”). However, a category label (e.g., Christmas) did not prime tunes from within that category. Lyrics were primed by a related category label, but not by a related tune. These results support the conceptual organization of music in semantic memory, but with potentially weaker associations across modalities.     

Integration of melody and text in memory for songs

Two experiments examined whether the memory representation for songs consists of independent or integrated components (melody and text). Subjects heard a serial presentation of excerpts from largely unfamiliar folksongs, followed by a recognition test. The test required subjects to recognize songs, melodies, or texts and consisted of five types of items: (a) exact songs heard in the presentation; (b) new songs; (c) old tunes with new words; (d) new tunes with old words; and (e) old tunes with old words of a different song from the same presentation (‘mismatch songs’). Experiment 1 supported the integration hypothesis: Subjects' recognition of components was higher in exact songs (a) than in songs with familiar but mismatched components (e). Melody recognition, in particular, was near chance unless the original words were present. Experiment 2 showed that this integration of melody and text occurred also across different performance renditions of a song and that it could not be eliminated by voluntary attention to the melody.     

“道情”考释

一、“道情”的源起与体制“道情”作为一种道教声腔说唱艺术,起源于何时,有不同的说法。有人认为“道情”原为“道歌”,相传为东汉张道陵所创,用来宣传因果报应,劝善惩恶等宗教思想,南宋时,开始用渔鼓和简板伴奏,亦称渔鼓;有人认为道家的《步虚词》是“道情的先声”,《步虚词》由道家之徒所吟唱,未几便产生出了正式的“道情”;陈汝衡先生在其《说书史话》中引用《新唐书·礼乐志》“高宗调露二年命乐工作道调”的记载,欲从中寻绎出道情的起源①;郑振铎先生在其《中国俗文学史》中说:“道情之唱,由来甚久。元曲有仙佛科;元人散曲里复多闲适…     

Context effects on tempo and pleasantness judgments for Beatles songs

Context effects on tempo and pleasantness judgments of different tempos were demonstrated in three experiments using Beatles songs. In Experiments 1 and 2, we explored how listening to versions of the same song that were played at different tempos affected tempo and pleasantness ratings. In both experiments, contrast effects were found on judgments of tempo, with target tempos rated faster when context tempos were slow than when they were fast. In both experiments, we also showed that the peak of the pleasantness rating function shifted toward the values of the context tempos, reflecting disordinal context effects on pleasantness relationships. Familiarity with the songs did not moderate these effects, and shifts in tempo ratings did not correlate with shifts in most pleasant target tempos when context was manipulated within subjects. In Experiment 3, we examined how manipulations of context tempos for one song affected judgments of the same song as compared with judgments of other more or less similar songs. For tempo ratings, contrast effects transferred to ratings of a similar song, but for pleasantness ratings, assimilative shifts of ideals were found only for the same song and not for similar songs. This pattern of results was supportive of independent bases for the two context effects.     

Memory for event frequency as a function of depression, age, intentionality, and level of processing

In two experiments, we examined memory for event frequency among depressed and/or elderly subjects (depression was either naturally occurring or induced by the Velten technique). We also manipulated level of processing and instructional set to test the notion that memory for event frequency is relatively invariant across a variety of tasks. Results supported the proposal that memory for frequency is robust in the face of depression and old age. Memory for frequency was enhanced, however, by semantic processing and by an intentional learning instructional set. Finally, the results suggest that the Velten technique not only induced variation in mood but also may have induced a semantic processing strategy in our depressed and elated subjects.     

Memory for routes

Two experiments examined the acquisition of cognitive maps of two intersecting routes through an urban area. In the presentation stage of the experiments, slides of the two routes were shown in order to simulate travel along the routes. The number of presentations of the slides was varied. In the test stage, subjects made directional and distance judgements from memory between places on the routes. The results suggest that from the start of acquisition of the spatial layout of the routes, subjects used network schemata in which both routes were combined, rather than a separate scheme for each route which were later combined. During initial acquisitions of the routes, a direction of travel bias was found such that spatial judgements from memory tended to be more accurate in the direction of travel along the routes than in the opposite direction. The findings imply that, at least during early acquisition, the spatial properties of the routes were encoded in terms of sequential associations.     

Memory for emotions

It is argued that memory reproduces emotional data as well as cognitive information. Retrieval of feelings may be cue-dependent, emotionally mediated or coincidental. Infantile emotions can be presumed to vary strongly due to the lack of control, and, poorly labelled, they could produce powerful, but un-identifiable memories, possible components in various adult experiences. In later childhood there is greater independence, and moderately positive memories from this period have possibly fewer “withdrawal effects.” Though an event may be linked with certain remembered feelings at the time of impact, it can later be recombined with other echoes. Remembered emotions can be rewarding, and if they are found to be lacking, substitutes will often be sought, or repressed feelings may surface. These theoretical considerations are applied to the phenomena of anger, depression, and anxiety, each involving (reproduced) feeling-states influencing cognitive processing. “Turning down” the memory channel, or the timely retrieval of positive feelings could increase tolerance in this respect. Human attraction is also briefly analysed.     

Memory for music

Subjects created imaginal interpretations of classical music passages in accordance with themes which were either concrete and comprehensible or abstract and difficult to comprehend. Recognition memory for the musical passages was found to be superior in the former condition. The results support the hypothesis that meaningful interpretation of stimulus material is a major determinant of memory accuracy. The implications of the results for comparisons of music and language are also discussed.     

Memory for metaphors

Three experiments examined memory for metaphorical sentences. No differences between metaphors and nonmetaphorical equivalents (e.g.,The ivy cuddled up to the window vs.The ivy grew up to the window) in the number of correct recalls or recognitions were found. There was, however, a significant trend for recall errors that were meaning-preseving to be less metaphorical than the input sentence. The results supported hypotheses that metaphors and nonmetaphors are equally easy to remember and that the stored memory representation does not distinguish whether its antecedent linguistic input was metaphorical or not.This research was supported by Grant MH 28493-01 from NIMH and by a grant from the Kansas State University Bureau of General Research.Some of the data were reported at the Meeting of the Psychonomic Society, Denver, November 1975.     

Memory for Conversation

Memory for conversation is treated as a source of coherence in social encounters and its connections with social competence are tested in a study of problemsolving conversations. As predicted, accurate recall is found to correlate positively with social competence and negatively with social anxiety. Partners have better memory for their own contributions than for each other's, and this difference is exacerbated by topic importance. Differences in recall are also found for differing amounts of involvement in the conversations. Results are explained in terms of resource allocation during conversation.