Revisiting K. C. Bhattacharyya's concept of the absolute and its alternative forms: a holographic model for simultaneous illumination

Krishnachandra Bhattacharyya, one of the preeminent Indian philosophers of the 20^th century, proposed that the absolute appears in three alternative forms – truth, freedom and value. Each of these forms are for Bhattacharyya absolute, ultimate, not penultimate. Each is different from the other, yet they cannot be said to be one or many. He contends that these absolutes are incompatible with each other and that an articulation of the relation between the three absolutes is not feasible. This paper will review Bhattacharyya's presentation of the absolute in its alternative forms and will place these abstractions within the context of three specific religious traditions that he sees illustrating his point. Then, using a model based upon holography, I will illuminate with ‘concrete images’ that which Bhattacharyya could deductively formulate but could not logically integrate. Holography, the process by which three‐dimensional images are produced from an imageless film – a film in which each part can reproduce the whole – will be used as a heuristic device to illuminate the simultaneous and mutually interpenetrating existence of the absolute in three forms. This model will illumine how these three forms can be conceived of as not the same yet not other and how these forms can be incompatible as absolutes, but metaphysically inseparable.